scholarly journals Typical Life of American Wife of the late 1800s: An Analysis of Kate Chopin’s “Story of an Hour” and Charlotte Perkins Gilman’s “The Yellow Wallpaper”

2021 ◽  
Vol 9 (5) ◽  
pp. 400-406
Author(s):  
Maria Michael
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Kate Chopin ◽  
Charlotte Perkins Gilman ◽  
Representation Of Women ◽  
Public Expectations ◽  
American Society ◽  
Condition Of Women ◽  
Political Right ◽  
The Yellow Wallpaper

The life of the typical American women in the late 1800s was strictly confined to the four walls of a house. For a wife, marriage, husband and family were the destiny. She had no legal political right or voice in public sphere. They were not supposed to involve in any intellectual pursuits but only in domestic chores like cooking, sewing, cleaning etc. The condition of women in any class (upper, lower or middle) was more or less same. Charlotte Perkins Gilman and Kate Chopin were noted American writers of nineteenth century. Both writers outrageously expressed their strong views on women, marriage and sex. They were revolutionaries of their time. This paper is going to analyse how Kate Chopin’s “Story of an Hour” and Charlotte Perkins Gilman’s “The Yellow Wallpaper” depict typical public expectations about marriage and women of late 1800s. It also distinguishes the representation of women and wife in the nineteenth century patriarchal American society.

scholarly journals Nineteenth Century Public And Private Spheres

2014 ◽  
Vol 13 (1) ◽  
pp. 106-117
Author(s):  
REMINA SIMA
Keyword(s):  
Nineteenth Century ◽  
Everyday Life ◽  
Kate Chopin ◽  
Daily Activities ◽  
Charlotte Perkins Gilman ◽  
Historical Period ◽  
Public And Private ◽  
The Public ◽  
The Everyday ◽  
Shed Light

Abstract The aim of this paper is to illustrate the public and private spheres. The former represents the area in which each of us carries out their daily activities, while the latter is mirrored by the home. Kate Chopin and Charlotte Perkins Gilman are two salient nineteenth-century writers who shape the everyday life of the historical period they lived in, within their literary works that shed light on the areas under discussion.

Walt Whitman and Woody Guthrie: American Prophet-Singers and their People

1990 ◽  
Vol 24 (1) ◽  
pp. 41-59 ◽  
Author(s):  
Richard Pascal
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Popular Culture ◽  
Walt Whitman ◽  
Kate Chopin ◽  
Charlotte Perkins Gilman ◽  
Paul Tillich ◽  
Van Gogh ◽  
The Past ◽  
Song Lyrics

Dylan Thomas, Charlotte Perkins Gilman, Rimbaud, Apollinaire, Van Gogh, Paul Tillich, Wolfgang Borchert, Joyce, Kate Chopin: these are only some of the writers and artists in whose work the example or influence of Walt Whitman has been detected over the past few years, and as anyone who has kept abreast of Whitman criticism will be instantly aware, the list could be lengthened considerably. Comparison and influence studies are such a common feature of Whitman scholarship, and he is so firmly established as one of the most provocative mid-nineteenth-century forerunners of modern literature and art, that it would seem virtually impossible to provide a hitherto unexplored instance which is worth more than a glance. Yet the name of the great twentieth century singer-songwriter Woody Guthrie has never been advanced in this context, even though similarities between the two figures have been noted in passing by commentators on Guthrie at least since the publication in 1943 of the latter's autobiography, Bound for Glory. Such neglect must be ascribed at least in part to a lingering academic bias against the study of popular culture in general and of song lyrics in particular.

scholarly journals KETERPENJARAAN TOKOH PEREMPUAN DALAM CERPEN THE YELLOW WALLPAPER KARYA CHARLOTTE PERKINS GILMAN

HUMANIKA ◽  
2015 ◽  
Vol 21 (1) ◽  
pp. 7
Author(s):  
Ratna Asmarani
Keyword(s):  
Nineteenth Century ◽  
Mental Illness ◽  
Mental Disorder ◽  
Literary Criticism ◽  
Short Story ◽  
Charlotte Perkins Gilman ◽  
Medical Opinion ◽  
Feminist Literary Criticism ◽  
Female Protagonist ◽  
The Yellow Wallpaper

The purpose of this paper is to analyse the problems around the imprisonment of the female protagonist in Chalotte Perkins Gilman’s short story entiled The Yellow Wallpaper. The focus of the analysis is on the actors and factors causing imprisonment, types dan impacts of imprisonment, efforts to overcome the imprisonment, and the end of the imprisonment experienced by the female protagonist. To analyse this problems, feminist literary criticism is used supported by the stereotypes of the nineteenth century women, the medical opinion at that time and the feminist perspective concerning the mental disorder experienced by women, and the concept of oppression in the imprisonment as well. The result shows that a woman who experiences the physical and psychological imprisonment in the patriarchal household area tends to have mental disorder as an alternative to gain freedom. The conclusion that can be drawn is that in the patriarchal environment women’s movement area and psychological, emotional, intellectual actualization  tend to be limited in which the women who fight against those linitations will get the stigma of suffering from mental illness.

scholarly journals The Public Sphere in the Field of Power

2010 ◽  
Vol 34 (3) ◽  
pp. 301-335 ◽  
Author(s):  
Craig Calhoun
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Public Life ◽  
Early Nineteenth Century ◽  
Public Spheres ◽  
Social Foundations ◽  
The Public ◽  
The Social ◽  
Late Eighteenth ◽  
The Public Sphere

