JENIS-JENIS DAN BENTUK T-V YOBIKAKE OLEH REMAJA JEPANG

This study aims to determine the types of greetings and forms of T-V greetings used by Japanese teenagers. Sources of data used are data in the form of questionnaires, list of questions, and supported by data sourced from Japanese movies and Japanese cartoons (anime). The theory used is the theory of types of yobikake according Hiromi and Theory T-V Brown-Gillman (1960). Methods and techniques of data provision are made with questionnaires and interview methods to Japanese adolescents. Methods and techniques of data analysis are performed by referential reference method. Methods and techniques of presentation of data analysis results use informal and formal methods. Result of research shows that there are three kinds of greeting found. The three types of greeting, personal pronouns 'ninshoo daimeshi', greeting of the suffixed name of self / form Mr / Mrs 'keishou', and greeting in the term kinship 'shinzoku yougomei'. The greetings that are found contain the T-V form. Greetings of personal pronoun of the form of T found are atashi, ore, boku, jibun, wa-shi, a-shi, wa-shitachi, atashitachi, oretachi, uchira, anta, omae, kimi, temee, omaetachi, and minna. Greetings personal pronouns of V form found are watakushi, watashi, watashitachi, anata, anatatachi, minasama and minasan. The greetings of suffixed self name containing T shapes are greetings with the suffixes ~ kun and ~ chan. The greetings of suffixed self name containing V-shapes, are greetings with suffixes ~ sama, ~ dono, and ~ san. Greetings in the term kinship that contain the form T are ojiichan, jiiji, obaachan, baaba, papa, oyaji, otou, mama, okaa, kaasan, onii, oniichan, oneechan, neechan, and imoutochan. Greetings in the term kinship containing the form V, are ojiisan, obaasan, otousan, okaasan, oniisan, ani, ane, otouto, and imouto.

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Satua I Srabena I Srabeni: Kajian Sastra Antropologis

HUMANIS ◽

10.24843/jh.2018.v22.i03.p13 ◽

2018 ◽

pp. 654

Author(s):

Ni Komang Dewi Juliana ◽

Ni Made Suryati ◽

Luh Putu Puspawati

Keyword(s):

Data Analysis ◽

Building Structures ◽

Literary Structure ◽

The Road ◽

Sacred Values ◽

Methods And Techniques ◽

Translation Techniques ◽

Data Provision ◽

Three Stages ◽

On The Road

The study of Satua I Srabeni I Srabena discusses the analysis of literary structure and anthropology. This analysis aims to reveal the building structures and values ??of Balinese culture embodied in Satua I Srabena I Srabeni.This research uses structural theory, text theory, and theory of Literary Anthropology. Methods and techniques used in this study are divided into three stages, namely 1) methods and techniques of data provision using simak method assisted by transcription techniques, record techniques, and translation techniques, 2) methods and techniques of data analysis using qualitative methods and descriptive analytic techniques , 3) methods and techniques of presenting the results of data analysis using informal methods and deductive and inductive techniques. The result of this research is narrative strutur which includes eight incident, using straight groove and groove is divided into five stages, namely: situation stage, generating circumstances stage, rising action stage, climax stage, and denouement stage. Characters and characterizations are divided into three namely: the main character is I Srabena I Srabeni, secondary figures namely Father, and complementary figures (complementary) ie a couple husband, wife of Anak Agung, Anak Agung, wife Jin, Jin. Background is divided into three, namely: the background of the place that is on the road, jumah, gerobag, park, alase, diwangan, punyan bingin, ampike, and pasisi, background time is peteng, ibi sanja, and weak and background atmosphere angry atmosphere, , longing, anxiety, fear, and threatening atmosphere. The theme of women, about women in good behavior should be done by women and contained a mandate on how to respect women and behave well in life. The results of the literary anthropological research in this satua reveal the values ??of the culture contained, namely the value of vital, social values, ethical values, human values, sacred values, and the value of rwa Bhinneda contained in the four elements of culture in the story.

