THE MODERN GREEK FAMILY: AXIOLOGICAL CONTRADICTIONS

Author(s):  
Anna A. Toropova ◽  

Family issues and the topic of social family policy in Greece is the subject of researches by a number of Greek sociologists (V. Filias (Β. Φίλιας), G.-S. Prevelakis (Γ.-Σ. Πρεβελάκης), H. Simeonidou (Χ. Συμεωνίδου), G. Georgas (Γ. Γεωργάς), L. Musuru (Λ. Μουσούρου), L. Maratu-Aliprandi (Λ. Μαράτου-Αλιπράντη). It seems interesting and useful to consider the situation in Greece from the point of view of its ambivalent nature: traditional values and patriarchal order, on the one hand, and adherence to liberal European sentiments, on the other. In the modern world, there is a "reformatting of ideas about the essence of family and marriage" [Noskova A. V., 2017: 123], which leads, in particular, to the rejection of having children, to increasingly frequent divorces "for no reason", to irresponsibility in awareness roles in the family, to the vulnerability of socialization, to the infantilism of adults, to avoidance of awareness of problems of various kinds, to egocentrism. Modern Greece is not an exception. The growing number of single-parent families in cities, low birth rates, divorces, loneliness, depression are characteristic features of many families. This allows us to speak about the “crisis of the Greek family” [Γεωργάς, 2010]. This research may be of interest to specialists dealing with the topic of the family, and significantly supplement the existing research in the domestic sociological field.

2020 ◽  
Vol 2020 (4) ◽  
pp. 12-28
Author(s):  
Vladimir I. Karasik

The paper deals with the hermeneutic approach to drama interpretation on the material of «The Tragedy of Coriolanus» by W. Shakespeare. The offered model includes a two-fold coordinate system: the analysis of the plot from the point of view of its identification, comprehension and attitude formation, on the one hand, and its semantic, pragmatic and stylistic explanation, on the other hand. The application of this approach to understanding of the tragedy in question makes it possible to define the subject of the play, its genre and the main characteristic features of its heroes. This is a semantic aspect of the identification stage of the play. A pragmatic aspect of the identification consists in describing the main evaluative positions of the heroes as expressed in their words and actions. A stylistic aspect of identification allows us to describe the main linguistic means used to create artistic images. The comprehension level of the text analysis viewed semantically is aimed at the reconstruction of its social and historical context explained by scholarly studies of Shakespeare and his epoch. The pragmatic aspect of analysis on the comprehension level is centered around the motives of the characters’ behavior, the logic of their actions, and the inevitability of their fate. The stage of action in interpretation corresponds to formation of attitudes to the meaning of the text connected with the present days. The tragedy of Coriolanus is a story about a great person who intentionally cuts off his ties with reality and about people around him who fail to come to rescue and thus make him perish.


1981 ◽  
Vol 17 ◽  
pp. 149-166 ◽  
Author(s):  
Philip M. J. McNair

Between the execution of Gerolamo Savonarola at Florence in May 1498 and the execution of Giordano Bruno at Rome in February 1600, western Christendom was convulsed by the protestant reformation, and the subject of this paper is the effect that that revolution had on the Italy that nourished and martyred those two unique yet representative men: unique in the power and complexity of their personalities, representative because the one sums up the medieval world with all its strengths and weaknesses while the other heralds the questing and questioning modern world in which we live.


1928 ◽  
Vol 55 (3) ◽  
pp. 665-735 ◽  
Author(s):  
Dorothy J. Jackson

It is well known that in many orders of typically winged insects species occur which in the adult stage are apterous or have the wings so reduced in size that flight is impossible. Sometimes the reduction of wings affects one sex only, as in the case of the females of certain moths, but in the majority of cases it is exhibited by both sexes. In many instances wing dimorphism occurs irrespective of sex, one form of the species having fully developed wings and the other greatly reduced wings. In some species the wings are polymorphic. The problem of the origin of reduced wings and of other functionless organs is one of great interest from the evolutionary point of view. Various theories have been advanced in explanation, but in the majority of cases the various aspects of the subject are too little known to warrant discussion. More experimental work is required to show how far environmental conditions on the one hand, and hereditary factors on the other, are responsible for this phenomenon. Those species which exhibit alary dimorphism afford material for the study of the inheritance of the two types of wings, but only in a few cases has this method of research been utilized.


2008 ◽  
Vol 37 (2) ◽  
Author(s):  
Iris Yaron

AbstractModern poetry developed and transformed difficulty into a prominent aesthetic norm of poetry. The abundance of difficult poetic texts necessitates a study of the corpus. After differentiating between the way difficulty is perceived in poetry and in other communicative acts, I present the approach that I have adopted for the purpose of studying difficult poetry. In contrast to other studies which have examined difficulty from the author's perspective and, as a consequence, described factors that cause textual difficulty, I propose to examine the subject from the reader's point of view. The reader, after all, is the one who feels or does not feel the difficulty. The concept ‘difficult poem’ is necessarily interdisciplinary and the question of what is “difficult” involves cognitive psychology and its models of text comprehension. Following a discussion of these domains, I present the “definition” that I propose for the ‘difficult poem’.


