scholarly journals 2084: The Fantasy Compact

2021 ◽  
Author(s):  
◽  
Laura Sanchez

<p>For the last two decades, social media has increasingly dominated our day to day interactions. We have evolved into digitized creatures able to communicate on a daily basis to a broad and varied audience, comprised of people we know, people we hardly know, and people we have never met. Through images, tweets, status updates and posts, everyone has an ability to view and harness a variety of opinions, emotions, stories and ideas at a moment’s notice. It’s in those instances when a person resonates with a certain moment or place they are in, that they create a narrative through a caption or a hashtag that’s attached to an image which allows everyone who views it to read a story of someone’s experience. This digital/virtual age poses new questions for interior architecture, a practice that generally orients itself in the realm of physical, built space. It is the intent of this research to offer a new kind of design approach, more relevant to our current digitized lives, to see what it might offer for urban interior speculations.  Through exploring ways of tapping into this narrative and ‘flipping the script’, we can explore a new kind of design tactic that brings forward the power that social media narratives can have on the built environment and interior strategies. The city of Los Angeles will be used as a testing grounds for narrative urban interior tactics, to see how it could offer the city whimsical and outlandish interventions that respond to the people currently interacting with certain sites in it. As a nod to George Orwell’s 1984 future speculations, this project is a counterpoint that offers an optimistic, open and free speculation tool by providing a constant dialogue between the public and designer through the forum of Instagram.  This project teases out the ideas that narrative can create instinctual, intuitive and thought-provoking designs that can be spectacles, attractors, events or counterparts that open up a potential to talk about interior in a new realm, where it can contribute on larger scales like the urban setting. Urban interior tactics provide outcomes that even in an exterior setting can still create moments of interiority around them as well as within them that bring together two conditions in a propositional manner as opposed to being opposites.  In order to translate the narratives into conceptual design outcomes, drawing and model making will be used as the primary exploratory tools. This offers the audience different means of perception to be gauged through putting it back out into the forum it was derived from, allowing for three final outcomes that respond more accurately to how people react to open narrative as a design tool.</p>

2021 ◽  
Author(s):  
◽  
Laura Sanchez

<p>For the last two decades, social media has increasingly dominated our day to day interactions. We have evolved into digitized creatures able to communicate on a daily basis to a broad and varied audience, comprised of people we know, people we hardly know, and people we have never met. Through images, tweets, status updates and posts, everyone has an ability to view and harness a variety of opinions, emotions, stories and ideas at a moment’s notice. It’s in those instances when a person resonates with a certain moment or place they are in, that they create a narrative through a caption or a hashtag that’s attached to an image which allows everyone who views it to read a story of someone’s experience. This digital/virtual age poses new questions for interior architecture, a practice that generally orients itself in the realm of physical, built space. It is the intent of this research to offer a new kind of design approach, more relevant to our current digitized lives, to see what it might offer for urban interior speculations.  Through exploring ways of tapping into this narrative and ‘flipping the script’, we can explore a new kind of design tactic that brings forward the power that social media narratives can have on the built environment and interior strategies. The city of Los Angeles will be used as a testing grounds for narrative urban interior tactics, to see how it could offer the city whimsical and outlandish interventions that respond to the people currently interacting with certain sites in it. As a nod to George Orwell’s 1984 future speculations, this project is a counterpoint that offers an optimistic, open and free speculation tool by providing a constant dialogue between the public and designer through the forum of Instagram.  This project teases out the ideas that narrative can create instinctual, intuitive and thought-provoking designs that can be spectacles, attractors, events or counterparts that open up a potential to talk about interior in a new realm, where it can contribute on larger scales like the urban setting. Urban interior tactics provide outcomes that even in an exterior setting can still create moments of interiority around them as well as within them that bring together two conditions in a propositional manner as opposed to being opposites.  In order to translate the narratives into conceptual design outcomes, drawing and model making will be used as the primary exploratory tools. This offers the audience different means of perception to be gauged through putting it back out into the forum it was derived from, allowing for three final outcomes that respond more accurately to how people react to open narrative as a design tool.</p>


2014 ◽  
Vol 20 (1) ◽  
Author(s):  
Peter J. Pitts

The role of marketing communications is to advance the bottom line and the public good – and not necessarily in that order. Giving back is an integral part of the New Normal. And there has never been a better tool to accomplish this mission than social media.But healthcare marketing –and particularly of the regulated variety --is between a rock and a hard place. On the one hand, marketers understand the importance and opportunity in social media. It’s where the people are. It’s where the action is. But then there are all those pesky regulatory concerns.As Walter O’Malley –the man who moved the Brooklyn Dodgers to Los Angeles once commented, “The future is just one damn thing after another.”


