Xenonarrative texts in literary and narrative communication: functional and pragmatic approach

2020 ◽  
Vol 7 (2) ◽  
pp. 403-418
Author(s):  
Ludmila Viktorovna Kulikova ◽  
Elizaveta Iuliponasovna Mikalauskaite

The article is devoted to the pragmatic analysis of literary xeno-narrative – a special type of literary and narrative communication that implements specific communicative functions and strategies aimed at discursive processing of cultural and linguistic otherness. The discursive processing of cultural otherness is understood as a process of verbal reflection of foreign cultural experience in literary xeno-narrative based on multilevel language means and understanding of the cultural and conventional norms of another linguistic culture in order to minimize the stress of intercultural adaptation. The paper defines the essential features of xeno-narrative, defined as a literary narrative, thematically immersed in the discourse of intercultural interaction, pragmatically reflecting the method of discursive processing of cultural foreignness and intentionally aimed at verbal transfer of mental experience from the author to the reader in the format of literary and narrative communication. The use of discursive, contextual and intent analysis of narrative allowed us to identify functionally and pragmatically determined linguistic and cultural conventions means of discursive processing in xeno-narrative. The following functions of xenonarrative were determined: minimizing the stress of cultural adaptation and verbal transfer of mental experience. In addition, three author’s strategies in literary xeno-narrative were described. The otherness identification strategy includes several trajectories for evaluating the friend / foe categories: “friend” can be connected both positively and negatively, “foe” is hostile at the initial stage of adaptation, but assimilation mitigates negative evaluation semes. The strategy of language acculturation is analyzed in the focus of the secondary language personality formation. The subjectification strategy is aimed at the most complete perception of the system of author's meanings and images, as well as at the reader’s emotional involvement and empathy. Conclusions in the work are made on the basis of the texts of literary xeno-narratives “Die undankbare Fremde” by I. Brezhna and “Girl in translation” by J. Kwok, as well as the electronic corps of Russian, English and German readers' reviews.

1979 ◽  
Vol 49 (3) ◽  
pp. 767-777 ◽  
Author(s):  
P. Salzarulo ◽  
C. Cipolli

Verbal reports related to REM and NREM sleep were subjected to syntactic (taking Chomskian standard theory as model) and pragmatic analysis (pause distribution within and between kernel sentences). Both in REM and NREM-verbal reports descriptions of the mental experience during sleep were syntactically correct and indicated little difficulty in lexical choice and little emotion. Even though the strategy appears to be the same (sequential) in both cases, the retrieval of content appears to be more difficult after NREM than after REM sleep. Perhaps different degrees of content consolidation in memory occur during the two types of sleep.


Author(s):  
Larisa Kochetova ◽  
Elena Ilyinova ◽  
Tatiana Klepikova

Based on an integrative methodology that combines quantitative and qualitative methods of linguistic research, the authors consider grammatical forms, syntactic types and pragmatic functions of the tag question in British spoken discourse. The research material included samples of dialogues with tag questions taken from British contemporary fiction and the Spoken BNC2014. Drawing on the theory of linguistic metarepresentation and using corpus analysis tools the authors presented the model under study in structural-syntactic and functional-pragmatic perspectives and obtained reliable data on discourse realization of tag question models, specified their standard and common usage polarity status, distinguished bi- and monopolarity variations. An analysis of the tag question types that are distinguished as the combinations of the predicative and auxiliary parts shows that the most frequent type of tag question is the one formed with an affirmative predicative part and a negative tag. The corpus-based approach allowed obtaining quantitative data on frequencies of tag questions in British spoken discourse, retrieving the repertoire of tag questions with their grammatical representation. It is shown that in the corpus under study the most frequent form of the tag question is the form isn't it?. The least frequent forms of tag questions are the ones formed with the have verb, as well as the modal verbs will, may, can, which supports the thesis that tag questions are losing ground in British spoken discourse. Discourse-pragmatic analysis of utterance contexts with tag questions highlighted its discourse value in the British tradition of conversation, as they perform the following communicative functions: informational; etiquette; interpersonal-relation-corrective (focus-positive or focus-negative).


