scholarly journals Linguistic and Creative Aspects of Representation of the Macroconcept of Life in the Wordplay Poetics of the Story “The Circle” by V.V. Nabokov

2020 ◽  
Vol 162 (5) ◽  
pp. 72-88
Author(s):  
G.Yu. Maltseva ◽  
Keyword(s):  
Detailed Analysis ◽  
Association Analysis ◽  
Conceptual Metaphor ◽  
Implicit Associations ◽  
The Core ◽  
Layer Analysis ◽  
The World ◽  
The Individual ◽  
Russian Linguistic ◽  
Life Circle

This paper is based on a detailed analysis of the representation of the concept of circle as a component of the macroconcept of life in the poetic wordplay of the story “The Circle” (‘Krug’) by V.V. Nabokov. In the light of the theory of wordplay poetics, the following non-standard ways of representing the macroconcept of life were revealed: the absence of the concept nominee in the studied direction of association; the involvement of etymological data of the key representative and semantically related associates. The method of N.S. Bolotnova’s associative layer analysis was used to identify implicit meanings and to reveal key elements that can be helpful in decoding the wordplay of the text. It was found that the core of the macroconcept of life is based on the conceptual metaphor “life – circle”, which is characteristic of the Russian linguistic view of the world. The areas of association were singled out by the method of association analysis of the concept and divided into separate blocks, each representing one of the semes (elements of the meaning of the concept of circle) in the story “The Circle” and connected with implicit associations. Taken together, they provide V.V. Nabokov’s complete individual view of the macroconcept of life. The obtained results demonstrate the idiosyncratic character of V.V. Nabokov’s prose. By means of the wordplay poetics of the story “The Circle”, the concept of life reflects the individual view of the world by V.V. Nabokov, and the axiological layer of the concept translates the author’s philosophical views on life.

scholarly journals KONSEP DIRI SEORANG DA'I

2019 ◽  
Vol 1 (2) ◽  
pp. 207
Author(s):  
Noormawanti, Iswati
Keyword(s):  
Social Interaction ◽  
The Self ◽  
Self Concept ◽  
Social Aspects ◽  
The Core ◽  
Self Development ◽  
The World ◽  
Entire Complex ◽  
The Individual ◽  
Beliefs And Attitudes

The concept of self is an understanding of the attitude of the individual towards himself so that it results in the interaction of two or more people. Self-concept is a factor that communicates with others. The concept of self is the views and attitudes of individuals towards themselves, characteristics and individual and self-motivation. The self-view includes not only individual strengths but also weaknesses and even failures. This self-concept is psychological, social and physical. Self-concept is our views and feelings about ourselves, which include physical, psychological and social aspects. The concept of self is not just a descriptive picture, but also an assessment of ourselves, including what we think and how we feel. Anita Taylor defines self-concept as "all you think and feel about you, the entire complex of beliefs and attitudes you hold abaout yourself '. Human behavior is a product of their interpretation of the world around them through social interaction. Behavior is often a choice as a feasible thing to do based on how it defines the existing situation. The definition they give to other people, situations, objects and even themselves determines their behavior. So it is individuals who are considered active to regulate and determine their own behavior and environment. While the core of the individual is consciousness (consciousness). self-development depends on communication with others, which shape or influence themselves

Critical Review of Entrepreneurship in Oman

2017 ◽  
pp. 2041-2061
Author(s):  
Neeta Baporikar
Keyword(s):  
Business Owners ◽  
Academic Community ◽  
Theory Approach ◽  
Commercial Activity ◽  
Broad Definition ◽  
The Core ◽  
The World ◽  
Free Translation ◽  
The Individual ◽  
Grounded Theory Approach

Entrepreneurship has assumed super importance for accelerating economic growth both in developed and developing countries. It promotes capital formation and creates wealth in country. It is hope and dreams of millions of individuals around the world. It reduces unemployment and poverty and it is a pathway to prosper. The word entrepreneur is of French origin and literally means the person that takes between – the middlemen; in a more free translation, the individual who pursues a commercial activity. In spite of various studies, defining entrepreneurship is still a major dispute among researchers and the word entrepreneur still has no common meaning among the academic community. So, espousing a very broad definition for entrepreneurship that incorporates business owners and self-employed individuals and adopting a grounded theory approach with in depth literature review of published documents and data, the core of this chapter is to review critically entrepreneurship in the Middle East with specific focus on Oman.

