scholarly journals Interpretation of symbols of female destiny in the novel “Zuleikha Opens Her Eyes” by G. Yakhina

Litera ◽  
2021 ◽  
pp. 147-157
Author(s):  
Elena Iakovleva

Many aspects of the life of Tatar women of the past remain obscure for others, which is substantiated by the tradition. This prompts the study of the topic in the genre of literary realism. Analysis is conducted on the fate of Tatar woman in the novel “Zuleikha Opens Her Eyes” by G. Yakhina. The hermeneutical method reveals the key symbols of life of the woman, which reveal what is hidden. Such symbols as coffer, kiln, baby cradle, bird, son, honey embody the feminine principle and have national roots. The symbol of train resembles the progress and new foundations of existence, which partially disclose the hidden aspects of the life of Tatar women. Social changes affected the fate of Tatar women, giving an opportunity for self-realization and attainment of happiness. The novelty of this research lies in the analysis of the hidden in the life of Tatar women, dynamics of its evolution in the context of shift in sociocultural dominants caused by historical development. The acquired conclusions can be valuable in reconstruction of the fate of Tatar women of the XIX – XX centuries, determination of the finest nuances and details unknown to others, as well as restoration of the cultural-historical picture of their everyday practices. The interpretation of fate of the heroine of the novel through symbols allows applying a similar method to the analysis of other literary works dedicates to the female theme in culture.

2021 ◽  
pp. 149-183
Author(s):  
Thom Dancer

David Mitchell’s fiction provides an opportunity to reconsider the claims of modesty in the context of globalization. This chapter draws upon the arguments of the previous ones to put critical modesty to its most difficult test. Are minor achievements enough given the massive scale of planetary life and of urgent global problems facing humanity, not the least of which is environmental ruin? I argue that Mitchell’s novels directly face the problems of scaling that cast into doubt the place and function of the novel as a relevant cultural force in the twenty-first century and beyond. Mitchell’s work helps us to reconcile realism as a kind of modest speculation. Where the novel has long been understood as a form that easily scales from the local to the global, Mitchell emphasizes the discontinuity afforded by novelistic thinking. The efficient causality that has subtended literary realism aims to retroactively recreate the events that lead inevitably from the past to the future. Mitchell’s formal investment in discontinuity resists the tyranny of the inevitable by narrating moments of bifurcation in which a new possibility for action suddenly and unexpectedly emerges. Thus, his novels adopt an inefficient causality that give expression to the feeling that things might be different than they are, that inevitability (optimistic or pessimistic) is a dangerous trap. The challenge that Mitchell poses for himself and other novelists is to imagine a disposition modest enough to nurture and shepherd into being these moments of bifurcation when, by definition, there is nothing in the prior state that predicts them.


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Frans Weiser

Lídia Jorge’s A costa dos murmúrios (1988) has been primarily theorized as a subversion of historical discourse. Similar to a number of Jorge’s examinations of social changes emerging as the Estado Novo declined, the novel juxtaposes two competing versions of the past, in this case a fictional representation of the colonial wars and a woman’s testimonial account twenty years later. This article reconsiders the novel’s status as historical deconstruction, arguing that its oral and visual strategies instead correspond to the methodology of cultural historiography that emerged during the 1970s and 1980s. Expanding Helena Kaufman’s reading of the testimonial as “deliterarization,” I analyze how a slippage of critical terminology over time has equated historical fiction with narrative history. After examining the competing agendas of cultural history and literary postmodernism, I demonstrate how reconceiving Jorge’s historical “annulment” as a productive revision of fiction provides a model of complementary history facilitating interdisciplinary engagement.


