scholarly journals The Religious Cults of the Albanian Faith during the Early 20th Century

Author(s):  
Benita Stavre ◽  
Erinda Papa

During the early twentieth century, Albania was visited by various British and American people who were eager to know about the curious features of this little country’s particular life. They had heard of it in their homeland and chose to trace a reality that was much different from the one they were used to. The materials they wrote and published, constitute a reliable source of information, whose analysis from the modern perception draws a picture of the life almost a century ago. This paper aims to describe the particular context of the relation that Albanian people had created with God and the way the religious life was shaped through the traditional rituals of the country. A few of the arguments that will be analyzed are: the way the religious faith was integrated in the daily activities, the religious tolerance in the state policies and the way it was reflected in the life context, religious attitudes due to the historical development of the past centuries, the influence of the new entries of the ‘30s, the restricted intercourse of the northern Albanians due to their geographical isolation and the pagan rituals and symbols of the traditional ceremonies. The Albanian way of worshiping seems to have been shaped by life pragmatism, social equilibrium and personal honesty. Nothing can describe it better than the people who lived with it for some time and were able to define it from a different mental perception. The description may supply modern insight of the particular attitude that this country reflected in early in the past century.

CLEaR ◽  
2017 ◽  
Vol 4 (2) ◽  
pp. 20-33
Author(s):  
İhsan Doğru

Abstract Yahya Kemal and Nizar Qabbani were two poets who served as diplomats in Spain in the past century on behalf of the governments of Turkey and Syria. Yahya Kemal wrote two poems about Spain, “Dance in Andalusia “ and “Coffee Shop in Madrid”. “Dance in Andalusia,” a poem written about the Flamenco dance, has become very famous. In this poem, he described the traditional dance of the Spanish people and emphasized the place of this dance in their lives and the fun-loving lives of the people of Spain. In almost all of the poems which Nizar Qabbani wrote about Spain, on the other hand, a feeling of sadness rather than joy prevails. He gives a deep sigh in his poems as he regards Andalusia as the one-time land of his ancestors. His most important poem with respect to Spain is the poem entitled “Granada”. This poem is considered to be one of the most significant odes in the Arab literature describing Granada, the pearl of Andalusia, Arab influences there, the Alhambra palace and the sadness felt due to the loss of the city by Arabs. This study analyzes the two most important poems written by Yahya Kemal and Nizar Qabbani concerning Spain, namely “Dance in Andalusia” and “Granada”. Whenever it is deemed appropriate, other poems of the two poets regarding Spain will be dwelt upon and what kind of an influence Andalusia left in their emotional world will be revealed.


2016 ◽  
pp. 52-65
Author(s):  
Patryk Kołodyński ◽  
Paulina Drab

Over the past several years, transplantology has become one of the fastest developing areas of medicine. The reason is, first and foremost, a significant improvement of the results of successful transplants. However, much controversy arouse among the public, on both medical and ethical grounds. The article presents the most important concepts and regulations relating to the collection and transplantation of organs and tissues in the context of the European Convention on Bioethics. It analyses the convention and its additional protocol. The article provides the definition of transplantation and distinguishes its types, taking into account the medical criteria for organ transplants. Moreover, authors explained the issue of organ donation ex vivo and ex mortuo. The European Convention on Human Rights and Biomedicine clearly regulates the legal aspects concerning the transplantation and related basic concepts, and therefore provides a reliable source of information about organ transplantation and tissue. This act is a part of the international legal order, which includes the established codification of bioethical standards.


2019 ◽  
Vol 13 (2) ◽  
pp. 109-145
Author(s):  
André Luiz Cruz Sousa

The aim of this paper is to study a set of three issues related to the understanding of partial justice and partial injustice as character dispositions, namely the distinctive circumstance of action, the emotion involved therein and the pleasure or pain following it. Those points are treated in a relatively obscure way by Aristotle, especially in comparison with their treatment in the expositions of other character virtues in the Nicomachean Ethics. Building on the expression ‘capacity towards the other’ (δύναμις ἐν τῷ πρὸς ἕτερον), the paper highlights the interpersonal nature of the circumstances of just and unjust actions, and points how such nature is directly related to notions such as ‘profit’ (κέρδος) or ‘getting more’(πλεονεκτεῖν) as well as to the unusual conception of excess, defect and intermediacy in Nicomachean Ethics Book V. The interpersonal nature of just and unjust actions works also as the starting-point for the interpretation both of the pleasure briefly mentioned in 1130b4 as characterizing the greedy person and of the emotion involved in acting justly or greedy, which is mentioned in an extremely elliptical way in 1130b1-2: the paper argues, on the one hand, that the pleasure felt in acting justly or unjustly concerns not only the goods that are the object of just or unjust interactions, but also the way such interactions affect the people involved; on the other hand, it argues that the emotion actuated in just or unjust interactions relates to the agent’s concern or lack of concern with the good of those people.


