scholarly journals Topophilia: a Cistercian monastry in Australia's land of fire

2021 ◽  
Author(s):  
◽  
Thomas Seear-Budd

<p>On a portion of sacred Aboriginal land, formerly the resting place of Coranderrk Station, lies Tarrawarra Abbey, Australia’s solitary Cistercian monastery. Established in 1954, Tarrawarra Abbey represented an opportunity for a community to emerge that encouraged the interaction and collaboration between European and Aboriginal peoples. Instead, the historical discourse and relationship between Tarrawarra’s monks and Victoria’s Aboriginal people reflects a broader narrative of Australia’s past. Aboriginal histories, their perceptions of the natural world, strategies for managing and caring for the land as well as dispossession are treated as marginal and often invisible elements within a European history, architecture and life. Additionally, with the eradication of Aboriginal people from their position as protectors and guardians of their environment, combined with a changing climate, areas of Victoria’s landscape are now under serious threat as fire-storms continue to plague its most valuable forests.  On February 7, 2009, the most destructive fire-storm in Australia’s history ripped through Victoria. With no Aboriginal influence on the landscape to control fuel, ‘Black Saturday’ as it became known, executed centuries old mountain ash trees, forcing them into a compromised state, a landscape trap. Consequently, the surviving stands of mountain ash and vulnerable stands of recent re-growth need protecting.  This thesis addresses how site and sensory-based Aboriginal perspectives on the relationship between people, architecture and landscape can drive the manifestation of a ‘new’ and reinterpreted Cistercian monastery. Through this process the monastery will become an architectural scar. As a scar, the reinterpreted monastery and its community of monks and Aborignals will not only contribute to the protection of Kinglake National Park’s injured mountain ash forest and heritage stone water structures, but also assist in the mending of a torn relationship between two cultures.</p>

2021 ◽  
Author(s):  
◽  
Thomas Seear-Budd

<p>On a portion of sacred Aboriginal land, formerly the resting place of Coranderrk Station, lies Tarrawarra Abbey, Australia’s solitary Cistercian monastery. Established in 1954, Tarrawarra Abbey represented an opportunity for a community to emerge that encouraged the interaction and collaboration between European and Aboriginal peoples. Instead, the historical discourse and relationship between Tarrawarra’s monks and Victoria’s Aboriginal people reflects a broader narrative of Australia’s past. Aboriginal histories, their perceptions of the natural world, strategies for managing and caring for the land as well as dispossession are treated as marginal and often invisible elements within a European history, architecture and life. Additionally, with the eradication of Aboriginal people from their position as protectors and guardians of their environment, combined with a changing climate, areas of Victoria’s landscape are now under serious threat as fire-storms continue to plague its most valuable forests.  On February 7, 2009, the most destructive fire-storm in Australia’s history ripped through Victoria. With no Aboriginal influence on the landscape to control fuel, ‘Black Saturday’ as it became known, executed centuries old mountain ash trees, forcing them into a compromised state, a landscape trap. Consequently, the surviving stands of mountain ash and vulnerable stands of recent re-growth need protecting.  This thesis addresses how site and sensory-based Aboriginal perspectives on the relationship between people, architecture and landscape can drive the manifestation of a ‘new’ and reinterpreted Cistercian monastery. Through this process the monastery will become an architectural scar. As a scar, the reinterpreted monastery and its community of monks and Aborignals will not only contribute to the protection of Kinglake National Park’s injured mountain ash forest and heritage stone water structures, but also assist in the mending of a torn relationship between two cultures.</p>


Author(s):  
Barbara Glowczewski

This chapter unfolds a dialog between Guattari and Glowczewski about Australian collective dream-work, totemism and rituals of resistance during collective discussions, including Eric Alliez, Jean-Claude Pollack and Anne Querrien. ‘Félix Guattari — Barbara is an anthropologist specialising in Australian Aboriginal peoples who has written a fascinating piece of work about the dreaming process. I’d like her to tell us a bit about the collective technology of dreams among the Australian Aboriginal people she has studied. In this context, not only do dreams not depend on individual keys, but they are also part of an a posteriori elaboration of the dream that anthropologists have characterised as mythical. But Barbara comes close to refuting that definition. And dreaming is identified with the law, and with the possibility of mapping the itineraries of these people, who circulate all the time since they cover hundreds of kilometers. Barbara, I would like to ask you to try to tell us how the dreaming method functions. My first question is to ask you to explain the relationship between dream, territory, and itinerary.’


Author(s):  
Alistair Fox

This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.


