scholarly journals The Theme of Loss and Grief in Shashi Deshpande's Small Remedies

2018 ◽  
Vol 6 (10) ◽  
pp. 5
Author(s):  
Vanitha Devaraju

A writer throws light on the darkest aspects of life and motivates the reader by projecting the human realities through their fictional characters. Success and failure are the part of impermanent life. Have we ever tried to analyze the struggles and challenges behind one's failure and success? In a patriarchal society, women have to undergo multiple struggles and challenges and require an indomitable spirit to quench her thirst of success. It is highly important to analyze the psychology of women in her loses and happiness. As a woman novelist, Shashi Deshpande novels mostly centered on Women's lives and their challenges to survive in the Indian society. The female protagonist in Small Remedies has gone through several loses and grief beyond her success. Other women characters also built their strong identity after crossing all the barriers and awakening the collective consciousness.

2021 ◽  
pp. 28-29
Author(s):  
L.B.Thamil Yazhini

The main intension of this paper is to manifest how Anita Nair describes Indian Feminism,culture and demeanor through the women characters in her novel “Ladies Coupe”.Anita Nair is one of the most celebrated women writers in India.She often focuses on the dilemmas of women in Indian society and how they strive and tackle the predicaments to seek the independence, cachet and ipseity in the patriarchal society. Indian society is ow sequestered, conventional and importunate some particular code of deportment from women. Moreover, Indian society have not been correctly followed and show obeisance to rules and regulations,law and decree rather it’s prying well into other’s life and spread gossips but it will willingly certainly have acquainted and teemed with “class and caste”!!! Feminism is a tussle for equality of women or it’s an endeavor to make women equal to men.Feminism trusts gender bias wants to be annihilated so that egalitarianism can ambit it’s utmost perspective.The novel raises a question can a women stay single;and lead an ecstatic,contented life without men.


2020 ◽  
Vol 8 (2) ◽  
pp. 14
Author(s):  
Dr. Rajni Sharma ◽  
Mrs. Poonam Gaur

The autobiographical impulse and act is central to woman's writing in India. The range of Indian women's writing generates an unending discourse on personalities, woman's emotions and ways of life. In a way, it presents the socio-cultural state in India from a woman's stance. It affords a peep into Indian feminism too. Besides giving a historical perspective, it throws ample light on woman's psychic landscape. It takes us to the deepest emotions of a woman's inner being. The varied aspects of woman's personality find expression in the female autobiographical literature. We find that a deeper study of women’s autobiographies unravel the hidden recesses of feminine psyche of Indian society. Whatsoever the position of women maybe, behind every social stigma, there is woman, either in the role of mother-in-law, sister‑in‑law or wife. The women writers with sharp linguistic, cultural and geographical environment represented the problems and painful stories of Indian women from 19th century until date. However, they have not shared the contemporary time of the history, the problems of patriarchal society, treatment women, broken marriages and the identity crises for the women remained similar. Women writers have also been presenting woman as the centre of concern in their novels. Women oppression, exploitation, sob for liberation are the common themes in their fiction. Dalip Kaur Tiwana is one of the most distinguished Punjabi novelists, who writes about rural and innocent women’s physical, psychological and emotional sufferings in a patriarchal society. As a woman, she feels women’s sufferings, problems, barricades in the path of progress as well as the unrecognized capabilities in her. Dalip Kaur Tiwana has observed Indian male dominated society very closely and has much understanding of social and ugly marginalization of women. She can be considered a social reformer as she is concerned with human conditions and devises for the betterment of women's condition in Indian Punjabi families. This paper focuses on the theme of feminist landscape. It presents the miserable plight of women characters. She has come across since her childhood. Women, who felt marginalized, alienated, isolated and detached in their lives, but were helpless as no law was there in her time to punish the outlaws. Dalip Kaur Tiwana beautifully portrays the landscape of her mind. The paper shows how Dalip Kaur Tiwana presents the unfortunate image of her mother, grandmother aunts and some other obscure women who were unable to mete out justice during their life time.


