Peranakan Chinese’s Literature in Doenia Baroe Magazine (1930)

2020 ◽  
Vol 2 (1) ◽  
pp. 1-7
Author(s):  
Risa Junita Sari ◽  
Wannofri Samry ◽  
Yudhi Andoni
Keyword(s):  
Short Story ◽  
New World ◽  
Political Identity ◽  
Chinese Literature ◽  
Chinese People ◽  
Literary Works ◽  
The Social ◽  
History Of ◽  
Historical Methodology ◽  
History Of Literature

Doenia Baroe Magazine (1930) is a press media of Peranakan Chinese that contains a lot of literature from various genre. The purpose of this study is to explain themes, forms and orientation of Peranakan Chinese’s literature, so that might explain author’s idea of literary works.Literature from Doenia Baroe Magazine has become the overview of history of literature that written by Peranakan Chinese that use historical methodology. Chinese literature in Doenia Baroe Magazine are influenced by the identity tendency as Chinese people which brings out rendering literary works. Literature from Doenia Baroe Magazine are adaptive to the modernity of colonial environment without needed to remove their ancestral heritage. Literary works in Doenia Baru Magazine has various genres such as short story, feuilleton and poem that implicitly show the author’s new world. Peranakan Chinese’s literature has not just become the social reflection but also implies political identity of the era.The result of this study, the beginning of chinese’s literature is relevant with mentality of the era that affects the author’s idea.

scholarly journals RELIGIOSITAS MASYARAKAT TIONGHOA DALAM CERPEN DI MAJALAH STAR WEEKLY, LIBERAL, DAN PANTJAWARNA TAHUN 1954—1956

Sirok Bastra ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 89-95
Author(s):  
Dea Letriana Cesaria
Keyword(s):  
Short Stories ◽  
World War Ii ◽  
Short Story ◽  
Chinese Literature ◽  
Chinese People ◽  
Chinese Community ◽  
World War ◽  
Literary Works ◽  
Post War ◽  
Bahasa Indonesia

Sastra Peranakan Tionghoa adalah karya sastra dalam bahasa Indonesia yang dihasilkan oleh orang Tionghoa yang dilahirkan di Indonesia. Seusai Perang Dunia II, sastra peranakan tetap berkembang. Bentuknya bukan lagi novel tetapi cerpen. Namun, berbeda dengan keadaan sebelum Perang Dunia II, pada zaman Pasca-Perang itu tidak lagi terdapat majalah seperti Tjerita Romans atau Penghidoepan. Kebanyakan karya dimuat dalam majalah-majalah umum atau berita, seperti Star Weekly, Liberal, dan Pantjawarna. Tujuan dari penelitian ini adalah melihat kontribusi majalah Star Weekly, Pantjawarna, dan Liberal pada tahun 1950-an terhadap publikasi karya penulis Tionghoa. Metode yang digunakan adalah metode kualitatif dan deskriptif.  Hasil penelitian menunjukkan bahwa cerpen dalam majalah Star Weekly, Liberal, dan Pantjawarna menggambarkan religiositas masyarakat Tionghoa dalam menjalani kehidupan yang multikultural di Indonesia. Konsep kemanusiaan dalam ajaran Konghucu erat kaitannya dengan konsep Tepa Sarira dalam kebudayaan Jawa. Chinese Literature is literary works in Indonesian produced by Chinese people who were born in Indonesia. After World War II, peranakan literature continued to flourish. The form is no longer a novel but a short story. However, in contrast to the situation before World War II, the Post-War era there were no magazines anymore, such as Tjerita Romans or Penghidoepan. Most of his work is published in public magazines or news, such as Star Weekly, Liberal, and Pantja Warna. The purpose of this study is to look at the contributions of Star Weekly, Pantja Warna and Liberal magazines in the 1950s to the publication of works by Chinese writers. The method used is qualitative and descriptive methods. The results showed that short stories in Star Weekly, Liberal, and Pantjawarna, magazines illustrate the religiosity of the Chinese community in leading a multicultural life in Indonesia. The concept of humanity in Confucianism is closely related to the concept of Tepa Sarira in Javanese culture.

