scholarly journals Family Chronicle Traditions in Contemporary Far Eastern Literature

2021 ◽  
pp. 155-168
Author(s):  
О. N. Alexandrova-Osokina
Keyword(s):  
Human Person ◽  
Regional Studies ◽  
National History ◽  
Absolute Value ◽  
Literary Process ◽  
History Of ◽  
The Subject ◽  
Family Chronicle ◽  
Far Eastern ◽  
First Time

The questions of the content and genre poetics of the works of the Khabarovsk writers V. V. Sukachev (“At the hearth”) and T. I. Gladkikh (“Amur Cossacks Korenevs”) are considered. The relevance ofthe study is due to the value of the literary and regional studies material for the formation of a holistic picture of the national historical and literary process. The novelty of the research lies in the fact that the work of the named authors has practically not been studied, and their works, considered in the article, for the first time became the subject of literary study. Attention is paid to the themes and problems of the works that reveal the tragic events of the national history of the twentieth century: the deportation of the Russian (Crimean) Germans in 1941; post-revolutionary fate of the Amur Cossacks. The experience of analyzing the genre specificity of works connecting family chronicle, parable, fictionalized biography, memoirs is presented. Comparative analysis of the works made it possible to reveal the commonality of the organization of plot and compositional elements inherent in the genre of family chronicles. Particular attention was paid to the specificity of the author’s approach in the artistic processing of historical and biographical material (methods of aestheticization and fictionalization of documentary material, the embodiment of the author’s image, describing the fate of generations, creating the image of the “ancestor”, the use of symbolism). In the process of analysis, the idea was substantiated that the works have a pronounced value component, asserting the absolute value of the human person.

scholarly journals Literary searches of the poets of the Far East emigration: versification poetics of Larissa Andersen

2020 ◽  
Vol 25 (3) ◽  
pp. 447-457
Author(s):  
Olga E. Tsmykal
Keyword(s):  
Systematic Study ◽  
Far East ◽  
General Context ◽  
The Far East ◽  
Classical Poetry ◽  
Literary Process ◽  
The Subject ◽  
Far Eastern ◽  
First Time ◽  
Folk Poetry

The article analyses the versification features of the poetess of Russian Harbin Larissa Andersen in the general context of the literary process of the Far Eastern branch of Russian emigration. The novelty of this study is determined by the fact that the versification poetics of Larissa Andersens works for the first time becomes the subject of independent and systematic study. The object of the study is the lyrics of L. Andersen of the Far Eastern period (1920-1940s). The purpose of the article is a holistic study of the poetics of L. Andersen versification of 1920-1940-ies on the material of her Harbin works, the collection of poems Through the Earths Meadows (1942) and the collective collection The Island (1946). The author of the article concludes that the technical, formal side of the verse is not a dominant for Larissa Andersen, which reflects the general immediacy of the poetess lyrics. However, if the concept of the work requires it, Andersen resorts to unusual means of versioning (including meter, rhyme and rhythm searches). Larissa Andersen doesnt ignore experiments, which result in poems resembling childrens poetry, folk poetry, Chinese classical poetry, futurist lyrics, etc.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

СОЦИАЛЬНАЯ КОНФЛИКТОЛОГИЯ: ТЕОРЕТИКО-ИСТОРИЧЕСКИЙ АСПЕКТ

2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов
Keyword(s):  
Theory And Practice ◽  
Important Task ◽  
Social Conflicts ◽  
Psychological Approach ◽  
Structure Dynamics ◽  
History Of ◽  
The Subject ◽  
First Time

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.

"Itzt kommen die Soldaten"

2019 ◽  
Author(s):  
Tilman Venzl
Keyword(s):  
Literary History ◽  
18Th Century ◽  
Military History ◽  
Form And Function ◽  
Social Structural ◽  
History Of ◽  
The Subject ◽  
And Function ◽  
The Military ◽  
First Time

In the 18th century, as many as 300 German-language plays were produced with the military and its contact and friction with civil society serving as focus of the dramatic events. The immense public interest these plays attracted feeds not least on the fundamental social structural change that was brought about by the establishment of standing armies. In his historico-cultural literary study, Tilman Venzl shows how these military dramas literarily depict complex social processes and discuss the new problems in an affirmative or critical manner. For the first time, the findings of the New Military History are comprehensively included in the literary history of the 18th century. Thus, the example of selected military dramas – including Lessing's Minna von Barnhelm and Lenz's Die Soldaten – reveals the entire range of variety characterizing the history of both form and function of the subject.

scholarly journals On the Monograph by E.A. Zachevskij “The Man who Lied while telling the Truth. Life and Work of Wolfgang Koeppen” (St. Petersburg, Kriega, 2019. 752 p.)

