Memahami Pesan Kampanye Politik Dalam Permainan Selamatkan Jakarta

Khosiah, G.331.09.0056. Understanding Political Campaign Message in Selamatkan Jakarta Game. Skripsi: Study Programme S-1 Communication Science Semarang University. The aim of the research to understand the message of political campaign in Selamatkan Jakarta Game. The theory base used in this research is the approach marks by Charles Sanders Peirce (in Littlejohn, 2009:64) defines semiosis as "a relationship among a sign, an object, and a meaning (the relationship between sign, object, and meaning)." This research used qualitative method and Semiotics analysis. The research is done by collecting data from websites related to Selamatkan Jakarta Game. It is concluded that political campaign messages in Selamatkan Jakarta Game proved to be effective with Jokowi-Ahok victory in Jakarta gubernatorial election 2012.

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‘As if it Was Something Spoken by a Friend’: The Study of Digital Vote-Canvassing Networks on Facebook During the 2013 Bangkok Gubernatorial Election Campaign

IKAT The Indonesian Journal of Southeast Asian Studies ◽

10.22146/ikat.v2i1.37394 ◽

2018 ◽

Vol 2 (1) ◽

pp. 91

Author(s):

Mukda Pratheepwatanawong

Keyword(s):

Public Relations ◽

Social Networking Sites ◽

Election Campaign ◽

Structured Interviews ◽

Multimodal Analysis ◽

Campaign Messages ◽

Campaign Message ◽

Gubernatorial Election ◽

The Relationship ◽

Relationship Interaction

Adapting the idea of the traditional vote-canvassing network for the analysis of electoral politics in the digital arena and using the concept of ‘two-steps flow’, this paper explores the way in which Facebook was used to establish and develop ‘digital vote-canvassing networks’ during the 2013 Bangkok gubernatorial election campaign, which was the latest and a completed election in Thailand. This paper attempts to answer the question ‘How was the relationship among the individuals who were part of the candidates’ networks on social networking sites developed during the 2013 Bangkok gubernatorial election campaign?’ This research used multimodal analysis to determine the two main contenders’ strategy in expanding their Facebook network during the 2013 Bangkok gubernatorial election campaign. This research also conducted a total of 14 semi-structured interviews with Thai politicians, election candidates and their public relations personnel to examine the significant of relationship, interaction and spreadability of content on SNSs during the election campaign. This paper argues that the development of relationships among people connected to the digital vote-canvassing networks was integrated through the coordination and dissemination of campaign content on Facebook to enhance the electoral ties between candidates, their followers and followers’ friends, who might or might not be voters of the election. Vote-canvassing systems become ‘digital’ when a candidate’s public relations personnel acted as core vote-canvassers who manage and transmit campaign messages on the candidate’s Facebook page on behalf of the candidate, while the candidate’s followers interacted and spread the candidate’s campaign message to their own networks, enabling more Facebook users, who are connected to candidates’ Facebook page, in one way or another, to be exposed to the campaign content. However, there is no guarantee of votes in the digital vote-canvassing network.

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‘As if it was something spoken by a friend’: Digital vote-canvassing networks on Facebook during the 2013 Bangkok Gubernatorial Election Campaign

IKAT The Indonesian Journal of Southeast Asian Studies ◽

10.22146/ikat.v2i1.35441 ◽

2019 ◽

Vol 2 (1) ◽

Author(s):

Mukda Pratheepwatanawong

Keyword(s):

