scholarly journals Parihaka-tecture

2021 ◽  
Vol 10 ◽  
pp. 77-92
Author(s):  
Peter Wood

At 5.00am of November the 5th, 1881, government-sanctioned troops entered the Taranaki Pā of Parihaka, arresting key leaders, expelling occupants and destroying the buildings. The impetus for the assault was highly political. On the one hand Parihaka represented a focus for a broad fear of Māori political independence. At the same time the demand for fertile farm land by colonial settlers was not being met. Scattering the people of Parihaka was a central strategy for alleviating the former and satisfying the latter. Similarly, the destruction of the material fabric of the village – its architecture – was a purposeful action designed to erase any legitimate presence over the land. Not until the publication of Dick Scott's The Parihaka Story, in 1954, were the events of Parihaka brought to a wider Pākehā audience. Today it is largely, and correctly, understood as a particularly ugly moment in our history. However, while we may have developed a certain social self-consciousness toward the racial and political ramifications of Parihaka, not enough has been made of the extraordinary architecture that framed it. In this paper I wish to add to what we do know by reviewing period photographs of Parihaka Pā at the time of the invasion. In particular, I will be giving consideration to Miti-mai-te-arera (the house of Te Whiti), Rangi Kapuia (the house of Tohu), Nuku-tewhatewha (the communal bank) and Te Niho-o-Te-Ātiawa (the dining hall). It is my view that the colonial government were right to interpret these prominent buildings as symbolically threatening and in this paper I hope to show why they were so, but also how their presence nonetheless continued well into the twentieth century.

2018 ◽  
pp. 95-124 ◽  
Author(s):  
Young-min Joo

Since there are few relics excavated, research on pine oil kilns in Yeongnam Province has been mostly focused on figuring out the historical meaning of them relying on literatures with no precise analysis on the remains. Therefore, it has failed to give clear explanation about the fact that the firing room of pine oil kilns was rebuilt twice with different materials. Based on the awareness of the problem, this author conducted analysis on the relics of pine oil kilns that have been excavated so far. According to the analysis results, at first, the pine oil kiln was similar to the one producing oil made of pine resin collected. Furthermore, this author found the pine oil kiln first devised around 1938 and also two photos showing how the pine oil kiln was working. Along with that, this author suggests the valid possibility of colony Chosun’s traditional masters mobilized to apply their technique and operate the kilns in the background of the pine oil kilns completely equipped to the extent of performing their functions properly after several times of improvements made although they had exhibited many problems before. Next, this author analyzed the attributes related to the standardization of pine oil kilns and learned that building pine oil kilns was led by the colonial government systematically based on thorough planning as part of securing resources they needed. Also, to induce the people to participate in it voluntarily, at first, they encouraged it as a side job for farm families; however, in the end, the colonial government enforced the monopoly system for pine oil to control it. Accordingly, pine oil kilns were built mostly in the foot of a mountain near the village where there were many people residing. In fact, all the colonized people including children got mobilized systematically to collect the byproducts of pines.


October ◽  
2014 ◽  
Vol 147 ◽  
pp. 95-116
Author(s):  
Martin Blumenthal-Barby

Michael Haneke's 2009 The White Ribbon is set in the village of “Eichwald.” Eichwald cannot be found on any German map. It is an imaginary place in the Protestant North of Eastern Germany in the early twentieth century. What is more, Haneke tells his black-and-white tale as the flashback narration of a voice-over narrator—a series of defamiliarizing techniques that lift the diegetic action out of its immediate sociohistorical context, stripping it of its temporal and topographical coordinates. Against this backdrop, is it possible to hear the name “Eichwald” without being reminded of, on the one hand, Adolf Eichmann, Nazi SS-Obersturmbannführer and one of the key architects of the Holocaust, and, on the other, the Nazi concentration camp Buchenwald? To be sure, Eichwald is not Buchenwald, and no 56,000 humans are being murdered here. Yet why this peculiar terminological fusion? What characterizes Eichwald, this model of a society in which adults have no names but merely function as representatives of a particular class and profession: the Baron, the Pastor, the Teacher, the Steward, the Midwife, etc.? What distinguishes this village that appears to be largely isolated from the outside world, this village that outsiders rarely enter and from which no one seems to be able to escape? What identifies this prison-like community with its oppressive atmosphere, its tiny rooms and low ceilings, its myriad alcoves, niches, windows, and hallways that evoke a general sense of “entrapment” and incarceration? This world in which even the camera appears to be shackled, to never zoom, hardly to pan or tilt, thus depriving the image of any dynamism, any mobility? Who—in this confining milieu—are the guards, who the detainees? And what characterizes the putatively illicit activities that appear to lie at its enigmatic center and around which the entire film seems to revolve?


