scholarly journals GAYA KEPENGARANGAN GODI SUWARNA DALAM KUMPULAN CERPEN MURANG-MARING

2017 ◽  
Vol 6 (2) ◽  
pp. 110
Author(s):  
Taufik Rahayu
Keyword(s):  
Short Stories ◽  
Urban Environment ◽  
Short Story ◽  
Fairy Tales ◽  
Writing Style ◽  
The Will ◽  
The Village ◽  
The City ◽  
The Universe ◽  
Modern Form

This research aims to reveal the style of author Godi Suwarna in the short stories collection buku Murang-Maring. In the universe of Sundanese literature, the Godi’s writing style is a new thing that contradicts the general style of Sundanese literature that is realism. Godi grew up in a rural area, and later as an adult continued in an urban environment. His short stories are the collaboration and mixing between the city and the village, traditional and modern. The ideas that are raised into his work are also mostly reconstruct the traditional stories that already exist, be it from folklore, pantun stories, wayang stories, fairy tales and so forth into a new, more modern form in accordance with the will of the author. Godi and his works are dissected by using expressive studies that focus the discussion to the collection of short stories Murang-Maring and the character of Godi himself. Based on the results of the research, Godi is an author who is upset with the surrounding social circumstances. The clash between rules and freedom also greatly influences Godi's self in his works. Godi's short story works are like a container for aspiration and criticism. In addition, the influence of wayang is very visible in the short stories, either from the stroytelling style or borrowing the characters with his nyeleneh and unique style.AbstrakRiset ini bertujuan untuk mengungkap gaya pengarang Godi Suwarna dalam buku kumpulan cerpen Murang-Maring. Di jagat kesusastraan Sunda, gaya mengarang Godi adalah hal baru yang bertolak belakang dari gaya umum sastra Sunda yang beraliran realis. Godi dibesarkan di lingkungan pedesaan, dan kemudian setelah dewasa berlanjut di lingkungan perkotaan. Cerpen-cerpennya adalah kolaborasi dan percampuran antara kota dan desa, tradisional dan modern. Ide-ide yang diangkat ke dalam karyanya pun kebanyakan merekonstruksi cerita-cerita tradisional yang sudah ada, baik itu dari foklor, cerita pantun, cerita wayang, dongeng, dan sebagainya ke dalam bentuk baru yang lebih modern sesuai dengan kehendak pengarang. Godi dan karyanya dibedah dengan memakai kajian ekspresif yang memfokuskan pembahasan kepada kumpulan cerpen Murang-Maring dan sosok Godi sendiri. Berdasarkan hasil  penelitian, Godi termasuk pengarang yang gundah dengan keadaan sosial di sekitarnya. Benturan antara aturan dan kebebasan juga sangat memengaruhi diri Godi dalam karya-karyanya. Karya cerpen-cerpen Godi juga seperti wadah untuk menyalurkan aspirasi dan kritik. Selain itu, pengaruh wayang sangat kental terlihat dari cerpen-cerpennya, baik itu dari gaya penceritaannya maupun meminjam tokoh-tokoh dengan gayanya yang nyeleneh dan khas.

The Complete Short Stories

2010 ◽  
Author(s):  
Oscar Wilde
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Fairy Tales ◽  
Oscar Wilde ◽  
George Orwell ◽  
Social Observation

‘Wilde did not converse - he told tales.’ Oscar Wilde was already famous as a brilliant wit and raconteur when he first began to publish his short stories in the late 1880s. They have never lacked readers and admirers, George Orwell and W. B. Yeats among them. The stories give free rein to Wilde's originality, literary skill, and sophistication. They include poignant fairy-tales such as ‘The Happy Prince’ and ‘The Selfish Giant’, and the extravagant comedy and social observation of ‘Lord Arthur Savile's Crime’ and ‘The Canterville Ghost’. They also encompass the daring narrative experiments of ‘The Portrait of Mr. W. H.’, Wilde's fictional investigation into the identity of the dedicatee of Shakespeare's sonnets, and the ‘Poems in Prose’, based on the Gospel stories. This edition demonstrates the centrality of Wilde's shorter fiction in his literary career, and his continuing development and experimentation with the short story format. Combining myth, romance, and irony, Wilde's stories enthral and challenge the reader. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

scholarly journals Prabhanjan will narrates short stories Puduvai Tamil status of during the French rule