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Pupulan Puisi Sangsiah Kélangan Somah Karya I Gdé Nala Antara Analisis Struktur

HUMANIS ◽

10.24843/jh.2020.v24.i04.p09 ◽

2020 ◽

Vol 24 (4) ◽

pp. 409

Author(s):

Ni Luh Dewi Nirmalasari ◽

Luh Putu Puspawati ◽

I Wayan Suteja

Keyword(s):

Data Analysis ◽

Data Use ◽

Physical Structure ◽

Research Data ◽

Structural Theory ◽

Note Taking ◽

Interview Methods ◽

Methods And Techniques ◽

Figurative Speech ◽

Concrete Words

This study is entitled “Pupulan Puisi Sangsiah Kélangan Somah Karya I Gdé Nala Antara Analisis Struktur”. Pupulan Puisi Sangsiah Kélangan Somah consists of four poems, namely poem Sangsiah Kélangan Somah, Tresna Uluh Kalarau, Pasah, and Semara Tan Patepi. Pupulan Puisi Sangsiah Kélangan Somah is analyzed by structural theory from Herman J. Waluyo. This study aims to describe the forming structures contained in the Pupulan Puisi Sangsiah Kélangan Somah in the form of physical structures and mental structures. Methods and techniques for providing research data using library and interview methods are supported by document, recording and note taking techniques. The methods and techniques of analyzing research data use descriptive analytic methods, and the hermeneutic method is assisted with translation and note taking techniques. The methods and techniques of presenting data analysis use formal and informal methods and are supported by deductive and inductive techniques. The structures that make up the Pupulan Puisi Sangsiah Kélangan Somah are divided into two, namely the physical structure (diction, imagination, concrete words, figurative speech or language, versification, and typography) and the mental structure (theme, taste, tone, and mandate).

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Proses Pembentukan Kata dalam Kumpulan Cerpen Cinta Paling Rumit Karya Boy Candra

HUMANIS ◽

10.24843/jh.2019.v23.i02.p09 ◽

2019 ◽

Vol 23 (2) ◽

pp. 135

Author(s):

Intan Peonnyta Oktaviani Putri ◽

I Wayan Simpen ◽

Ni Putu N. Widarsini

Keyword(s):

Data Analysis ◽

Formal Methods ◽

Short Story ◽

Quantitative Methods ◽

Note Taking ◽

Short Story Collection ◽

Methods And Techniques ◽

Morphological Theory ◽

Story Collection

This research “The Process of Forming Words in Short Story Collection Cinta Paling Rumit Karya By Candra” The purpose of this research was to know the formation of words which is affixation, reduplication, and composition in the short story collection Cinta Paling Rumit by Boy Candra. The theory used in this research is morphological theory. The methods and techniques used in the process of the collecting the data are the method of reffering to tapping techniques, proficient non-invulment listening techniques, and note-taking techniques. Then in analyzing data, the methods and techniques used are the agih methods with the direct elements technique, the advanced techniques used are sloping techniques, the substitution techniques, and repetition techniques. Besides using the agih method in process of analyzing data, this research also uses quantitative methods. Meanwile, the method of presenting the results data analysis uses informal methods and formal methods. In this research found affixation, the reduplication, and composition. The affixation found were 681 words (31%), reduplication found were 150 words (7%), and the composition found were 93 word (4%).

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Kidung Tunjung Biru: Metrum dan Makna yang Terkandung Di Dalamnya

Jumantara: Jurnal Manuskrip Nusantara ◽

10.37014/jumantara.v10i2.583 ◽

2019 ◽

Vol 10 (2) ◽

pp. 181

Author(s):

I Wayan Pande Sumardika

Keyword(s):

Data Analysis ◽

Data Collection ◽

Formal Methods ◽

Descriptive Analysis ◽

Structural Theory ◽

Analysis Method ◽

Collection Method ◽

Methods And Techniques ◽

Translation Techniques ◽

Unity Of God

This study uses Kidung Tunjung Biru as object. The problems raised in this study include structure and the meaning of Kidung Tunjung Biru. Theory which was employed in this study is a structural theory and semiotic theory. Methods and techniques used in this study were divided into three phases, (1) the stage of data collection method is used to read assisted with translation techniques, (2) the stage of data analysis used descriptive analysis method, and (3) the stage of presentation of the results of the analysis used informal and formal methods. The results obtained from this study is structure of Kidung Tunjung Biru consisting of: metrum and languages. The meaning contained in Kidung Tunjung Biru, consisting of: flowers in a symbolic;the expression of love; and the concept of kalepasan (unity of God and Human).

