scholarly journals THE PECULIARITIES OF IRISHISMS IN IRISH ENGLISH WITHIN THE PERIOD OF THE IRISH LITERARY REVIVAL (END OF THE 19TH – BEGINNING OF THE 20th CENTURY)

2020 ◽  
Vol 1 (10(78)) ◽  
pp. 211-214
Author(s):  
Nadia Makaryshyn
Keyword(s):  
20Th Century ◽  
Literary Texts ◽  
John Millington Synge ◽  
Cultural Interaction ◽  
Social Contacts ◽  
Lady Gregory ◽  
Literary Revival ◽  
English Speaking ◽  
Irish Literary Revival ◽  
The 19Th Century

The article deals with the analysis of borrowings from the Irish language in Irish English within the period of the Irish literary revival (end of the 19th century – beginning of the 20th century) borrowed in the context of linguo-cultural communication. The article also examines the factors that affect the dynamics and productivity of such borrowings, among which – the absence of competitive equivalents in English, a necessity to establish social contacts between English and Irish speakers and cultures, the revival of Irish autochthonous elements, and others. Four main historic periods of borrowings in the course of Anglo-Irish contacts are schematically outlined with the article concentrating on the third period, i.e. the Gaelic Revival. The material for the article is based on the literary texts of the English-speaking Irish authors of late 19th and early 20th cc. (William Butler Yeats, Isabella Augusta Gregory (Lady Gregory), George William Russell (alias AE) and John Millington Synge). The peculiar features of Irish borrowings, their use and functions were examined as well. The expedience for a further study of borrowing tendencies and assimilation of Irish vocabulary in Irish English was substantiated, which would contribute to understanding the mechanisms and consequences of linguistic and cultural interaction in Ireland.

scholarly journals SPIRITUAL VERSES ABOUT TSAREVICH JOASAPH: PLOTS AND METRICAL MODELS

2021 ◽  
Vol 17 (49) ◽  
pp. 88-131
Author(s):  
Alexander Petrov ◽  
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Literary Tradition ◽  
Literary Texts ◽  
Complex Nature ◽  
Folk Culture ◽  
History Of ◽  
Supplementary Material ◽  
The 19Th Century ◽  
Selection Of

The article considers the problem of the development of metrical forms of the cycle of folklore spiritual verses about Tsarevich Joasaph. Spiritual verses related to the literary tradition are used as supplementary material. The aim of the research is to trace the evolution of the metrics of folklore spiritual verses about Tsarevich Joasaph in the context of the history of Russian versification. The tasks of the research are the formation of a database of texts, differentiation of the texts into thematic groups, selection of method of work, and the analysis of folk and literary variants. The research methodology is determined by its complex nature, being at the intersection of folklore, linguistics, and literary studies. Taking into account the heterogeneity of the material, special methods are used for texts created within the framework of different systems of versification: syllabic, accentual, and syllabic-accentual. The entire corpus of texts consists of seven types of plots and can be divided into metrical groups depending on the time and the environment of their creation. The earliest known text dates from the 16th century; it is a free, non-rhymed accentual verse. A significant corpus of texts was created in the 17th century, in line with the literary syllabic system of versification; these are spiritual verses with 8 or 13 syllables per line. Some of these were assimilated by folk culture and subsequently lost their syllabic equality of lines, becoming close to the accentual system. Literary texts of the 18th–19th centuries are closer to the syllabic-accentual system; sometimes they include polymetric poetic forms. Folklore texts collected in the 19th–20th centuries are based mainly on the accentual system of versification (dolnik, taktovik, accentual verse); however, as we move towards the 20th century, syllabic-accentual tendencies also intensify in this area. In the 20th century, the tradition of spiritual poetry was based on syllabic-accentual models borrowed from the works of Russian classics. The long history of the existence of this poetic cycle is, in general, in line with the evolution of Russian versification. At the same time, if the syllabic-accentual verse has been formed since the 18th century in the literary tradition of spiritual poetry, then in folklore it spread relatively late. Reliable examples of syllabic-accentual versification are found in folklore spiritual verses about Tsarevich Joasaph from the second half of the 19th century.