2020 ◽  
pp. 255-269
Author(s):  
Pablo Ferrando-García

We present an analysis of the filmic representation of Funny Games to highlight its playful structure as a game of games. Through a series of narrative efforts, a double operation is carried out, aimed at a specular relationship with the viewer. On the one hand, Michael Haneke’s film offers a series of expressive mechanisms that are aimed at shifting the objective gaze to subjective in order to transfer the perception of the subject presented to the viewer. On the other, it presents a brutal clash between the registers of comedy and tragedy through the young psychopaths, Peter and Paul, who emerge as contemporary clowns, in the figures of Pierrot and Harlequin, whose negative resonances lead to the incarnation of absolute EVil. In turn, the family are the victims, and this is presented as the prototype of the family institution while Peter and Paul are mere archetypes. In this way, the cinematographic screen is turned into a device for interrogating its modes of representation and, in turn, offers a solid moral dimension. The ultimate objective of the Hanekian story is to cover it with “a pedagogical function: to familiarize the cinema, to bring it closer to a daily life so that it speaks from you to you to the experience –to the conscience– of the viewer” (Font, 2002, p. 16). Resumen Nuestra propuesta trata de desarrollar un análisis de la representación fílmica con el propósito de poner de relieve la estructura lúdica de Funny Games como juego de juegos. A través de toda una serie de gestiones narrativas se efectúa una doble operación dirigidas a una relación especular con el espectador. Por un lado, la película de Michael Haneke ofrece una serie de mecanismos expresivos que van encaminados al desplazamiento de la mirada objetiva en subjetiva con el fin de trasladar la percepción del sujeto de la enunciación al narratario/espectador. Por otro, presenta un brutal choque entre el registro de la comedia con la tragedia a través de los jóvenes psicópatas, Peter y Paul, que se erigen en los payasos contemporáneos, en las figuras de Pierrot y Arlequín, cuyas resonancias negativas conducen a la encarnación del Mal absoluto. A su vez, George y Anne Schöber son las víctimas y estos son expuestos como el prototipo de la institución familiar mientras Peter y Paul son meros arquetipos narrativos. De este modo, la pantalla cinematográfica se convierte en un dispositivo de interrogación sobre sus modos de representación y, a su vez, ofrece una sólida dimensión moral. El objetivo último del relato hanekiano es revestirlo de “una función pedagógica: familiarizar el cine, acercarlo a una cotidianidad para que hable de tú a tú a la experiencia –a la conciencia– del espectador” (Font, 2002: 16).


2009 ◽  
Vol 16 (5) ◽  
pp. 529-542 ◽  
Author(s):  
Nuno Maia

This paper presents a reflection on a recently proposed solution to the problem of the free vibration response with the constant hysteretic damping model, that has been presented in some conferences in recent years, by the author himself and some of his colleagues. On the one hand, as expected, the subject has been received with natural criticism, mainly due to the well-known non-causal behaviour of the model in free vibration. On the other hand, it was not easy to understand what could be wrong in that proposal, as apparently everything was perfect from a mathematical point of view. The author decided that this subject deserved a more careful and detailed analysis and – in this kind of tutorial paper – the issue seems to have been clarified. It is concluded that the proposed solution involving the constant hysteretic damping corresponds in fact to an equivalent viscously damped model; it is therefore concluded that the application of the constant hysteretic damping to model the free vibration of practical engineering problems should be considered only in the perspective of an equivalent viscously damped model.


1981 ◽  
Vol 11 (1) ◽  
pp. 44-46 ◽  
Author(s):  
D.P. Fourie

It is increasingly realized that hypnosis may be seen from an interpersonal point of view, meaning that it forms part of the relationship between the hypnotist and the subject. From this premise it follows that what goes on in the relationship prior to hypnosis probably has an influence on the hypnosis. Certain of these prior occurences can then be seen as waking suggestionns (however implicitly given) that the subject should behave in a certain way with regard to the subsequent hypnosis. A study was conducted to test the hypothesis that waking suggestions regarding post-hypnotic amnesia are effective. Eighteen female subjects were randomly divided into two groups. The groups listened to a tape-recorded talk on hypnosis in which for the one group amnesia for the subsequent hypnotic experience and for the other group no such amnesia was suggested. Thereafter the Stanford Hypnotic Susceptibility Scale was administered to all subjects. Only the interrogation part of the amnesia item of the scale was administered. The subjects to whom post-hypnotic amnesia was suggested tended to score lower on the amnesia item than the other subjects, as was expected, but the difference between the mean amnesia scores of the two groups was not significant.