2021 ◽  
Vol 1 (4) ◽  
pp. 41-44
Author(s):  
Ruchi Saxena ◽  
◽  
Dr. Anshu Raj Purohit ◽  

This present paper attempts to critically analyse the selected novel of Girish Karnad _Nagamandala. Girish Karnad, as a dramatist, is free from any such feminist tags and like Shashi Deshpande, an Indian woman novelist, treats ‘woman as a woman’ and as ‘a human being’. As a male feminist, he has treated the feminist issues like child marriage, loveless marriage, exploitation of wife in the hands of husband, double standards of society and law operating against her in the society etc. It also expresses the hollowness and injustice of patriarchal society. He insists that it is not patriarchy but matriarchy which is essential for society. Thus, the refined sensibilities of woman like love, sex, compassion and tolerance make her unsurpassable in the society. The pride of woman also finds a space in his play Naga Mandala.


2020 ◽  
Vol 8 (4) ◽  
pp. 269
Author(s):  
Shilpa Sarkar

Shashi Deshpande is the most prolific writer among her contemporaries. Her writing reflects her image of middle class Indian woman. In most of her novels her protagonists are modern, well‑educated and financially independent women. The main theme of her novels are problems of middle class women who were trapped between tradition and modernity. The protagonists always try to maintain their marriage in spite of the fact that they are mentally and physically tortured by their husbands. The objective of this study is to show the feminist perspective of Shashi Deshpande's women characters in her two novels Roots and Shadows and The Binding Vine. This study also aim to figure out how the women characters of these novels assert themselves.


Author(s):  
Jin Y. Park

Chapter 6 is a response to Iryŏp’s critics and a consideration of the relationship between Buddhism and society. The chapter claims that by relating her life stories in her books, Iryŏp made a woman’s life visible. It is a statement that a woman’s life is not a disposable and forgettable component in a patriarchal society. Her books are the witnesses to her life and the lives of other women; it was Iryŏp’s way of getting engaged with women’s issues. Iryŏp’s writing is her testimony about what it means to live as an independent being. Her last book In Between Happiness and Misfortune efficiently demonstrates how women’s lives, their struggles, and Buddhist teaching interact.


Author(s):  
Marcela Gonçalves ◽  
Karen da Silva Santos ◽  
Simone Santana da Silva ◽  
Thalita Caroline Cardoso Marcussi ◽  
Kisa Valladão Carvalho ◽  
...  

Objective: to know the interferences of leprosy in women's lives and how they reinvent themselves in coping with the disease. Method: a descriptive study with a qualitative approach. The theoretical-methodological framework adopts an approximation to the cartographic method and some concepts of schizoanalysis, which were used to analyze the data. The tools used to produce the data were the interview and the logbook. The interviews were conducted from July to November 2019, at the participants' homes. Results: the group consisted of nine women. To display the data, we were inspired by Deleuze's ideas about difference and repetition. The results were organized in three thematic axes that address the lives of these women affected by leprosy, which accompany concerns, anxieties and worries about the effects of the disease. The transformations in the female body, the financial maintenance itself due to the comorbidities caused by leprosy and its difficulties in guaranteeing rights are elements strongly pointed out by women. Conclusion: there is overlap and interference of the female condition in a patriarchal society that still accompanies it. We bet on the strength of becoming-a-woman and the need to consider them in their singularities and in their context for producing care permeated by meetings of the affirmation of the power of life.


2017 ◽  
pp. 192-198
Author(s):  
Jagdish Joshi ◽  
Surekha Patil

Female has been dominated by patriarchal society since ages. Her voice does not have any significance or importance in Indian society. Women have all potentialities and abilities like men; still they are not recognized or appreciated as equal to men. This is the predicament of women who confine women in restricted social codes and norms. Her individual self has no reorganization in the patriarchal society. Women’s duties were confined to the specific areas especially household works. Her dreams never convert into reality due to the rigid mindset of patriarchal. Bharti Mukherjee is one of the eminent female writers who write about women and the problems faced by them and so that we can say women are at the center of her texts. Bharati Mukherjee deals with the themes of Indian Women particularly the problem of cross-cultural predicament and crisis. Her work has helped to break the silence on some women's issues which were not discussed in the past due to the fear of prevailing attitude of patriarchy. To raise people's awareness, she writes particular about what she sees around her. She writes how the female protagonist tries to tackle the problem of loss of endeavors to assume a new identity in the U.S. She leaves her country to fulfill her dreams and wishes but reality was totally different. Mukherjee introduces us to the various changes that her novel’s main protagonist Jasmine goes through, as she journeys from the world of rural Indian Punjab to that of America’s Mid-West, discovering her American dream in the process. At last she realizes that self-independence is not to be an Indian or American but to be at peace with herself.