National Solidarity and Unity in the Works of Fra Rajmund Rudež, Fra Josip Vergilij Perić and Don Ilija Ujević

2021 ◽  
Vol 3/2021 (2) ◽  
pp. 31-40
Author(s):  
Ivana Čagalj
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Literary Texts ◽  
Pastoral Work ◽  
Political Activities ◽  
Artistic Value ◽  
Political Works ◽  
And Function ◽  
The 19Th Century ◽  
National Solidarity

The paper analyzes the cultural, literary, and political activities of three priests related to the area of Imotska Krajina in terms of their by origin, works and service. An analysis of selected political and literary texts written in the last two decades of the 19th century and at the beginning of the 20th century will show how (the)?priests’ discourse followed the development of Croatian intelligentsia in terms of balancing between spiritual and political Slavic unity and the vision of an independent and properly united Croatia. While in political works the priests expressed stronger rebellion, their literary works are a continuation of pastoral work, but without greater artistic value with a clear didactic message. The purpose of both types of texts is to continue the revival work, to enlighten the Zagora part of Dalmatia and to spread Croatian thought. They differ in their view of the solution to the Croatian question, political affinities, level of engagement, position and function, while what they have in common is the work on internal harmony, which among those more politically engaged included rebellion against Croatia's internal and external enemies.

scholarly journals Literature and Economics. Another Way to Read the Text

2015 ◽  
Vol 28 (33) ◽  
pp. 31-40
Author(s):  
Ingrida Kisieliūtė
Keyword(s):  
20Th Century ◽  
The United States ◽  
Literary Texts ◽  
New Historicism ◽  
Late 20Th Century ◽  
New Approach ◽  
New Methods ◽  
English Speaking ◽  
Economic Criticism ◽  
The Relationship

At the end of the 20th century, the study of literature was supplemented by such new methods as biopoetics, geopoetics, new historicism, etc. The New Economic Criticism, a new approach to the literary text, was found in the United States in the late 20th century. The present article discusses the main aspects of the aforementioned area of the study of literature and as well presents the possible approaches to literary texts from the economic perspective. The New Economic Criticism does not aim to become a method or tendency; thus, it givesthe freedom for a researcher to choose the perspective on the relationship between the literature and economics. The above-mentioned kind of analysis may be found in the English-speaking countries; whereas, the Russian literature has still remained unconsidered; however, Russian scholars are attempting to look at their fiction through the eyes of an economist. In Lithuania, the kind of research has not been found yet. Therefore, the article suggests one of the possible economic approaches, i.e., the analysis of the financial practices of the protagonist of The Gambler by F. Dostoyevsky. 

Hiberno-English and identity in Joyce’s A Portrait

2013 ◽  
Vol 22 (1) ◽  
pp. 32-44 ◽  
Author(s):  
M Ángeles Conde-Parrilla
Keyword(s):  
Foreign Language ◽  
19Th Century ◽  
Regional Variation ◽  
Social Background ◽  
Turn Of The Century ◽  
Standard English ◽  
Literary Context ◽  
Literary Revival ◽  
English Speaking ◽  
The 19Th Century

The present article addresses sociolinguistic issues in a literary context, namely regional variation in James Joyce’s A Portrait of the Artist as a Young Man, a relevant, though not fully analysed, aspect of this novel. By the end of the 19th century most of Ireland was predominantly English speaking, but taking on a foreign language meant for the Irish a form of exile from their own identity, place and history. Revivalist writers responded to such a tension by using Hiberno-English, until it eventually became established as a literary medium. As is clear from my analysis, dialectal usage powerfully contributes to the vivid realization of most characters in Joyce’s novel, reflecting their regional provenance and social background. The representation of the linguistic situation thus offered is realistic and extensive, but also innovative in the context of the Irish Literary Revival. More importantly, it illustrates the protagonist’s views on national identity, and his struggles to find his own voice in the midst of the polyphony prevalent in turn-of-the-century Dublin. As this article argues, the dialogical tension between hybrid Irish English and standard English is truly essential to a comprehensive reading of A (colonial) Portrait.