2021 ◽  
Author(s):  
Sara Mcbride ◽  
Robert de Groot ◽  
Tao Ruan ◽  
Qin Lv ◽  
Qingkai Kong

&lt;p&gt;On July 4, 2019, a M6.4 earthquake struck Ridgecrest, California. The next evening, on July 5, an even larger M7.1 rattled the region. The ShakeAlert Earthquake Early Warning System for the West Coast of the United States detected and issued ShakeAlert Messages for both earthquakes to pilot users of the system. Several ShakeAlert technical partners, including the Caltech UserDisplay demonstration console, also delivered alerts to their users. However, the Los Angeles City application (app), powered by ShakeAlert, developed and being tested by the City of Los Angeles did not deliver ShakeAlerts to approximately 700,000 test users in Los Angeles County. This is because the alerting threshold of the estimated shaking (above Modified Mercalli Intensity (MMI) IV, potentially damaging shaking) was not met for either event in Los Angeles County. While the minimum magnitude threshold of M5.0 for both earthquakes was met, the shaking estimated by the ShakeAlert system indicated that no part of Los Angeles County would experience levels of shaking that would be damaging. Although the ShakeAlert System performed as designed&amp;#8212;in both the Ridgecrest area as well as in Los Angeles&amp;#8212;various media outlets and initial feedback from LA City app users suggest that the public perceived that the system did not work.&lt;/p&gt;&lt;p&gt;This presentation offers an analysis of media and social media data related to the perceived performance of the ShakeAlert System during the Ridgecrest earthquake sequence. Specially, we focus on a comparison between media depictions and social media activity in the two geographic regions that did and did not receive a ShakeAlert message, Kern County and Los Angeles, respectively. This represents in many ways a natural experiment, and it is important to learn from these early perceptions of this emergent system.&lt;/p&gt;


2018 ◽  
Vol 33 (3) ◽  
pp. 444-472 ◽  
Author(s):  
Perry Maxfield Waldman Sherouse

In recent years, cars have steadily colonized the sidewalks in downtown Tbilisi. By driving and parking on sidewalks, vehicles have reshaped public space and placed pedestrian life at risk. A variety of social actors coordinate sidewalk affairs in the city, including the local government, a private company called CT Park, and a fleet of self-appointed st’aianshik’ebi (parking attendants) who direct drivers into parking spots for spare change. Pedestrian activists have challenged the automotive conquest of footpaths in innovative ways, including art installations, social media protests, and the fashioning of ad hoc physical barriers. By safeguarding sidewalks against cars, activists assert ideals for public space that are predicated on sharp boundaries between sidewalk and street, pedestrian and machine, citizen and commodity. Politicians and activists alike connect the sharpness of such boundaries to an imagined Europe. Georgia’s parking culture thus reflects not only local configurations of power among the many interests clamoring for the space of the sidewalk, but also global hierarchies of value that form meaningful distinctions and aspirational horizons in debates over urban public space. Against the dismal frictions of an expanding car system, social actors mobilize the idioms of freedom and shame to reinterpret and repartition the public/private distinction.


