Libraries of Educations Institutions in Russia in the First Half of 19th Century

2010 ◽  
pp. 96-101
Author(s):  
Elena A. Kalinina
Keyword(s):  
Cultural History ◽  
19Th Century ◽  
School Libraries ◽  
Educational Institutions ◽  
Russian History ◽  
Early 19Th Century ◽  
History Of ◽  
The Russian Empire ◽  
In The Beginning ◽  
The 19Th Century

Libraries are the integral part of cultural history of Russia. Widespread opening of school libraries in the Russian Empire began in the early 19th century. They began opening school libraries across Russia in the beginning of the 19th century. The paper aims to show the formation and development of libraries in educational institutions of Russia in the first half of the 19th century. The research is based on legislative documents regulating the functions of activity of school libraries and archival materials on the Russian history of the 19th century.

Reasons for the Onset of the Uniat Clergy’s Movement Towards Orthodoxy in the Russian Empire in the Beginning of the 19th Century

2020 ◽  
Vol 58 ◽  
pp. 293-317
Author(s):  
Protopriest Alexander Romanchuk
Keyword(s):  
19Th Century ◽  
Government Policy ◽  
Catholic Church ◽  
Russian Empire ◽  
Latin Church ◽  
The Government ◽  
The Russian Empire ◽  
In The Beginning ◽  
Church Service ◽  
The 19Th Century

The article studies the system of pre-conditions that caused the onset of the uniat clergy’s movement towards Orthodoxy in the Russian Empire in the beginning of the 19th century. The author comes to the conclusion that the tendency of the uniat clergy going back to Orthodoxy was the result of certain historic conditions, such as: 1) constant changes in the government policy during the reign of Emperor Pavel I and Emperor Alexander I; 2) increasing latinization of the uniat church service after 1797 and Latin proselytism that were the result of the distrust of the uniats on the part of Roman curia and representatives of Polish Catholic Church of Latin church service; 3) ecclesiastical contradictions made at the Brest Church Union conclusion; 4) division of the uniat clergy into discordant groups and the increase of their opposition to each other on the issue of latinization in the first decades of the 19th century. The combination of those conditions was a unique phenomenon that never repeated itself anywhere.

scholarly journals Romantyczne wędrówki Polaków po Szwajcarii Saskiej

2019 ◽  
Vol 12 ◽  
pp. 149-175
Author(s):  
Ewa Grzęda
Keyword(s):  
19Th Century ◽  
Travel Literature ◽  
Early 19Th Century ◽  
Polish Literature ◽  
History Of ◽  
Polish Language ◽  
The Aesthetic ◽  
Spatial Imagination ◽  
Aesthetic Sensibility ◽  
The 19Th Century

Romantic wanderings of Poles across Saxon SwitzerlandThe history of Polish tourism in the Elbe Sandstone Mountains as well as the literary and artistic reception of the landscape and culture of Saxon Switzerland have never been discussed in detail. The present article is a research reconnaissance. The beginnings and development of tourism in the region came in the late 18th and early 19th century. The 1800s were marked by the emergence of the first German-language descriptions of Saxon Switzerland, which served as guidebooks at the time. From the very beginning Poles, too, participated in the tourist movement in the area. The author of the article seeks to follow the increasing interest in Saxon Switzerland and the appearance of the first descriptions of the region in Polish literature and culture. She provides a detailed analysis of Polish-language accounts of micro-trips to the Elbe Sandstone Mountains by Andrzej Edward Koźmian, Stanisław Deszert, Antoni Edward Odyniec, Klementyna Hoffman née Tańska and a poem by Maciej Bogusz Stęczyński. As the analysis demonstrates, in the first half of the 19th century Poles liked to visit these relatively low mountains in Central Europe and tourism in the region is clearly part of the history of Polish mountain tourism. Thanks to unique aesthetic and natural values of the mountains, full of varied rocky formations, reception of their landscape had an impact of the development of the aesthetic sensibility of Polish Romantics. Direct contact with nature and the landscape of Saxon Switzerland also served an important role in the shaping of spatial imagination of Polish tourists, encouraging them to explore other mountains in Europe and the world, including the Alps. On the other hand thanks to the development of tourist infrastructure in Saxon Switzerland, facilitating trips in the region and making the most attractive spots available to inexperienced tourists, micro-trips to the Elbe Sandstone Mountains marked an important stage in the development of mountain tourism on a popular-recreational level. Polish-language accounts of trips to Saxon Switzerland from the first half of the 20th century are a noteworthy manifestation of the beginnings of Polish travel literature.