Political Parties ◽

Public Relations ◽

Election Campaign ◽

Network Expansion ◽

Multimodal Analysis ◽

The Core ◽

Campaign Messages ◽

Core Idea ◽

Campaign Message ◽

Gubernatorial Election

Vote-canvassers are a central part of Thai elections and this role has been integrated into the digital age. The relationships among the election candidates, vote-canvassers and voters are fundamental in managing the network of communication during election campaigns. Adapting the idea of the traditional vote-canvassing network for the analysis of electoral politics in the digital arena and using the concept of two-steps flow, this paper explores the way in which Facebook was used to establish and develop ‘digital vote-canvassing networks’ during the 2013 Bangkok gubernatorial election campaign, with the use of multimodal analysis and interviews election candidates and their public relations personnel for data collection. This paper argues that vote-canvassing systems become ‘digital’ when a candidate’s public relations personnel acted as core vote-canvassers to manage and transmit campaign messages on the candidate’s Facebook page on behalf of the candidate, while the candidate’s followers interacted and spread the candidate’s campaign message to their own networks, enabling more SNSs users to be exposed to the campaign content. The mediation of election campaign is no longer only dominated by candidates or political parties, but public relations personnel who demonstrated their value and skills in managing as well as personalising the dissemination and interaction of messages that candidates aimed to communicate to their followers. The development of relationships among people connected to the digital vote-canvassing networks was integrated through the coordination and dissemination of campaign content on Facebook to enhance the electoral ties between candidates and voters. Thus, the spreading of content on Facebook in part mirrors the traditional ‘vote-canvassing system’ in terms of the importance of networks. Both the networks of SNSs and traditional ‘vote-canvassing system’ involve the idea of network expansion, influential communication and development of relationships between people connected on the network. The core idea of digital vote-canvassing networks is to make campaign messages on SNSs reach as many SNS users as possible.

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ISLAM DAN PANCASILA DALAM PEMIKIRAN MOHAMMAD NATSIR

Alfuad: Jurnal Sosial Keagamaan ◽

10.31958/jsk.v3i1.1490 ◽

2019 ◽

Vol 3 (1) ◽

pp. 82

Author(s):

Mhd Alfahjri Sukri

Keyword(s):

Political Parties ◽

Qualitative Method ◽

Political Socialization ◽

Scientific Literature ◽

Research Data ◽

The Political ◽

Direct Influence ◽

Childhood Environment ◽

Political Conditions ◽

The Relationship

This research was conducted to see how Mohammad Natsir thought about the relationship between Islam and Pancasila. This study also explains the causes of Natsir's change of mind which initially supported Pancasila as part of Islam and later turned into an opponent of Pancasila in Konstituante on 11 November to 6 December 1957. The methodology used was a qualitative method by describing the results of the analysis carried out. The research data is obtained through a review of documents and scientific literature. The results of the study show that Mohammad Natsir's change of mind regarding the relationship between Islam and Pancasila was influenced by Mohammad Natsir's political socialization which began from Natsir's view of Islam influenced by the childhood environment (conditional and socio-cultural) in Minangkabau; direct influence from national figures such as Ahmad Hassan, H. Agus Salim, Sheikh Ahmad Syurkati and H. O Tjokroaminoto; the indirect influence of international figures throughout reading book such as Hassan Al-Banna, Amir Syakib Arselan, Rashid Ridha and Muhammad Abduh; the influence of Natsir's organization and political parties, namely Jong Islamieten Bond (JIB), Islamic Unity (Persis), and Masyumi political parties; and the influence of the political conditions at that time which made Natsir's views change, which initially accepted Pancasila and then became an opponent of the Pancasila. This research shown there are two patterns of Natsir's relationship with Pancasila, namely (1) Natsir accepted Pancasila and, (2) Natsir opposed Pancasila.

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Which kind of political campaign messages do people perceive as election pledges?

Electoral Studies ◽

10.1016/j.electstud.2018.11.005 ◽

2019 ◽

Vol 57 ◽

pp. 121-130 ◽

Cited By ~ 1

Author(s):

Julia C. Dupont ◽

Evelyn Bytzek ◽

Melanie C. Steffens ◽

Frank M. Schneider

Keyword(s):

Political Campaign ◽

Campaign Messages

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The Relationship Between External Quality Assurance and the Work of Study Programme Leaders: A Comparative Study

Higher Education Dynamics - Quality Work in Higher Education ◽

10.1007/978-3-030-41757-4_3 ◽

2020 ◽

pp. 43-56

Author(s):

Per Olaf Aamodt ◽

Ebbe Krogh Graversen ◽

Elisabeth Hovdhaugen ◽

Evanthia Kalpazidou Schmidt ◽

Peter Maassen ◽

...