scholarly journals RIAK-RIAK POSMODERN DALAM CERPEN ABRACADABRA KARYA DANARTO

2010 ◽  
Vol 4 (1) ◽  
pp. 18
Author(s):  
Dudy Syafruddin
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Human Mind ◽  
Social Phenomenon ◽  
Literary Works ◽  
Historiographic Metafiction ◽  
The Social ◽  
The 1960S

Literature is a product of culture keeping abreast of human mind. Literary works is a means for the authors to express the social phenomenon in his life. The discourses about postmodernism in the second half of twentieth century, as a part of the story of human mind, was a profound interest for the Authors. In Indonesia, the postmodern discourse has come up in the 1960s. This paper involves the elements of Postmodernism in the short story “Abacadabra” written by Danarto. The dominant elements in this short story are parody, fragmentary, and historiographic metafiction.

Kajian Aspek Moral Pada Buku Kumpulan Dongeng Si Kancil Karya Mb Rahimsyah Ar (Buku Pegangan para Bunda untuk Mendongeng Kepada Si buah hati)

2020 ◽  
Vol 21 (2) ◽  
pp. 44-47
Author(s):  
Siti Karomah ◽  
Agus Hermawan
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Fairy Tales ◽  
Social Life ◽  
Literary Work ◽  
Life Forms ◽  
Social World ◽  
Literary Works ◽  
The Social

Abstract— Literary work, directly or indirectly, is the realization and imagination of the author as a reflection and the reality that the author gets from society. Literary works can be found through the life forms of society. Thus, literary works cannot be separated from the elements around them. Literary work along its journey always implicate man, humanity, life, and life. In essence, literary works are born for the surrounding community. Literary works are the products of authors who live in the social world. That way, short story literary works in the form of fairy tales are the author's imaginative world that is always related to social life. There are interesting things that are given to our children to change attitudes and daily ethics. Keywords—: Literary works; short stories; fairy tales.

scholarly journals MEMBACA DUNIA SUREALIS IBW. WIDIASA KENITEN DALAM KUMPULAN CERPEN BUDUH NGELAWANG

2021 ◽  
Vol 11 (1) ◽  
pp. 83
Author(s):  
I Wayan Juliana
Keyword(s):  
Literary Criticism ◽  
Short Story ◽  
New World ◽  
Literary Form ◽  
Structure Theory ◽  
Connotative Meaning ◽  
Literary Works ◽  
Short Story Collection ◽  
Story Collection ◽  
Semantic Aspect

Buduh Ngelawang's short story collection is one of the literary works that was born from the hands of a teacher named IBW. Widiasa Keniten. Apart from being a teacher, he is also active in writing literary works in both Balinese and Indonesian. His works should be appreciated and given comments in order to add to the repertoire of literary criticism in the field of modern Balinese literature itself. In Buduh Ngelawang's short story collection, the author builds a new world in modern Balinese literature that has never been done before. The author offers a new model in structuring the modern Balinese literary form, namely the surreal form. On this occasion, Buduh Ngelawang's short story collection will be analyzed based on Tzevetan Todorov's narratological structure theory. In the narratological analysis, the semantics (in absensia) aspect will be discussed. The semantic aspect relates to the involvement of denotative meaning and connotative meaning as a way to express meaning.