2017 ◽  
Vol 2 (1) ◽  
pp. 91-108
Author(s):  
Dwi Okta Renanda

Perkembangan lagu anak di Indonesia mengalami dinamika yang berbeda dari tahun ke tahun. Era 90-an merupakan puncak dimana lagu anak mendapat perhatian yang lebih dari masyarakat Indonesia. Namun kondisi tersebut berbeda dengan keadaan lagu anak sekarang. Sudah tidak banyak lagi penyanyi-penyanyi cilik yang tampil di televisi dan berkurangnya lagu-lagu yang sesuai untuk anak yang kaya akan pesan pendidikan dan nasionalis. Hal ini dikarenakan sudah tidak banyak label rekaman yang memberikan wadah bagi penyanyi cilik dan adanya anggapan bahwa lagu anak kurang laku. Objek penelitian ini adalah album penyanyi cilik Naura dengan topik strategi promosi dan sosialisasi lagu anak. Penelitian ini bertujuan untuk mengkaji strategi bauran promosi album penyanyi cilik Naura dan mengetahui tanggapan masyarakat terhadap album penyanyi cilik Naura. Pendekatan yang dilakukan dalam penelitian ini adalah metode kualitatif dengan data tambahan sebagai pelengkap dari data kuantitatif berupa pemaparan presentase. Data kualitatif didapat dari 3 orang narasumber dan data kualitatif diperoleh dari 34 responden yang merupakan followers Instagram Naura. Hasil yang diperoleh, manajemen Naura menggunakan semua alat bauran promosi, meliputi periklanan, promosi penjualan, publisitas, penjualan perseorangan dan pemasaran langsung. Sedangkan alat promosi utama yang digunakan adalah pemasaran langsung yang difokuskan pada penggunaan media sosial. Hal ini disebabkan karena mayoritas peggemar Naura adalah anak-anak dan remaja yang memiliki akun media sosial. The development of children's songs in Indonesia experienced different dynamics from year to year. The 90's is the peak where the children's song gets more attention from the people of Indonesia. But the condition is different from the state of the child's song now. There are not many singers-singers who appear on television and reduced the appropriate songs for children who are rich in educational and nationalist messages. This is because there are not many record labels that provide a container for the little singers and the assumption that the child's song is less salable.The object of this research is Naura little singer album with the topic of promotion strategy and socialization of children song. This study aims to examine the promotion mix strategy of Naura's little singer album and to know the public response to Naura's little singer album. The approach taken in this research is qualitative method with additional data as complement of quantitative data in the form of presentation of percentage. Qualitative data were obtained from 3 resource persons and qualitative data were obtained from 34 respondents who were followers Instagram Naura. The results obtained, Naura's management uses all promotional mix tools, including advertising, sales promotion, publicity, individual sales and direct marketing. While the main promotional tool used is direct marketing that is focused on the use of social media. This is because the majority of Naura's fans are children and adolescents who have social media accounts.


2021 ◽  
Vol 1 (1) ◽  
pp. 56-68
Author(s):  
Simon Simon ◽  
Tan Lie Lie ◽  
Heppy Wenny Komaling

Indonesian netizens are often labeled as social media users at will without heeding politeness when interacting. This assessment is further confirmed by a survey conducted by Microsoft,  that Medsos users are labeled as netizens with the worst politeness level for Southeast Asia scale. The predicate is certainly aimed at allreligius netizens without emphasizing certain beliefs. The low politeness indicates the lack of social media ethics applied by the people of the country. Ironically, Indonesia is known as areligius and civilized country, it seems invisible if you look at the behavior of netizens who are. The method used in this paper is descriptive qualitative method with a literature study approach. The description of this topic religion certainly teaches how politeness and politeness in the public space are displayed especially in social media, because politeness is an indikator we are called ethical or not. The principle of Christian ethics teaches that when using social media what a believer must do is not to do body shaming with other online media users, or not to comment racistically. Because God does not differentiate between fellow humans by loving one and not loving another just because humans are different physically, race or nation. The next principle of Christian ethics in social media is not to argue theologically and not to spit negative things. The goal is to avoid quarrels, let alone hate speech. Netizen Indonesia kerap di cap sebagai pengguna media sosial sesuka hati tanpa mengindahkan kesantunan ketika berinteraksi. Penilaian ini makin dipertegas melalui survei yang dilakukan oleh Microsoft,  bahwa pengguna Medsos dilabeli sebagai netizen dengan tingkat kesopanan paling buruk untuk skala Asia Tenggara. Predikat itu tentu ditujukan kepada semua netizen yang beragama tanpa menitik-beratkan keyakinan tertentu. Rendahnya kesopanan menandakan kurangnya etika bermedia sosial diterapkan oleh masyarakat tanah air. Ironisnya, Indonesia yang di kenal sebagai negara yang religius dan beradab, hal itu seakan tidak terlihat bila melihat perilaku netizen yang bar-bar. Metode yang digunakan dalam tulisan ini adalah metode kualitatif deskriftif dengan pendekatan studi kepustakaan. Uraian dari topik ini agama tentu mengajarkan bagaimana kesopanan dan kesantunan di ruang publik ditampilkan terlebih dalam bermedia sosial, karena kesopanan itu merupakan indikator kita di sebut beretika atau tidak. Prinsip etika Kristiani mengajarkan bahwa ketika bermedia sosial  yang  harus dilakukan orang Kristen  adalah tidak melakukanbody shaming kesesama pengguna media online, maupun tidak berkomentar secara rasis. Karena Allah tidak membeda-bedakan sesama manusia dengan mengasihi yang satu dan tidak mengasihi yang lain hanya karena manusia itu berbeda secara fisik, ras atau bangsa. Prinsip etika Kristiani berikutnya dalam bermedia sosial adalah tidak berdebat secara teologis dan tidak mengumbar hal negatif. Tujuannya  agar tidak terjadi pertengkaran apalagi ujaran kebencian.