Keyword(s):

Quality Assurance ◽

Comparative Study ◽

External Quality Assurance ◽

External Quality ◽

Study Programme ◽

The Relationship

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The Concept of Tumbuk in Javanese Gamelan Tuning

Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni ◽

10.33153/dewaruci.v16i2.3794 ◽

2021 ◽

Vol 16 (2) ◽

pp. 105-116

Author(s):

Harmanto Harmanto ◽

Suyoto Suyoto ◽

Jody Diamond

Keyword(s):

Data Analysis ◽

Data Collection ◽

Literature Review ◽

Data Reduction ◽

Qualitative Method ◽

Data Presentation ◽

Collection Data ◽

Emic Perspective ◽

The Relationship ◽

Studio Work

This study aimed to reveal the concept of Tumbuk in Javanese gamelan tuning, namely gamêlan agêng with Sléndro and Pélog. This study used a qualitative method with an ethical emic perspective. The data collection was done by conducting literature review, observation, interviews, and studio work, then processed with data analysis. The data analysis then was followed up through data interaction by interpreting the relationship reactions of the three elements of analysis consisting of data collection, data reduction, and data presentation. The interpretation of the data was done inductively, so that the conclusion was drawn entirely from the development of the data according to the realities of the field. The results showed that tumbuk was not only limited to a note that has the same high and low, but it is a musical concept that integrates the Sléndro and Pélog scales in the tuning of a set of gamelans. There are basically only two types of tumbuk: nêm tumbuk and lima tumbuk. Other than those, it means that they are the strut. The thing is,tumbuk has a central tone that serves as a benchmark and a supporting tone whose position strengthens the integration of each type of tumbuk. As a concept, it was found that tumbuk plays several important roles including equalizing the highs and lows of certain notes, equalizing the range of certain notes, and conditioning the range of notes or the addition of the tune.

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CRITICAL STUDY OF IRANIAN MOVIE »NASSEREDIN SHAH, ACTOR OF CINEMA «ON THE BASIS OF THEORIES OF THE POSTMODERN NOVELS

GÃªnero & Direito ◽

10.22478/ufpb.2179-7137.2019v8n3.47648 ◽

2019 ◽

Vol 8 (3) ◽

Author(s):

Shirzad Tayefi ◽

Mohammad Hossein Ramezani Fookulaee

Keyword(s):

Qualitative Method ◽

Literary Texts ◽

Critical Study ◽

The Novel ◽

Postmodern Literature ◽

Visual Texts ◽

French School ◽

Fiction Writers ◽

Visual Text ◽

The Relationship

Contrary to the French school of comparative literature, according to which it is merely possible to compare the two written texts in terms of conditions, in the American approach, the adaptation of literary texts to various arts, including cinema, is possible, which leads to a better understanding of literature. Since novels and films have many similarities, they are in many respects similar to each other, and two genres are considered analogous.These commons provide a good ground for discussing a movie from the perspective of a new literary theory and critique, and allow us to use the concepts and terminology we normally know as a tool for discussing the novel to critically explore the structure and art and the themes of the film. On the other hand, in recent years, the term "postmodernism" has been widely criticized about the novel in our country, and many new fiction writers also have a fascination with postmodern style fiction. Therefore, in this research, first, reviewing the views of some of the most important postmodern literature scholars, nineteen techniques used in postmodern novels are explored, and their qualitative method of applying them to Naser al-Dinshah film actor have been investigated.The results of the study show the relationship between literature and cinema (as a visual text) and the ability to compare the two written and visual texts; as many techniques used in the writing of postmodern novels are also with a high frequency have been used in the studied film

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MAKNA SIMBOLIK TOR-TO RSOMBAH DALAM UPACARA ADAT KEMATIAN SAYUR MATUA PADA MASYARAKAT SUKU BATAK SIMALUNGUN

Gelar : Jurnal Seni Budaya ◽

10.33153/glr.v16i2.2490 ◽

2019 ◽

Vol 16 (2) ◽

pp. 219

Author(s):

Febrina Athylata Purba ◽

S Slamet

Keyword(s):