Author(s):  
Dr.Hamid Suleiman Khalaf Kadhim

In human languages proverbs constitute a very important aspect of language use. Thus, they have been a subject of varying attention from different specialists: linguists and language users in general. Shakespeare is described as the most adroit user of proverbs in literature; therefore, his plays have been the subject of numerous scientific investigations, whereby from a linguistic point of view the focus has primarily been aimed at vocabulary and grammar. On the one hand, attention has been paid regularly to lexical items because Shakespeare is supposed to have been a great innovator of words due to his coinage of new lexemes and his usage of several unknown expressions. Linguistic studies have also been concerned with grammatical constructions which are typical of the English at Shakespeare’s time. Many writers employ proverbs in their works but Shakespeare is different in the way he employs proverbs which are used to serve different functions and to achieve different illocutionary acts. These proverbs are embedded in the flow of conversations and they may flout one or more than one of Grice‘s maxims. The present study aims at analyzing proverbs and explaining how far Grice’s cooperative principles (maxims) are abided by in Shakespeare’s proverbs as specified in the data. Proverbs are sometimes said to mean something else in addition to what is explicitly stated. Words may mean something beyond those intended by the speaker or the writer. These extra meanings might achieve or refer to different illocutionary acts. The study explores whether or not these illocutionary acts share certain structural features. In order to achieve the aims of the research, the following hypotheses have been proposed: Grice’s cooperative principle is frequently flouted in Shakespeare’s proverbs. The maxim of Quality seems to be flouted more than the other maxims. This maxim is mainly flouted by the use of metaphor. Shakespeare’s proverbs are also characterized by the use of the speech


2021 ◽  
Vol 9 (2) ◽  
pp. 115-130
Author(s):  
Flura Burkhanova

The article discusses the values and attitudes in the field of family and marriage, common among the population of 17–49 years. The survey was conducted in 2020 in 10 regions of the Russian Federation, including the Republic of Bashkortostan. The institutions of marriage and the family, and the values on which they are based, have undergone significant changes in recent decades. Their transformations are interpreted as a departure from the so-called traditional attitudes and behaviours and the transition to modern modernization or postmodernization. It is concluded that the population of the Republic has, on average, more traditional family and marriage attitudes and values than the population of the Russian regions that participated in the study. They manifest themselves in the chosen scenarios of marriage, in its motivation, in the ideas of a happy family. It cannot be argued that this is happening at the expense of the rural population, that it is definitely more conservative than the urban population. Although many views of the villagers are more traditional (attitude to the marriage contract, same-sex marriage and some others). The opinion of urban residents on many issues is often polarized, they are clearly divided into supporters of traditional values and modern ones. The polarity of opinions may explain the presence among them of recent immigrants from the village, who have not fully accepted the new values for themselves. Older groups – 30–49 years old, 40–49 years old on some issues, as well as women – are distinguished by great traditionalism. Among representatives of the youngest group, 17–29 years old, who have already entered or will enter the age of active marriage in the next few years, traditionalism is noticeably reduced.


polemica ◽  
2018 ◽  
Vol 18 (2) ◽  
pp. 001-019
Author(s):  
Hamilton Viana Chaves ◽  
Osterne Nonato Maia Filho ◽  
Maria das Dores Mendes Segundo ◽  
Luciana Maria Maia

Resumo: O aumento da violência no Brasil tem sido significativo nos últimos trinta anos. Isto é verificado, sobretudo, quando analisados os dados relativos a crimes contra a vida. De certa forma, tal avanço se configura dentro de uma perspectiva educacional brasileira cujo “projeto político-pedagógico” avalizou tal realidade social. Do ponto de vista da formação humana, constata-se uma educação para a violência em cinco séculos de práticas de exploração e exclusão. O objetivo deste texto é apresentar uma análise da constituição de uma educação para a violência, no Brasil, a partir de duas categorias: a lógica da punição e o apelo às emoções e sua articulação com a infraestrutura econômica baseada em uma sociedade extremamente desigual, onde o ato cooperativo e solidário é objeto de ambiguidades. Estas, como formas recursivas de manipulação da conduta e que servem muito mais à agenda da constituição de uma sociedade violenta do que à formação de um país baseado no ato solidário. A resposta a este tipo de educação pode ser dada por aquela focada na formação inicial da vida, na perspectiva de uma educação ampla.Palavras-chave: Educação. Emoções. Punição. Violência.Abstract: The increase of violence in Brazil has been exceedingly significant in the last thirty years. This is especially true when we analyze the data of the crimes against life. In a way, this advance is configured within an educational perspective whose "political-pedagogical project" such social reality. From the point of view of human formation, there is an education for violence in Brazil from two categories: the logic of punishment and appeal to emotions and their articulation with the economic infrastructure based on an extremely unequal society, where the cooperative act and solidarity is the subject of ambiguities. These as recursive forms of conduct manipulation serve much more to the agenda of a violent society’s constitution than the formation of a country based on solidarity act. The answer to this type of education can be given by the one focused on the initial formation of life in the perspective of a broad education.Keywords: Education. Emotions. Punishment. Violence.


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