Author(s):  
Gary Totten

This chapter discusses how consumer culture affects the depiction and meaning of the natural world in the work of American realist writers. These writers illuminate the relationship between natural environments and the social expectations of consumer culture and reveal how such expectations transform natural space into what Henri Lefebvre terms “social space” implicated in the processes and power dynamics of production and consumption. The representation of nature as social space in realist works demonstrates the range of consequences such space holds for characters. Such space can both empower and oppress individuals, and rejecting or embracing it can deepen moral resolve, prompt a crisis of self, or result in one’s death. Characters’ attempts to escape social space and consumer culture also provide readers with new strategies for coping with their effects.


2005 ◽  
Vol 2 (1) ◽  
pp. 37-51 ◽  
Author(s):  
DANIEL M. GRIMLEY

Björk’s collaboration with the director Lars von Trier on the film Dancer in the Dark was marked by well-publicized personal and aesthetic differences. Their work nevertheless shares an intense preoccupation with the nature and quality of sound. Björk’s soundtrack systematically explores the boundaries between music and noise, and the title of von Trier’s film itself presupposes a heightened attention to aural detail. This paper proposes a theoretical context for understanding Björk’s music in the light of her work with von Trier. Whereas Björk’s soundtrack responds to the visual and narrative stimuli of von Trier’s film, the use of sound in her album Vespertine thematicizes more familiar Björk subjects: the relationship between music, landscape and the natural world, and Björk’s own (constructed) sense of Nordic musical identity. By placing Vespertine alongside Björk’s music for Dancer in the Dark, the sense of ‘hyperreality’ that defines both also emerges as a primary characteristic of her work.


2013 ◽  
Vol 12 (2) ◽  
pp. 185-202
Author(s):  
Duncan Reid

AbstractIn response to the contemporary ecological movement, ecological perspectives have become a significant theme in the theology of creation. This paper asks whether antecedents to this growing significance might predate the concerns of our times and be discernible within the diverse interests of nineteenth-century Anglican thinking. The means used here to examine this possibility is a close reading of B. F. Westcott's ‘Gospel of Creation’. This will be contextualized in two directions: first with reference to the understanding of the natural world in nineteenth-century English popular thought, and secondly with reference to the approach taken to the doctrine of creation by three late twentieth-century Anglican writers, two concerned with the relationship between science and theology in general, and a third concerned more specifically with ecology.


2021 ◽  
Author(s):  
Cormac Walsh

AbstractNational parks and other large protected areas play an increasingly important role in the context of global social and environmental challenges. Nevertheless, they continue to be rooted in local places and cannot be separated out from their socio-cultural and historical context. Protected areas furthermore are increasingly understood to constitute critical sites of struggle whereby the very meanings of nature, landscape, and nature-society relations are up for debate. This paper examines governance arrangements and discursive practices pertaining to the management of the Danish Wadden Sea National Park and reflects on the relationship between pluralist institutional structures and pluralist, relational understandings of nature and landscape.