2020 ◽  
pp. 97-112
Author(s):  
V. A. Kulikova

The features of the formation of an adherent negative assessment of neologism on the material of the headlines of electronic media are considered. The results of structural-semantic, contextual and pragmatic analysis of media neologisms expressing an adherent negative assessment are presented. The analysis of the main methods of forming an adherent negative assessment of neologisms under the influence of narrow (title context) and wide (context of an integral media product) verbal contexts, as well as under the influence of extra-linguistic conditions of use (communicative-pragmatic settings of the author, features of the subject of evaluation, specificity of the value system). It is concluded that the adherent negative evaluation of the neologisms is formed in the context due to the updating and intensification of the negative evaluation components of the semantics of the producing word, at the same time, due to the conditions of use, it is possible to de-intensify the estimated semantics of the structural components of the neologism, up to the neutralization of the evaluation of the neologism, as well as reversal (change of sign) of the assessment from positive to negative. Cases of the formation of adherent negative evaluation semantics in neologisms created on the basis of evaluation-neutral components are also analyzed. The practical significance of the study lies in the possibility of applying its results in journalistic practice, as well as in the practice of teaching university courses in morphemic, lexicology and special courses on the study of the language of the media, pragmalinguistics.


2020 ◽  
Vol 31 (1) ◽  
pp. 117-144
Author(s):  
Kofi Agyekum ◽  
Joshua Amuah ◽  
Adwoa Arhine

This paper examines the stylistic features and proverbs in ɔba nyansafo wɔbu no bɛ na wɔnka no asɛm, ‘A wise child is spoken to in proverbs’ a popular Ghanaian highlife song by the late Akwasi Ampofo Agyei. This is an area which is still grey in the study of highlife music. The paper basically adopted qualitative methodology through interviews and recordings. The paper combines the theories of language ideology and ethnomusicology, and looks at the indispensable, didactic and communicative functions of stylistic devices and proverbs in Akan highlife. These tropes as forms of indirection help the musicians to comment on very delicate issues. They depict the musician’s communicative competence in the Akan language, cultural beliefs, worldview and social structures. The paper further reflects on the relative absence of proverbs in current Ghanaian highlife. The stylistic devices and proverbs in the song are subjected to ethnomusicological, stylistic and pragmatic analysis.


Author(s):  
Endang Susilawati

Being a communicative event, a thesis examination process might generate a number of speech acts that possibly imply various meanings. To interpret meaning, a pragmatic analysis was implemented. The data analyzed comprised the authentic speech acts occurring within four thesis examination situations which were conducted by the EESP of FKIP Untan. The data analysis started by transcribing the speech recordings and by identifying the structures of the speech acts. This was followed by categorizing the communicative functions being performed. The last stage involved interpreting the contextual meaning of the speech acts. Three qualitative conclusions are arrived at in connection with and emerging from interpretations of the textual data: (1) the speech acts produced by the participants used various structures such as statements, questions, commands, instructions, prohibition and description; (2) the speech acts denoted various kinds of communicative or speech functions like expressives, directives, representatives, referentials, comissives, and metalinguistics; and (3) the occurrence of one particular communicative function can dynamically entail specific kinds of communicative functions in the light of the available context.  Some categories of speech functions were not consistent with the purpose of the communicative event of thesis examination.


Author(s):  
Ihor Limborskyi

The paper analyzes philosophic aspects of the translator’s misunderstanding of the original text which always reflects cultural and mental experience of the ‘other’ system of literary thinking. The translator is a mediator, who not only tries to insert a literary word and a text into ‘our’ culture, but also depicts ‘other’ reality in terms of symbols and images of the ‘other’ system of national understanding of senses. It is obvious that there are a lot of mental and semantic differences and transformations between the original text and the translation. This is a problem with a specific metaphysical status, when the misunderstanding of the original text may be caused by a number of aspects, some of which lie outside the text itself and its translation. The search for the new forms of thinking beyond the traditional stereotypes of rationality and self-evidence of “cogito” creates a new approach to the tasks and the essence of literary translation. Today one may confidently say that a new ethics, psychology and aesthetics of literary translation were born. The postmodern crisis of communication, as well as multicultural diversity and transcultural dialogue stimulated new forms and mechanisms for representing ‘other’ cultural experience (the experience of the ‘other’ / ‘alien’).  According to the new paradigm of literary translation the translator must be focused on the philosophical aspects of the translation process. This is not only about the connection between the ‘subject’ and the ‘word’, or ‘thought’ and ‘experience’ that should have been reproduced in translation, but also about a specific metaphysical basis for the new process of thinking about a word and its role in overcoming the situation of misunderstanding of the ‘other’ literary text that presents other literary national tradition. The author of the paper comes to the conclusion that the phenomenon of misunderstanding of the ‘other’ word and text stems from the possibility of reading and rereading the text falsely. At the same time, the ‘misunderstanding’ of the original text gives an important chance to the translator for reading and rereading the original text alternatively.