Historicism

2020 ◽  
Author(s):  
Mari Hvattum
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
Cultural Development ◽  
Early 19Th Century ◽  
Cultural Conditions ◽  
Related Idea ◽  
History Of ◽  
Cultural Historian ◽  
The 19Th Century ◽  
Art And Architecture

In its most general sense, historicism refers to a new historical consciousness emerging in late-18th- and early-19th-century Europe. This novel “historical-mindedness,” as the cultural historian Stephen Bann has called it, sprung from a recognition that human knowledge and human making are historically conditioned and must be understood within particular historical contexts. Historicism inspired new interest in the origin and development of cultural phenomena, not least art and architecture. When used in relation to architecture, historicism usually refers to the 19th-century notion that architecture is a historically dynamic and relative phenomenon, changing with time and circumstance. This in contrast to 18th-century classicism which tended to uphold the classical tradition as a universal ideal and a timeless standard. Historicism in architecture often entails Revivals of various kinds, i.e., the reference to or use of historical styles and motifs. The term is related to concepts such as eclecticism, revivalism, and relativism. In architectural history, an early anticipation of a historicist way of thinking is Johann Joachim Winckelmann’s History of the Art of Antiquity (1764). While still idealizing Greek art, Winckelmann also analyzed Egyptian, Etruscan, Phoenician, and Persian art and architecture, paying close attention to the historical conditions in which each of these cultures emerged. This new attentiveness to the relationship between cultural conditions and artistic expression lies at the heart of historicism, as does the related idea that architecture has the capacity to represent an epoch or a nation, forming a veritable index of cultural development. There is a strong organicist aspect to historicism, i.e., a tendency to think about cultural phenomena as organic wholes that evolve according to laws.

scholarly journals Comprehensive approach to the restoration of historical and cultural monuments (example of the mansion of A. A. Polovtsov)

2020 ◽  
Vol 164 ◽  
pp. 05015
Author(s):  
Petr Shchedrin
Keyword(s):  
Cultural Heritage ◽  
19Th Century ◽  
Early 19Th Century ◽  
Historic Masonry ◽  
Reinforced Masonry ◽  
History Of ◽  
Restoration Work ◽  
Cultural Heritage Objects ◽  
The 19Th Century ◽  
The Mansion

The article deals with the problems of restoration design and study of cultural heritage objects that have a long history of existence and operation since the first half of the 19th century. The main aspects faced by researchers of monuments in our time are listed. The list of problems that designers face when studying such objects in St. Petersburg is given. A small dive into the technology of historical development for 250-300 years in St. Petersburg is made. The features of historic masonry and reinforced masonry structures are discussed. In particular, the problems of the state of brickwork walls of cultural heritage monuments of the early 19th century are listed. As a result, it can be stated that the technical and technological difficulties of restoration and the most problematic objects in the design were left to the current generation. We can also say that the current community of restoration designers, to a greater extent, does not take into account many factors that affect the integrity and load-bearing capacity of masonry historical walls. Using the example of a cultural heritage object - the building of the mansion of A. A. Polovtsov, the stages of design of restoration work and analysis of the result obtained and forced corrections after detailed restoration implementation in the structure during its restoration and conservation are given.

scholarly journals Arkistotoimen organisointi Suomen senaatissa kaksi vuosisataa sitten

2017 ◽  
Vol 36 (2) ◽  
Author(s):  
Eljas Orrman
Keyword(s):  
19Th Century ◽  
Russian Empire ◽  
Administrative Process ◽  
National Archives ◽  
The Creation ◽  
The Russian Empire ◽  
In The Beginning ◽  
The 19Th Century ◽  
Grand Duchy

The paper deals with the organization of records and archives management in the middle of 1810s at the Senate, i. e. the supreme administrative board of the Grand Duchy of Finland, belonging to the Russian Empire. Also the reasons why the creation of the position of an archivist at the Senate was proposed by the Senate to the Emperor-Grand Duke Alexander I are dealt with. Likewise the administrative process resulting in the appointment of the first archivist is described. The new position of archivist at the Senate formed the embryo of the National Archives of Finland in our days. The international, especially Swedish and Russian background, to the establishment of this position is also described. It becomes evident why the new position got the title “archivist” (in Swedish: arkivarie), not “actuary” (in Swedish: aktuarie). In the Russian administration an archivist was responsible for the preservation of noncurrent and semi-current records but in the Swedish administration this title was very seldom used in the beginning of the 19th century. There actuaries were in charge of the preservation of noncurrent and semi-current records.