2021 ◽  
Vol 33 (2) ◽  
pp. v-viii
Author(s):  
Graham Holderness

When I first studied the novel, the form was believed to have originated in the eighteenth century with the fiction of Daniel Defoe, Henry Fielding and Samuel Richardson, and was synonymous with literary realism. The novel emerged from the Age of Reason, was closely associated with journalism, satire and conduct literature, and marked a profound break with the supernatural, fantastic and romance narratives of the past. Its perfect embodiment was to be found in the work of Jane Austen, even today an immensely popular writer, and widely regarded as a defining practitioner of the novel form. This kind of novel was/is in every respect different from Shakespeare: new, ‘novel’, not old; prose, not poetry; narrative, not dramatic; realist, not magical; fictional, not metafictional; and could deal with Shakespeare only as an objective feature of the society and culture being represented.


Author(s):  
G.M. Ibatullina ◽  
M.V. Alekseenko

The article discusses the figurative and semantic paradigms of the sophiological myth in the story by V.P. Astafyev “The Shepherd and the Cowgirl”. The image of the main character of the story Lucy is endowed with a number of symbolic connotations and has a complex archetypal structure. The Sophian archetype is represented here in its two invariants: the Christian and the Gnostic; the keys to understand the heroine are also the Theotokos archetype, the archetypes of the Virgin, the Beloved, the Mistress, Psyche, and the Kabbalistic archetype Shekhinah, which is closely related to the original image of Sophia. The Sophian model of a feminine principle is reflected both in the personality-psychological, spiritual and moral characteristics of the heroine, and in the logic of the image of her fate. The study leads to the conclusion that the mythologeme of Sophia in its different modes (Sophia the Wisdom of God, Sophia the Gnostic, Eternal Femininity) in the paradigm of Lucy's image is one of the semantic dominants; in addition, in the mythopoetic sign system of the work, the Sophian archetype, along with the archetypes of Theotokos and Shekhinah, can be considered the cultural representative of the “feminine” archetype - the archetype of a Woman in its specific gender-existential aspect.


Ramus ◽  
2011 ◽  
Vol 40 (1) ◽  
pp. 33-72
Author(s):  
Alex Dressler

Achilles Tatius' novelLeucippe and Clitophonis widely recognised by critics as generally ‘philosophical’, even ‘Platonic’, but critics also agree that the meaning of this philosophy and Platonism–whether it is serious or satiric, semantic or aesthetic–is unclear. As a result of this ambivalence, a perplexity confronts the reader who wants to understand the particularlypoliticalphilosophical meaning of Achilles' novel, especially through its depiction of gender norms and hierarchies. The purpose of this article is to revisit the philosophical possibilities of Achilles' novel in view of its various literary and social-historical contexts. To do this, I work through rather than against the perplexity that confronts the reader ofL&C, proposing a relational, reflexive mode of reading that attends to the interplay of Platonism, Stoicism and the social-historical associations that Achilles' mobilisation of each imparts. Such a mode of reading suggests, against numerous critical interpretations, thatL&Cmay actually relate the feminine to the world in a progressive way. In addition, the development of this mode of reading in response toL&Cpotentially undermines, not only the masculinist gender norms that the novel seems to reinforce, but also the very subject-object dualism that underpins mainstream historicist modes of relating to ancient texts as something out there in the walled-off universe of competing textualities that is ‘the past’.


Author(s):  
Henry S. Slayter

Electron microscopic methods have been applied increasingly during the past fifteen years, to problems in structural molecular biology. Used in conjunction with physical chemical methods and/or Fourier methods of analysis, they constitute powerful tools for determining sizes, shapes and modes of aggregation of biopolymers with molecular weights greater than 50, 000. However, the application of the e.m. to the determination of very fine structure approaching the limit of instrumental resolving power in biological systems has not been productive, due to various difficulties such as the destructive effects of dehydration, damage to the specimen by the electron beam, and lack of adequate and specific contrast. One of the most satisfactory methods for contrasting individual macromolecules involves the deposition of heavy metal vapor upon the specimen. We have investigated this process, and present here what we believe to be the more important considerations for optimizing it. Results of the application of these methods to several biological systems including muscle proteins, fibrinogen, ribosomes and chromatin will be discussed.