2021 ◽  
Vol 17 (1) ◽  
pp. 51-71
Author(s):  
OLGA V. KOLOTVINA ◽  

The article analyzes three media technologies for creating an immersive polysensory environment, developed back in 1940–1960s by the Spanish film director and engineer Jose Val del Omar. The technologies are considered in the context of the director’s key concept, which he called “mechanical mysticism”. It was aimed at creating a cinematic analogy of mystical experience by transforming the mysticism of Spanish culture into cinematic technologies. The author reveals how the conversion of the suggestive artistic potential of Spanish mysticism into the immersiveness of film technologies allowed J. Val del Omar to create art spaces that took the system of illusions beyond the visual into special modes of psychological experiences. On the example of his films (Water- Mirror of Granada, 1955, and Fire in Castile, 1961), the author analyzes the originality of the engineering solutions of J. Val del Omar’s technologies, defines the strategies of immersiveness and their rootedness in Spanish mysticism, qualifies the aesthetic impact of these media technologies on viewers. The article demonstrates that immersiveness is achieved by using a shock strategy of interlacing the effects of suggestiveness and defamiliarization (“ostranenie”), as well as through the expansion of the range of the viewer’s sensory perception and the effect of synesthesia. The suggestive impression effect is enhanced by visual poetic metaphors that reveal to the viewers the historically formed sensual imagery of Spanish mysticism. With the help of optical and light technologies, the semantic field of a film is not only visualized, but also illusively materialized as a three-dimensional image. НАУКА ТЕЛЕВИДЕНИЯ № 17.1, 2021 54 THE ART AND SCIENCE OF TELEVISION In general, the strategies reproduce the sensual immersiveness, which is inherent in the Spanish Catholic cultural experience. Such strategies block the viewers’ psychological distancing mechanisms and cause affective states and emotional involvement in the art spaces. Such technological innovations for creation of immersive spectacular audio-visual environments brought the J. Val del Omar’s cinema into the field of multi-media, and therefore he could rightfully be considered the forerunner of media art, the creator of art spaces, which later became known as sound and video installations.


Author(s):  
D.W. Susnitzky ◽  
S.R. Summerfelt ◽  
C.B. Carter

Solid-state reactions have traditionally been studied in the form of diffusion couples. This ‘bulk’ approach has been modified, for the specific case of the reaction between NiO and Al2O3, by growing NiAl2O4 (spinel) from electron-transparent Al2O3 TEM foils which had been exposed to NiO vapor at 1415°C. This latter ‘thin-film’ approach has been used to characterize the initial stage of spinel formation and to produce clean phase boundaries since further TEM preparation is not required after the reaction is completed. The present study demonstrates that chemical-vapor deposition (CVD) can be used to deposit NiO particles, with controlled size and spatial distributions, onto Al2O3 TEM specimens. Chemical reactions do not occur during the deposition process, since CVD is a relatively low-temperature technique, and thus the NiO-Al2O3 interface can be characterized. Moreover, a series of annealing treatments can be performed on the same sample which allows both Ni0-NiAl2O4 and NiAl2O4-Al2O3 interfaces to be characterized and which therefore makes this technique amenable to kinetics studies of thin-film reactions.


Author(s):  
H. Bethge

Besides the atomic surface structure, diverging in special cases with respect to the bulk structure, the real structure of a surface Is determined by the step structure. Using the decoration technique /1/ it is possible to image step structures having step heights down to a single lattice plane distance electron-microscopically. For a number of problems the knowledge of the monatomic step structures is important, because numerous problems of surface physics are directly connected with processes taking place at these steps, e.g. crystal growth or evaporation, sorption and nucleatlon as initial stage of overgrowth of thin films.To demonstrate the decoration technique by means of evaporation of heavy metals Fig. 1 from our former investigations shows the monatomic step structure of an evaporated NaCI crystal. of special Importance Is the detection of the movement of steps during the growth or evaporation of a crystal. From the velocity of a step fundamental quantities for the molecular processes can be determined, e.g. the mean free diffusion path of molecules.


Author(s):  
Xianghong Tong ◽  
Oliver Pohland ◽  
J. Murray Gibson

The nucleation and initial stage of Pd2Si crystals on Si(111) surface is studied in situ using an Ultra-High Vacuum (UHV) Transmission Electron Microscope (TEM). A modified JEOL 200CX TEM is used for the study. The Si(111) sample is prepared by chemical thinning and is cleaned inside the UHV chamber with base pressure of 1x10−9 τ. A Pd film of 20 Å thick is deposited on to the Si(111) sample in situ using a built-in mini evaporator. This room temperature deposited Pd film is thermally annealed subsequently to form Pd2Si crystals. Surface sensitive dark field imaging is used for the study to reveal the effect of surface and interface steps.The initial growth of the Pd2Si has three stages: nucleation, growth of the nuclei and coalescence of the nuclei. Our experiments shows that the nucleation of the Pd2Si crystal occurs randomly and almost instantaneously on the terraces upon thermal annealing or electron irradiation.


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