scholarly journals Problem Etnisitas India Dalam Cerita Pendek Malaysia

ATAVISME ◽  
2015 ◽  
Vol 18 (2) ◽  
pp. 195-208
Author(s):  
M. Shoim Anwar
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Short Story ◽  
Postcolonial Theory ◽  
Colonial Legacy ◽  
British Colonial

Karya sastra adalah dokumen kemanusiaan dan kebudayaan. Kumpulan cerita pendek Menara 7 (1998), terutama enam cerpen yang ditulis oleh pengarang Malaysia beretnis India, memberi gambaran problem kehidupan etnis India di Malaysia. Dengan meminjam teori etnisitas sebagai landasan, tulisan ini bertujuan mengungkap problem etnisitas India di Malaysia. Problem etnis India terkait dengan kemiskinan, pendidikan, gender, religi, budaya, dan persatuan. Keberadaan etnis India di Malaysia secara historis merupakan bagian dari kolonialisme Inggris di masa lampau. Residu kolonialisme menciptakan jejak hitam kemanusiaan yang mendalam. Sebagai pendatang, tersirat ada ketegangan sosial-budaya yang dialami etnis India, tetapi bukan konflik. Problem etnis India dalam cerpen Malaysia adalah sarana untuk becermin bagi masyarakat dalam negara yang multietnis. Abstract: Literature is a document of humanity and culture. A collection of short stories Menara 7 (1998), especially five short stories written by Malaysian Indian, gives an overview of Indian ethnic problems in Malaysia. Using postcolonial theory as an anchor, their problems are poverty, education, gender, religion, culture, and unity. The existence Malaysian Indian was British colonial legacy. The leftover of colonialism deeply creates dark footprints of humanity. As a newcomer, it’s implied there was social-cultural tension, but not conflict, experienced by Malaysian Indian. The problems in Malaysia short stories are a tool of reflection in a multiethnic society. Key Words: problem, ethnic, ethnicity, short story

scholarly journals PIRIṬṬIṢ KĀLAṈIYA ĀṬCIYIṈPŌTU MALĀYĀVĀḺ TAMIḺC CAMUTĀYAM AṬAINTA MĒLĀTIKKANILAI [THE HEGEMONISM ON TAMIL COMMUNITY DURING THE BRITISH COLONIAL RULE]

2021 ◽  
pp. 57-67
Author(s):  
MANIYARASAN MUNIANDY
Keyword(s):  
Short Stories ◽  
Postcolonial Theory ◽  
Industrial Revolution ◽  
Study Data ◽  
East India Company ◽  
Colonial Rule ◽  
Car Industry ◽  
Rubber Plantations ◽  
South Indian ◽  
British Colonial

Malaya was under colonial rule by the British at the beginning of the industrial revolution in the world. Rubber was considered an essential commodity for the car industry. The UK government approached East India Company entrepreneurs and advised them to set up rubber plantations in Malaya. Those suggestions were accepted and arrangements were made for deforestation in order to plant rubber trees throughout Malaya. The locals retreated to do the work. On the advice of the British rulers, South Indian Tamils ​​were brought to Malaya by the kangani system and by contract system and settled in rubber plantations. The Tamil people destroyed the jungles surrounding Malaya and planted rubber trees. Later, they were hired as rubber tapper in rubber plantations. The Tamil people who worked in this way suffered from the British investors, the Sri Lankan Tamils ​​who worked as plantation managers and the non-Tamil Indians who worked as clerks. C.Vadivelu, a senior Malaysian Tamil writer, has made clear through his short stories the cruelty of the hegemonism of British investors. His three collections of short stories are considered as the primary sources of this study and the historical references of Malaysia as supporting sources of the study. Data collected from short stories have been analyzed based on postcolonial theory. This study reveals the fact that the Malay Tamil people were sociologically and economically dominated by the British colonial rulers.

scholarly journals Self- Liberation and National Struggle in Yemeni Women's Early Short Stories

2019 ◽  
Vol 15 (1-2) ◽  
pp. 5-14
Author(s):  
Antelak Mh'd Abdulmalek Al - Mutawakil* Tomar
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Democratic Republic ◽  
National Liberation ◽  
The South ◽  
The North ◽  
British Colonial ◽  
The Creation ◽  
Liberation Movements ◽  
Yemen Arab Republic

The first women's short story in the Yemen was published in the South in the 1960 at the beginning of the decade that was to witness national liberation movements in both the South and the North. In the South independence was gained from British colonial control in the 1967 when the People's Democratic Republic of Yemen was formed. During this decade women from the South began to publish short stories. In the North the revolution of 1962 led to the creation of the Yemen Arab Republic, ending the rule of the Imams. But for most of the rest of the decade there was instability and fighting between republican and loyalist forces. Women from the North started to publish short stories in the 1970's . Since then Yemeni women have continued to write and publish their stories in newspaper, magazines and in anthologies1

scholarly journals Peningkatan Keterampilan Menulis Cerita Pendek Melalui Strategi Area Isi (Studi Kasus Terhadap Mahasiswa Jurusan Bahasa dan Sastra Indonesia FBSS UNP)