scholarly journals Literacka historia ołowiu. Rekonesans

2021 ◽  
pp. 109-146
Author(s):  
Marta Tomczok
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Harmful Effect ◽  
Literary Texts ◽  
War And Peace ◽  
The Public ◽  
The Past ◽  
The Press ◽  
The 19Th Century

This article offers an overview and preliminary arrangements of literary texts, chosen paintings and films (most of them from the past three centuries) which feature the motif of lead. The presence of lead as a symbol has been detected in poetry which treated the problem of war and peace; occasionally this use of lead has occurred in relation to printing, typesetting, and – less frequently – children’s toys. Much more often the motif of lead has been used in literary works to introduce the topic of melancholia and to express artists’ interest in alchemy. An analysis of literary prose at the turn of the 20th century related to zinc and lead metallurgy shows that lead did not occur in the context of mining, chemistry, and medicine until the 19th century. On the basis of studies of the press, historical literature, and contemporary reportage, the article shows the toxic nature of lead and its harmful effect on people and the environment, about which artists and authors try to warn the public at the turn of the 21st century. The article shows that the parallel between melancholia and saturnism is a well-documented phenomenon.

Immigrant Arab Women in Chile during the Renaissance (Nahda), 1910s-1920s

1970 ◽  
pp. 47-55
Author(s):  
Sarah Limorté
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Thematic Analysis ◽  
New World ◽  
Arab Women ◽  
Arab Woman ◽  
The Subject ◽  
The 19Th Century

Levantine immigration to Chile started during the last quarter of the 19th century. This immigration, almost exclusively male at the outset, changed at the beginning of the 20th century when women started following their fathers, brothers, and husbands to the New World. Defining the role and status of the Arab woman within her community in Chile has never before been tackled in a detailed study. This article attempts to broach the subject by looking at Arabic newspapers published in Chile between 1912 and the end of the 1920s. A thematic analysis of articles dealing with the question of women or written by women, appearing in publications such as Al-Murshid, Asch-Schabibat, Al-Watan, and Oriente, will be discussed.

‘listening to this rude and beautiful poetry’: John Millington Synge as Song Collector in the Aran Islands

2016 ◽  
Vol 46 (2) ◽  
pp. 243-259
Author(s):  
Deirdre Ní Chonghaile
Keyword(s):  
John Millington Synge ◽  
Lady Gregory ◽  
Aran Islands

To date, little attention has been given to the songs in Synge's The Aran Islands, items that Tim Robinson imagines are not ‘fully thought into the texture of the work’. They come from a collection of songs in Irish and in English that was created by Synge in Inis Oírr in 1901 in the company of the local poet Mícheál Ó Meachair. This essay investigates Synge's song collection and the local singers and poets whom he met, including Seághan Seoige of Baile an Fhormna, Inis Oírr and Marcuisín Mhichil Siúinéara Ó Flaithbheartaigh of Cill Rónáin, Árainn. It examines how the music of Aran impacted on Synge during his four visits between 1898 and 1901, what his collection tells us about the song tradition of Aran, and what inspired him to collect songs there. Did Douglas Hyde's Love Songs of Connacht prompt him to create his own collection? What parts did Lady Gregory and W.B. Yeats play? Considering Synge was a trained musician and composer, why did he not collect the airs that accompanied the songs? Recognising the influence of sean-nós song on Synge's dramatic oeuvre, this essay questions whether or not the songs of Aran affected his work.

