scholarly journals The art of exhibiting chandeliers as art objects in the open air

Author(s):  
Margarita Andreevna Mitnik

This article examines the exhibition of chandeliers in the open air. The subject of this research is the projects that display the actual texture and functionality of the historical models of chandeliers, as well as their modern interpretations within the independent art projects that use structural and stylistic elements of chandeliers as part of the topic or material for the viewers’ reflection. For more in-depth analysis of the chandelier as the object of exposition in the open air, the author explored the websites and exhibition catalogues, methodological textbooks, articles and books that demonstrate methods of presenting the objects of decorative and applied art. Similar projects were found. Based on the extensive sampling, the author conducted typological analysis of such projects was carried out, considering the environmental effects and concepts, namely ecological, which underlie the particular solutions. The conclusion is made that open space of the city and garden allow displaying classical chandeliers and various interpretations of ceiling lighting to wide audience, emphasize the texture of the material, and demonstrate the aesthetics of lighting devices not as a historically reserved or subordinate to some household concept, but as aesthetics that expands the customary concepts associated with space.

Author(s):  
Margarita Andreevna Mitnik

This article explores and systematizes the exhibition of chandeliers as the unique art objects within the museum space, as well as reveals the peculiarities in comparison with the interior space. The subject of this research is the display of such multi-component item of decorative and applied art as chandelier in the modern exhibition projects. Based on a range of exhibitions held in the XX and XXI centuries dedicated exclusively to chandeliers and ceiling lights, the author conducts their classification, and reveals the peculiarities of displaying chandeliers in such projects. The representative examples of exhibition projects are considered. This article is to analyze and systematize the experience of exhibiting chandeliers, which is especially relevant because the topic of studying chandeliers as part of the interior is of particular interest among not only scientists, but the artists and curators as well. The conclusion is made that in the most successful projects, the chandeliers are displayed at eye level of the visitors, which allows studying more details about the item. Chandeliers are displayed either as the unique objects, or together with other antique and luxury items, harmonizing on the formal stylistic or historical level, and indicating the modes of stylistic perception of the interior as a reflection of culture of a certain era.


2021 ◽  
Vol 46 (2) ◽  
pp. 125-134
Author(s):  
Antoni Bortnowski

The subject of the article is the analysis of the image of Kiev, presented in Mikhail Bulgakov’s feuilleton Kiev, the City. This work has rarely been the subject of in-depth analysis, despite the fact that it is one of the few texts in which the writer presents the image of his hometown. A characteristic element of the description of Kiev’s past and present is the irony. It is noticeable in the title of the feuilleton, as well as in the names of its parts. The ironic image of Soviet Kiev stands in stark contrast to the vision of the city captured in the novel The White Guard. The analysis of the techniques used by the writer in the text of Kiev, the City (e.g. the naive narrator’s mask, a combination of pompous style and colloquial speech) is carried out in order to prove that the feuilleton, in its style and ideas expressed, also shows the author’s rejection of post-revolutionary reality and his attempt to overcome the trauma of the past through laughter. The ironic image of the Soviet reality on the background of eternal spiritual values makes Kiev, the City a harbinger of the problems covered inMikhail Bulgakov’s later works.