In this article I ask (1) whether the ways in which the early bourgeois public sphere was structured—precisely by exclusion—are instructive for considering its later development, (2) how a consideration of the social foundations of public life calls into question abstract formulations of it as an escape from social determination into a realm of discursive reason, (3) to what extent “counterpublics” may offer useful accommodations to failures of larger public spheres without necessarily becoming completely attractive alternatives, and (4) to what extent considering the organization of the public sphere as a field might prove helpful in analyzing differentiated publics, rather than thinking of them simply as parallel but each based on discrete conditions. These considerations are informed by an account of the way that the public sphere developed as a concrete ideal and an object of struggle in late-eighteenth- and early-nineteenth-century Britain.

scholarly journals The Depressed Female Characters From Their Intimidated Surrounding as Seen in The Yellow Wallpaper By Charlotte Perkin Gilman’s, A Rose For Emily By William Faulkner’s, and The Story of an Hour By Kate Chopin

2019 ◽  
Vol 2 (2) ◽  
pp. 20-25
Author(s):  
Cut Ruby Miranda ◽  
Helmita Helmita
Keyword(s):  
Short Story ◽  
Sigmund Freud ◽  
Freedom Of Expression ◽  
The United States ◽  
Kate Chopin ◽  
Female Characters ◽  
Feminist Theories ◽  
Full Power ◽  
Education And Employment ◽  
The Yellow Wallpaper

In writing this thesis, the writer discusses the depression of women because of patriarchal traditions, even though they already know about women's rights and freedoms. This patriarchal tradition is that men hold full power over anything and women must always obey the rules of men. The women are required not to do any activities, in terms of education and employment. Women are only allowed to do homework. This applies to all women, both single and married. This began in the 90s, especially in the United States. In writing the thesis, the writer uses psychological and feminist theories according to Sigmund Freud and Maggie Humm, who will explore the psychological side of women who are oppressed by the existence of this patriarchal custom. The purposes of this paper are: (1) To describe psychological-feminist cases in female characters (2) To analyze psychological-feminists in depressed female characters (3) To explain the psychological-feminist influence with female characters in the short story of The Yellow Wallpaper from Charlotte Perkins Gilman, A Rose For Emily from William Faulkner, The Story Of An Hour by Kate Chopin. The author uses descriptive qualitative methods in processing data. Through analysis of several existing sources and data. Based on available data, the writer discover how the psychology of depressed female characters from their environment is intimidated based on the short story. In fact women can become depressed because their freedom of expression is hampered and prohibited by tradition. With the writing of this thesis, it is hoped that the public can find out what exactly the meaning of women's emancipation is without having to put down women or men.

scholarly journals ”Kampagnen med Blæk i stedet for Blod”: Håndskrifter, trykk og opinionskamp i skandinavisk offentlighet, 1801–1814

2017 ◽  
Vol 14 ◽  
pp. 106-128
Author(s):  
Ruth Hemstad
Keyword(s):  
Nineteenth Century ◽  
Public Sphere ◽  
Print Culture ◽  
The Public ◽  
Vital Part ◽  
Monitoring Activities ◽  
The Public Sphere ◽  
Secret War

“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.

scholarly journals ‘Just as a scientific hypothesis’. The literary language of madness in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’

2017 ◽  
Author(s):  
Gerardo Rodríguez Salas
Keyword(s):  
Charlotte Perkins Gilman ◽  
Careful Study ◽  
Literary Language ◽  
Rational Discourse ◽  
Scientific Hypothesis ◽  
Female Protagonist ◽  
The Yellow Wallpaper

Abstract: The focus of this article will be Charlotte Perkins Gilman’s thoroughly anthologized story ‘The Yellow Wallpaper’ (1892). Beyond the patriarchal perception of the narrator as progressively falling into madness, this study aims to prove that, in line with some feminist readings of the story (e.g. Haney-Peritz, 1986), the unnamed female protagonist consciously elaborates a mad language and discourse as part of her strategy to fi ght patriarchy from within. A careful study of this language will break the reader’s initial illusion that the protagonist is mad and will show how she fi nally embraces the rational discourse of medicine to perpetrate her revenge. Resumen: El presente artículo explora uno de los relatos cortos más estudiados de la escritora estadounidense Charlotte Perkins Gilman: ‘The Yellow Wallpaper’ (1892). Más allá de la percepción patriarcal de la narradora como una fi gura que progresivamente cae en la locura más absoluta, este estudio pretende demostrar que, siguiendo algunas lecturas feministas del relato (e.g. Haney-Peritz, 1986), la protagonista sin nombre elabora un lenguaje y discurso psicopatológico como parte de su estrategia de ataque al patriarcado desde dentro del sistema. Un cuidadoso análisis de este lenguaje romperá la percepción inicial del lector sobre la protagonista y mostrará cómo este personaje se apodera del discurso racional de la medicina para perpetrar su venganza.

Nineteenth-Century Suffrage Journals

2020 ◽  
pp. 42-60
Author(s):  
Linda Steiner
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Public Sphere ◽  
Black Woman ◽  
New Woman ◽  
Postwar Period ◽  
Her Family ◽  
Status Politics ◽  
The Revolution

This chapter use theories of status politics (conflicts as proxies for important debates over the deference paid to a particular group’s lifestyle) to show the importance of nineteenth-century suffragists’ own newspapers and magazines to the movement. The women who wrote for, edited, and published these outlets essentially invented and then celebrated at least four different versions of a new political woman and then proceeded to dramatize that new woman, showing how she named herself, dressed, dealt with her family, and interacted in the larger public sphere, and showing why she deserved the vote. The pre-Civil War suffrage periodicals essentially proposed a “sensible woman” while the postwar period saw competition between the “strong-minded” women aggressively promoted in the Revolution and the more moderate “responsible women” advocated by the Woman’s Journal. Later, the Woman’s Era dramatized an “earnest” new black woman.

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