2021 ◽  
Vol 58 (2) ◽  
pp. 5493-5498
Author(s):  
Ms. Bharti, Dr. Shriya Goyal

From pre-Independence period to the contemporary times, women’s voice is gradually being heard and gaining momentum. It is hoped as well as expected that women would soon become a prominent voice making a mark in the society. Their point of view along with their decision making authority will have a definite and constructive impact on the society. This can be inferred from the literature by various Indian women writers such as Pandita Ramabai, Ismat Chughtai, Kamala Das and Shashi Deshpande. As we move from one decade to another entering the 21st century, we observe how women have been able to break the cocoon of domesticity, marking their presence in various socio-political spheres which have been usually dominated by men. Women have sought their space for expression and voicing opinion through literature. Depicting the oppression and discrimination faced in the patriarchal setup of Indian society, the women writers have pointed at the need for equality in practice as well as representation. The article will provide a discussion regarding Feminism in India, analysing each period or phase along with a women writer.


2021 ◽  
Vol 1 (3) ◽  
pp. 40-42
Author(s):  
Nazia Rashid ◽  
◽  
Dr. Anshu Raj Purohit ◽  

Shashi Deshpande has been the champion of the disquietude and struggles of women. Her works, very indisputably depict the various roles of women in their life as a wife, a mother, a sister, a daughter, , a daughter-in-law and so on. Her works can’t be called directly feminist since her works are not against man; in fact, her novel depicts the dilemma of the new educated modern working women in the traditional Indian society. This present paper attempts to critically analyse the selected novel of Shashi Deshpande _The Dark Holds No Terrors. The focus of the paper is to present why women are no longer afraid of darkness and why women are really oppressed in the society. Women, for ages altogether, have been subjected to exploitation and suppression; their lives have been spent in the darkness and thus, they are not afraid of darkness instead they feel comfort in the dark and even they feel estranged from others due to suppression by the patriarchal society. The study also attempts to highlight the fact that women are denied rights not only because of the circumstances but also because women themselves suppress other women and use men as instruments. The Dark Holds No Terrors is the story of Sarita, often referred to as Saru in the novel, and her disruptions and conflicts. The novel reveals the life of Sarita who is always neglected and ignored in favour of her brother. She is not given any heed-no parental love is shown upon her even on her birthdays. Her brother’s birthdays, however, are celebrated with full enthusiasm including the performance of the religious rituals. When her brother is drowned, she is blamed for it. Feminine sensibility is an appealing quality in literature. Almost all the writers in India express and expose this quality in their writings. The renowned novelist Shashi Deshpande is no exception in portraying this aspect in her novels. In this study, an attempt is made to study Shashi Deshpande’s women protagonists as portrayed in her novels, with a view to understand and appreciate their trials and tribulations under the impact of the conflicting influence of tradition and modernity. It critically analyses their response to the emerging situation in life so as to fit themselves in the contemporary society. The study considers the problems of her characters which have had to contend with the given situation.


2003 ◽  
Vol 27 (1) ◽  
pp. 1-11 ◽  
Author(s):  
Abigail J. Stewart

Abigail Stewart Sherif Award Citation. For your exceptional contributions to feminist psychology, the Society for the Psychology of Women presents to you the Carolyn Wood Sherif Award. Your entire career has been marked by distinction; you have been as prolific in publishing as you have been in mentoring. You have illuminated women's lives, their personalities, their development, and their adaptation to change. You have advanced feminist theory, and your academic leadership has created the opportunity for students to do graduate work in feminist psychology. We honor you and your work with gratitude. In this essay I make two arguments. First, I argue for the value of ethnographically informed methods in psychology in general and particularly for the psychology of women. Second, I argue for the importance of the role of generation in psychology, perhaps particularly in the study of values and social identities. In advancing these arguments, I draw on evidence from an ongoing, ethnographically informed study of the graduates of a Midwestern high school in the mid-1950s and late 1960s. The two generations of graduates have distinctive accounts of their experiences, with the older generation's accounts consistent across gender and race, and the younger generation's accounts inflected by both race and gender. Differences in the form of generational identity in the two cohorts are discussed.


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