2020 ◽  
pp. 127-132
Author(s):  
Nikolay PAPUCHIEV

The article presents the results from the study of one of the first movie projects concerning changing the names of the Bulgarian Muslims after 1989. Gori, gori, ogunche (Burn, Burn Fire) (1994), scenario – Malina Tomova, director – Rumyana Petkova, shows the picture of the life in Mugla – a small village settled high in the Rodopi Mountain, Bulgaria. In four series, the team created the movie revealing from a number of aspects one of the most painful processes in the Bulgarian history – changing the Turkish or Arabic names of Bulgarian followers of the Islam religion. The narrator’s point of view is presented through the conflict (in the beginning) between the visions of the main character in the scenario – the young female teacher Marina, who comes in the village from one of the biggest Bulgarian cities – on the one hand, and the traditional life and the communist ideology – on the other. In the article, this conflict that transforms the vision of Marina and turns her prejudices into compassion and understanding, is the main entrance into the psychology of the names changing processes and the social mechanisms, used by the people to relieve the pain and trauma. The movie is analysed in the light of the new tendencies in the Bulgarian cinema during the 70-ies – when the scenario was written, and the new political circumstances in the so-called Time of transition – when the movie was created.


2020 ◽  
Vol 5 (2) ◽  
Author(s):  
Rachmi Ariyani ◽  
Endiyono - Endiyono

Objective: Understand Effect of Education Mitigation of Disasters Land landslide against Preparedness Society in Rural Melung District of Kedungbanteng Regency of Banyumas. Methods: This study uses quantitative methods with quasy experimental designs through the one group pretest-posttest design approach. Test were used in research this is a test paired sample t test with a number of 50 respondents were taken by proposive sampling. Results: Result statistical test p-value = 0.0001 ( p-value < 0.05) which means that there are significant landslide disaster mitigation education to the knowledge society in the village of the District Melung Kedungbanteng Banyumas Regency. This influence is indicated by an increase of 5,640 points from the score before training of 6,140. The difference of 5,640 is statistically significant.Conclusion: The preparedness of the village community in melung is included in the category of being ready to face the possibility of a landslide disaster, before the training knowledge of the people of 6,15 but after the knowledge of the rise of 11,78.Keywords: Mitigation disasters soil landslides, Preparednes, Education.


Literator ◽  
2012 ◽  
Vol 33 (2) ◽  
Author(s):  
Hans Ester

The struggle between two souls in the work of Walter Schubart.This essay explores the relevance of the work of Walter Schubart (1897-±1941), a virtually unknown cultural philosopher from Lithuania, for today. The writer focuses on the importance of Schubart’s programme of spiritual rebirth and on his intriguing vision for the people of Europe today. To counterbalance the metaphysical egotism of Europe, Schubart finds in Russia, and in Dostoyevsky in particular, a living consciousness of a relation to the whole that could heal Europe. The twentieth century is for Schubart a battlefield between, on the one hand, the promethean period of deserting God focusing on the earth, and on the other hand, the johannean period of the Messianic era that acts out of a desire for charity and healing. Despite criticism of Schubart’s somewhat simplistic views of cultural history, the author emphasises the surprising topical manner in which Schubart’s cultural critique confronts modern Western culture with a critical reflection of itself.


1998 ◽  
Vol 39 (2) ◽  
pp. 221-246 ◽  
Author(s):  
ALAN LESTER

Queen Adelaide Province consisted of some 7,000 square miles of Rarabe Xhosa territory annexed by the British Cape colonial government in May 1835 during the Sixth Frontier War. The province was held only until the end of 1836 when it was abandoned under pressure from the imperial government, but it represented the first British attempt to extend direct control over a large body of formerly independent Africans. No such ambitious scheme had ever been attempted before in the Cape, and no such scheme was to be attempted elsewhere in Africa until the late nineteenth century.Given its short-lived nature, Queen Adelaide Province has not been extensively analysed in any of the prominent histories of the eastern Cape. However, while the treatment is brief, its significance has been widely recognized. This early, temporary colonization of Xhosa territory has served as a lens through which to view colonial extension in the eastern Cape as a whole. In the late-nineteenth and early twentieth-century settler histories of George Cory and George McCall Theal, the annexation of Queen Adelaide Province represents a temporary advance within a much broader colonial progress. One episode in the epic attempt to extend colonial civilization across ‘Kaffraria’, expansion within the province was unfortunately thwarted by misguided Cape and metropolitan philanthropy. In W. M. Macmillan's liberal critique of the late 1920s and early 1930s, the disputes over the province between the land-hungry settlers, the strategically-minded Governor D'Urban and the humanitarian Secretary of State for the Colonies, Lord Glenelg, are again viewed as part of a much broader struggle. But rather than Cory's struggle between civilization and savagery, this is seen as a contest between malicious and benign conceptions of colonialism. The province represents an early collision between, on the one hand, evangelical and humanitarian versions of cultural colonization that guaranteed Xhosa access to their land (a kind of trusteeship that Macmillan advocated for his own times) and, on the other hand, the practice of colonization founded upon settler-led conquest and dispossession.


