scholarly journals THE SCAPE OF FEMINISM IN ANITA NAIR’S NOVEL “LADIES COUPE”

2021 ◽  
pp. 28-29
Author(s):  
L.B.Thamil Yazhini

The main intension of this paper is to manifest how Anita Nair describes Indian Feminism,culture and demeanor through the women characters in her novel “Ladies Coupe”.Anita Nair is one of the most celebrated women writers in India.She often focuses on the dilemmas of women in Indian society and how they strive and tackle the predicaments to seek the independence, cachet and ipseity in the patriarchal society. Indian society is ow sequestered, conventional and importunate some particular code of deportment from women. Moreover, Indian society have not been correctly followed and show obeisance to rules and regulations,law and decree rather it’s prying well into other’s life and spread gossips but it will willingly certainly have acquainted and teemed with “class and caste”!!! Feminism is a tussle for equality of women or it’s an endeavor to make women equal to men.Feminism trusts gender bias wants to be annihilated so that egalitarianism can ambit it’s utmost perspective.The novel raises a question can a women stay single;and lead an ecstatic,contented life without men.

2020 ◽  
Vol 8 (2) ◽  
pp. 14
Author(s):  
Dr. Rajni Sharma ◽  
Mrs. Poonam Gaur

The autobiographical impulse and act is central to woman's writing in India. The range of Indian women's writing generates an unending discourse on personalities, woman's emotions and ways of life. In a way, it presents the socio-cultural state in India from a woman's stance. It affords a peep into Indian feminism too. Besides giving a historical perspective, it throws ample light on woman's psychic landscape. It takes us to the deepest emotions of a woman's inner being. The varied aspects of woman's personality find expression in the female autobiographical literature. We find that a deeper study of women’s autobiographies unravel the hidden recesses of feminine psyche of Indian society. Whatsoever the position of women maybe, behind every social stigma, there is woman, either in the role of mother-in-law, sister‑in‑law or wife. The women writers with sharp linguistic, cultural and geographical environment represented the problems and painful stories of Indian women from 19th century until date. However, they have not shared the contemporary time of the history, the problems of patriarchal society, treatment women, broken marriages and the identity crises for the women remained similar. Women writers have also been presenting woman as the centre of concern in their novels. Women oppression, exploitation, sob for liberation are the common themes in their fiction. Dalip Kaur Tiwana is one of the most distinguished Punjabi novelists, who writes about rural and innocent women’s physical, psychological and emotional sufferings in a patriarchal society. As a woman, she feels women’s sufferings, problems, barricades in the path of progress as well as the unrecognized capabilities in her. Dalip Kaur Tiwana has observed Indian male dominated society very closely and has much understanding of social and ugly marginalization of women. She can be considered a social reformer as she is concerned with human conditions and devises for the betterment of women's condition in Indian Punjabi families. This paper focuses on the theme of feminist landscape. It presents the miserable plight of women characters. She has come across since her childhood. Women, who felt marginalized, alienated, isolated and detached in their lives, but were helpless as no law was there in her time to punish the outlaws. Dalip Kaur Tiwana beautifully portrays the landscape of her mind. The paper shows how Dalip Kaur Tiwana presents the unfortunate image of her mother, grandmother aunts and some other obscure women who were unable to mete out justice during their life time.


2018 ◽  
Vol 6 (10) ◽  
pp. 5
Author(s):  
Vanitha Devaraju

A writer throws light on the darkest aspects of life and motivates the reader by projecting the human realities through their fictional characters. Success and failure are the part of impermanent life. Have we ever tried to analyze the struggles and challenges behind one's failure and success? In a patriarchal society, women have to undergo multiple struggles and challenges and require an indomitable spirit to quench her thirst of success. It is highly important to analyze the psychology of women in her loses and happiness. As a woman novelist, Shashi Deshpande novels mostly centered on Women's lives and their challenges to survive in the Indian society. The female protagonist in Small Remedies has gone through several loses and grief beyond her success. Other women characters also built their strong identity after crossing all the barriers and awakening the collective consciousness.


1970 ◽  
pp. 100-101
Author(s):  
Tania Tabbara

I’ve always had mixed feelings concerning anthologies on women writers. It seems to me that classifying writers by their nationality and their gender does not really do justice to the creative originality of their stories. By classifying them in that way the stories are somehow assumed to reflect a certain social and political reality, which might not at all be intended by the writers.Especially regarding female writers from the Middle East, one expects to find stories that reflect upon the suppression of women in a patriarchal society that is determined by Islamic culture. Palestinian women writers have to fight this cliché as much as the expectation that their writing is (merely) informed by their status as refugees or occupied people (which of course might be the case but not necessarily so, or maybe only partially so).


Author(s):  
Paulina Pająk

In recent years, the popularity of Virginia Woolf’s oeuvre has substantially increased in Poland. There has been little prior attempt to explain this phenomenon, although it could be beneficial to comparative literature and feminist studies. Therefore, the aim of the paper is to examine the significance of Virginia Woolf’s legacy to contemporary Polish culture, as well as the possible causes of the “Woolf’s Renaissance”. As Urszula Terentowicz-Fotyga has pointed out, until the late 1980s., Woolf remained relatively unknown and perceived as a minor modernist writer. Yet, the third phase of her reception (1990s-present) has brought a significant change, which finally led to the outburst of translations and popularity of Woolf’s works. One result of this “Woolf’s Renaissance” is the influence of Woolf’s legacy on contemporary literature and feminism in Poland. Woolf’s imaginairum has inspired many women writers, such as Joanna Bator, Sylwia Chutnik, Izabela Morska, and Maria Nurowska. It would seem that the popularity of Woolf among Polish women intellectuals stems from the similarity between her opposition to Victorian patriarchal society and their resistance against the radical Catholic conservatism and nationalism in Poland. Besides, the polyphony of Woolf’s oeuvre and the complexity of her biography invite the writers to enter the intertextual dialogue with the author.