2007 ◽  
Vol 31 (1) ◽  
pp. 29-38 ◽  
Author(s):  
Anna Januchta-Szostak

In the times of unification of cultural patterns the art in public areas takes on a very responsible role – creating cognitive map and emphasizing identity of the place. Valuable architectural and sculpture monuments take deserved top position in creating unique townscape. But not only spectacular buildings create the image of the city, sometimes inconspicuous sculptures become city symbols. The subject of research conveyed by the author in Poznan was the quality of public areas and possibilities of making them more attractive by introducing monuments and water elements. Autor define the typology of public art objects (considering their function, form and scale) and methodology of lacalization from the city-scale (according to the viewing popularity aspects and rank of the place) to the csale of indyvidual urban interior. The spatial and social role of sculpture in urban area was analized on examples of public places in Poznan. Vizualinio meno lokalizacijos viešosiose erdvėse metodologija poznanės pavyzdžiu Santrauka Vienodėjant kultūriniams kontekstams viešųjų erdvių menas įgyja ypatingą ir labai svarbią reikšmę kaip atpažinimo elementais atskleidžiantis ir pabrėžiantis vietos identitetą. Vertingi architektūriniai ir skulptūriniai elementai tampa svarbiausiais unikalių miestovaizdžių formantais. Tačiau ne tik įspūdingi statiniai kuria miesto vaizdą. Kartais niekuo neišsiskiriančios, vos pastebimos skulptūros tampa miesto simboliais. Tyrimo, atlikto Poznanės mokslininkės, tema yra viešųjų erdvių kokybė ir galimybė padidinti jų patrauklumą meno kūriniais ir vandens elementais. Autorė apibrėžė viešojo meno objektų tipologiją, įvertindama jų paskirtį, formą ir mastelį, ir lokalizacijos metodiką nuo viso miesto masto iki mažiausiojo mastelio nominalių erdvių, įvertindama apžvalgos populiarumą ir vietos kategoriją. Poznanės pavyzdžiu išanalizuotas tiek erdvinis, tiek visuomeninis miesto skulptūrų vaidmuo.


Author(s):  
Ольга Борисовна Павлова

Статья посвящена исследованию форм взаимодействия международных выставочных арт-проектов XXXXI веков (биеннале, триеннале и подобных мероприятий) с городом. Несмотря на распространенность и актуальность данных фестивалей, их влияние на городскую среду изучено недостаточно полно. Автор проводит комплексное исследование при помощи традиционных искусствоведческих и семиотических методов анализа. В результате приведена типология форм взаимодействия международных выставочных арт-проектов с городской средой: от города как темы выставки и предмета изображения в рамках отдельного произведения до выхода арт-объектов в пространство улиц, перформансов и стрит-арта. Также отмечено влияние экспозиционных арт-проектов на изменение функционального назначения целых кварталов и социокультурной среды, равно как и обратное воздействие гения места на выставку. The article is devoted to the study of the forms of interaction of international exhibition art projects of the 20th 21st centuries (biennale, triennial and similar events) with the city. Despite the prevalence and relevance of these festivals, their impact on the urban environment has not been fully studied. The author conducted a comprehensive study using traditional art and semiotic methods of analysis. As a result, a typology of the forms of interaction of international exhibition art projects with the urban environment is presented: from the city as the theme of the exhibition and the subject of the image as part of a separate work to the exit of art objects into the space of streets, performances and street art. The influence of exposition art projects on changing the functional purpose of entire neighborhoods and the sociocultural environment, as well as the inverse effect of the genius of place on the exhibition, are also noted.


2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


Author(s):  
Aida Khakimova ◽  
Oleg Zolotarev ◽  
Lyudmila Sharapova ◽  
Daler Mirzoev ◽  
Aleksanra Belaya ◽  
...  

The image of the city is a spatio-temporal continuum in which everything is interconnected, it exists as a single monolith expressing itself in the general atmosphere. The visual image of the city may contain two planes of meanings: culturally ratified and universally valid, expressed by cultural codes, and also significant only to those who are viewing the image. Therefore, the content of the visual image depends on who the subject of perception is, what he pays attention to and in what situation the process of perception of the image occurs.


2020 ◽  
pp. 233-248
Author(s):  
Marta Zambrzycka ◽  
Paulina Olechowska

The subject of the article is an analysis of the three aspects of depicting urban space of Eastern Ukraine, focusing specifi cally on the Donbass region and the city of Kharkov as depicted in the novels Voroshilovgrad (2010) and Mesopotamia (2014) by Serhiy Zhadan. The urban space of Eastern Ukraine overlaps with the most important values that shape a person’s personality and aff ect her or his self-identifi cation. The city space is also a “place of memory” and experiences of generations that infl uence current events. In addition to the historical and axiological dimension, the imaginative aspect of space is also important. This approach is used by the author to describe the urban space as a functioning imagination or stereotypes associated with it as opposed to its realistic depiction.