scholarly journals The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)

2021 ◽  
pp. 219-225
Author(s):  
Maryna Rossikhina
Keyword(s):  
19Th Century ◽  
Rapid Development ◽  
Russian Empire ◽  
New Era ◽  
Italian Opera ◽  
History Of ◽  
The Russian Empire ◽  
Opera Singers ◽  
Xix Century ◽  
The 19Th Century

The purpose of the article is to study the influences of the Italian vocal school, the traditions of Italian opera performance on the professional development of Ukrainian singers in this period. Methodology. Analysis was carried out on the basis of such methods as historical and chronological to study trends and patterns of Ukrainian music at the end of the 17th – the beginning of the 19th century, analytical – for a comprehensive consideration of the influence of Italian culture on the emergence of opera in East Slavic areas, source – for elaboration and analysis of sources, bio-bibliographic – for studying creative biographies of artists, the method of systematization – for the reduction of all found facts to a logical unity. Scientific novelty. By studying the creative biographies of prominent Ukrainian musicians (M.Berezovsky, D.Bortnyansky, M.Ivanov, S.Gulak-Artemovsky) for the first time the Italian pages of their creative biography were systematized, new facts were introduced into scientific circulation, which allow to clarify the contribution of Italian vocal culture in the development of the Ukrainian opera school at the initial stage of its formation. Conclusions. The interest of the Russian Empire in Western European, especially Italian, opera led to the rapid development of a new era in the history of musical theater in the East Slavic territories. Internships of Ukrainian musicians in Italy, invitations of Italian artists, composers, vocal teachers to the Russian Empire, joint performances on stage with foreign singers give grounds to assert the influence of the Italian vocal school on the skills of Ukrainian opera singers of the end of the 18th – the beginning of the 19th century and laying of the fundamental foundations for the development of the Ukrainian vocal school.

scholarly journals BANDAR SUKABUMI IN THE BEGINNING OF THE 19TH CENTURY: THE ROLE OF POLITICAL AUTHORITY IN THE DEVELOPMENT OF RIVER-CITY IN KOTAWARINGIN REGION, SOUTHWESTERN KALIMANTAN

2020 ◽  
Vol 14 (2) ◽  
pp. 121-136
Author(s):  
Moh Ali Fadillah
Keyword(s):  
Urban Communities ◽  
19Th Century ◽  
Capital City ◽  
Historical Sources ◽  
Early 19Th Century ◽  
River City ◽  
The Government ◽  
In The Beginning ◽  
The 19Th Century ◽  
Pragmatic Aspects

Kotawaringin is the name of a small kingdom founded in the first half of the 17th century, centered in Kotawaringin Lama on the upper reaches of Sungai Lamandau, in southwestern Kalimantan. In the early 19th century the royal capital was moved to Pangkalan Bun. The shift of the capital city is an important factor in the history of human geography as a cause of changes in demography and urbanization. This research aimed to find clarity about the agglomeration of river cities in terms of symbolic and pragmatic aspects. Such aspects include the origin, existence, reasons for shifting capital and the type of culture that underlies the function of Kotawaringin as a center of government and trade that grew during the early colonial period. The research used methods which were carried out by observing sites indicated as capitals and ports, combining it with studies of historical sources, as well as collecting physical evidence, including a number of symbolic objects associated with royal legitimacy. Results of contextual analysis provide a set of knowledge about the growth of river city as the implementation of the spatial planning policy of the government and the support of urban communities rooted in Malay culture. The Kingdom of Kotawaringin reached a peak of progress during the reign of Prince Ratu Imanuddin, after the capital was moved to Pangkalan Bun from Kotawaringin Lama. The location of the new capital is on the lower reaches of the Sungai Lamandau, precisely on the banks of the Sungai Arut, which was formerly called Bandar Sukabumi. Kotawaringin adalah nama sebuah kerajaan kecil yang didirikan pada paruh pertama abad ke-17 Masehi, berpusat di Kotawaringin Lama di kawasan hulu Sungai Lamandau, di barat daya Kalimantan. Pada awal abad ke-19 Masehi, ibukota kerajaan dipindahkan ke Pangkalan Bun. Pergeseran ibukota merupakan faktor penting dalam sejarah geografi manusia sebagai penyebab perubahan demografi dan urbanisasi. Penelitian ini bertujuan untuk mengetahui kejelasan tentang aglomerasi kota sungai ditinjau dari aspek simbolik dan pragmatis. Aspek-aspek tersebut mencakup asal usul, keberadaan, alasan perpindahan ibukota dan jenis budaya yang mendasari fungsi Kotawaringin sebagai pusat pemerintahan dan perdagangan yang tumbuh pada masa kolonial awal. Penelitian ini menggunakan metode yang dilakukan dengan mengamati situs-situs yang diindikasikan sebagai ibukota dan pelabuhan, memadukannya dengan studi sumber-sumber sejarah, serta mengumpulkan bukti-bukti fisik, termasuk sejumlah benda simbolis yang terkait dengan legitimasi kerajaan. Hasil analisis kontekstual memberikan seperangkat pengetahuan tentang pertumbuhan kota sungai sebagai implementasi kebijakan perencanaan tata ruang pemerintah, dan dukungan masyarakat kota yang berakar pada budaya Melayu. Kerajaan Kotawaringin mencapai puncak kemajuan pada masa pemerintahan Pangeran Ratu Imanuddin, setelah ibu kota dipindahkan ke Pangkalan Bun dari Kotawaringin Lama. Lokasi ibu kota baru berada di bagian hilir Sungai Lamandau, tepatnya di tepi Sungai Arut yang dahulu dinamai Bandar Sukabumi.