Social System ◽

Qualitative Method ◽

Field Data ◽

Symbolic Meaning ◽

Hand Gestures ◽

Field Data Collection ◽

Symbolic Meanings ◽

The Relationship ◽

Musical Accompaniment ◽

Tor Tor

Penelitian yang berjudul “Makna Simbolik Tor-torsombah Dalam Upacara Adat Kematian Sayur Matua Pada Masyarakat Suku Batak Simalungun” merupakan bentuk pertunjukan tari yang terkait dalam upacara adat kematian sayur matua. Penelitian ini bertujuan untuk menggali makna simbolik Tor-tor Sombah dalam upacara adat kematian sayur matua, bagaimana hubungan antara Tor-tor Sombah Sombah dengan upacara adat kematian sayur matua pada masyarakat suku Batak Simalungun, serta bentuk pertunjukan Tor-tor Sombah Sombah dalam upacara adat kematian sayur matua. Permasalahan dalam penelitian ini diungkapkan dengan mendeskripsikan bentuk dari Tor-tor Sombah Tor-tor Sombah yang dilihat dari elemen-elemen koreografi dengan dibantu oleh notasi laban dan dianalisis dengan memakai teori dari Laban yaitu effort dan shape. Selain itu juga dalam penelitian ini bertujuan untuk menganalisis makna simbolis Tor-tor Sombah yang dilihat dari dua bagian yaitu aspek dalam dan aspek luar dengan konsep dari Allegra Fuller Synder. Adapun metode yang digunakan dalam pengumpulan data ini adalah metode kualitatif dengan pendekatan etnokoreologi. Teknik pengumpulan data lapangan menggunakan model dari Kurath dengan metode etnografi tari. Hasil penelitian menunjukan bahwa Tor-tor Sombah Tor-tor Sombah dalam upacara adat kematian sayur matua bagi masyarakat suku Batak Simalungun dilaksanakan sebagai penyampaian rasa hormat anak kepada orang tua yang sudah meninggal. Tor-tor Sombah dalam kehidupan masyarakat suku Batak Simalungun saling berkaitan dan merupakan bagian dari adat yang digerakkan secara simbolis pada upacara adat. Tor-tor Sombah memiliki makna dan simbol dalam unsur sajian yang ditampilkan yaitu: dalam gerak tangan, iringan musik, busana, tata rias, properti, dan umpasa. Gerakan pada tangan yang terdapat dalam Tor-tor Sombah mempunyai tigabentuk, yaitu :sombah, mangalo-alo, mamasu-masu. Selain menunjukkan bahwa Tor-tor Sombah memiliki makna simbolik, berkaitan juga sebagai media komunikasi, dan melalui gerak yang disajikan terjadi interaksi antar peserta upacara. Tor-tor Sombah menjadi bagian dari kebudayaan yang berfungsi untuk menjaga serta mempertahankan kelangsungan sistem sosialnya pada masyarakat suku Batak Simalungun. Kata kunci: or-tor Sombah, Upacara Adat Kematian Sayur Matua Batak Simalungun, Koreografi, Makna Simbolik. ABSTRACT The study entitled “Makna Simbolik Tor-tor Sombah Dalam Upacara Adat Kematian Sayur Matua Pada Masyarakat Suku Batak Simalungun” is a form of dance performance concerning the traditional ceremony of Sayur Matua death. This study aims to explore the symbolic meaning of Tor-tor Sombah in Sayur Matua death ceremony, how the relationship between Tor-tor Sombah and the traditional ceremony of Sayur Matua death in Batak Simalungun tribe, as well as the form of Tor-tor Sombah performance at the ceremony of Sayur Matua death. The problems in this study are expressed by describing the form of Tor-tor Sombah Tor-tor Sombah which is seen from the choreographic elements through Laban notation and is analyzed by using Laban theories, namely effort and shape. In addition, this study also aims to analyze the symbolic meaning of Tor-tor Sombah based on the inner and outer aspects with the concept of Allegra Fuller Synder. The data is collected by using qualitative method with an ethnochoreological approach. The Field data collection uses models fromKurath through dance ethnographic methods. The results of the study show that Tor-tor Sombah in Sayur Matua death ceremony in Batak Simalungun tribe represents the delivery of children’s respect towards their deceased parents. The Tor- tor Sombah is interrelated with the life of Batak Simalungun tribe and is part of the custom that is symbolically presented in traditional ceremonies. Tor-tor Sombah has meanings and symbols in the elements of presentation, namely: hand gestures, musical accompaniment, costume, make-up, property, and umpasa. There are three forms of hand gestures in the Tor-tor Sombah, namely: sombah, mangalo alo, mamasu-masu. Besides the symbolic meaning contained in Tor-tor Sombah, it also represents a medium of communication. The presented movement causes an interaction among the participants of the ceremony. The Tor-tor Sombah is part of a culture that serves to maintain the continuity of its social system in Batak Simalungun tribe. Keywords: Tor-tor Sombah, Traditional Ceremony of Sayur Matua Death of Batak Simalungun, Choreography, Symbolic Meanings.

