scholarly journals A recepção das Investigações Lógicas por Paul Natorp

Phainomenon ◽  
2008 ◽  
Vol 16-17 (1) ◽  
pp. 55-80
Author(s):  
Carlos Morujão

Abstract The paper offers a survey of the debate between Husserl and Paul Natorp that followed the publication, by the former, of Logical Investigations, in 1900-1901. Beyond a general agreement on the nature of psychologism and the ways to struggle against it, Husserl and Natorp disagreed, at the time, on the nature and function of consciousness. As Natorp defended, since his Introduction to Psychology of 1888, that the objective contents of consciousness are distinct from the I as the subjective (and unobjectifiable) point of reference of them all, Husserl remarks the inner contradiction of these argument; as long as philosophy pretends to speak of such an I it has to be treated as an object, albeit of a special kind. In the Logical Investigations, nevertheless, Husserl stresses that it is not even necessary to admit the existence of such an I to explain the acts of consciousness. However, and that is the central theme of the paper, the later evolution of Husserl’s thought and finally his «transcendental turn» can only be fully comprehensible from the admission of a strong influence of the previous criticized thesis of Natorp.

CORAK ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 1-12
Author(s):  
Nurhadi Siswanto

The Panakawan figure in puppet is the original creativity of Indonesian people. Its existence is recognized as having existed before Islam emerged as the political power in the archipelago (Demak). Since the 12th century the figure of Panakawan has been mentioned in Javanese literature and developed in the walls of the temple's reliefs. Even the presence of Panakawan still exists today, with Semar, Gareng, Petruk and Bagong as the characters. Of course there were many different things between Panakawan pre-Islamic times when compared to the Islamic period. These differences were certainly very interesting to study, so they can show the influence of Islam in the world of Wayang. This paper tries to examine the history, changes and development of Panakawan figures in pre-Islamic times and the Islamic period.Using Alvin Boskoff's theory of change, and the theory of the principle of acculturation to Koentjaraningrat's culture, the author tries to examine various changes, and the development of Panakawan figures in wayang. The results of the study show that changes in the pre-Islamic Panamanian era and the Islamic period were changes due to external factors, namely the domination factor of Islamic teachings in Puppet. The strong influence of Islam has caused many changes to occur in the naming, number, form and function of the Panakawan figures.KeyWord: Punakawan, Puppet, changes and Development Tokoh Panakawan dalam pewayangan adalah asli kreatifitas manusia Indonesia. Keberadaanya diakui telah ada sebelum Islam muncul sebagai kekuatan politik di bumi Nusantara (Demak). Sejak abad 12 tokoh Panakawan telah disebutkan dalam kesusastraan Jawa dan berkembang pada relief dinding-dingding Candi. Panakawanpun keberadaannya masih eksis sampai saat ini, dengan Semar, Gareng, Petruk dan Bagong sebagai tokohnya. Tentunya banyak hal yang berbeda antara Panakawan masa pra Islam bila dibandingkan dengan masa Islam. Berbagai perbedaan tersebut tentulah sangat menarik untuk dikaji, sehingga bisa menunjukkan pengaruh Islam dalam dunia Wayang. Tulisan ini mencoba mengkaji sejarah, perubahan dan perkembangan tokoh Panakawan pada masa pra Islam dan masa Islam.Menggunakan teori Perubahan Alvin Boskoff, dan teori prinsip akulturasi budaya Koentjaraningrat, penulis mencoba mengkaji berbagai perubahan, dan perkembangan tokoh Panakawan dalam pewayangan. Hasil kajian menunjukkan bahwa perubahan Panakawan masa pra Islam dan masa Islam merupakan perubahan karena faktor eksternal, yaitu faktor dominasi ajaran Islam dalam Pewayangan. Kuatnya pengaruh Islam ini telah menyebabkab banyak terjadi perubahan baik pada penamaan, jumlah, bentuk dan fungsi tokoh Panakawan.Kata Kunci: Punakawan, Wayang, Peruabahn dan Perkembangan


