Gending Karesmen: Teater Tradisional Ménak di Priangan 1904-19421

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Tatang Abdulah ◽  
I. Syarief Hidayat ◽  
A. Sobana Hardjasaputra ◽  
Jakob Sumardjo
Keyword(s):  
Dominant Factor ◽  
Dance Music ◽  
And Performance

ABSTRACT This paper analyzes Gending Karesmen that had been living and developing in Priangan, cen- tered in Bandung City, in 1904 to 1942. Gending Karesmen emerged as Tunil Tembang which came up in 1904. In the begining, the performance of Tunil Tembang was plain and simple, then it gradu- ally became more complex and specific. The story, dance, music, and performance were established. The music became dominant factor related to the song (tembang) performed by the player in every dialog expression. Gending Karesmen grew well, almost without any hindrance, because it was sup- ported by the local officials (e.g. Bupati) and intellectuals. It was also because of the socio culture, economic and politic atmosphere in Priangan that were conducive in that period. Keywords: Gending Karesmen, Ménak Traditional Theater  ABSTRAK Tulisan ini menganalisis tentang Gending Karesmen yang hidup dan berkembang di Priangan, yang berpusat di Kota Bandung, pada tahun 1904-1942. Gending Karesmen mun- cul sebagai Tunil Tembang yang berkembang pada tahun 1904. Pada mulanya pertunjukan Tunil Tembang itu polos dan sederhana, kemudian secara bertahap menjadi lebih kompleks dan spesifik. Cerita, tarian, musik, dan pertunjukannya menjadi berkembang. Musiknya menjadi faktor dominan yang berhubungan dengan lagu (tembang) yang dimainkan oleh pemainnya dalam setiap ekspresi dialog. Gending Karesmen berkembang dengan baik, hampir tidak ada hambatan, karena didukung oleh para pejabat setempat (misalnya Bu- pati) dan intelektual. Hal ini juga dikarenakan sosial budaya, suasana ekonomi dan politik di Priangan yang kondusif pada periode tersebut. Kata kunci: Gending Karesmen, Teater Tradisional Ménak

scholarly journals Exploring dress, identity and performance in contemporary dance music culture

2014 ◽  
Vol 34 (5) ◽  
pp. 603-620 ◽  
Author(s):  
Dewi Jaimangal-Jones ◽  
Annette Pritchard ◽  
Nigel Morgan
Keyword(s):  
Contemporary Dance ◽  
Dance Music ◽  
Music Culture ◽  
And Performance

scholarly journals Predictor of purnawidya performance post training of wound care blended learning method in DKI Jakarta

2021 ◽  
Vol 3 (2) ◽  
pp. 352-361
Author(s):  
Haerani Idah
Keyword(s):  
Blended Learning ◽  
Significant Relationship ◽  
Wound Care ◽  
Dominant Factor ◽  
P Value ◽  
Learning Method ◽  
Diabetic Wound ◽  
Performance Score ◽  
Care Training ◽  
And Performance

The COVID-19 pandemic situation has hampered wound care services. Apart from contact restrictions, patient and family anxiety to visit hospitals and health workers having diabetic wound care skills are still inadequate. Only 1 unit of First Level Health Facility (FKTP) has succeeded in developing a diabetic wound care polyclinic; thus, the percentage of diabetic wound sufferers who receive standard services is only 1 percent. This study aims to determine predictors of graduate performance after wound care training with blended learning methods in Jakarta Province in 2021. Descriptive quantitative method using a cross-sectional approach and primary data were collected using structured questionnaire survey technique. The study was carried out from August to September 2021. The population was all 44 graduates of wound care training with the blended learning method. The result shows that the correlation value (r) between age and performance score was 0.43 with a P-value of 0.007. It means that there is a statistically significant relationship between age and the graduate performance score. There is also a significant relationship between motivation and performance scores, with the correlation value (r) between motivation scores and performance scores of 0.37, P-value of 0.020. The dominant factor that affects graduate performance is motivation, with a P-value of 0.02. The magnitude of the variation that affects the dependent variable is 0.129, meaning that the motivation variable can explain 12-13 percent of the variation in the graduate performance score.  

scholarly journals ANALISIS GERAK TARI MERAK SUBAL KARYA S. MARIDI PADA SANGGAR SOERYO SOEMIRAT DI SURAKARTA

2020 ◽  
Vol 19 (2) ◽  
pp. 116-124
Author(s):  
Endra Sabekti ◽  
Didik Bambang Wahyudi
Keyword(s):  
Research Method ◽  
Qualitative Data ◽  
Dance Music ◽  
Dance Movement ◽  
Performance Time ◽  
Library Studies ◽  
Research Problems ◽  
And Performance ◽  
Conceptual Foundations ◽  
Analysis Of Motion