Author(s):  
William Simpson

In the summer of 1860, I started from Simla to pass a few weeks at Chini, so as to avoid the rains. Chini is 16 marches about due east, which may be roughly put as being nearly 200 miles. Being just beyond the higher range of the Himalayan chain, the rain cloud is generally spent before it reaches the locality; still there is enough moisture to nourish vegetation, so that trees and flowers are plentiful. About two or three marches beyond this the rainless region commences, where trees are few and far between, and crops depend on the irrigation of small streams coming down from the melted snow of the higher peaks. Chini is about 10,000 feet above the sea, hence it is a most delightful climate in the summer; and few places in the Himalayas can present such a splendid view as the one looking across the Sutlej from the village. A bungalow had been erected at the time of Lord Dalhousie, and in it I put up for about two months; as I did my best when any of the people applied with ailments, they became friendly, and seeing me sketching, and taking an interest in their doings, they announced their ceremonies, and invited me to come and see them. I regret that my knowledge of the ordinary Hindostani was, at that time, but very small, so that I was unable to ask questions and collect information. from this cause my account of their Pujahs is far from complete.


2021 ◽  
Vol 1 (2) ◽  
pp. 119-134
Author(s):  
Alfa Tirza Aprilia ◽  
Hendi Irawan ◽  
Yusuf Budi

This research discusses the practice of forced cultivation in the Dutch East Indies in the period 1830 to 1870. The method used in this research is the historicalmethod and its presentation in the form of a narrative description. The results ofthis study explain that the practice of forced cultivation in the Dutch East Indieshad a very large influence on the Netherlands and the people of the NetherlandsIndies. The system of forced cultivation changed the role of the colonialgovernment and native rulers, changed the social conditions of rural communitiesby giving birth to the concept of communal land and the introduction of the moneyeconomy system in the countryside. The forced cultivation system also succeededin filling the empty treasury of the Netherlands, but on the one hand it causedsuffering for the people of the Dutch East Indies. The famine caused byexploitation of land and human resources is a consequence of the implementationof the forced cultivation policy. The other side of the implementation of the forcedcultivation policy was the entry and introduction of export commodity crops to thepeople of the Dutch East Indies. Keyword: forced cultivation, colonial government, people, farmersAbstrak


2017 ◽  
Vol 1 (1) ◽  
pp. 43-48
Author(s):  
Shoim Anwar

Sanitation is the one component of environmental health as intentional behavior for cultivate human hygiene to prevent direct contact with dirt and other hazardous waste material, with the hope to maintain and improve human health. This is because, the environment may play a direct cause influential factor in supporting the outbreak of disease and as factors affecting the course of the disease. All feces is a medium as breeding and seed base of infectious diseases. The impact of the disease is most often caused by defecation to the river is the widespread bacterium Escherichia coli, which can cause diarrhea. After that could be dehydrated, and because of the condition of human body’s down then get other diseases. The river is a very important source of water to support human’s life. Dynamism watersheds are influenced by the weather, river flow characteristics and human behaviour of the people who live around the river banks. As a result of effluent from people behaviour causes disturbance to the ecosystem of the river flow. Starting from the non-fulfillment of water quality 3B standarts (colorless, odorless and non-toxic), reduced numbers of fish and water animals, the emergence of a rundown neighborhood until the emergence of health problems and others, therefore, to KKN-PPM in the field of Environmental Sanitation and Supply water in the village Easy in Subdisrtict Prambon, Sidoarjo, the program will be made by "socialization of Great Importance Not Throw water on the River (STOP BABS)".


2012 ◽  
Vol 1 (2) ◽  
pp. 140
Author(s):  
Hilla Peled-Shapira

This paper deals with the way in which Communist writers in mid-twentieth-century Iraq used literature in order to, on the one hand express their tense relationship with the regime during times of severe political repression, and on the other hand sharply criticize the Iraqi people themselves for not taking responsibility for or caring about their fate—or, for that matter, for failing to internalize the social class discourse to which the Communists aspired.  The paper’s objective is to examine the connection between the writers’ ideology and the rhetorical and conceptual elements with which they expressed their dissatisfaction with the regime, the way Iraqi society was run, and the desires of both—intellectuals and society at large—to undergo change. In addition, this study will survey the esthetic and stylistic devices, which the writers under consideration chose, and consider both the meanings and motives behind their choices. These aspects will be examined in the framework of a proposed model of “circles of criticism.”  


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