ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II (A POST-STRUCTURAL SEMIOTICS ANALYSIS OF THE PHOTOGRAPH RHEIN II)

2021 ◽  
Vol 4 (1) ◽  
pp. 37
Author(s):  
Markus Jiuhanteng ◽  
Acep Iwan Saidi ◽  
R. Drajatno Widi Utomo
Keyword(s):  
Text Analysis ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Creation Process ◽  
Interpretive Study ◽  
Analysis Process ◽  
Process Creation ◽  
Visual Text ◽  
Visual Element ◽  
Semiotic Theory

<p>Abstract This paper is a study of Andreas Gursky’s photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II’s photograph, a contemporary photo is presented as a multi-reality representation analyzed using the post-structural semiotic method. The object of research is interpreted as a text that has a layer of meaning that is squeezed out of its essence by semiotics. The deconstruction of the signification system in the visual element is identified by reading the structural postal semiotic theory codes: text analysis process, creation process. The results of semiotic extraction produce an interpretive study of Rhein II which is full of meaning.</p><p>Keyword: imagery, photography, semiotica</p><p>Abstrak Makalah ini merupakan kajian dari foto Rhein II karya Andreas Gursky. Dalam kajian ini digunakan metode analisis semiotika post struktural untuk menginterpretasikan makna berdasarkan tanda-tanda pada Rhein. Analisis semiotika post struktural menjadi landasan dalam menginterpretasikan makna-makna dengan menggunakan referensi terkait. analisis teks visual, dalam kajian objek foto Rhein II diharapkan dapat memberikan kebermanfaatan yang positif bagi perkembangan fotografi khususnya secara akademis. Rhein II adalah foto karya Andreas Gursky. Dalam karya Rhein II, sebuah foto kontemporer dihadirkan sebagai representasi multi realitas yang dianalisis menggunakan metode semiotika post struktural. Objek penelitian dimaknai sebagai teks yang memiliki lapisan makna yang terperas esensinya oleh semiotika. Dekonstruksi sistem penandaan dalam elemen visual diidentifikasikan dengan pembacaan kode-kode teori semiotika pos struktural. Proses analisis teks, proses penciptaan. Hasil ekstraksi semiotika menghasilkan kajian interpretatif Rhein II yang sarat makna.</p><p>Kata kunci: citra imaji, fotografi, semiotika</p>

scholarly journals ANALISIS SEMIOTIKA POS STRUKTURAL PADA FOTO RHEIN II A POST-STRUCTURAL SEMITOCS ANALYSIS OF THE PHOTOGRAPH RHEIN II

2021 ◽  
Vol 4 (1) ◽  
pp. 37
Author(s):  
Markus Jiuhanteng ◽  
Acep Iwan Saidi ◽  
Drajatno Widi Utomo
Keyword(s):  
Text Analysis ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Creation Process ◽  
Interpretive Study ◽  
Analysis Process ◽  
Process Creation ◽  
Visual Text ◽  
Visual Element ◽  
Semiotic Theory

<p><strong><em>Abstract</em></strong></p><p><em>This paper is a study of Andreas Gursky's photo Rhein II. In this study, the post-structural semiotic analysis method is used to interpret meaning based on signs on the Rhein II. The post-structural semiotic analysis becomes the basis for interpreting meanings using related references. In the study of Rhein II photo objects, visual text analysis is expected to provide positive benefits for the development of photography, especially academically. Rhein II is a photo by Andreas Gursky. In Rhein II's photograph, a contemporary photo is presented as a multi-reality representation analyzed using the post-structural semiotic method.</em></p><p><em>The object of research is interpreted as a text that has a layer of meaning that is squeezed out of its essence by semiotics. The deconstruction of the signification system in the visual element is identified by reading the structural postal semiotic theory codes: text analysis process, creation process. The results of semiotic extraction produce an interpretive study of Rhein II which is full of meaning.</em></p><p><em>Keyword:Imagery, Photography, Semiotica </em></p><p><em> </em></p><p> </p><p><strong>Abstrak</strong></p><p>Makalah ini merupakan kajian dari foto Rhein II karya Andreas Gursky. Dalam kajian ini digunakan metode analisis semiotika post struktural untuk menginterpretasikan makna berdasarkan tanda-tanda pada Rhein. Analisis semiotika post struktural menjadi landasan dalam menginterpretasikan makna-makna dengan menggunakan referensi terkait. analisis teks visual, dalam kajian objek foto Rhein II diharapkan dapat memberikan kebermanfaatan yang positif bagi perkembangan fotografi khususnya secara akademis. Rhein II adalah foto karya Andreas Gursky. Dalam karya Rhein II, sebuah foto kontemporer dihadirkan sebagai representasi multi realitas yang dianalisis menggunakan metode semiotika post struktural.</p><p>Objek penelitian dimaknai sebagai teks yang memiliki lapisan makna yang terperas esensinya oleh semiotika. Dekonstruksi sistem penandaan dalam elemen visual diidentifikasikan dengan pembacaan kode-kode teori semiotika pos struktural. Proses analisis teks, proses penciptaan. Hasil ekstraksi semiotika menghasilkan kajian interpretatif  Rhein II  yang sarat makna.</p><p> </p><p>Kata kunci : Citra imaji, Fotografi, Semiotika</p>