The research titled "Analysis of Merak Subal Dance Movement by S. Maridi at Soeryo Soemirat Gallery in Surakarta", was created by S. Maridi in the 1969s. Merak Subal Dance is a dance that represents the life (behavior) of peacocks. S. Maridi's Merak Subal dance was inspired by sundanese peacock dance.This study aims to describe and analyze the movements in The Merak Subal Dance. The research method used is descriptive analytics with qualitative data properties, namely collecting data through observations, interviews, subsequent library studies analyzed descriptively. The research problems were analyzed using conceptual foundations from Soedarsono on dance forms and Agus Tasman on the analysis of dance moves and characters.The results of Merak Subal Dance research in Soeryo Soemirat gallery showed that the dance was presented in the form of a group dance drawn by three dancers with a duration of about eight minutes. Elements that make up The Merak Subal Dance are motion, floor design(floor pattern), top design, dramatic design, theme, makeup and fashion, dance music, property, lighting, venue and performance time. Then the analysis of motion includes materials, energy, space, time, organization, aggregation, character, description. Keywords: Merak Subal Dance, choreography, Soeryo Soemirat gallery.

scholarly journals Imaginary Soundscapes: Electronic Music Culture and the Aesthetics of the Virtual

2021 ◽  
Author(s):  
Sara Wei-Ming Chan
Keyword(s):  
Digital Technology ◽  
Electronic Music ◽  
Digital Technologies ◽  
Production Performance ◽  
Dance Music ◽  
Music Culture ◽  
Electronic Dance Music ◽  
Composition Methods ◽  
Unique Manner ◽  
And Performance

This study is an exploration into how dance music cultures (better known as "rave" or "club" cultures) find ways to straddle the divide between human and machine through their incorporation of both of these oft-competing elements. Electronic dance music and its digital composition methods represent what Mike Berk calls "a new sonic paradigm." The different modes of production, performance and consumption within this paradigm require alternative ways of thinking about originality, creativity, and authenticity. While I do look briefly at issues of consumption and performance within dance music cultures, I focus specifically on how electronic music producers are bound by a unique vision of musical authenticity and creativity, borne out of their own "technological imagination" and the sonic possibilities enabled by digital technology. To use the concepts employed within my paper, I contend that dance music cultures make evident what Michael Punt calls the "postdigital analogue"--a cultural condition in which the decidedly more "human" or "analogue" elements of felt experience and authenticity coexist and converse with the predominance of the digital technologies of simulation and artifice. Dance music cultures are an emergent social formation, to use Williams' term, revising and questioning the typical relationships understood between digital and analogue. This postdigital analogue manifests in a number of ways in the cultural, aesthetic, and technological principles promoted by dance music cultures. In terms of production in particular, signs of digital and analogue coexist in a form of virtual authenticity, as the sound of the technological process engaged to make electronic dance music bears the mark of musical creativity and originality. This study reveals the unique manner in which dance music cultures incorporate both analogue and digital principles, bridging a sense of humanity with the acceptance of the technological.

Supervision in Performance Settings (Dance, Music, Acting)

2019 ◽  
Author(s):  
Gene M. Moyle
Keyword(s):  
Service Delivery ◽  
Performing Arts ◽  
Organizational Context ◽  
Dance Music ◽  
Performance Psychology ◽  
Training Models ◽  
Roles And Responsibilities ◽  
The Social ◽  
And Performance ◽  
Sport And Exercise

Literature regarding supervision and related supervisory and training models applied within the field of sport, exercise, and performance psychology (SEPP) has grown exponentially as the field continues to define and redefine itself. A range of supervision models from mainstream psychology has been explored and applied within SEPP settings, with research indicating that regardless of the preferred model of supervision, a key component of effective supervision is the supervisor’s knowledge and skills related to the area of service delivery. Whilst the supervision of psychologists-in-training within performing arts settings presents similar challenges faced by those working in sport and exercise settings, the social, cultural, and artistic considerations embedded within these performance contexts necessitates a nuanced approach. The provision of supervision for psychologists within performing arts (e.g., dance, music, acting) requires scaffolded learning opportunities that assist the practitioner to gain an in-depth understanding of the context, including how to best tailor, translate, and communicate psychological concepts and skills to their clients that will address their unique challenges and meet their distinctive needs. Furthermore, clarity regarding the roles and responsibilities of the supervisee within the organizational context of an artistic setting is vital to ensuring that effective and ethical service delivery can be provided.