2021 ◽  
Vol 40 (3) ◽  
pp. 155-168
Author(s):  
D. G. Diachenko

The paper is devoted to the Raiky culture in the Middle Dnieper. It reveals major issues of the phenomenon of Raiky culture and their possible solutions considering the achievements of Ukrainian archeologists in this field. The genesis, chronology and features of the development of material culture of the Raiky sites in the 8th—9th centuries of the right-bank of the Dnieper are analyzed. In general the existence of the Raiky culture in the Middle Dnieper region can be described as follows. It was formed in first half of the 8th century in the Tiasmyn basin. The first wheel-made pottery has begun to manufacture quite early, from the mid-8th century (probably at the beginning of the third quarter). At the first stage, the early vessels have imitated the hand-made Raiky forms as well as the Saltovo-Mayaki imported vessels. Significant development of the material culture occurs during the second half of the 8th century. At the same time, the movement of the people of Raiky culture and the population of the sites of Sаkhnivka type has begun in the northern direction which was marked by the appearance of the Kaniv settlement, Monastyrok, and possibly Buchak. This stage is characterized by the syncretism both in the ceramic complex and in the features of design of the heating structures. Numerous influences of the people of Volyntsevo culture (and through them – of Saltovo-Mayaki one) are recorded in the Raiky culture. It is observed not only in direct imports but also in the efforts of the Raiky population to imitate the pottery of Volyntsevo and Saltovo-Mayaki cultures, however, based on their own technological capabilities. The nature of the relationship between the bearers of these cultures is still interesting. The population of Raiky accepts the imported items of Saltovo-Mayaki and Volyntsevo cultures, tries to imitate high-quality pottery of them, and even one can see the peaceful coexistence of two cultures in one settlement — Monastyrok, Buchak, Stovpyagy. However, the reverse pulses are absent. There are no tendencies to assimilate each other. Although, given the number and size of the sites, the numerical advantage of the Volyntsevo population in the region seems obvious. There is currently no answer to this question. The first third of the 9th century became the watershed. The destruction of the Bytytsia hill-fort and the charred ruins to which most of the settlements of the Volyntsevo culture has turned, is explained in the literature by the early penetration of Scandinavians into the region or as result of the resettlement of Magyars to the Northern Pontic region. In any case, this led to a change in the ethnic and cultural situation in the Dnieper basin. According to some researchers, the surviving part of the population of Volyntsevo culture migrated to the Oka and Don interfluve. For some time, but not for long, the settlements of Raiky culture remained abandoned. Apparently, after the stabilization of situation, the residents have returned which is reflected by the reconstruction of the Kaniv settlement and Monastyrok; in addition, on the latter the fortifications have been erected. The final stage of the existence of culture is characterized by contacts with the area of the left bank of Dnieper, the influx of the items of the «Danube circle», as well as the rapid development of the forms of early wheel-made pottery. The general profiling of vessels and design of the rim became more complicated, the rich linear-wavy ornament which covers practically all surface of the item became characteristic. This suggests the use of a quick hand wheel which has improved the symmetry of the vessels, as well as permitted to create the larger specimens. The evolution of the early wheel-made ceramic complex took place only by a variety of forms, however, technological indicators (dough composition, firing, density and thickness of vessel walls) indicate the actual invariability and sustainability of the manufacture tradition. The discontinuance of the functioning of the latest Raiky sites (Monastyrok and Kaniv settlements) can be attributed as the consequences of the first stages of consolidation of the Rus people in the Middle Dnieper dating to the late 9th — the turn of the 9th—10th centuries.


Upravlenie ◽  
2017 ◽  
Vol 5 (2) ◽  
pp. 16-21
Author(s):  
Толкачев ◽  
P. Tolkachev

The article discusses the relationship of economic management with the economic basis. The thesis is substantiated that effective economic management depends on economic ideal, to which society will strive to achieve. The world surrounding a person constantly retains its essential fundamental properties. And in this way it is perfect. Man spiritually assumes himself above nature. Potentially, he sees himself as a master of the natural world. However, acting in nature as an independent free force, he constantly reveals his imperfect. Because of his limited knowledge of the infinitely complex nature, everything that a person creates is imperfect. The path to perfection is the natural goal of man’s life on earth. However, on this common path, all nations and their large groups – civilizations – are moving along different roads. And in modern conditions, these differences have reached a dangerous feature – more and more the confrontation of civilizations is emerging. The historical feature of the Russian economic worldview is the absolute priority of moral ideals. Its deep economic ideals are not aggressive in relation to other countries and peoples. These ideals are in finding and multiplying of good. Therefore, potentially, Russia can counteract the negative scenario of the development of civilizational conflicts.


2013 ◽  
Vol 9 (1) ◽  
pp. 30
Author(s):  
Kathleen McMullin ◽  
Sylvia Abonyi ◽  
Maria Mayan ◽  
Pamela Orr ◽  
Carmen Lopez-Hille ◽  
...  

On the Canadian Prairies, First Nations and Métis peoples are disproportionately affected by tuberculosis (TB) compared to other Canadians. Statistics show enduring transmission and high rates of active TB disease. Despite awareness of the social determinants of TB transmission—such as substance abuse, comorbidities, and basic needs being unmet—transmission and outbreaks continue to occur among Aboriginal people. The Determinants of Tuberculosis Transmission project is a mixed methods, interdisciplinary study that used quantitative questionnaires and qualitative interviews to look more closely at patients’ experiences of TB. Provincial Network Committees (PNCs) comprised of Elders, traditionalists, community-based TB workers, and health researchers in three participating provinces guided the project from inception through to data analysis, interpretation, and dissemination. The collaborative efforts of the patients, the research team, and the PNCs uncovered a continuing influence of colonization in TB transmission. Overwhelming feelings of apathy and despair for the hold that TB continues to have in the lives of patients, families, and communities is captured by the Cree word “keyam,” which may be translated as “to give up” or to ask, “What is the use?” This paper explores the concept of keyam in relation to TB transmission.


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