2021 ◽  
Vol 3 (4) ◽  
pp. 135-139
Author(s):  
Saratha M ◽  
Selvakumaran S
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Tea Plantation ◽  
Foreign Countries ◽  
History Of ◽  
The Universe

This Article, The Position of The Tamils of Pondicherry during the French rule, which deals with the short stories of Vishwasan, who is one of the most important tamil short story creators, is based on the short stories of The Cycle, Security, Brother Oro and Business of The Universe. It also examines the difficulties faced by the inequalities of caste and religion and the racist activities of the French rulers, especially when Pondicherry was under the control of the French in the 16th and 19th centuries. This article also deals with the tragic history of the exile of tamil people by using their ignorance and poverty to foreign countries for tea plantation industries.

Kajian Aspek Moral Pada Buku Kumpulan Dongeng Si Kancil Karya Mb Rahimsyah Ar (Buku Pegangan para Bunda untuk Mendongeng Kepada Si buah hati)

2020 ◽  
Vol 21 (2) ◽  
pp. 44-47
Author(s):  
Siti Karomah ◽  
Agus Hermawan
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Fairy Tales ◽  
Social Life ◽  
Literary Work ◽  
Life Forms ◽  
Social World ◽  
Literary Works ◽  
The Social

Abstract— Literary work, directly or indirectly, is the realization and imagination of the author as a reflection and the reality that the author gets from society. Literary works can be found through the life forms of society. Thus, literary works cannot be separated from the elements around them. Literary work along its journey always implicate man, humanity, life, and life. In essence, literary works are born for the surrounding community. Literary works are the products of authors who live in the social world. That way, short story literary works in the form of fairy tales are the author's imaginative world that is always related to social life. There are interesting things that are given to our children to change attitudes and daily ethics. Keywords—: Literary works; short stories; fairy tales.

scholarly journals Location of Self Identity --A Freudian Psycho-Analysis of the Protagonist in I Want to Know Why

2017 ◽  
Vol 1 (1) ◽  
pp. 98
Author(s):  
Gao Jing ◽  
Song Wei
Keyword(s):  
Short Stories ◽  
American Literature ◽  
Short Story ◽  
Great Influence ◽  
Transitional Period ◽  
Writing Style ◽  
Contemporary American Literature ◽  
Sherwood Anderson ◽  
Self Identity ◽  
Spiritual World

Sherwood Anderson plays a signifcant role and regards as a signpost in the transitional period contemporary American literature. Moreover, Anderson's writing style exerts a great influence on other writers like Faulkner and Hemingway. Sherwood Anderson has been called the frst of America's "psychological writers" because he frst explored the motivations and frustrations of his fictional characters in terms of Sigmund Freud's theories of psychology. I Want to Know Why is one of his famous short story from his short stories collections The Triumph of the Egg which is one of his most representative works. The purpose of this thesis is to analyze the unnamed frst-person narrator, aged ffteen at the time of the events with Freud's theory of three structures of personality. With the help of Freud's psyoanalysis, this essay mainly probes into the inner spiritual world of the narrator in order to locate his own personality.

scholarly journals Nilai Religius pada Cerpen Ciumlah Aku di Ujung Subuh Karya Hamzah Puadi Ilyas

2021 ◽  
Vol 3 (2) ◽  
pp. 195-205
Author(s):  
Deasy Wahyu Hidayati
Keyword(s):  
High School ◽  
Qualitative Research ◽  
Short Stories ◽  
Short Story ◽  
Research Method ◽  
Religious Values ◽  
Personal Attitude ◽  
The Core ◽  
Personal Attitudes ◽  
The Universe