Main Forms of Propagandistic Activities of the Right-Wing Parties (1904–1914)

2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk
Keyword(s):  
20Th Century ◽  
Social Groups ◽  
Right Wing ◽  
Periodical Press ◽  
Political Movement ◽  
The People ◽  
The Social ◽  
The Right ◽  
In The Beginning ◽  
The 19Th Century

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.

Historian of the Russian State Library. In Memory of L.M. Koval (1933—2020)

2020 ◽  
Vol 69 (2) ◽  
pp. 167-172
Author(s):  
Margarita Y. Dvorkina
Keyword(s):  
20Th Century ◽  
Foreign Languages ◽  
Library History ◽  
Russian State ◽  
Great Patriotic War ◽  
History Of ◽  
Publishing Houses ◽  
October 17 ◽  
State Library ◽  
The 19Th Century

The article is devoted to the memory of Lyudmila Mikhailovna Koval (October 17, 1933 – February 15, 2020), historian, Head of the History sector of the Russian State Library (RSL) and the Museum of Library history. The author presents brief biographical information about L.M. Koval, the author of more than 350 scientific and popular scientific works in Russian and in 9 foreign languages. She published 29 books in Publishing houses “Nauka”, “Kniga”, “Letniy Sad”, ”Pashkov Dom”, most of the works are dedicated to the Library. Special place in the work of L.M. Koval is given to the Great Patriotic War theme. The article considers the works devoted to the activities of Library staff during the War period. L.M. Koval paid much attention to the study of activities of the Library’s Directors. She prepared books and articles about the Directors of the Moscow Public and Rumyantsev Museums and Library from the end of the 19th century and almost to the end of the 20th century: N.V. Isakov, D.S. Levshin, V.A. Dashkov, M.A. Venevitinov, I.V. Tsvetaev, V.D. Golitsyn, A.K. Vinogradov, V.I. Nevsky, N.M. Sikorsky. The author notes contribution of L.M. Koval to the study of the Library’s history. Specialists in the history of librarianship widely use bibliography of L.M. Koval in their research. The list of sources contains the main works of L.M. Koval, and the Appendix includes reviews of publications by L.M. Koval and the works about her.

Die Spur des Stoffs. Ermittlungsrausch in Friedrich Glausers Die Fieberkurve

2019 ◽  
Vol 48 (1) ◽  
pp. 57-89
Author(s):  
Mareike Schildmann
Keyword(s):  
Material Culture ◽  
Natural Resources ◽  
20Th Century ◽  
North Africa ◽  
Oil And Gas ◽  
Logical Structure ◽  
The Novel ◽  
Conservative Approach ◽  
Crime Novel ◽  
The 19Th Century

Abstract This article traces some of the fundamental poetological changes that the traditional crime novel undergoes in the work of the Swiss author Friedrich Glauser at the beginning of the 20th century. The rational-analytical, conservative approach of the criminal novel in the 19th century implied – according to Luc Boltanski – the separation of an epistemologically structured, institutionalized order of “reality” and a chaotic, unruly, unformatted “world” – a separation that is questioned, but reestablished in the dramaturgy of crime and its resolution. By shifting the attention from the logical structure of ‘whodunnit’ to the sensual material culture and “atmosphere” that surrounds actions and people, Glauser’s novels blur these epistemological and ontological boundaries. The article shows how in Die Fieberkurve, the second novel of Glauser’s famous Wachtmeister Studer-series, material and sensual substances develop a specific, powerful dynamic that dissipates, complicates, crosslinks, and confuses the objects and acts of investigation as well as its narration. The material spoors, dust, fibers, fingerprints, intoxicants and natural resources like oil and gas – which lead the investigation from Switzerland to North Africa – trigger a new sensual mode of perception and reception that replaces the reassuring criminological ideal of solution by the logic of “dissolution”. The novel thereby demonstrates the poetic impact of the slogan of modernity: matter matters.

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