2018 ◽  
pp. 80-89
Author(s):  
Willi H. Hager

The Hydraulic Laboratory of Liège University, Belgium, is historically considered from its foundation in 1937 to the mid-1960s. The technical facilities of the various Buildings are highlighted, along with canals and instrumentation available. It is noted that in its initial era, comparatively few basic research has been conducted, mainly due to the professional background of the professors leading the establishment. This state was improved in the past 50 years, however, particularly since the Laboratory was dislocated to its current position in the novel University Campus. Biographies of the leading persons associated with the Liège Hydraulic Laboratory are also presented, so that a comprehensive picture is given of one of the currently leading hydraulic Laboratories of Europe.


TAPPI Journal ◽  
2012 ◽  
Vol 11 (10) ◽  
pp. 9-17
Author(s):  
ALESSANDRA GERLI ◽  
LEENDERT C. EIGENBROOD

A novel method was developed for the determination of linting propensity of paper based on printing with an IGT printability tester and image analysis of the printed strips. On average, the total fraction of the surface removed as lint during printing is 0.01%-0.1%. This value is lower than those reported in most laboratory printing tests, and more representative of commercial offset printing applications. Newsprint paper produced on a roll/blade former machine was evaluated for linting propensity using the novel method and also printed on a commercial coldset offset press. Laboratory and commercial printing results matched well, showing that linting was higher for the bottom side of paper than for the top side, and that linting could be reduced on both sides by application of a dry-strength additive. In a second case study, varying wet-end conditions were used on a hybrid former machine to produce four paper reels, with the goal of matching the low linting propensity of the paper produced on a machine with gap former configuration. We found that the retention program, by improving fiber fines retention, substantially reduced the linting propensity of the paper produced on the hybrid former machine. The papers were also printed on a commercial coldset offset press. An excellent correlation was found between the total lint area removed from the bottom side of the paper samples during laboratory printing and lint collected on halftone areas of the first upper printing unit after 45000 copies. Finally, the method was applied to determine the linting propensity of highly filled supercalendered paper produced on a hybrid former machine. In this case, the linting propensity of the bottom side of paper correlated with its ash content.


2017 ◽  
Vol 47 (2) ◽  
pp. 281-297
Author(s):  
Tom Walker

Allusions to other texts abound in John McGahern's fiction. His works repeatedly, though diffidently, refer to literary tradition. Yet the nature of such allusiveness is still unclear. This article focuses on how allusion in The Pornographer (1979) is depicted as an intellectual and social practice, embodying particular attitudes towards the function of texts and the knowledge they represent. Moreover, the critique of the practice of allusion that the novel undertakes is shown to have broader significance in terms of McGahern's whole oeuvre and its evolving attempts to salvage something of present value from the literature of the past.


Author(s):  
Sagar T. Malsane ◽  
Smita S. Aher ◽  
R. B. Saudagar

Oral route is presently the gold standard in the pharmaceutical industry where it is regarded as the safest, most economical and most convenient method of drug delivery resulting in highest patient compliance. Over the past three decades, orally disintegrating tablets (FDTs) have gained considerable attention due to patient compliance. Usually, elderly people experience difficulty in swallowing the conventional dosage forms like tablets, capsules, solutions and suspensions because of tremors of extremities and dysphagia. In some cases such as motion sickness, sudden episodes of allergic attack or coughing, and an unavailability of water, swallowing conventional tablets may be difficult. One such problem can be solved in the novel drug delivery system by formulating “Fast dissolving tablets” (FDTs) which disintegrates or dissolves rapidly without water within few seconds in the mouth due to the action of superdisintegrant or maximizing pore structure in the formulation. The review describes the various formulation aspects, superdisintegrants employed and technologies developed for FDTs, along with various excipients, evaluation tests, marketed formulation and drugs used in this research area.


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