Danilevskii Problem

2020 ◽  
Vol 58 ◽  
pp. 199-222
Author(s):  
Stephen M. Woodburn

In the last half century, Nikolai Danilevskii’s Rossiia i Evropa has been interpreted variously according to the contexts in which he is read. MacMaster’s well-known biography reflects mid-twentieth century preoccupations with totalitarianism and the Eastern Bloc, while post-Soviet interpreters have sought source material for reconstructing Russian national identity without Soviet ideology. New editions of the book also reflect changing desires of the times. But the context of Danilevskii’s other works reveal his involvement with intellectual and political cross-currents of nineteenth-century Europe, and the limits of his applicability to other times.

Author(s):  
Theodore M. Porter

This concluding chapter addresses how statistics has assumed the trappings of a modern academic discipline primarily during the last half century. The intellectual character of statistics had been thoroughly transformed by 1900. The period when statistical thinking was allied only to the simplest mathematics gave way to a period of statistical mathematics—which, to be sure, has not been divorced from thinking. In the twentieth century, statistics has at last assumed at least the appearance of conforming to that hierarchical structure of knowledge beloved by philosophers and sociologists in which theory governs practice and in which the “advanced” field of mathematics provides a solid foundation for the “less mature” biological and social sciences. The crystallization of a mathematical statistics out of the wealth of applications developed during the nineteenth century provides the natural culmination to this story.


2018 ◽  
Vol 10 (1) ◽  
pp. 106-126
Author(s):  
Bahar Gürsel

The swift and profound transformations in technology and industry that the United States began to experience in the late 1800s manifested themselves in school textbooks, which presented different patterns of race, ethnicity, and otherness. They also displayed concepts like national identity, exceptionalism, and the superiority of Euro-American civilization. This article aims to demonstrate, via an analysis of two textbooks, how world geography was taught to children in primary schools in nineteenth century America. It shows that the development of American identity coincided with the emergence of the realm of the “other,” that is, with the intensification of racial attitudes and prejudices, some of which were to persist well into the twentieth century.


2014 ◽  
Vol 6 (4) ◽  
pp. 229-239 ◽  
Author(s):  
Mathias Guenther

Purpose – The purpose of this paper is to explain the discrepancy between ethnohistorical accounts on north-western Kalahari San of the nineteenth to early twentieth century and recent ethnographic accounts, the former depicting the San as intensely warlike, the latter as basically peaceable. Design/methodology/approach – Review of historical, ethnohistorical and ethnographic source material (reports, journal articles, monographs). Findings – The warlike ways of the nineteenth-century Kalahari San were reactions to settler intrusion, domination and encapsulation. This was met with resistance, a process that led to the rapid politicization and militarization, socially and ideationally, of San groups in the orbit of the intruders (especially the “tribal zone” they created). It culminated in internecine warfare, specifically raiding and feuding, amongst San bands and tribal groupings. Research limitations/implications – While the nineteenth-century Kalahari San were indeed warlike and aggressive, toward both intruders and one another, this fact does not warrant the conclusion that these “simple” hunter-gatherer people have an agonistic predisposition. Instead, of being integral to their sociality, bellicosity is historically contingent. In the absence of the historical circumstances that fuel San aggression and warfare, as was the case after and before the people's exposure and resistance to hegemonic intruders, San society and ethos, in conformity with the social structure and value orientation of simple, egalitarian band societies, is basically peaceful. Originality/value – A setting-the-record-straight corrective on current misunderstandings and misinformation on hunter-gatherer warfare.


2012 ◽  
Vol 67 (1) ◽  
pp. 29-57 ◽  
Author(s):  
Dehn Gilmore

This essay suggests that conservation debates occasioned by the democratization of the nineteenth-century museum had an important impact on William Makepeace Thackeray’s reimagination of the historical novel. Both the museum and the historical novel had traditionally made it their mission to present the past to an ever-widening public, and thus necessarily to preserve it. But in the middle of the nineteenth century, the museum and the novel also shared the experience of seeming to endanger precisely what they sought to protect, and as they tried to choose how aggressive to be in their conserving measures, they had to deliberate about the costs and benefits of going after the full reconstruction (the novel) or restoration (the museum) of what once had been. The first part of this essay shows how people fretted about the relation of conservation, destruction, and national identity at the museum, in The Times and in special Parliamentary sessions alike; the second part of the essay traces how Thackeray drew on the resulting debates in novels including The Newcomes (1853–55) and The History of Henry Esmond (1852), as he looked for a way to revivify the historical novel after it had gone out of fashion. He invoked broken statues and badly restored pictures as he navigated his own worries that he might be doing history all wrong, and damaging its shape in the process.


2004 ◽  
Vol 4 (4) ◽  
pp. 17-24 ◽  
Author(s):  
cathy kaufman

Christmas dinner emerged for the first time as an important and distinctive meal in mid-nineteenth century America, fueled by changing attitudes towards the Christmas holiday, changing meal patterns, and the need to unify Americans after the Civil War and to assimilate waves of immigrants. Charles Dickens’ Christmas Carol provided an ideal template for meals centering on turkey and plum pudding, and that model has continued to inform many middle and working class tables. But by the end of the nineteenth century, cookery writers for the more affluent market began to disdain turkey at Christmas, and the uniform tapestry of Christmas foods began to unravel. Christmas dinner in twentieth-century America became more a statement of class than of national identity.