The Social Question and the Problem of History after Empire

2009 ◽  
Author(s):  
Uday Singh Mehta
Keyword(s):  
Twentieth Century ◽  
Collective Identity ◽  
Political Identity ◽  
Complex Relationship ◽  
Constitutional Government ◽  
Indian Experience ◽  
The Social ◽  
History Of ◽  
The Moment ◽  
Obvious Feature

Decolonization of the European empires in the twentieth century was spurred by the colonized based on two purposes: the desire for independence, and the desire to build a sovereign political identity. The most obvious feature of the first intention was the formation of anti-imperialist movements, organised under the banner ‘they must leave’. The latter was characterized by the establishment of constitutional government, which highlighted the identity of a novice country in a political and unified form and which featured a central source of power. These two purposes share a complex relationship. For power to be sovereign, independence must be gained first. Power cannot be obligated to the wishes of another power or constrained by the laws of another regime. The struggle for independence of European empires did not readily create the conditions for the exercise of a sovereign power. It was elusive at the moment of independence. This chapter discusses some of the implications of these two purposes, with emphasis on the second purpose and the Indian experience. It addresses questions such as: what is the meaning of collective identity to those newly independent countries in the context of politics; what were the pressures on the claims to political identity and unity; how did these pressures encourage a revolutionary mindset in the conceptualization of constitutional provisions and political power; and how does the struggle for political identity relate to the history of nation and its struggle for independence?

Visibility and Invisibility of the Translator in H.A. Giles’s A History of Chinese Literature

2020 ◽  
pp. 1-11
Author(s):  
Peina Zhuang ◽  
Yina Cao
Keyword(s):  
Literary History ◽  
Chinese Literature ◽  
Dual Role ◽  
Aesthetic Judgement ◽  
Literary Works ◽  
Proper Understanding ◽  
Foreign Literature ◽  
Foreign Culture ◽  
History Of

The writing of literary history, generally speaking, is a matter of selecting and organizing literary works according to aesthetic judgement and historical values. If one writes the literary history of a foreign culture, however, at least if one wants to include samples of literary works, one must contend with the issue of translation, not only in the sense of having to choose which source texts to translate but also in that of choosing among existing translations or of translating oneself. The dual role of a historian and a translator is a challenging and complicated balancing act, as proven in the case of H.A. Giles (1845–1935), whose 1901A History of Chinese Literature is the first Chinese literary history ever written in English. As one of the then leading sinologists in Europe, Giles had contributed tremendously to the dissemination of Chinese literature by way of smooth translations that appealed to his English readers, but which also formed an obstacle for the reader’s proper understanding of the history of Chinese literature. The evidence for this comes from his misguided take on the dual aspects of visibility and invisibility of the translator’s identity in writing about a foreign literature.

scholarly journals Conditions For The Formation Of Ming Romans

2020 ◽  
Vol 02 (10) ◽  
pp. 440-444
Author(s):  
Samida Toshmukhammedovna Mustafaeva ◽  
Keyword(s):  
Foreign Relations ◽  
Ming Dynasty ◽  
Chinese Literature ◽  
Yuan Dynasty ◽  
The Novel ◽  
History Of ◽  
History Of Literature ◽  
The Yuan Dynasty ◽  
Folk Poetry ◽  
Artistic Skill

The Ming period is recognized as a period that introduced a new genre to Chinese literature, especially Chinese prose. During this period, novels from the masterpieces of Chinese literature saw the light of day. They are a valuable source for the study of Chinese literary language, as well as providing valuable information on the plot, historical facts, and the Darwin. In particular, the novel "Three Kingdoms", created in the Ming period, has a large volume and a plot rich in sharp turns, the events of the novel are based on the collapse of the Eastern Khanate, in general, various contradictions in public administration, political, military and foreign relations. The diversity in the author’s depiction of contradictions and struggles, the uniqueness in the depiction of each event, demonstrates the writer’s unparalleled artistic skill. In contrast to the "Three Kingdoms", the plot of “Water Margins” is based on the peasant uprisings and struggles; the play depicts the emergence, development and decline of the peasant uprising. The play praises a number of rebellious heroes, most of the protagonists of the work are extremely vivid, and their character is clearly described. The influence of the successful creation of the novels “Three Kingdoms” and “Water Margins” on the creation of historical and heroic novels of the next period is incomparable. The first phase of the Ming period was a turning point in the history of literature. With the end of the Yuan Dynasty (元朝 Yuán cháo 1206-1368) and the beginning of the Ming Dynasty, no other significant works were created during this period, except for two major novels, the Three Kingdoms (《三国演义》) and the River Basins (《水浒传》). It was not until 1465 that there was a renewal in drama and folk poetry.