Aleksei Kurbatov, Vasilii Tatishchev and the Testament of Ivan the Terrible of 1572

2010 ◽  
Vol 37 (3) ◽  
pp. 250-273
Author(s):  
Cornelia Soldat
Keyword(s):  
19Th Century ◽  
Early 19Th Century ◽  
Russian State ◽  
History Of ◽  
Ivan The Terrible ◽  
The 19Th Century ◽  
Literary Devices

AbstractThe only surviving copy of a Testament of Ivan the Terrible stems from the beginning of the 19th century with a watermark from 1805. In January 1822 the director of the Foreign Office's archive, Aleksei Malinovskii, sent the testament to the historian and novelist Nikolai Karamzin, who was working on his History of the Russian State, and who published it in the commentary to the ninth volume of the History. An analysis of Aleksei Kurbatov's and Vasilii Tatishchev's alledged authorship of the testament's preface and commentary leads to the conclusion that the testament displays the literary devices of a fictional text. The preface presents a story complete with the grammatically ambiguous signature ,,A. Kurbatova“, a host of conflicting dates and several lost copies of a lost original. The argument for Tatishchev's authorship rests solely on some peculiarities concerning the publications of his personal copy of the Sudebnik of 1550. The questions surrounding the testament are resolved easily when one takes into account the literary hints and regards the text as an early 19th-century mystification.

Mexican Women's Pelves and Obstetrical Procedures: Interventions with Forceps in Late 19th-Century Medicine

2005 ◽  
Vol 79 (1) ◽  
pp. 100-115 ◽  
Author(s):  
Laura Cházaro ◽  
Paul Kersey
Keyword(s):  
Cultural History ◽  
19Th Century ◽  
Mexican Women ◽  
Early 19Th Century ◽  
Safe Delivery ◽  
Medical Instruments ◽  
The Status ◽  
History Of ◽  
Living Nature ◽  
Definition Of

This essay is an inquiry into the socio-cultural history of the use of forceps in 19th-century Mexico. It argues that the knowledge and practices that the use of such instruments implied were related to complex and controversial issues of the time regarding gender, race and national identity. In my study of operations involving forceps, I found that the adoption of medical instruments depended not only upon their supposedly greater operative efficiency but also upon the political and medical meanings attributed to the pelves of Mexican women. Early 19th-century obstetrics conceived the womb as an example of ‘living nature’ whose qualities assured that births were ‘normally happy events’ making the use of forceps and other instruments unnecessary. However, by mid-century, in the aftermath of independence, Mexico was desperately attempting to forge its identity as a nation. Due to European theories of race, Mexican women came to be characterized as having pathologically deformed pelves that evidenced possible defects of racial formation. The analysis of operative practices involving forceps reveals just how strongly such medical instruments became charged with a complex political definition of the ‘mestizo race’, which was seen to hold political promise for the future. In this context, forceps ceased to symbolize the threat of death, with which they had been associated since colonial times, and became artefacts that helped to assure the safe delivery of newborn mestizos by overcoming the problems of Mexican women's pathological pelves; although by the same token, the status of women as biologically inferior beings in need of medical assistance was reconfirmed.

Sign in / Sign up

Export Citation Format

Share Document