scholarly journals Pesan Sosial dalam Foto Jurnalistik (Analisis Semiotika dalam Buku ‘Jakarta Estetika Banal’, Bab I, III, V, dan VII)

2014 ◽  
Vol 6 (1) ◽  
pp. 14
Author(s):  
Jaka Priyo Nuswantara
Keyword(s):  
Text Analysis ◽  
Social Life ◽  
Roland Barthes ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
The Social ◽  
Social Message ◽  
Two Stages ◽  
The City

<p><em>This study aims to determine the meaning of denotation and connotation, and social message in the book 'Aesthetics Jakarta Banal', Chapter I, III, V, and VII. The author uses the theory Semiotics of Roland Barthes. Where Semiotics of Roland Barthes uses two stages of analysis denotation and connotation. The research method used is a Roland Barthes semiotic analysis method on the basis that this study analyzes the messages conveyed in the book 'Aesthetics Jakarta Banal', which gives an explanation and overview of issues related to the formulation. </em><em>Inferred outline text analysis results indicate that the social life of silence in the city with the concept of light to be seen. Of all the images examined, the object edges and political society into something dominant to be something that should be understood by the reader.</em></p>

Keterampilan Mengolah Bahan Makanan dalam Film Little Forest Karya Junichi Mori

KIRYOKU ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 199-208
Author(s):  
Dwi Novi Rahakjani
Keyword(s):  
Air Temperature ◽  
Descriptive Analysis ◽  
Note Taking ◽  
Analysis Method ◽  
Japanese People ◽  
Sweet Potatoes ◽  
Cold Air ◽  
Informal Method ◽  
Semiotic Theory

This research is entitled “Processing Foodstuffs Skills in the Little forest Movie by Junichi Mori”. The purpose of this research was to examine the skills of the Japanese people in processing  foodstuffs in Junichi Mori's Little forest movie. The method used in this research is note taking method, descriptive analysis method and informal method. The theory used in this study is the Literary Gastronomy theory proposed by Endraswara and the Semiotic theory proposed by Danesi. The results showed that there were several skills in processing foodstuffs based on the food they were processed, 1) amazake which was processed using porridge and koji, 2) stir-fried akebi which was processed using ingredients from akebi skin and cooked using sabuji style, 3) hoshiimo made from dried sweet potatoes, 4) shimi daikon made from radish dried in cold air, 5) Hoshigaki, which is dried persimmon made from kind of astringent persimmons. in the Little Forest movie is shown the process of processing traditional foodstuffs. the unique thing is that the Japanese people in the little forest film not only use cooking utensils but also take advantage of the air temperature to process food.

scholarly journals Analisis Semiotika Foto Jurnalistik: Evakuasi Orang Utan Sekarat Karya Jessica Helena Wuysang

Koneksi ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 48
Author(s):  
Pristia Astari ◽  
Moehammad Gafar Yoedtadi
Keyword(s):  
Medical Officer ◽  
Analysis Method ◽  
Semiotic Analysis ◽  
Umbrella Species ◽  
Orang Utan ◽  
Triadic Model