Text Matters ◽  
2018 ◽  
pp. 353-364
Author(s):  
Jadwiga Maszewska

The paper presents Josefina Niggli (1910–83), an American mid-twentieth-century writer who was born and grew up in Mexico, and her novel Mexican Village (1945). A connoisseur of Mexican culture and tradition, and at the same time conscious of the stereotypical perceptions of Mexico in the United States, Niggli saw it as her literary goal to “reveal” the “true” Mexico as she remembered it to her American readers. Somewhat forgotten for several decades, Niggli, preoccupied with issues of marginalization, hybridization, and ambiguity, is now becoming of interest to literary critics as a forerunner of Chicano/a literature. In her novel Mexican Village, set in the times of the Mexican Revolution, she creates a prototypical bicultural and bilingual Chicano protagonist, who becomes witness to the rise of Mexico’s modern national identity.


1992 ◽  
Vol 17 (1) ◽  
pp. 27-34 ◽  
Author(s):  
Chris Goddard

If you go down to the woods today…Matthew Arnold (1822–1888), the nineteenth-century English poet, wrote about the live murmur of a summer’s day’, presumably referring to bees, birds and other bugs humming around the countryside. A twentieth-century American (whom I believe to be a poet though not all would agree) wrote that The Times They Are A-Changin’ (1963). Nowhere have they changed more than in the English countryside. In 1991, it was the ‘live murmur’ of the summer’s night that was more likely to be heard. Out in fertile rural England the English people have discovered crop circles in their cornfields.It is good to be in England in (the admittedly all-too-brief) summer, but quiet evenings in cornfields sleeping off the effects of English ales are a thing of the past. These days, find a cornfield and you will find half the media and a sizeable chunk of the English population. In some country areas, they say, it is quieter sitting in the middle of the road because you avoid the crowds. Crop circles in cornfields have seized the imagination of the public.


2009 ◽  
Vol 24 (2) ◽  
pp. 254-268
Author(s):  
Lidia Jurek

In considering the concept of “Pole-Catholic,” it might well be asked not if it had real grounds but in what circumstances it was constructed. Although the Polish national identity in its current shape was “Catholicized” mostly in the twentieth century, the previous age—the nineteenth century—as a time of constant struggle for political independence has been regarded as having the most formative effect on Polish national imagination. This article discusses an important moment in the construction of the concept “Pole-Catholic.” It shows that far before the idea of Roman Dmowski (from the turn of the nineteenth and twentieth centuries), who claimed that only a Catholic was a good Pole, the strong identification of Polish nationalism with Catholicism had been insistently articulated by Polish conservative groups. The discourse of the Catholic Polish nation appeared in (and even dominated) the debate on the Italian Risorgimento. Between 1848 and 1871, discussing the Italian—papal conflict, the conservatives created their religious programme for Poland and took advantage of the popularity of the Italian national movement among Poles to promote it in their writings. Their equation of Polishness with Catholicism appeared to leave a strong trace in the formation of the Polish identity and continues to inform the way in which Poles are perceived nowadays.


2016 ◽  
Vol 52 (3) ◽  
pp. 731-763 ◽  
Author(s):  
Marcela García Sebastiani ◽  
David Marcilhacy

This article is a study of the national holiday of 12 October, one of the most long-lasting and least transitory of the symbolic components of Spanish nationalism. Transnational in nature, this celebration of Spain’s existence constitutes an exception among similar national holidays, in that it is based upon the country’s role in the Americas and nostalgia for empire as founding elements of national identity. By analysing the changing ways in which this anniversary was celebrated in the course of the twentieth century, in rituals and language, the article highlights both the different imaginaries that were evoked and the roles played by particular actors and institutions in different stages of the construction of the national state and the definition of the regional and local identities of which it is composed. Our analysis of the progress of this celebration, from its inception in the late nineteenth century to the present day, as first Fiesta de la Raza, then Día de la Hispanidad and now just ‘National Day’, suggests that its durability, which has been maintained for nearly a century, stems from the notably ductile nature of the myths associated with it. Adaptable to regimes and political challenges of varied kinds, this commemoration melds together the inheritance of liberalism, the national-Catholic tradition and ‘regionalized nationalism’, all of which have been key elements in Spanish political history in the twentieth century.


1998 ◽  
Vol 31 (2) ◽  
pp. 217-240 ◽  
Author(s):  
SOPHIE FORGAN

National exhibitions and festivals perform a number of roles at the same time. In the first half of the twentieth century exhibitions were first and foremost trade fairs, occasions on which to promote British goods but at the same time provide an opportunity for cementing imperial relations. Exhibitions are also sites of aesthetic discourse where, for example, particular architectural or design ideologies may be promoted; in addition, they provide platforms for the conspicuous display of scientific and technical achievement; and finally, they provide opportunities for creating and projecting ideas of national identity, however multi-faceted those might be. Furthermore, in order to encourage the widest possible attendance and popularity, most exhibitions from the late nineteenth century onwards included a large number of purely entertaining attractions, which of course provided places for the mingling of social classes, something that appealed to post-1945 notions of a properly democratic society. Exhibitions therefore always perform a number of functions, some of which may indeed conflict with each other, and need to be analysed on a number of levels.


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