1978 ◽  
Vol 7 (3) ◽  
pp. 293-297 ◽  
Author(s):  
Stephen Boggs ◽  
Laura Lein

The present issue presents the continuation of work begun at a symposium on child discourse held at the meetings of the American Anthropological Association in 1974. The papers presented there were subsequently published (Mitchell-Kernan & Ervin-Tripp icy). These papers on social discourse all dealt with children's sociolinguistic skills applied to conversation. Among the topics we explored together, the sequencing and function of children's discourse was a problem of particular interest and complexity. Therefore, following the first symposium, the participants planned another for the purpose of discussing sequencing in child discourse. The papers presented at the second symposium, held at the 1975 meetings of the American Anthropological Association, are included here in revised form. These papers indicate the complexity of the issues related to the structure of children's discourse. Sequencing, for instance, appears to be more than a matter of linguistic rules, or even a matter of turn-taking between speakers. Rather, the choice of linguistic forms, of speech acts or routines, like the choice of whether to speak or to communicate in some other way, seems to be determined by interactional strategies as well as linguistic rules. Interactional strategies, in turn, reveal assumptions that speakers appear to hold about the nature of the participants and the most appropriate and effective way to use language in interactions with them. A consensus concerning the importance and implications of interactional strategies can be discerned in these papers, and this is the central theme of this volume.


Author(s):  
Dagfinn Follesdal

Through his creation of phenomenology, Edmund Husserl was one of the most influential philosophers of our century. He was decisive for most of contemporary continental philosophy, and he anticipated many issues and views in the recent philosophy of mind and cognitive science. However, his works were not reader- friendly, and he is more talked about than read. Husserl was born in Moravia, received a Ph.D. in mathematics while working with Weierstraß, and then turned to philosophy under the influence of Franz Brentano. He was particularly engaged by Brentano’s view on intentionality and developed it further into what was to become phenomenology. His first phenomenological work was Logische Untersuchungen (Logical Investigations) (1900–1). It was followed by Ideen (Ideas) (1913), which is the first work to give a full and systematic presentation of phenomenology. Husserl’s later works, notably Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins (On the Phenomenology of the Consciousness of Internal Time) (1928), Formale und transzendentale Logik (Formal and Transcendental Logic) (1929), Cartesianische Meditationen (Cartesian Meditations) (1931) and Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie (Crisis of the European Sciences) (partly published in 1936), remain largely within the framework of the Ideas. They take up topics that Husserl only dealt with briefly or were not even mentioned in the Ideas, such as the status of the subject, intersubjectivity, time and the lifeworld. Brentano had characterized intentionality as a special kind of directedness upon an object. This leads to difficulties in cases of hallucination and serious misperception, where there is no object. Also, it leaves open the question of what the directedness of consciousness consists in. Husserl therefore endeavours to give a detailed analysis of those features of consciousness that make it as if of an object. The collection of all these features Husserl calls the act’s ‘noema’. The noema unifies the consciousness we have at a certain time into an act that is seemingly directed towards an object. The noema is hence not the object that the act is directed towards, but is the structure that makes our consciousness be as if of such an object. The noemata are akin to Frege’s ‘third world’ objects, that is, the meanings of linguistic expressions. According to Husserl, ‘the noema is nothing but a generalization of the notion of meaning [Bedeutung] to the field of all acts’ ([1913] 1950: 3, 89). Just as distinguishing between an expression’s meaning and its reference enables one to account for the meaningful use of expressions that fail to refer, so, according to Husserl, can the distinction between an act’s noema and its object help us overcome Brentano’s problem of acts without an object. In an act of perception the noema we can have is restricted by what goes on at our sensory surfaces, but this constraint does not narrow our possibilities down to just one. Thus in a given situation I may perceive a man, but later come to see that it was a mannequin, with a corresponding shift of noema. Such a shift of noema is always possible, corresponding to the fact that perception is always fallible. These boundary conditions, which constrain the noemata we can have, Husserl calls ‘hyle’. The hyle are not objects experienced by us, but are experiences of a kind which we typically have when our sense organs are affected, but also can have in other cases, for example under the influence of fever or drugs. In our natural attitude we are absorbed in physical objects and events and in their general features, such as their colour and shape. These general features, which can be shared by several objects, Husserl calls essences, or ‘eidos’ (Wesen). Essences are studied in the eidetic sciences, of which mathematics is the most highly developed. We get to them by turning our attention away from the concrete individuals and focusing on what they have in common. This change of attention Husserl calls ‘the eidetic reduction’, since it leads us to the eidos. However, we may also more radically leave the natural attitude altogether, put the objects we were concerned with there in brackets and instead reflect on our own consciousness and its structures. This reflection Husserl calls ‘the transcendental reduction’, or ‘epoché’. Husserl uses the label ‘the phenomenological reduction’ for a combination of the eidetic and the transcendental reduction. This leads us to the phenomena studied in phenomenology, that is, primarily, the noemata. The noemata are rich objects, with an inexhaustible pattern of components. The noema of an act contains constituents corresponding to all the features, perceived and unperceived, that we attribute to the object, and moreover constituents corresponding to features that we rarely think about and are normally not aware of, features that are often due to our culture. All these latter features Husserl calls the ‘horizon’ of the act. The noema is influenced by our living together with other subjects where we mutually adapt to one another and come to conceive the world as a common world in which we all live, but experience from different perspectives. This adaptation, through empathy (Einfühlung), was extensively studied by Husserl. Husserl emphasizes that our perspectives and anticipations are not predominantly factual: ‘this world is there for me not only as a world of mere things, but also with the same immediacy as a world of values, a world of goods, a practical world’ ([1913] 1950: 3, 1, 58). Further, the anticipations are not merely beliefs – about factual properties, value properties and functional features – but they also involve our bodily habits and skills. The world in which we find ourselves living, with its open horizon of objects, values, and other features, Husserl calls the ‘lifeworld’. It was the main theme of his last major work, The Crisis of the European Sciences, of which a part was published in 1936. The lifeworld plays an important role in his view on justification, which anticipates ideas of Goodman and Rawls.