This study aims to determine the meaning contained in the journalistic photo by Jessica Helena Wuysang which is published on the AntaraFoto website. As is well known, photojournalism is an image taken by a photographer or journalist for press publishing needs. Independent photojournalism is not only for complementary text. A picture can tell a lot more than a story. This study used Charles Sanders Pierce's semiotic analysis method to examine photos of dying orangutans in Kalimantan. Pierce's semiotics is used to determine signs through the triadic model and its tricotonomic concepts, namely representament (sign), object and interpretant. The results of the study show that the object in the photo describes an orangutan who is in pain due to burns. Then, the interpretation is that orangutan is a rare animal, there is still someone who wants to help an orangutan who is in pain, namely a medical officer. In addition, the meaning that can be taken is to make a lesson for all audiences in Indonesia not to carelessly burn land that is occupied by rare wildlife. If the orang-utan as an umbrella species really ceases to exist, the ecosystem life and diversity that exists around it will be threatened.Penelitian ini bertujuan untuk mengetahui makna yang terdapat didalam foto jurnalistik karya Jessica Helena Wuysang yang dimuat di website AntaraFoto. Seperti diketahui foto jurnalistik merupakan gambar yang diambil oleh juru foto ataupun jurnalis untuk kebutuhan penerbitan pers. Foto jurnalistik bersifat Independen bukan hanya untuk pelengkap teks. Sebuah gambar dapat bercerita lebih banyak dibandingkan sebuah tulisan berita. Penelitian ini menggunakan metode Analisis Semiotika Charles Sanders Pierce untuk meneliti foto orang utan sekarat yang ada di Kalimantan. Semiotika Pierce dipakai untuk mengetahui tanda-tanda melalui model triadic serta konsep trikotonominya, yaitu representament (sign), object dan intepretant. Hasil penelitian menunjukan bahwa objek didalam foto tersebut menjelaskan orang utan yang sedang kesakitan akibat luka bakar, Lalu, interpretannya adalah orang utan termasuk hewan langka, masih ada seseorang yang ingin membantu orang utan yang sedang kesakitan yaitu petugas medis. Selain itu, Makna yang bisa di ambil adalah menjadikan sebuah pembelajaran oleh semua kalangan khalayak yang ada di Indonesia untuk tidak sembarangan untuk membakar lahan yang ditempati oleh satwa liar langka. Jika orang utan sebagai spesies payung benar-benar tidak ada lagi maka kehidupan ekosistem maupun keanekaragaman yang ada di sekitarnya akan terancam.

scholarly journals PHILOSOPHY, LANGUAGE AND MALAY THOUGHT IN THE LYRICS BANGAU OH BANGAU AND BURUNG KENEK-KENEK

2019 ◽  
pp. 14-26
Author(s):  
Farra Humairah Mohd ◽  
Nordiana Hamzah ◽  
Hasrina Baharum
Keyword(s):  
Text Analysis ◽  
Quantitative Method ◽  
Filial Piety ◽  
Moral Values ◽  
Folk Songs ◽  
Analysis Method

The Malay mind is explicitly and implicitly expressed in the works of Malay literature. The thinking in the lyrics of folk songs, in particular, those of “Bangau Oh Bangau” and “Burung Kenek-Kenek”, give emphasis to social and moral values as well as the role of custom in community lives. These songs draw attention to the Malay philosophy that is related to metaphysics, epistemology, ethics, logic and aesthetic through their interaction with nature as well as the surrounding plant and animal kingdoms. This study aims to identify the philosophy, language and thinking in the lyrics of “Bangau Oh Bangau” and “Burung Kenek-Kenek” by employing the Sapir-Whorf hypothesis. The quantitative method employed in the present study is the text analysis method. The study has identified four Malay philosophy and thinking in “Bangau Oh Bangau”: sarcasm with regard to the culture of shifting the blame, sarcasm concerning the indifferent attitude of the society, sincerity in action or planning, and philosophy or principle of life. The philosophy and thinking in the lyrics for “Burung Kenek-kenek” encourage one to strive for piousness, filial piety and noble character (humility). The study has also shown the link between philosophy, language, and thoughts in the lyrics of Malay songs, in particular, “Bangau Oh Bangau” and “Burung Kenek-Kenek”, as stated in the Sapir-Whorf hypothesis. In summary, analysis of the lyrics of “Bangau Oh Bangau” and “Burung Kenek-Kenek” has brought into the open the superiority of Malay thinking and creativity in composing the lyrics of Malay songs that are inspired by nature.

scholarly journals The Representation of Patriarchy in Indonesian Children Folk Tales from Sumatra Island

2019 ◽  
Vol 13 (3) ◽  
pp. 167
Author(s):  
Dyani Masita Dewi
Keyword(s):  
Folk Tales ◽  
Sociological Approach ◽  
Analysis Process ◽  
The World ◽  
Sumatra Island ◽  
Qualitative Descriptive ◽  
North Sumatra ◽  
Descriptive Method ◽  
Semiotic Theory

This research aimed to discuss the topic of patriarchal research because it still existed in several countries in the world, especially Asia and more specifically, in Indonesia. This research was conducted to reveal how patriarchal values were reflected in Indonesian children’s folk tales from Sumatra Island. This research used a sociological approach to literature and used semiotic theory to analyze the data obtained. The researcher chose to use a qualitative descriptive method so that the analysis process could be described completely. The main data used in this research are several children’s folk tales originating from Sumatra Island, namely Province of North Sumatra (“Di Balik Derita Si Boru Tombaga”, “Bohong Merinang”, and “Si Kodok Kata Malem, Baik Budi Penawan Hati”), South Sumatra (“Langkuse dan Putri Rambut Putih”), and Jambi (“Legenda Bukit Perak”). This research finds that patriarchal values are represented in how women are associated with domestic works, women are considered as the subordinates and inferiors, as well as showing their dependence on men.

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