scholarly journals Social Mobility and the Social Representation of Sparkling Wine in Brazil and France

2021 ◽  
Vol 10 (1) ◽  
pp. 89-100
Author(s):  
Marcos Vinícius Araujo ◽  
Grégory Lo Monaco ◽  
Kelly Lissandra Bruch
Keyword(s):  
Social Status ◽  
New World ◽  
Social Representations ◽  
Social Representation ◽  
Social Aspect ◽  
Sparkling Wine ◽  
Wine Production ◽  
The Social ◽  
Correspondence Factor Analysis ◽  
History Of

Wine is a social object, established in the Old World and later migrated to the New World. Champagne is an internationally important and famous French sparkling wine, significantly present worldwide. Brazil, a New-World wine producer, has a recent but expanding history of sparkling wine production and consumption. As to its social aspect, this product has different representations and roles in both these countries. Therefore, this study aims to understand how culture and social status influence the organization of social representations associated with sparkling wines in Brazil and France. Thus, we used the Social Representation approach, a theory of knowledge and communication. For content collection, we carried out a verbal association task. Two hundred and thirteen Brazilians and one hundred ninety-eight French participants provided the first four words which came to mind after hearing four inducted words. The verbal associations were categorized using semantic contextualization. Then, we performed a Correspondence Factor Analysis. The results supported our hypothesis that culture, social status, and social origins all influence social representations associated with sparkling wine, revealing this kind of wine to be a product of social distinction and affluence.

scholarly journals Forms of Recall – Politics of Memory. Memory as the Non-Chronological Narrative Form of Historical-Political Identity Quest in the Kádár Regime and Its Survival in the Postcommunist Period

2017 ◽  
Vol 9 (1) ◽  
pp. 173-185
Author(s):  
Gábor Gelencsér
Keyword(s):  
World War Ii ◽  
Political Identity ◽  
Film History ◽  
Narrative Form ◽  
Social Aspect ◽  
Dominant Form ◽  
Politics Of Memory ◽  
The Social ◽  
History Of ◽  
Narrative Mode

Abstract In the film art of the Kádár regime the modernist non-chronological narrative mode became the dominant form of remembrance and communicative memory. In the 35-year period between 1956 and 1990 we can find thirty-five films of this type (e.g. Dialogue [Párbeszéd, János Herskó, 1963], Twenty Hours [Húsz óra, Zoltán Fábri, 1965], Cold Days [Hideg napok, András Kovács, 1966], Love [Szerelem, Károly Makk, 1971], Lovefilm [Szerelmesfilm, István Szabó, 1970], Diary for My Children [Napló gyermekeimnek, Márta Mészáros, 1982]), the majority of which thematize the communicative memory of the recent past of the period (World War II, the Hungarian Holocaust, the 1950s, 1956, the Kádár consolidation) as opposed to the amnesia politics of the time. Although this cinematic corpus is connected to the film history of the Kádár era with all its elements (form: modernism; theme: communicative memory; political discourse: recollection; official politics of memory; the counterdiscourse of Kádár’s amnesia politics), it survives in the postcommunist period (e.g. Hungarian Fragment [Pannon töredék, András Sólyom, 1998], White Palms [Fehér tenyér, Szabolcs Hajdu, 2006], Mom and Other Loonies in the Family [Anyám és más futóbolondok a családból, Ibolya Fekete, 2015]). After presenting the non-chronological narrative form of historical-political identity quest, the paper seeks to find reasons for the survival of this form and tries to draw conclusions regarding the social aspect and modes of expression of the Hungarian film history of the postcommunist period.

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