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Deixis in the novel Murder on the orient express

Language and Education Journal ◽

10.52237/lej.v5i2.181 ◽

2020 ◽

Vol 5 (2) ◽

pp. 87-102

Author(s):

Atika Pertiwi ◽

Cita Hikmah Yanti

Keyword(s):

Qualitative Method ◽

The Novel ◽

Spatial Deixis ◽

Agatha Christie ◽

The Relationship ◽

Descriptive Qualitative

This study which entitled “Deixis in The Novel Murder on the Orient Express by Agatha Christie” Deixis described the relationship between language and context and the objectives of this study were (1) to find out the utterances of a major character, M. Poirot, and types of the deixis in The Novel Murder on the Orient Express by Agatha Christie. (2) to describe the reference of each type of deixis in the Novel Murder on the Orient Express. This study applied the descriptive qualitative method. The result of this study showed that there were three types of deixis found in the utterances of a major character, M. Poirot in the novel Murder on the Orient Express, namely personal deixis (73 data), temporal deixis (18 data), and spatial deixis (9 data). The referent of the personal deixis found referred to all passenger in the Orient Express, temporal deixis refers to the time of utterance was uttered and the murder of Ratchett occurred, spatial deixis referred to the Orient Express itself.

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MAINTAINING THE HARMONY OF NATURE BEHIND THE EXISTENCE OF BATU BELAH MYTH IN KAMPONG TUA NONGSA

JURNAL BASIS ◽

10.33884/basisupb.v7i2.2428 ◽

2020 ◽

Vol 7 (2) ◽

pp. 435

Author(s):

Tomi Arianto ◽

Melly Siska Suryani

Keyword(s):

Qualitative Method ◽

Cultural Objects ◽

Close Relationship ◽

Man And Nature ◽

The Government ◽

The Many ◽

Human And Nature ◽

The Relationship ◽

Depth Interviews ◽

Natural Situation

This study aimed to explore the harmonious relationship between human and nature that is still maintained by the Malay people of Kampong Tua Nongsa in Batam. Everyone who visited Batam will have perception that Batam is an industrial city with various metropolis conditions. It cannot be denied that it is true. The industrialization magnet in Batam has attracted the attention of many immigrants from various regions to try their luck to be better. The effects of rapid immigration and the many industrialization of Batam have had quite an impact on environmental conditions, especially this island which is bordering with Malaysia and Singapore. The amount of industrial pollution, deforestation, settlements, and reclamation has a bad impact on the natural situation. But behind all of that, Batam has uniqueness. The government still maintains there are 37 points of Kampong Tua Malay scattered throughout Batam. Behind the glamor of Batam's industrialization, there are still remnants of Malay culture that have a close relationship with the environment. In the research conducted, researchers analyzed three of cultural objects that are still preserved, namely the Sacred of Bunbun, the Sacred of Puak, and the Sacred of Batu Belah. In this article, researchers focused on the Myths behind the Sacred of Batu Belah, which still reflected the harmonious relationship between humans and nature. By using an ecocritic approach, the researcher answers the variable related with the relationship between man and nature behind the myth. The method used is a qualitative method with in-depth interviews and observation as data collection techniques. Using critical analysis techniques, the results of this study indicated that the ecocritic representation behind the Batu Belah myth is reflected from the existence prohibitions behind it. These prohibitions show how the Malay community is still able to maintain a harmonious relationship between humans and nature.

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