2017 ◽  
Vol 16 (2) ◽  
pp. 15
Author(s):  
Yevis Marty Oesman ◽  
Ida Farida Oesman

Balai Pertemuan Bumi Sangkuriang is one heritage building  in Bandung. However, its existence as a Heritage Building is still less known by the public in society Bandung. The attitude of the people of Bandung to Balai Pertemuan Bumi Sangkuriang just a meeting place that can only be visited by people of Bandung that are members of the society. This study aims to determine the attitude of the people of Bandung to the existence of Balai Pertemuan Bumi Sangkuriang as a heritage building. This study took a sample of 100 respondents by job. Data were processed using simple regression models.The results showed a significant influence on the attitude of the people in Bandung against BPBS Building existence as a Heritage Building. Perceptions of Attitudes Bandung society to Buildings BPBS rated Good. Similarly, public assessment of the existence of the building BPBS Bandung as a Heritage Building also rated Good.A good assessment of the attitude of the people of Bandung to the existence BPBS building as a heritage building, but managers still need to increase efforts to inform BPBS building as one of the heritage building in the city of Bandung. Keywords: Heritage building  , Attitude 


2021 ◽  
Author(s):  
Jennifer Donath

The purpose of this project was to explore how young adults are experiencing relationships when using social media. Using a qualitative design young adults between the ages of 16-25 were asked questions about their experience with social media in the city of Toronto. Qualitative interviews were conducted with three homeless participants who used social media and had access to the internet and a mobile device. The researcher analyzed the data by looking for themes within the participant’s answers. Discussion focuses on the impact of social media, their experiences as a homeless youth and the interaction with social media on a daily basis. The findings also suggest future research for technology amongst homeless youth


Author(s):  
Víctor Hernández-Santaolalla

Social media brings to the forefront two very important factors to today's politics: the prominent role of the internet and the importance of personalisation which is closely tied to a tendency of political candidates to overexpose their private lives. This does not mean that the candidate becomes more relevant than the political party or the ideological platforms thereof, but the interest tends to fall on the candidate's lifestyle; on their personal characteristics and their most intimate surroundings, which blurs the line between the public and private spheres. Online profiles are used as a showcase for the public agenda of the politician at the same time as they gather, on a daily basis, the thoughts, tastes and leisure time activities of the candidates. This chapter offers a reflection of the ways in which political leaders develop their digital narratives, and how they use the social media environment to approach citizens.


Author(s):  
Stephen Lovell

This chapter tells the story of public speaking in Russia from the imposition of greater restrictions on the public sphere in 1867 through to the eve of Alexander II’s assassination in 1881. It shows that in this period the focus of the Russian public switched from the zemstvo to the courtroom, where a number of high-profile trials took place (and were reported, sometimes in stenographic detail, in the press). The chapter examines the careers and profiles of some of Russia’s leading courtroom orators. It also explores the activities of the Russian socialists (populists), in particular the ‘Going to the People’ movement of 1873–4 and later propaganda efforts in the city and the courtroom. It ends by considering the intensification of public discourse at the end of the 1870s: the Russo-Turkish War saw a surge of patriotic mobilization, but at the same time the populist adoption of terrorism seized public attention.


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