2012 ◽  
Vol 11 (2) ◽  
Author(s):  
Yasnur Asri
Keyword(s):  
Short Stories ◽  
Creative Writing ◽  
Key Words ◽  
Short Story ◽  
Language Use ◽  
Content Area ◽  
Story Content

This research aims at identifying the effectiveness of the use of ‘content area strategy’ in teaching creative writing. Based on the action performed in the class it was found that the content area strategy was able to enhance students’ ability in writing short stories. The effectiveness was recognized from the average scores achieved in writing short stories both in describing the content of the story and the element of the story, and in language use.. Key words: short story, content area strategy

scholarly journals Perempuan dengan Segala Luka dalam Kumpulan Cerpen Suatu Hari Bukan di Hari Minggu

ATAVISME ◽  
2013 ◽  
Vol 16 (2) ◽  
pp. 247-257
Author(s):  
Dessy Wahyuni
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Short Story ◽  
Short Story Collection ◽  
Patriarchal Culture ◽  
Story Collection

Empat belas cerpen Yetti A. Ka yang terangkum dalam Satu Hari Bukan di Hari Minggu menghadirkan realita perempuan yang terluka dan kecewa meskipun mereka hidup secara bebas. Oleh sebab itu, masalah penulisan ini adalah bagaimana bentuk penggambaran Yetti A. Ka mengenai para perempuan dan segala luka yang mereka miliki dalam kumpulan cerpen tersebut? Melalui pendekatan feminisme, dapat disimpulkan bahwa perempuan yang disajikan pengarang ini sesungguhnya merasa terikat oleh budaya patriarki. Akan tetapi, dengan segala kebebasan yang mereka miliki, mereka tetap memilih menjadi perempuan dalam lingkaran patriarki tersebut meskipun dengan membawa luka yang tidak pernah usai. Abstract: Yetti A. Ka’s fourteen short stories compiled in Suatu Hari Bukan di Hari Minggu collection represent the reality of women who were hurt and disappointed, although they had a free life. Therefore, the problem of this article is formulated as follows: how is the shape of Yetti A. Ka’s depiction on the women and all the injuries they have in the short story collection? Through the perspective of feminism, it can be concluded that the women presented by the author actually feel bound by a patriarchal culture. However, with all the freedom they have, they still choose to be a woman in a patriarchal circle, although with a wound that never ends. Key Words: short story collection, the perspective of feminism, women's injury

scholarly journals HEGEMONI WACANA KOLONIAL DALAM CERPEN “MEREKA BILANG, SAYA MONYET” KARYA DJENAR MAHESA AYU: KAJIAN PASCAKOLONIAL

2020 ◽  
Vol 17 (1) ◽  
pp. 75-85
Author(s):  
Iwan Saputra
Keyword(s):  
Key Words ◽  
Short Story ◽  
Postcolonial Theory ◽  
Minority Group ◽  
The Other ◽  
Colonial Discourse ◽  
The Third ◽  
Other Hand