Mainstreaming Dance Music and Articulating Femininity

2017 ◽  
Author(s):  
Hee-sun Kim
Keyword(s):  
Popular Music ◽  
Music Performance ◽  
Gender And Sexuality ◽  
Critical Discourse ◽  
Entertainment Industry ◽  
Pop Music ◽  
Dance Music ◽  
Cultural Meanings ◽  
Cultural Contexts ◽  
And Performance

Korean pop music, or K-pop, has emerged and taken its dominant place since the turn of this century, but its girl groups can trace their lineage back to the 1990s, while the dance music so characteristic of K-pop began in the dance music boom of the 1980s. This chapter examines the music, image, and performance styles of female dance divas from the 1980s into the 2000s. Its purpose is threefold: first, to properly historicize the female dance singers of Korean pop music within their socio-cultural contexts and trace how the image of sexuality has evolved from those early dance divas to the K-pop girl groups of today; second, to examine the ways in which multi-dimensional cultural meanings and voices are constructed through the music, performance styles, and images, atop discourses of body, gender, and sexuality; and third, to dispute earlier assumptions about Korean female dance singers as being merely innocent victims of the globalized commercial entertainment industry and patriarchal systems. This study seeks to reveal the female dance singers as major subjectivities in shaping modern Korean popular music, a role inevitably overshadowed by the strong critical discourse on K-pop girls that emphasizes their sexuality.

VERY HIGH SPEED OEIC TRANSMITTERS FOR FUTURE OPTICAL TRANSMISSION SYSTEMS AND OPTICAL NETWORKS

1991 ◽  
Vol 02 (01n02) ◽  
pp. 21-44 ◽  
Author(s):  
Y.H. LO ◽  
T.P. LEE
Keyword(s):  
Optical Networks ◽  
High Speed ◽  
Hybrid Approach ◽  
Dominant Factor ◽  
Substrate Thickness ◽  
Wavelength Division ◽  
Wavelength Division Multiplexed ◽  
Bonding Wires ◽  
Wavelength Control ◽  
And Performance

The technology and system applications of high speed OEIC transmitters are discussed in this paper. With only two MOCVD growths and conventional processing techniques, OEIC transmitters made of sophisticated DFB laser diodes and InGaAs/InAlAs MODFETs can be fabricated. A speed of 10 Gbit/s has been demonstrated. Using the same technology, OEIC transmitters for high bit rate time division multiplexed (TDM) and dense wavelength division multiplexed (WDM) systems are designed and fabricated. There is evidence showing that the OEIC transmitter integrated with multiplexers and other critical circuits can offer significant cost reduction and performance improvement compared to hybrid approach. Using a four-channel OEIC WDM transmitter, we demonstrate its capability of precise wavelength control by setting the channel spacing as close as 0.3 nm. Finally, the crosstalk of OEIC is analyzed. Bonding wires are confirmed as the dominant factor for RF crosstalk. To keep the thermal crosstalk within an acceptable level, a proper device spacing to substrate thickness ratio has to be chosen.

scholarly journals Structure, processing and performance of ultra-high molecular weight polyethylene (IUPAC Technical Report). Part 3: deformation, wear and fracture

2020 ◽  
Vol 92 (9) ◽  
pp. 1503-1519
Author(s):  
Clive Bucknall ◽  
Volker Altstädt ◽  
Dietmar Auhl ◽  
Paul Buckley ◽  
Dirk Dijkstra ◽  
...  
Keyword(s):  
Molecular Weight ◽  
High Molecular Weight ◽  
Tensile Tests ◽  
Mechanical Tests ◽  
Dominant Factor ◽  
Stress Strain ◽  
Entanglement Density ◽  
Wide Range ◽  
And Performance ◽  
Ultra High Molecular Weight

AbstractThree grades of polyethylene, with weight-average relative molar masses, ${\bar{M}}_{\text{W}}$, of approximately 0.6 × 106, 5 × 106, and 9 × 106, were supplied as compression mouldings by a leading manufacturer of ultra-high molecular weight polyethylene (UHMWPE). They were code-named PE06, PE5, and PE9, respectively. Specimens cut from these mouldings were subjected to a wide range of mechanical tests at 23 °C. In tensile tests, deformation was initially elastic and dominated by crystallinity, which was highest in PE06. Beyond the yield point, entanglement density became the dominant factor, and at 40 % strain, the rising stress–strain curves for PE5 and PE9 crossed the falling PE06 curve. Fracture occurred at strains above 150 %. Differences in stress–strain behaviour between PE5 and PE9 were relatively small. A similar pattern of behaviour was observed in wear tests; wear resistance showed a marked increase when ${\bar{M}}_{\text{W}}$ was raised from 0.6 × 106 to 5 × 106, but there was no further increase when it was raised to 9 × 106. It is concluded that the unexpected similarity in behaviour between PE5 and PE9 was due to incomplete consolidation during moulding, which led to deficiencies in entanglement at grain boundaries; they were clearly visible on the surfaces of both tensile and wear specimens. Fatigue crack growth in 10 mm thick specimens was so severely affected by inadequate consolidation that it forms the basis for a separate report – Part 4 in this series.