Author(s):  
Наталья Олеговна Архангельская ◽  
Яна Васильевна Бондарева

В статье рассматривается эволюция взглядов А.П. Щапова на раскол. Первоначально он придерживался традиционной концепции, считавшей раскол порождением невежества народа и его приверженности старине. Через несколько лет Щапов уже утверждал, что раскол - это выражение недовольства народа усилением феодальной зависимости, проявившееся в религиозной форме. Причем среди направлений раскола он уделяет внимание тому, которое предполагало общий труд. Таким образом, его позиция совпала с позицией революционных демократов и некоторых русских историков, рассматривавших религиозные движения (преимущественно европейские) как форму выражения интересов определенных социальных групп. The article considers the evolution of A. P. Shchapov's views on the religious split. Initially, he adhered to the traditional concept, which considered the split to be a product of the ignorance of the people and their adherence to the past. A few years later, Shchapov already argued that the split was an expression of the people's discontent with the strengthening of feudal dependence, manifested in a religious form. Moreover, among the directions of the split, he pays attention to the one that suggested common labor. Thus, his position coincided with the position of the revolutionary democrats and some Russian historians who considered religious movements (mainly European) as a form of expressing the interests of certain social groups.


Artnodes ◽  
2019 ◽  
Author(s):  
Ana Rodriguez Granell

It gives us great pleasure to present the 23rd issue of the magazine as a heterogeneous collection that brings together selected articles submitted in response to three different calls for contributions. On the one hand, we bring the volume focusing on media archaeology to a close with this second series of texts. The section on Digital Humanities also comprises an interesting series of contributions related to the 3rd Congress of the International Society of Hispanic Digital Humanities. The last section of this issue brings together another set of articles submitted in response to the magazine’s regular call for contributions, including different perspectives on issues that fall within the magazine’s scope of interest. All the sections and research contained here are unavoidably disparate from each other, yet, when taken as a whole, the reader will realise that there is a common thread throughout this issue, focusing on the impact of certain technologies have had on the way we view the past. The historical scope of technologies does not only operate in a single direction, but rather throughout time in its entirety.


Author(s):  
Vanessa Lopes Lourenço Hanes

Given the massive changes that Brazil has undergone in the past century, particularly in distancing itself linguistically from its former colonizer, this study is an attempt to determine the role of translation in the country's cultural evolution. Translational approaches have developed along opposing poles: on the one hand, a strong resistance to incorporating orally-driven alterations in the written language, while on the other, a slow, halting movement toward convergence of the two, and both approaches are charged with political and ideological intentionality. Publishing houses, editors and translators are gatekeepers and agents whose activities provide a glimpse into the mechanism of national linguistic identity, either contributing to or resisting the myth of a homogenized Portuguese language.


2021 ◽  
pp. 1-22
Author(s):  
Cynthia J. Davis

A strange moral transformation has within the past century swept over our Western world. We no longer think that we are called on to face physical pain with equanimity. It is not expected of a man that he should either endure it or inflict much of it, and to listen to the recital of cases of it makes our flesh creep morally as well as physically. The way in which our ancestors looked upon pain as an eternal ingredient of the world’s order, and both caused and suffered it as a matter-of-course portion of their day’s work, fills us with amazement....


Author(s):  
Lambros Malafouris ◽  
Chris Gosden

The study of material culture is changing the way we perceive and study the past, as well as how we understand the process of human becoming. This chapter proposes that a focus on the phenomenon of material engagement provides a productive means to situate and integrate evolutionary, historical, and developmental processes. The material engagement approach brings with it a relational conceptualization of human cognition as profoundly embodied, enacted, extended, and distributed. This conceptualisation opens the way to, on the one hand, reanimate the importance of history and development in the study of human cognitive evolution, and on the other hand, allow a new approach to historical analysis, one in which minds and things play a more central role. Specifically, we explore some of the implications of the view that humans and things coconstitute each other for understanding the processes by which human cognitive abilities develop and change in different cultural and historical contexts.