Hegemoni merupakan salah satu upaya yang dilakukan oleh penjajah untuk melanggengkan kekuasaannya. Dengan hegemoni tersebut, penjajah akan terus menjadi dominan terhadap kaum terjajah. Dalam penelitian ini, penulis berusaha mengelaborasi tentang bentuk dan model hegemoni wacana kolonial yang terdapat dalam cerpen mereka bilang, saya monyet karya Djenar Mahesa Ayu dengan menggunakan teori pascakolonial.  Adapun teori yang digunakan untuk menganalisis cerpen tersebut adalah konsep pascakolonial Homi K. Bhabha, yaitu tentang stereotype, mimicry dan hibriditas. Ketiga konsep tersebut dilakukan untuk melanggengkan hegemoni kolonial terhadap kaum terjajah. Kecemasan kolonial terhadap negara jajahan mendorong mereka untuk selalu berbagai upaya untuk meyakinkan pengaruh kolonial terhadap negara jajahan. Salah satu bentuk keyakinan tersebut adalah dengan menanamkan wacana kolonial dengan terus-menerus (repetition). Berdasarkan dari hasil analisis pada cerpen mereka bilang, saya monyet, peneliti menemukan bahwa hegemoni wacana kolonial dilakukan dengan cara penanaman identitas terhadap tokoh saya yang dianggap sebagai kelompok minoritas. Di sisi lain, peniruan yang dilakukan oleh tokoh saya merupakan upaya untuk mendapatkan pengakuan sebagai subjek yang memiliki identas. Peniruan tersebut sebagai bentuk hegemoni wacana kolonial pada tokoh saya agar terlihat sama dengan Kepala Anjing yang merepresentasikan kaum penjajah. Pengulangan (repetition) sikap yang ditunjukkan oleh Kepala Anjing pada tokoh saya merupakan bentuk hegemoni untuk meyakinkan tokoh saya.     Key Words: Hegemoni, dominasi, penjajah, terjajah. Abstract Hegemony is the colonial’s effort done to legitimate its domination. By this hegemony, the colonizer is dominant to colonize. In this research, the writer attempts to elaborate about form and model of hegemony of colonial’s discourse in Djenar Mahesa Ayu’s short story “mereka bilang, saya monyet, by using postcolonial theory.  To analyses this short story, the researcher would use the Homi K. Bhabha’s theory about postcolonial, that are stereotype, mimicry, and hybridity. The third concept is conducted to keep colonizer’s hegemony to colonized. The colonizer’s anxiety to colony encourages colonizer to do all effort to convince colonizer’s influence to colony. The colonizer attempts to do more ways by repetition of  colonizer’s discourse.  Based on the results of the analysis on their short story “mereka bilang, saya monyet”, the researcher found that the hegemony of colonial discourse was carried out by means of inculcating the identity of character “saya” who was considered a minority group. On the other hand, the mimicry made by character “saya” is an attempt to get recognition as a subject that has identity. The impersonation was a form of colonial discourse hegemony in character “saya” to make it look the same as the Dog's Head representing the invaders. Repetition of the attitude shown by the Dog Head to character “ saya” is a form of hegemony to convince.  Key Words: Hegemony, domination, colonizer, colonized.

The dystopian genre as one of Ray Bradbury’s creative trends

2020 ◽  
Vol 61 (12) ◽  
pp. 87-90
Author(s):  
Ilaha Adil Majidova ◽  
Keyword(s):  
Short Stories ◽  
Science Fiction ◽  
Key Words ◽  
Short Story ◽  
Technological Progress ◽  
Main Character ◽  
Human Personality ◽  
Utopian Fiction ◽  
The World ◽  
Perfect World

Utopia is a common literary theme, especially in a speculative and science-fiction genre. Authors use utopian genre to explore what a perfect society would look like. Utopian fiction is set in a perfect world, while a dystopian novel drops its main character into a world where everything seems to have gone wrong. Dystopian fiction can challenge readers to think differently about current world. The article is devoted to the etymology of dystopia genre within Ray Bradbury’s creativity. In his short stories he tried to show the depth of his imagination. In Ray Bradbury’s fiction the world is a terrible place. He exposes the destructive side of technological progress and paradoxes of human personality in a grotty society. Key words: science-fiction, utopia, dystopia, prognosis, short story

NOTES ON THE LIFE AND WORK OF ERNEST HEMINGWAY

2021 ◽  
Vol 15 (3) ◽  
pp. 63-67
Author(s):  
Sevil Musa Jafarova ◽  
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Short Story ◽  
Ernest Hemingway ◽  
Life Experiences ◽  
Nobel Laureate ◽  
Pulitzer Prize ◽  
World War ◽  
Silver Medal ◽  
Story Writer

Ernest Hemingway was an American novelist and short story writer and journalist. His real name is Ernest Miller Hemingway. He is a Nobel and Pulitzer Prize-winning writer. He wrote his first articles in the school newspaper. In 1917, America was slowly joining World War I.Heminquey immediately enlisted in the army, but was not accepted because his left eye was weak. A year later, he entered the Red Crescent and volunteered to drive an ambulance. He was wounded in an explosion near the war, carrying an Italian soldier on his shoulder while he was wounded, and was wounded in the leg. After that, he was declared a hero in Italy and received the "Silver Medal of Honor". While in treatment in Milan, he fell in love with a nurse, and this love led him to write a masterpiece - "Goodbye, guns." Heminquey wrote mainly about his life experiences. This can be seen in "Goodbye, weapons". The writer, who reached the peak of his career with "Who the bells are ringing for", continued his life by participating in wars. Key words: famous writer, Chicago, Nobel laureate, author of short stories, story, old man, sea

scholarly journals Citra Perempuan Jawa Dalam Cerita Pendek Majalah Berbahasa Jawa

ATAVISME ◽  
2012 ◽  
Vol 15 (1) ◽  
pp. 103-116
Author(s):  
Yulitin Sungkowati
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Short Story ◽  
The Reformation