scholarly journals Pengaruh Perilaku Kewirausahaan terhadap Kinerja Usaha Tani Tembakau Rakyat di Kabupaten Bojonegoro dan Lamongan

2016 ◽  
Vol 6 (2) ◽  
pp. 81
Author(s):  
Felicia Nanda Ariesa ◽  
Rita Nurmalina ◽  
Wahyu Budi Priatna
Keyword(s):  
Environmental Factors ◽  
Personality Trait ◽  
Linear Regression Analysis ◽  
Multiple Linear Regression Analysis ◽  
Complex Model ◽  
Dominant Factor ◽  
Entrepreneurial Behavior ◽  
Global Environmental ◽  
Influential Variable ◽  
And Performance

<p>Penyediaan sumber daya manusia yang kompeten penting dalam usaha tani tembakau. Komoditas tembakau ditekan oleh perubahan kondisi lingkungan global, sehingga diperlukan petani yang mampu beradaptasi. Oleh karena itu, penelitian ini bertujuan untuk: 1) Menentukan faktor-faktor yang mempengaruhi perilaku kewira-usahaan dan kinerja pertanian, 2) Menganalisis pengaruh sifat individu dan faktor lingkungan terhadap peri-laku kewirausahaan, dan 3) Menganalisis pengaruh sifat individu, faktor lingkungan, dan perilaku kewirausa-haan terhadap kinerja tembakau rakyat. Pengaruh variabel bebas terhadap variabel tak bebas (terikat) diukur dengan menggunakan analisis regresi linier berganda. Sifat individu dan faktor lingkungan mempengaruhi perilaku kewirausahaan dengan pengaruh terbesar berasal dari sifat individu. Perilaku kewirausahaan berpe-ngaruh signifikan terhadap kinerja usaha, namun bukan menjadi faktor dominan yang mempengaruhi kinerja pertanian. Lingkungan ekonomi menjadi variabel yang paling berpengaruh terhadap kinerja pertanian. Peri-laku kewirausahaan saja tidak berpengaruh signifikan terhadap kinerja. Dengan demikian, perilaku kewirausa-haan harus dipandang sebagai salah satu faktor yang berperan dalam mendorong kinerja.</p><p> </p><p>Provision of competent human resources is important in tobacco farming. Tobacco as commodities pressured by changes in global environmental conditions so that required adaptable farmers. Therefore, this research aimed to: 1) Determine the factors that influence entrepreneurial behavior and performance of the farm; 2) Analyze the influence of personality trait and environmental factors to entrepreneurial behavior; and 3) Analyze the influence of personality trait, environmental factors, and entrepreneurial behavior to the perfor-mance of individual tobacco farming. The effect of independent variables on the measurement dependent variables were analyzed using multiple linear regression analysis. The personality trait and environment fac-tor influence entrepreneurial behavior with the greatest influence comes from the personality trait. Entrepre-neurial behavior has significant effect on the performance of the business, but not a dominant factor affect-ting the performance of the farm. Economic environment to be the most influential variable on the perfor-mance of the farm. Entrepreneurial behavour alone has no significant effect on performance. Thus, entre-preneurial behaviour should be viewed as only one causal factor in a complex model of factors that promote performance.</p>

scholarly journals KARAKTERISTIK INDIVIDU, KARAKTERISTIK PEKERJAAN DAN PENGALAMAN KERJA, PENGARUHNYA TERHADAP KEMAMPUAN, MOTIVASI DAN KINERJA DOSEN TETAP FISIP UNIVERSITAS BRAWIJAYA MALANG

2019 ◽  
Vol 12 (2) ◽  
pp. 93
Author(s):  
Alifiulahtin Utaminingsih
Keyword(s):  
Significant Influence ◽  
Work Ability ◽  
Work Experience ◽  
High Performance ◽  
Work Motivation ◽  
Job Characteristics ◽  
Individual Characteristics ◽  
Dominant Factor ◽  
Census Methods ◽  
And Performance

This study aims to examine work ability, work motivation and performance based on individual characteristics, job characteristics and work experience of permanent lecturers at FISIP UB Malang. This type of research includes explanatory research that use a quantitative descriptive approach with census methods. Respondents numbered 86 people. The main instrument of the study was a questionnaire using a five-point Likert scale, data analysis using SEM. The results of this study found that: First: There is a significant influence between individual characteristics, job characteristics and work experience on work ability (amounting to 54.8%),. Second: There is a significant influence between individual characteristics, work experience and work ability to work motivation. The contribution of these three variables in explaining variations in work ability is 42.4%, with work ability as the dominant determinant of work motivation. Third: There is a significant effect between individual characteristics, work experience and work motivation on performance, with work motivation as the dominant factor in the high performance of lecturers.

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