1970 ◽  
Vol 5 (4) ◽  
pp. 13-19
Author(s):  
Cristiane Rosa Guedes ◽  
Bianca Del Ducca Alvarenga ◽  
Isabella Rotella ◽  
Débora Vitória Alexandrina Lisboa Vilella

RESUMOObjetivo: Identificar o significado para o enfermeiro em prestar cuidados para pacientes com Depressão.  Materiais e métodos: Estudo exploratório e descritivo com abordagem qualitativa, a amostra foi de 12 enfermeiras, o cenário de estudo foram Unidades Básicas de Saúde e Estratégias de Saúde da Família, urbanas da cidade de Itajubá-MG. A coleta de dados foi por meio do roteiro de entrevista semiestruturada composta por questionário contendo uma pergunta inerente ao assunto. Resultados: Encontramos oito categorias como estigma da depressão, suicídio, dificuldade em lidar, tempo escasso, envolvimento familiar, aceitação da doença, acolhimento e dar medicamento, de acordo com os discursos dos sujeitos coletados na entrevista. Conclusão: Os enfermeiros não estão em contato direto com portadores de depressão no seu trabalho, não entendem que é sua tarefa identificar e encaminha-los para tratamento especializado. Sugerimos que outros estudos sejam desenvolvidos sobre essa temática.Palavras-chave: Depressão. Relação Enfermeiro-Paciente. Assistência de Enfermagem. ABSTRACTObjective: To identify the meaning for nurses when providing care for patients with depression. Materials and Methods: exploratory and descriptive study with qualitative approach, the sample consisted of 12 nurses, the study scenario was the urban Unidades Básicas de Saúde e Estrategia de Saúde da Família, in the city of Itajubá. Data collection was done through semi-structured interview guides consisting of a questionnaire containing a question related to the subject. Results and Discussion: we found eight categories as stigma of depression, suicide, coping difficulties, scarce time, family involvement, acceptance of the disease, host and give medicine, according to the speeches of the subjects collected in the interview. Conclusion: nurses are not in direct contact with individuals with depression in their work, do not understand that it is their job to identify and refer them to specialized treatment. We suggest that other studies be developed on this theme.Keywords: Depression, Nurse-patient Relationship, Nursing care.


Children ◽  
2021 ◽  
Vol 8 (8) ◽  
pp. 666
Author(s):  
Javier Cachón-Zagalaz ◽  
Déborah Sanabrias-Moreno ◽  
María Sánchez-Zafra ◽  
Amador Jesús Lara-Sánchez ◽  
María Luisa Zagalaz-Sánchez

Physical Education is one of the subjects that arouses the most interest in children. The aim of this study is to find out the opinion that primary school students have about the Physical Education class. Drawings from a sample of 62 students from an educational centre in the city of Jaén, aged between six and eight years old, were analysed. The results show that the larger size of the drawings corresponds to the aspects that are to be emphasised. This subject is carried out regularly in the sports pavilion of the centre, making frequent use of materials such as sticks, hoops or balls. Cheerful colours are used, reflecting their enthusiasm for the subject. The smiling facial expression represents the schoolchildren’s interest in the subject. The most popular games or sports are basketball and pichi, both of them collective.


Sensors ◽  
2021 ◽  
Vol 21 (14) ◽  
pp. 4901
Author(s):  
Lucjan Setlak ◽  
Rafał Kowalik

Sometimes, it is impossible to conduct tests with the use of the GNSS system, or the obtained results of the measurements made differ significantly from the predicted accuracy. The most common cause of the problems (external factors, faulty results) are interference disturbances from other radio telecommunication systems. The subject of this paper is to conduct research, the essence of which is an in-depth analysis in the field of elimination of LTE interference signals of the GNSS receiver, that is based on the developed effective methods on counteracting the phenomenon of interference signals coming from this system and transmitted on the same frequency. Interference signals are signals transmitted in the GNSS operating band, and unwanted signals may cause incorrect processing of the information provided to the end-user about his position, speed, and current time. This article presents methods of identifying and detecting interference signals, with particular emphasis on methods based on spatial processing of signals transmitted by the LTE system. A comparative analysis of the methods of detecting an unwanted signal was made in terms of their effectiveness and complexity of their implementation. Moreover, the concept of a new comprehensive anti-interference solution was proposed. It includes, among others, information on the various stages of GNSS signal processing in the proposed system, in relation to the algorithms used in traditional GNSS receivers. The final part of the article presents the obtained research results and the resulting significant observations and practical conclusions.


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