Tulisan ini bertujuan mendeskripsikan citra perempuan Jawa dalam cerita pendek ma­ jalah berbahasa Jawa dengan pendekatan feminis. Sumber data yang digunakan dipilih secara purposive, yaitu cerita pendek yang menokohkan perempuan dan membicarakan persoalan perempuan dalam majalah berbahasa Jawa Panjebar Semangat yang terbit setelah bergulirnya re­formasi tahun 1998. Pemilihan terbitan sejak tahun 1998 karena sejak itulah terjadi perubahan sosial budaya yang cukup signifikan di Indonesia. Penelitian ini menghasilkan temuan sebagai berikut. Majalah berbahasa Jawa Panjebar Semangat yang terbit di era reformasi menampilkan citra perempuan aktif, citra perempuan pelawan, citra perempuan materialis, citra perempuan korban, dan citra perempuan penggerak pembangunan. Abstract: The aim of this paper is to describe Javanese women image in the short story of Javanese magazines using feminist approach. The source of data used are purposively selected, those are short stories characterizing woman and discussing the woman issues in the Javanese magazine Panjebar Semangat published after the reformation in 1998. Publication since 1998 was selected because, in Indonesia, it was the period that the significant social­cultural change took place. The study found the following findings. Javanese magazine, Panjebar Semangat, published in the reformation era showed the image of active women, rebellion women, materialistic women, victim women, and the image of development mover. Key Words: image, Javanese women, feminist

scholarly journals Speech Acts in GEICO’s Short Stories and Nursery Rhymes Advertisements

K ta Kita ◽  
2019 ◽  
Vol 7 (1) ◽  
pp. 42-47
Author(s):  
Ivana Tehuayo
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Short Story ◽  
Speech Acts ◽  
Speech Act ◽  
Emotional Connection ◽  
Nursery Rhyme ◽  
Illocutionary Acts ◽  
Verbal Data ◽  
The Right

In this study, the writer analysed the visual and the verbal data from four of GEICO’s 2010 advertisement campaign using speech acts theories. The illocutionary acts that are found in the advertisements are representatives (16), followed by expressives (4), and directives (4). Through the speech acts types and the visuals, GEICO wants to persuade the audiences to emotionally believe in their company and hopefully use their insurance service. From this study, the writer wants to say that through constructing and formulating the right words in literary works adaptation, one can create a powerful promotion tool that will persuade the audiences to do some beneficial future actions for the speaker. Key words: Speech act, nursery rhyme, short story, advertisement, persuasion, emotional connection.

POLA NARASI PADA ANTOLOGI CERPEN TARIAN SALJU KARABAN

2019 ◽  
Vol 6 (1) ◽  
pp. 95-113
Author(s):  
Novi Diah Haryanti
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Main Character ◽  
The Past ◽  
Child Relationship ◽  
Mother And Child ◽  
Narrative Patterns

Abstract: This study aims to look at narrative patterns in the collection of short stories "Karaban Snow Dance" (TSK). From the fifteen short stories, the researchers took five main stories, namely the Karaban Snow Dance (Tarian Salju Karaban), The Fall of a Leaf (Gugurnya Sehelai Daun),  Canting Kinanti Song (Tembang Canting Kinanti), Jagoan Men Arrived (Lelaki Jagoan Tiba), and Origami Pigeon (Merpati Origami). Of the five short stories, environmental themes and honesty appear most often. The place setting depicted shows the environment that is close to the author or according to the author's origin. The main characters in the four short stories are children, only one short story Male Hero Tiban (Lelaki Jagoan Tiban/LJK) who uses adult takoh as the main character. The child leaders in LJK only appear in the past stories of the main characters. The five short stories do not show a picture of whole parents (father and mother). The warm relationship between mother and child appears clearly, in contrast to the father-child relationship that is almost negligent. The five short stories also represent how children become heroes for their family, friends, and environment.Abstrak: Penelitian ini bertujuan untuk melihat pola narasi pada kumpulan cerpen Tarian Salju Karaban (TSK). Dari limabelas cerpen yang ada, peneliti mengambil lima cerpen utama yakni “Tarian Salju Karaban”, “Gugurnya Sehelai Daun”, “Tembang Canting Kinanti”, “Lelaki Jagoan Tiba”, dan “Merpati Origami”. Kelima cerpen menampilkan tema lingkungan dan kejujuran. Latar tempat yang digambarkan memperlihatkan lingkuangan yang dekat dengan penulis atau sesuai dengan asal usul penulis. Tokoh utama dalam keempat cerpen tersebut ialah anak-anak, hanya satu cerpen “Lelaki Jagoan Tiban” (LJK) yang menggunakan takoh dewasa sebagai tokoh utama. Tokoh anak dalam LJK hanya muncul dalam cerita masa lalu tokoh utama. Kelima cerpen tersebut tidak memperlihatkan gambaran orangtua utuh (ayah dan ibu). Relasi yang hangat antara ibu dan anak muncul dengan jelas, berbeda dengan relasi bapak-anak yang nyaris alpa. Kelima  cerpen tersebut juga merepresentasikan bagaimana anak-anak menjadi pahlawan bagi keluarga, sahabat, dan lingkungannya.  

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