Political Project and Flaws of the Socialist System Criticism: A.I. Solzhenitsyn vs I.A. Efremov

2019 ◽  
Vol 66 ◽  
pp. 169-174
Author(s):  
Yulia Chernyakhovskaya

The article offers comparative analysis of the biography and work of the two famous Russian writers, philosophers and public figures – I.A. Efremov (1908–1972) and A.I Solzhenitsyn (1918–2008), whose political activity started in 1950-iess. and continued throughout the second half of the 20th century. 2018 was the anniversary year for both thinkers as that year we celebrated the centenary of A.I. Solzhenitsyn and the 110th anniversary of I.A. Efremov. Both thinkers professed the ideology of statism and conservatism and represented two schools of Soviet philosophy; they became leading figures in the directions featured in their creative work. At the same time their views on the goals of literature and public work were diametrically opposite, and the present article is devoted to the study of the present issue.


2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.



2019 ◽  
Vol 1 (11) ◽  
pp. 109-146
Author(s):  
Aleksandra Szwejkowska-Belica

The essence of the present article is presenting the influence of the creative output as well as personality of Karol Szymanowski on subsequent generations of Polish 20th century composers searching for new trends and options for their artistic development, based on the Polish Suite for violin and piano by Szymon Laks. It is a very interesting composition as an object for an academic study as well as from the performance-related and artistic perspectives. All research activities aim towards finding style similarities in Laks’ composition and analysing them in comparison to works by Szymanowski. The examples given in the article illustrate a clear influence of Szymanowski, from distant associations concerning the mood, colour and aura of the piece to specific quotations substantiating a great respect and admiration Szymon Laks had for Karol Szymanowski. Another confirmation of that is the fact that this composition was dedicated to Szymanowski. The rich heritage Szymanowski left became the new path he had set for future generations of not only Polis composers. It seems that this thesis has been duly proven in the article. In Laks’ composition we will find clear influences and often even quotations from Polish folklore, which Karol Szymanowski also used in his works. The aim of the article is also familiarising readers with this very rarely performed composition, showing its undisputed qualities and encouraging everyone to discover and promote numerous forgotten yet often very valuable pieces in Polish music.



2020 ◽  
Vol 53 (1) ◽  
pp. 27-54
Author(s):  
Fiona Haig

Democratic centralism was the Leninist-Bolshevik pyramidal model of internal organization in operation in all communist parties for most of the 20th century. Thus far, the question of whether it functioned consistently across the non-ruling parties has not been addressed explicitly or systematically. This article examines the implementation of this essential internal dynamic in a French and an Italian communist party federation in the early postwar period. Drawing on new personal testimonies from more than 50 informants, and inedita archival evidence, this analysis reveals not only similarities but also clear functional disparities between the two cases.



2020 ◽  
Vol 102 ◽  
pp. 471-478
Author(s):  
Peter A. Shevchenko

The article provides a comparative analysis of the influence of L.N. Tolstoy and I.I. Sergiev (John of Kronstadt) on the formation of personal worldview in Russian society. The analysis is based on the testimonies of the contemporaries and the previously not reissued publication of “Novy Put” (“New Way”) journal on the subject. In the context of the declared problematics, special attention is paid to the question of transformation of religious consciousness in the course of the personality formation in relation to the period under consideration (the beginning of the 20th century). The author reveals and analyzes the main components of the life stand of Tolstoy and Father John of Kronstadt in the context of their influence on contemporaries. The results of the study allow to reveal the following antitheses that characterize Tolstoy and John of Kronstadt, respectively: doubt - faith, search for oneself – following the once chosen path, preaching of non-resistance as part of the philosophy of not-doing (not doing evil) – preaching of active upholding of faith (doing good), “simple living” – real life with and for common people.