2020 ◽  
Vol 5 (4) ◽  
pp. 518-527
Author(s):  
Tamara V. Kudryavtseva ◽  
Alla A. Strelnikova
Keyword(s):  
20Th Century ◽  
German Literature ◽  
Literary Studies ◽  
Fictional World ◽  
Detailed Survey ◽  
Literary Process ◽  
History Of ◽  
First Time

E.A. Zachevsky’s book is the first study about the Western German author Wolfgang Koeppen (1906–1996). For the first time in the national and international literary studies, the monograph offers a detailed survey of the writer’s life and work as well as defines his place and role in the 20th century German literature. The author analyzes philosophic views as well as the properties of his fictional world and highlights the key moments of his peculiar poetic manner. The book touches upon the main issues of the German literary process and integrates Koeppen’s work into this process which allows us to read the volume as a mini-history of 20th century German literature.

scholarly journals Typology of themes of the legends about icons

2017 ◽  
Vol 4 (3) ◽  
pp. 53-60
Author(s):  
M.A. Komova
Keyword(s):  
Central Region ◽  
Literary Tradition ◽  
Literary Text ◽  
Local History ◽  
Regional Studies ◽  
Material Research ◽  
Russian Orthodoxy ◽  
Literary Process ◽  
History Of ◽  
Xix Century

Material research are regional literary-local-history works of XVIII - XIX centuries in the Central region of Russia (Dmitrovsvsky district) in which stories, tales and legends about locally venerated Christian wonderworking icons and their lists. The relevance of the research is determined by increased interest in the history of the Russian Orthodoxy and the phenomenon of spiritual literary tradition in general. The study based on literary material of regional studies of XIX century in the Central region of Russia (Dmitrovsvsky district) about locally venerated relics allow to create a model of their origin and functioning and it give an opportunity to broaden our views on the regional literary text and spiritual context, and also to deepen philological knowledge of literary process of XVIII – XIX centuries.

BALLAD GENRE IN KABARDIAN LITERATURE: GENESIS AND EVOLUTION

Kavkazologiya ◽  
2021 ◽  
pp. 246-259
Author(s):  
L.B. KHAVZHOKOVA ◽  
◽  
R.S. ATLASKIROVA ◽  
Keyword(s):  
Complex Analysis ◽  
Research Papers ◽  
Evolutionary Path ◽  
Scientific Methods ◽  
The North ◽  
Literary Process ◽  
History Of ◽  
National Poetry ◽  
First Time

The article is devoted to the study of the ballad genre in Kabardian literature: the features of its genesis and evolution are considered in the context of the general Adyge literary process. For the first time, the issues of the origin of the genre in national poetry are studied, the entire evolutionary path is traced, from the origins to the present. The specificity of mastering the genre by Kabardian authors is investigated, specific works are analyzed for compliance / non-compliance with its canons. The ballads of Z. Naloev, B. Utizhev, A. Orazaev, Kh. Kazharov, A. Bitsuev are subjected to a comprehensive, complex analysis, their content and structural-compositional features are revealed. The article uses a number of scientific methods, including the main ones - analysis, description, as well as comparative-historical and hermeneutic methods. The results obtained can be helpful in studying the history of the ballad genre in the Adyghe literature, more generally in the North Caucasian literature, as well as in compiling special courses and writing qualification and other types of research papers.