2017 ◽  
pp. 192-198
Author(s):  
Jagdish Joshi ◽  
Surekha Patil

Female has been dominated by patriarchal society since ages. Her voice does not have any significance or importance in Indian society. Women have all potentialities and abilities like men; still they are not recognized or appreciated as equal to men. This is the predicament of women who confine women in restricted social codes and norms. Her individual self has no reorganization in the patriarchal society. Women’s duties were confined to the specific areas especially household works. Her dreams never convert into reality due to the rigid mindset of patriarchal. Bharti Mukherjee is one of the eminent female writers who write about women and the problems faced by them and so that we can say women are at the center of her texts. Bharati Mukherjee deals with the themes of Indian Women particularly the problem of cross-cultural predicament and crisis. Her work has helped to break the silence on some women's issues which were not discussed in the past due to the fear of prevailing attitude of patriarchy. To raise people's awareness, she writes particular about what she sees around her. She writes how the female protagonist tries to tackle the problem of loss of endeavors to assume a new identity in the U.S. She leaves her country to fulfill her dreams and wishes but reality was totally different. Mukherjee introduces us to the various changes that her novel’s main protagonist Jasmine goes through, as she journeys from the world of rural Indian Punjab to that of America’s Mid-West, discovering her American dream in the process. At last she realizes that self-independence is not to be an Indian or American but to be at peace with herself.


2021 ◽  
Vol 58 (2) ◽  
pp. 5493-5498
Author(s):  
Ms. Bharti, Dr. Shriya Goyal

From pre-Independence period to the contemporary times, women’s voice is gradually being heard and gaining momentum. It is hoped as well as expected that women would soon become a prominent voice making a mark in the society. Their point of view along with their decision making authority will have a definite and constructive impact on the society. This can be inferred from the literature by various Indian women writers such as Pandita Ramabai, Ismat Chughtai, Kamala Das and Shashi Deshpande. As we move from one decade to another entering the 21st century, we observe how women have been able to break the cocoon of domesticity, marking their presence in various socio-political spheres which have been usually dominated by men. Women have sought their space for expression and voicing opinion through literature. Depicting the oppression and discrimination faced in the patriarchal setup of Indian society, the women writers have pointed at the need for equality in practice as well as representation. The article will provide a discussion regarding Feminism in India, analysing each period or phase along with a women writer.


2013 ◽  
Vol 17 ◽  
Author(s):  
Irina I. Simonova Strout

The work and literary accomplishments of Caroline Bowles Southey established her significance as a poet in the Romantic tradition as well as contemporary culture. Similar to many other women writers, she worked within the established poetic genres against the conformity of the masculine norms of Romanticism. The father-daughter relationship is not new, yet in Caroline Bowles’s poetry it becomes a symbol of the patriarchal relation of women and men in society, a precursor to the questioning of woman’s role and place in culture. This paper aims to examine the father-daughter dynamic in Ellen Fitzarthur and Birth-Day. Bowles interrogates the ambivalence of self: the private and the public persona, which has to come to terms with the demands and pressures of patriarchal society. To achieve self-fulfillment a woman has to be free from the power of the father. Caroline Bowles’s poetry is such an attempt to strive towards the personal and poetic independence from the expectations of the patriarchal society.


2020 ◽  
Vol 9 (2) ◽  
pp. 131-148
Author(s):  
Josephine Goldman

This article explores the intersection of gender and cultural identities in two novels, Simone Schwarz-Bart’s Pluie et vent sur Télumée Miracle (1972) and Suzanne Dracius’s L’Autre qui danse (1989). Through comparative and close analyses, this article demonstrates that these two Antillean francophone women writers reject and renegotiate sexist and essentialist tendencies, in particular the auto-exoticization and disembodiment of women characters across the body of Antillean literature. These tendencies are notably present within Antillanité and Créolité, two dominant concepts of twentieth-century Antillean literature and thought. This article first explores these two writers’ responses to auto-exoticization, demonstrating how their literary treatment of women’s sexuality diverges markedly from hypersexualized portrayals of women by certain Créoliste authors. The article also examines the representation of Creole cuisine and language, and calls into question Antillean literature scholar Celia Britton’s argument that these two elements tend to reduce Antillean texts to ‘edible’ objects of exotic pleasure. In its second section, this article investigates Édouard Glissant’s concept of opacité. It suggests that Schwarz-Bart and Dracius adapt Glissant’s opacité to present women as impervious human subjects whose bodies do not make them exotic stereotypes but rather figures of resistance to masculine violence and colonialism.


Literator ◽  
2015 ◽  
Vol 36 (1) ◽  
Author(s):  
Linda Kwatsha

In this article, the portrayal of single women characters in works by a number of African women authors is critically reflected upon. These women are portrayed as strong, resistant, independent and realistic characters, who boldly resist male paternalism and dominance in order to look to the future with courage. Single women characters are presented as independent individuals rather than as kinship appendages. They are portrayed as architects of their own potential happiness rather than as passive receivers of the dictates of patriarchy. The article will also show that women characters account for their own values, rather than subserviently surrender to stereotypical conventions. African women writers portray single women characters as having the professional and economic means to look after themselves. This portrayal of women characters is part of a debate that translates itself to contemporary everyday philosophical social theory.


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