2019 ◽  
Vol 54 ◽  
pp. 123-136
Author(s):  
Lyubov V. Ulyanova

The article analyzes the political discourse of the officials of the main political surveillance structure, – the Police Department, – in the period of 1880s (organization of the Department) and until October, 1905, when the Western-type Constitution project finally prevailed. The comparative analysis of the conceptual instruments (“Constitutionalists”, “Oppositionists”, “Radicals”, “Liberals”) typically used in the Police Department allows one to come o the conclusion that the leaders of the Russian empire political police did not follow the “reactionary and protective” discourse, did not share its postulates, but preferred the moderate-liberal-conservative path of political development. Along with that, the Police Department also demonstrated loyal attitude to zemsky administration and zemsky figures, covert criticism of “bureaucratic mediastinum”, the tendency to come to an agreement with public figures through personal negotiations, intentional omittance of reactionary and protective repressive measures in preserving autocracy. All this allows to come to the conclusion that the officials of the Police Department shares Slavophil public and political doctrine.



Author(s):  
B. M. Shustov

During the second half of the 20th century and the beginning of the 21st century, space hazards multiplied, the most urgent of which is space debris. Professionals working in space are exposed to this hazard daily and are aware of it as a problem. Furthermore, increasing attention is being paid to the unpredictable behavior of the Sun, which produces the so-called space weather. The asteroid-comet hazard is considered as potentially having the most catastrophic consequences. No manifestations of biological hazard have yet been observed, although as space activities develop, it is becoming increasingly important. The appropriate time scale for astrophysical hazards is many millions of years, so from a practical perspective, they have no importance. This article briefly describes the main types of space hazards. The author analyzes the results of research and practical work in the field, both worldwide and specifically in Russia. Comparative analysis leads to the clear conclusion that a national program must be developed for the study of space hazards and to respond to space threats. This article is based on a report made by the author at the meeting of the Presidium of the Russian Academy of Sciences (RAS) on January 15, 2019.



Author(s):  
Dubey Somil

The word Malahara or Malhama is derived from unani system of medicine. Yogaratnakara mentioned this first by the name of Malahara Kalpana. It derives its name as it removes Mala (residue etc.) from Vrana (wounds), Vidradhi (abscess) etc. This is similar to ointments in modern pharmaceutics. Malahara Kalpana is the ointment preparation which has Siktha Taila (bees wax and oil mixture) or Ghrita, as the basic constituent. The other ingredients may include herbal, metal, or mineral contents depending upon the usage. Malahara has a property like Snehana (oelation), cleansing, Ropana (healing), Lekhana (scaraping), and Varnya (beautifying), depending on the drugs used in the preparation. Rasa Tarangani a Rasa Shastra treatise of 20th century by Acharya Sadananda Sharma has enumerated various types of Malahara Kalpana taking mainly Siktha Taila as a base. Though this Kalpana holds firm roots in treating diseases the mention and explanation of this particular topic is scattered in this treatise. Hence the present article is an attempt to elucidate and unfold the Malahara Kalpana of Rasatarangani.



2008 ◽  
Vol 1 (3) ◽  
pp. 273-285 ◽  
Author(s):  
Yair Galily

From its explosive development in the last decade of the 20th century, the World Wide Web has become an ideal medium for dedicated sports fanatics and a useful resource for casual fans, as well. Its accessibility, interactivity, speed, and multimedia content have triggered a fundamental change in the delivery of mediated sports, a change for which no one can yet predict the outcome (Real, 2006). This commentary sheds light on a process in which the talk-back mechanism, which enables readers to comment on Web-published articles, is (re)shaping the sport realm in Israeli media. The study on which this commentary is based involved the comparative analysis of over 3,000 talk-backs from the sports sections of 3 daily Web news sites (Ynet, nrg, and Walla!). The argument is made that talkbacks serve not only as an extension of the journalistic sphere but also as a new source of information and debate.



2020 ◽  
Vol 59 (10) ◽  
pp. 61-67
Author(s):  
Inna Alimovna Khatipova ◽  

The present article examines pieces for piano written by Moldavian composers Ștefan and Gheorghe Neaga. Created in the 1930s and 1950s, they are representative examples of the genre of miniature in the national music of the 20th century. The pieces share a number of common traits: they have a solid national basis, are rooted in the genres of Moldavian folklore and are characterized by simplicity of the musical language and convincing compositional and dramaturgic developments. Figurative-emotional and intonational brightness of these miniatures, which were written at a high professional level, determined their viability and their ample potential for being included in the pedagogical repertoire. Key words: Ștefan Neaga, Gheorghe Neaga, piece for piano, pedagogic repertoire, Moldavian folklore, piano texture.



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