The purpose of this study is to find a description of the elements or religious values ​​contained in the short stories of Kiss Aku di Ujung Subuh by Hamzah Puadi Ilyas. The method in this study is a descriptive qualitative research method. The religious value in the short story Kiss Aku di Ujung Subuh by Hamzah Puadi Ilyas shows that there is religious value in the aspect of belief in Allah, including believing in angels, the Day of Judgment, the prophet's ark, and believing in the Koran and hadiths; religious value in the aspect of awe of the majesty of God includes amazement at the aroma of wickedness, the power of God, and the creation of the universe; religious values ​​in the aspect of the vibration of a personal conscience include a heart vibration of gratitude, cries of events, past memories, and dreams; religious values ​​in the aspect of personal attitudes include the attitude of worship, prostrate, makeistigfar, dhikr, and read the Koran / juz-amma; and religious values ​​in the aspect of mental intimidation include intimidation of the soul from karma, the core process of death, and the process of taking one's life. Based on the results of this study, it can also be seen that the religious value that appears most in the short stories of Ciinum Aku di Ujung Subuh by Hamzah Puadi Ilyas is personal attitude.   Keywords: Score; Religious; Short story; High school

Zacharia, Paul (1945--)

2018 ◽  
Author(s):  
Sanil V
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Urban Life ◽  
The Self ◽  
Rural Life ◽  
Western Modernity ◽  
Story Writer ◽  
Definition Of ◽  
Year 2000 ◽  
The Village

Paul Zacharia, a short story writer, novelist, and essayist, introduced the notion of counter-modernity to Malayalam literature in the late 1960s. He rejected the self-definition of Western modernity and its Indian nationalist versions. Drawing upon the clarity of vernacular Biblical idioms and the intelligence of everyday rural life, Zacharia probed the fragile certainties of urban life, intellectual establishments, and religious orthodoxies. He acknowledged that ‘Jesus Christ, cinema, bars, friends, lovers, hens and dogs have given me stories.’ Zacharia was born in the village of Urulikunnam, near Kottayam, and published his first story, ‘Unni the Child’, in 1964. Zachariayude Kathakal, the collection of his short stories written up to the year 2000, won the Sahitya Akademi Award in 2006. Two of his novellas, Praise the Lord and Enthondu Visesham Pilathose? [What News, Pilate?], have been translated into English. Two short story collections are also available in English: Bhaskara Pattelar and Other Stories and Reflections of a Hen in Her Last Hour and Other Stories. Vidheyan [The Servile], a film that won best Malayalam film in 1993, was an adaptation of Zacharia’s story ‘Bhaskara Pattelarum Ente Jeevithavum.’ Zacharia has been active in print media and publishing; he was one of the founders of the Asianet television network.

Patterns of Time and the Maternal in the Short Stories of Elizabeth Bishop and Katherine Mansfield

2019 ◽  
pp. 223-236
Author(s):  
Laura Helyer
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Elizabeth Bishop ◽  
Katherine Mansfield ◽  
Poetic Form ◽  
Prose Poems ◽  
Mother Daughter Relationship ◽  
Narrative Prose ◽  
Poetic Prose ◽  
The Village

This chapter discusses aspects of rhythm, poetic form, time and the archival in Bishop’s prose and is organised around a discussion of the ethics of the mother-daughter relationship in the autobiographical story, ‘In the Village.’ Bishop’s short stories are analysed in terms of poetic prose and as prose poems. This resonates with Katherine Mansfield’s lyrical, impressionistic experiments in the short story and her ideas about form and formlessness in narrative. Bishop’s interest in representations of time, memory and a modernist aesthetic in narrative prose are persuasively articulated in her key critical essays (‘Time’s Andromedas’, ‘Dimensions for a Novel’). The chapter ultimately proposes that Mansfield can be understood as a significant influence on Bishop’s prose style, helping her to determine her own original fictional ‘voice’ as well as her structural and thematic concerns in prose.