2006 ◽  
Vol 3 (3) ◽  
pp. 495-521 ◽  
Author(s):  
JAMES T. KLOPPENBERG

In December of 1850, exhausted by his role in French politics and recuperating from tuberculosis, Alexis de Tocqueville retreated to the Amalfi coast to think, write, and recover. To his best friend Louis de Kergolay, Tocqueville wrote about completing his memoir on the 1848 revolution and his plans to undertake a comprehensive account of French history that would explain the turmoil of the past century. The appeal was powerful, he explained to Kergolay, but “the difficulties are immense. The one that most troubles my mind comes from the mixture of history properly so called with historical philosophy. I still do not see how to mix these two things,” he conceded, “and yet, they must be mixed, for one could say that the first is the canvas and the second the color, and that it is necessary to have both at the same time in order to do the picture.” Tocqueville feared “that the one is harmful to the other, and that I lack the infinite art that would be necessary in order to choose properly the facts that must, so to speak, support the ideas.


2017 ◽  
Vol 13 (1) ◽  
pp. 37
Author(s):  
Nita Handayani Hasan

The existence of folksong is an important thing for the Moluccas. It has functions as an entertainment and the way to deliver the events that existed in the past. This research discuss about jarjinjin and largula folksongs based on hermeneutics approach. The purposes of this research are to transcript and to understand the deepest meaning of the jarjinjin and largula folksongs, and to know the functions of those folksongs for the owner and the young generations. Jarjinjin and largula comes from Longgar village, Kepulauan Aru district, Maluku province. This research use qualitative description method. After transcripted and analyzed  the lyrics, the results show about the history of Longgar, Karey, and Gomu-Gomu village; the folksongs taught the people always remember the message of the ancestors in maintaining brotherhood and culture. For the owner, jarjinjin and largula made brotherhood relation closed beyond the villagers in Longgar, Karey, and Gomu-Gomu village; remaining the history of the ancestors; preservation of local languages; entertaining, because they have sang together and escorting by stampted drums and gongs; and maintaining and preserving the tradition. For young generations, they improved the knowledge about the history of Aru’s ancestors; practicing and demonstrating local language ability; reinforcing love of the history; and maintaining and preserving the tradition. Keberadaan nyanyian rakyat bagi masyarakat Maluku merupakan hal yang penting. Nyanyian rakyat berfungsi sebagai penghibur hati dan cara untuk  menyampaikan peristiwa-peristiwa yang ada di masa lampau. Penelitian ini mengkaji nyanyian adat yang berjudul jarjinjin dan largula dengan menggunakan pendekatan hermeneutika. Penelitian ini bertujuan untuk mentranskripsi nyanyian adat jarjinjin dan largula, mengetahui makna yang terkandung di dalamnya, dan mengetahui fungsi kedua nyanyian adat bagi pemilik lagu dan generasi muda. Lagu jarjinjin dan largula merupakan nyanyian adat yang berasal dari Desa Longgar, Kabupaten Kepulauan Aru, Maluku. Metode yang digunakan adalah deskriptif kualitatif. Setelah melakukan transkripsi dan analisis terhadap kedua lirik-lirik lagu, diketahui kedua nyanyian adat tersebut menceritakan perjalanan sejarah nenek moyang desa Longgar, Karey, dan Gomu-Gomu. Selain itu, dalam nyanyian adat mengandung ajaran untuk selalu mengingat pesan leluhur dalam menjaga persaudaraan dan adat-istiadat. Fungsi bagi pemilik lagu yaitu mendekatkan hubungan persaudaraan antar masyarakat Desa Longgar, Karey, dan Gomu-Gomu; mengingatkan sejarah perjalanan leluhur; pelestarian bahasa daerah; penghibur hati, karena dinyanyikan secara bersama-sama dan diiringi alat musik tifa dan gong; dan menjaga serta melestarikan tradisi. Sedangkan fungsi lagu jarjinjin dan largula bagi generasi muda yaitu menambah pengetahuan terkait sejarah perjalanan leluhur masyarakat Aru; media melatih dan mempertunjukkan kemampuan berbahasa daerah; memperkuat rasa cinta terhadap sejarah masa lalu; serta menjaga dan melestarikan tradisi.


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