Literator ◽  
2017 ◽  
Vol 38 (2) ◽  
Author(s):  
Mariëtte Van Graan

Ghost characters are a characteristic of the novels of Etienne van Heerden, but little research has been done concerning the nature and function of these ghost characters. In this article I discuss Van Heerden’s use of ghost characters diachronically with reference to the novels Ancestral voices (1986), Leap year (1993) and The long silence of Mario Salviati (2000). In order to clarify the nature of these ghosts, I use the so-called science of the paranormal as a framework. The ghosts in the three novels will be classified accordingly, and then discussed within the context of the novels in which they appear. In this way, I shall show how the ghost characters in these novels can be read as a constantly changing embodiment of Afrikaner identity (a central theme in Van Heerden’s oeuvre). Van Heerden’s Afrikaner changes with the times: in Ancestral voices the ghost characters form a collective that represents a fragmented image of the stereotypical, archaic male Afrikaner identity; in Leap year a liminal character is written in a liminal time to embody a liminal Afrikaner identity; and in The long silence of Mario Salviati Van Heerden moves away from the exclusive Afrikaner identity to a broader South African identity by using ghost characters from very different backgrounds and origins. In conclusion I shall compare these identities and the historical contexts of these novels in order to show the function of Van Heerden’s ghost characters as constant rewritings of South African identities.


2003 ◽  
Vol 16 ◽  
pp. 456-459 ◽  
Author(s):  
J. Patrich

The Herodian multi-purpose entertainment structure under discussion is the earliest and largest of its kind to have been entirely excavated, and it will have far-reaching implications for our knowledge of the development of stadia and hippodromes at the transition between the Hellenistic and Roman worlds. The study and interpretation of its remains therefore deserve care and attention before definitive interpretations are presented and become ‘set in stone’. Unfortunately, Y. Porath's preceding remarks suggest that he will not change his ideas on the identification of the building. However, the chronology which I presented in JRA 14, different from the one he offered in his preliminary report in The Roman and Byzantine Near East (JRA Suppl. 14,1995) 15-27, is not a focus of his objections, and that is encouraging.To name the structure a circus, as Porath is doing, reflects a misconception. A U-shaped entertainment structure of moderate size like this one is a stadium, not a circus. But we are dealing with a special kind of stadium, wider and provided with permanent carceres for chariot races, thereby adapted to serve as a hippodrome. Stadia, Greek in origin, underwent a profound evolution in structure and function during the Hellenistic and Early Roman periods. Conceiving stadia in their Classical Greek forms leads Porath to deny the affiliation of the Herodian structure to Hellenistic/Early Roman stadia. On the other hand, the Circus Maximus, the archetype of Roman circuses, attained its definitive form only under Trajan.