Kerima Polotan-Tuvera: An Analysis of Her Style and Craft as Reviewed from Her Short Stories The Virgin and the Sounds Of Sunday

2012 ◽  
Vol 3 (1) ◽  
Author(s):  
Emeliza Torrento Estimo
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Complex Structures ◽  
Writing Style ◽  
Single Word ◽  
Story Writer ◽  
Simple Sentences ◽  
Changing Role ◽  
Quantitative And Qualitative Methods

This study is an attempt at describing and analyzing Kerima Polotan-Tuvera’s style and craft as a short story writer. This attempt is anchored on the combined constructs of Short (1996), Hayes (1966) and Chapman (1973) which emphasize that analyzing text style must be done by examining linguistic choices which are intrinsically connected with meaning. This paper also borrows Hayes’ (1966) concept of writing style as a characteristic, habitual, and recurrent use of the apparatuses of language which must be amenable to statistical measurement in order to reveal the writer’s craft. Combining both quantitative and qualitative methods, the study revealed prevalent use of simple and complex structures where the use of simple sentences is more predominant and lengthened only by an extensive use of a variety of modifiers. Tuvera’s writing revealed a dominant use of single word adjectives or “true adjectives”---a term borrowed from Gibson (1966). Furthermore, her simple, natural, and spontaneous use of description was perceived to be used as a foregrounding device for characterization and theme-building, as a withholding technique, and as a strategy to imply meanings and to highlight the setting of the story. Further analysis of the stories revealed social realities during Tuvera’s time particularly on the changing role of women in the society.   Keywords - Kerima-Polotan Tuvera, short stories, The Virgin, Sounds of Sunday

scholarly journals DEKONSTRUKSI PADA CERPEN SERIBU KUNANG-KUNANG DI MANHATTAN KARYA UMAR KAYAM

MIMESIS ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 113
Author(s):  
Siti Susanti Mallida Djaha
Keyword(s):  
United States ◽  
Short Story ◽  
Jacques Derrida ◽  
The Third ◽  
Binary Oppositions ◽  
Big City ◽  
The Village ◽  
The City

This study aims at analyzing the deconstruction process in the short story Seribu Kunang-Kunang di Manhattanby Umar Kayam by looking at the binary oppositions as well as the form of deconstruction that happens in the short story. The theory used in this study is deconstruction theory by Jacques Derrida. The result showed that there were several binary oppositions, namely: West and East, big city and village, man and woman. The oppositions described in this story are problematic. The first opposition, West and East, was reversed and won by the East. The second opposition, the city and the village, experienced a reversal so that the village won. Likewise, with the third opposition, man and woman also experienced a reversal and won by the woman. In the end, this research shows that these hierarchical oppositions do not exist and are only the result of the construction of the author's imagination. Yet the author rejects what he wants to portray in the story, the Western life in Manhattan, United States.

scholarly journals Gothic Spaces and the Tropical City: reading The Crocodile Fury, Haunting the Tiger, Life’s Mysteries

2018 ◽  
Vol 17 (2) ◽  
Author(s):  
Sathyabhama Daly
Keyword(s):  
Short Stories ◽  
Urban Environment ◽  
Urban Space ◽  
Cultural Beliefs ◽  
Chinese Diaspora ◽  
Cultural Tradition ◽  
Spiritual Beliefs ◽  
Liminal Space ◽  
Liminal Spaces ◽  
The City

Beth Yahp’s The Crocodile Fury (1992), K.S. Maniam’s Haunting the Tiger (1996), and Shirley Lim’s Life’s Mysteries (1995) articulate the ambivalence of interpreting the cultural beliefs of the Malays, Chinese, and Indians of the former Malaya with the evolving spiritual beliefs of Christianity and Catholicism influenced by British colonisation. In Beth Yahp’s The Crocodile Fury the ghosts of the colonial past vie for power with the demons of Chinese cultural beliefs in a convent situated in the liminal space between the jungle and the urban environment. The convent is a “civilised space” with the jungle as an encroaching wilderness haunted by Chinese gods and the female vampire ghost Pontianak of the Malay cultural tradition. Similarly, Maniam’s short stories in Haunting the Tiger situate the supernatural and the abject in the liminal spaces between the city and the jungle to express the metaphorical exile experienced by the Indian and Chinese diaspora in Malaysia. The trope of liminality is most evident in Shirley Lim’s short stories in Life’s Mysteries where the domestic and urban space of culture are viewed through prisms of imprisonment and disempowerment. The authors uncover the psychological and social exile experienced by colonised subjects through the gothic themes of shadows, darkness and the underworld.

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