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Konstruksi Kalimat pada Dialog Film Hafalan Shalat Delisa Karya Tere Liye

Stilistika : Journal of Indonesian Language and Literature ◽

10.24843/stil.2021.v01.i01.p01 ◽

2021 ◽

Vol 1 (1) ◽

pp. 1

Author(s):

Puronami Sarah Stefany ◽

Made Sri Satyawati ◽

Anak Agung Putu Putra

Keyword(s):

Data Analysis ◽

Data Collection ◽

Formal Methods ◽

Sentence Structure ◽

Single Sentence ◽

Methods And Techniques ◽

Sentence Patterns ◽

Mixed Compound ◽

Collection Methods ◽

Data Analysis Methods

This research is entitled “Konstruksi Kalimat Pada Dialog Film Hafalan Shalat Delisa Karya Tere Liye”. This study aims to describe (a) the structure of the sentence and (b) what types of sentences are used in the dialogue. The data collection methods and techniques used are the note-taking method, data analysis methods and techniques using the agih method with basic techniques for direct elements, while the methods and techniques for presenting the results of data analysis are formal methods with descriptive techniques. The results of this study include the structure of sentences in the dialogue of the film Hafalan Shalat Delisa which is divided into two groups, namely the structure of single sentences and compound sentences. The single sentence structure consists of eight sentence patterns, namely (1) SP, (2) SPO, (3) SPK, (4) SP-Pel, (5) SPOK, (6) SPO-Pel, (7) PK, and (8) PO. In compound sentences there are five sentence patterns, namely (1) SP+SP, (2) SP+PO, (3) SP+PK, (4) Konj+SPO+KSP and (5) SPPel+SPO. The types of sentences in the film dialogue Hafalan Shalat Delisa are divided into three types, namely (a) types of sentences based on the number of clauses, namely single sentences, equivalent compound sentences, multilevel compound sentences and mixed compound sentences, (b) types of sentences based on syntactic classification in the form of declarative sentences, imperative sentences, interrogative sentences, and exclamatory sentences, and (c) types of sentences based on the completeness of their elements in the form of major sentences and minor sentences.

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Analisis Struktur dan Nilai Teks Mitos Sang Naga Rarik di Pura Luhur Mekori

HUMANIS ◽

10.24843/jh.2020.v24.i04.p10 ◽

2020 ◽

Vol 24 (4) ◽

pp. 418

Author(s):

Ni Luh Putu Dewi Kartika Sari ◽

Ida Bagus Rai Putra ◽

Tjok. Istri Agung Mulyawati R,

Keyword(s):

Data Analysis ◽

Narrative Structure ◽

Value Theory ◽

Ethical Values ◽

Value Analysis ◽

Analysis Techniques ◽

Interview Methods ◽

Methods And Techniques ◽

Translation Techniques ◽

Three Stages

This study aims to examine the Mythical Texts of the Dragons Rarik in Luhur Mekori Temple, Belimbing Village, Pupuan District, Tabanan Regency Structure and Value Analysis. The purpose of this study is to describe the narrative structure that builds this mythical text and find out what values ??are contained in it. This study using two theories namely, structural theory and value theory. The methods and techniques used in this study consist of three stages, namely Methods and Techniques of providing data using observation and interview methods that assisted by recording techniques and translation techniques. Methods and data analysis techniques using qualitative methods with descriptive analytic techniques. Methods and Techniques of presenting the results of data analysis using informal methods supported by inductive and deductive techniques. The results that can be obtained in this study are the narrative structure that builds the mythical texts of the Naga Rarik in Pura Luhur Mekori, specifically incidents, plots, character and characterization, setting themes, and mandates. Besides, this study also knows the values ??contained in this mythical text, namely religious values ??(magical values ??and belief values), and ethical values.

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AN ANNOTATED TRANSLATION OF PERSONAL PRONOUNS IN THE NOVEL THE SINS OF FATHER

Journal of Language and Literature ◽

10.35760/jll.2019.v7i1.1999 ◽

2019 ◽

Vol 7 (1) ◽

pp. 48-54

Author(s):

Chintia Handayani

Keyword(s):

Qualitative Method ◽

Sampling Technique ◽

Primary Data ◽

Personal Pronoun ◽

The Novel ◽

Personal Pronouns ◽

Purposive Sampling ◽

Annotated Translation

This article is based on annotated translation. Annotated translation is a translation with commentary. The objective of this article is to find out strategies that was employed in translating in Personal Pronoun I and You in the novel The Sins of Father by Jeffry Archer. The research used qualitative method with retrospective and introspective as research approached. The syntactic strategies by Chesterman is employ as tools of analysis. The result shows that from 25 data, there are 5 primary data which are taken using purposive sampling technique. There are 3 word ‘I’ and 2 word ‘You’, which all the data has the same translation principle and strategies.