VII.—On a Collection of Antiquities from the Early Iron Age Cemetery of Hallstatt, presented to the British Museum by Lord Avebury, 1916

Archaeologia ◽  
1916 ◽  
Vol 67 ◽  
pp. 145-162
Author(s):  
C. Hercules Read ◽  
Reginald A. Smith
Keyword(s):  
Iron Age ◽  
Turning Point ◽  
British Museum ◽  
Early Iron Age ◽  
Absolute Value ◽  
The Arts ◽  
History Of ◽  
The Subject ◽  
The Absolute

The important series of antiquities that forms the subject of this communication was discovered at Hallstatt in the Salzkammergut, Austria, about the year 1869. The exploration was undertaken at the instance of Sir John Lubbock (afterwards Lord Avebury), and it is believed that a journal was kept of the daily results, as appears to have been the case in all instances where authorized digging took place on the site. Unluckily in the interval between 1869 and the present time the journal referring to Lord Avebury's exploration has disappeared, and we thus lack an important part of the information that it should have furnished, viz. the indications as to what objects were associated together, and whether the interments to which they belonged were by cremation or by inhumation. While this loss is much to be regretted, yet the absolute value and importance of the series is still very great, both as typical of the period which stands prominent as the classical example of a cultural turning-point in the history of the arts, and as filling a very serious gap in the evolutionary series in the national collection.

scholarly journals Women's Institutes in Imperial Russia in the wording of the normative documents (1764 – early XX century): terms, typology, dates

2021 ◽  
pp. 110-129
Author(s):  
Varvara Vital'evna Ponomareva
Keyword(s):  
Normative Documents ◽  
The Past ◽  
Imperial Russia ◽  
Class Composition ◽  
History Of ◽  
The Subject ◽  
The Russian Empire ◽  
First Time ◽  
Departmental Affiliation

The subject of this research is the foundation of women’s education system in the Russian Empire, namely of the Office of the Institutions of Empress Maria, which totaled up to three dozen by the early XX century. Actualization of the knowledge about the best examples of the Russian school in the past is determined by the fundamental importance of education in the context of ongoing modernization of the country. The topic of Women's institutes of Imperial Russia, which existed for over 150 years, is poorly studied. Despite the extensive source base, in the historical literature one can often come across improper names of the institutes, determination of their departmental affiliation, class composition of the students, as well as incorrect dating and topography. Using the historical-systemic and typological analysis, the author determines and clarifies the conceptual framework of the problematic as a necessary research toolset. The author's contribution to selected topic consists in discovery of a wide variety of sources, including those introduced into the scientific discourse for the first time, accurate names of the institutes and variations in the official documents and everyday practice., their renaming and the causes. The article also traces the dynamics of changes in the class and confessional composition of students since the establishment of the institutes until the beginning of the XX century. Subordination and departmental affiliation at different stages of the history of these institutes is clarified.

scholarly journals Nature Images in Russian Odic Poetry of the 18th – Early 19th Centuries: Functional Role and Influence on the Further Literary Process

2021 ◽  
Vol 3 (2) ◽  
pp. 40-61
Author(s):  
Alexey V. Svyatoslavsky
Keyword(s):  
Functional Role ◽  
Lyric Poetry ◽  
Russian Literature ◽  
Historical Events ◽  
Organic Part ◽  
Civic Consciousness ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the functional role of nature images in the formation of the imaginary structure of Russian odic poetry of the 18th – early 19th centuries. Examples are taken from the odic poetry of Mikhail Lomonosov, Vasily Trediakovsky, Alexander Sumarokov, Mikhail Kheraskov, Gavrila Derzhavin, Dmitry Khvostov. An attempt was undertaken to answer two questions: the place nature images occupied in odic poetry in the era of its pride and, secondly, the possibility to find in the poetry of classicism, despite the condescending attitude towards it that developed later in the history of Russian literature, something that constituted an organic part of the Russian classics of the 19th and 20th centuries. The functional role of nature images in the odic genre is shown, which, as it seemed, by definition is alien to natural themes, being organically connected with the pathos of civic consciousness and the appeal to the themes of heroism, great personalities, and historical events. However, as it turns out in a number of cases, the very objects of nature evoke the poet's admiration as an impressive work of the Creator, in others, nature is a background that in a certain way enhances the impression of the very historical events that constitute the subject of odic poetry. The conclusion is made about a certain continuity in the depiction of nature – from odic poetry to Russian lyric poetry and prose of the 19th and 20th centuries.

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