Literator ◽  
1989 ◽  
Vol 10 (3) ◽  
pp. 73-84
Author(s):  
S. Prinsloo

There are various opinions as to what can be described as a narrative. In this study the point of departure has been that a narrative can be seen as an intentional linguistic act consisting of at least two time-ordered clauses with a central theme as the cohesive factor. The nature of the narrative demands that two subject disciplines be involved when the narrative is analysed, viz. linguistics and narratology. These two components supplement each other in the narrative so that one can see that a one-sided analysis would be incomplete. The narrative is a firm unity in which, for analytical purposes, various structural elements are distinguished. These structural elements are distinguishable but not always divisible, and function in conjunction with each other in the narrative. Ten structural elements are distinguished in the well-constructed oral narrative, viz. announcement, orientation, complicating action, climax, evaluation, result, coda, slip of the tongue, pauses and tense-switching. It has been found that switches in tense are characteristic of the spontaneous oral narrative in Afrikaans, and that these are functionally applied to delimit the narrative into episodes. A new turn in the narrative is usually linked to a switch in tense. Tense changes do not necessarily indicate changes of time. Actions are anchored in time by means of referential time. Where tense switches do occur, the preterite and the historic present are used in turn. From the study it emerges that where large segments are in the historic present, especially in the part of the complicating action, many direct quotations occur in these segments.


Author(s):  
Marta Brzezińska-Pająk

Disgrace, Weakness, Rubbish? Material Culture of the GDR in Selected German Films After 1990The article focuses on the material culture of the German Democratic Republic (GDR) as portrayed in selected German films made after 1990 and set in the GDR. The objects that are used in the films serve as a special kind of artefacts, symbolizing the reality of the GDR and defining it as imperfect, below expectations, and inefficient in meeting consumer demand. An important point of reference in the article is the context of post-communist nostalgia, which is a source of interesting symbolic redefinitions. Kompromitacja, słabość, tandeta? Kultura materialna NRD w filmie po 1990 roku na wybranych przykładachArtykuł dotyczy problematyki rzeczy codziennego użytku przedstawionych w wybranych filmach niemieckich realizowanych po 1990 roku a rozgrywających się w realiach Niemieckiej Republiki Demokratycznej. Przedmioty, które zostają użyte w filmach, występują w roli szczególnych artefaktów, symbolizujących rzeczywistość NRD i określających ją jako niedoskonałą, niespełniającą oczekiwań, konsumpcyjnie niewydolną. Istotnym punktem odniesienia w artykule jest kontekst nostalgii postkomunistycznej, która jest źródłem interesujących znaczeniowych przewartościowań.


2020 ◽  
Vol 23 (2) ◽  
pp. 317-337
Author(s):  
Boris Hennig

Abstract On the one hand, Aristotle claims that the matter of a material thing is not part of its form. On the other hand, he suggests that the proper account of a natural thing must include a specification of the kind of matter in which it is realized. There are three possible strategies for dealing with this apparent tension. First, there may be two kinds of definition, so that the definition of the form of a thing does not include any specification of its matter, whereas the definition of a compound does. Second, the definition of a substance may not include a specification of its matter at all, but still reveal in what kinds of matter its form can be realized. Third, there may be a special kind of matter, functional matter, which belongs to the form of certain things. I will show that the functional matter of a thing does not belong to its form (in a strict sense of “form”), but that an adequate account of natural substances and their functions must nonetheless involve a reference to their functional matter. This means that the function of a natural thing is not the same as its form and that its adequate account as a natural thing is not a definition (in a strict sense of “form” and “definition”).


Author(s):  
R. S. Srinivasan ◽  
Kristin L. Wood

Abstract The central theme of this paper is the representation of tolerances in engineering design and manufacturing. A sub-problem of this central theme is the structure of form and size errors created by typical machining processes. This subproblem is addressed using a fractal-based procedure. In particular, workpiece profiles are generated for the shaping manufacturing process, using a simulation model and incorporating the basic shearing mechanism of machining with typical error sources. The resultant profiles are analyzed using a fractal-based, box counting algorithm. The results, which reveal the presence of variational structure, are discussed, emphasizing the relationship between total variability and function. Finally, modifications and future directions to the research are presented.


Author(s):  
M. Boublik ◽  
W. Hellmann ◽  
F. Jenkins

The present knowledge of the three-dimensional structure of ribosomes is far too limited to enable a complete understanding of the various roles which ribosomes play in protein biosynthesis. The spatial arrangement of proteins and ribonuclec acids in ribosomes can be analysed in many ways. Determination of binding sites for individual proteins on ribonuclec acid and locations of the mutual positions of proteins on the ribosome using labeling with fluorescent dyes, cross-linking reagents, neutron-diffraction or antibodies against ribosomal proteins seem to be most successful approaches. Structure and function of ribosomes can be correlated be depleting the complete ribosomes of some proteins to the functionally inactive core and by subsequent partial reconstitution in order to regain active ribosomal particles.


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