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Personal Pronoun in Japanese Based on Gender (Structure and Semantic Study)

Jurnal KATA ◽

10.22216/kata.v3i1.3980 ◽

2019 ◽

Vol 3 (1) ◽

pp. 93

Author(s):

Syahrial Syahrial

Keyword(s):

Personal Pronoun ◽

Personal Pronouns ◽

Male And Female ◽

Gender Research

This research analyzed the personal pronouns of Japanese from structure and semantics based on gender. This research useddescriptive method. To discuss the personal pronoun, the theories used include the theory of Lyons (1997), Samsuri (1980), Djajasudarma (1993), Moeliono, et al. (1993), Alwi, et al. (1998), Quirck, et al. (1985), Keraf (1990), Bambang Kaswanti (1983). while For pronouns, used the theory of Oya (1992), Tomita (1993), Kindaichi (1993). The theory used for gender research was the theory of Tsujimura (1995). The results of this Research shows that the personal pronouns of Japanese are different between The speaker and the listener or addresser and addresseeboth male and female and as well as neutral. The conclusion of this study is that based on gender, personal pronoun in Japanese is different. The differences come between the greeters and the greeted or speaker and his/her partners on male and female basis

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Women write the rights of woman: the sexual politics of the personal pronoun in the 1790s

Language and Literature ◽

10.1177/0963947007079113 ◽

2007 ◽

Vol 16 (3) ◽

pp. 281-304 ◽

Cited By ~ 2

Author(s):

Jane Hodson

Keyword(s):

Eighteenth Century ◽

Great Britain ◽

Sexual Politics ◽

The Other ◽

Personal Pronoun ◽

Personal Pronouns ◽

Gender Expectations ◽

Mary Hays ◽

Analysis Programme ◽

Political Pamphlets

This article investigates patterns of personal pronoun usage in four texts written by women about women's rights during the 1790s: Mary Wollstonecraft's A Vindication of the Rights of Woman (1792), Mary Hays' An Appeal to the Men of Great Britain (1798), Mary Robinson's Letter to the Women of England (1799) and Mary Anne Radcliffe's The Female Advocate (1799). I begin by showing that at the time these texts were written there was a widespread assumption that both writers and readers of political pamphlets were, by default, male. As such, I argue, writing to women as a woman was distinctly problematic, not least because these default assumptions meant that even apparently gender-neutral pronouns such as I, we and you were in fact covertly gendered. I use the textual analysis programme WordSmith to identify the personal pronouns in my four texts, and discuss my results both quantitatively and qualitatively. I find that while one of my texts does little to disturb gender expectations through its deployment of personal pronouns, the other three all use personal pronouns that disrupt eighteenth century expectations about default male authorship and readership.

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The Prosodization of Weak Function Words in Kurdish Language (Leilakhi Dialect)

International Journal of Linguistics ◽

10.5296/ijl.v7i4.8065 ◽

2015 ◽

Vol 7 (4) ◽

pp. 42

Author(s):

Sadegh Mohammadi Bolban Abad ◽

Batool Alinezhad ◽

Vali Rezai

Keyword(s):

Noun Phrase ◽

Theoretical Framework ◽

Personal Pronoun ◽

Prosodic Structure ◽

Personal Pronouns ◽

Function Words ◽

Phonological Process ◽

Stress Assignment ◽

Prosodic Phonology

This paper investigates the prosodic structure of simple prepositions and dependent personal pronouns as weak function words in Leilakhi Dialect with the theoretical framework of Prosodic Phonology or Phonology of Domains. Weak function words (fnc) of this dialect are proclitics or enclitics that form Clitic Group (CG) with their host. One such feature of these elements is their combinatorial restriction with their host, i.e. simple prepositions as prosodic proclitics must precede a noun phrase or independent personal pronoun and absolute prepositions as phonological words join the dependent personal pronouns in the role of enclitics which give form to the clitic group. The phonetic process and phonological process used in this research are aspiration and stress assignment pattern respectively.

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