scholarly journals La Parole Oblique. Merleau-Ponty et les Enjeux d’une Éthique de L’indirect

Phainomenon ◽  
2009 ◽  
Vol 18-19 (1) ◽  
pp. 157-174
Author(s):  
Emmanuel Alloa
Keyword(s):  
Philosophy Of Language ◽  
General Concept ◽  
Claude Simon ◽  
Indirect Speech ◽  
The Core ◽  
The World ◽  
The Status ◽  
New Perspective ◽  
The Individual ◽  
Individual Thing

Abstract Philosophical speech is required to reach the core of the things themselves, often at the risk of subsuming the individual thing under the law of a general concept and ruining its singularity. Is another approach available to philosophy at all ? The question of the violence of the discourse has been raised by many thinkers in the 20th century. Just as Wittgenstein, Husserl demanded for a replacement of deduction by description which would let the things appear in their own light. Merleau-Ponty has rephrased the task of a maieutic phenomenology in terms of”letting see through words” (faire voir par les mots), whereas the direct, exhaustive thematization is given up for an indirect speech, letting the world speak in its own “prose”. While the “indirect ontology” in Merleau-Ponty’s last works has received wide attention these last years, little case has been made of the linguistic implications of the figure of its philosophical operator, the “indirect speech”. What is the status of the “ logos” in Merleau-Ponty’s phenomeno-”logy”? By relating Merleau-Ponty’s reflections on the language of philosophy (rather than on philosophy of language) to the linguistic discussion on free indirect speech (Tobler, Kalepky, Bakhtin) as well as to its use in literature, from Dostoyevsky to Claude Simon, a new perspective opens up of an “indirect ethics”, which implies that whoever speaks in the name of the Other is already spoken by him or by her.

scholarly journals Toward the philosophy of creation: Maximus the confessor

2011 ◽  
Vol 22 (4) ◽  
pp. 127-155
Author(s):  
Vladimir Cvetkovic
Keyword(s):  
Seventh Century ◽  
Gregory Of Nyssa ◽  
The Core ◽  
Dionysius The Areopagite ◽  
The World ◽  
The Creation ◽  
Philosophical Argumentation ◽  
Doctrine Of Creation ◽  
The Individual ◽  
Maximus The Confessor

The article aims to present the philosophical argumentation in favor of the Christian idea of the creation of the world exposed in the work of the seventh century author Maximus the Confessor. Maximus the Confessor developed his doctrine of creation on the basis of the philosophical arguments of his Christian predecessors, above all, Gregory of Nyssa, Nemesius of Emesa and Dionysius the Areopagite. The core of Maximus? argumentation on the creation of the world is similar to the position of the Alexandrian philosopher John Philoponus (6th century), but it is additionally enriched with ideas deriving from the works of the aforementioned Christian authors. Some of the ideas that form the scaffolding of Maximus? doctrine of creation are: the fivefold division of beings, which has its climax in the division between the created and uncreated nature, the movement of creatures towards God, who alone is the true goal of their movement, the eternal existence of the world in logoi as expressions of divine will, God?s providential care not only for the universal but also for the individual beings and the deification of the entire created world as the initial purpose of creation. Maximus? views on creation are conveyed in a language that combines Aristotelian, Stoic and Neoplatonist philosophical vocabulary.

scholarly journals Becks Konzept der Metamorphose und Flecks Denkstil. Überlegungen zu ihrer Verschränkung

2019 ◽  
pp. 235-258
Author(s):  
Michael Szurawitzki
Keyword(s):  
The State ◽  
Scientific Thinking ◽  
Thinking Style ◽  
Ludwik Fleck ◽  
Short Introduction ◽  
The Core ◽  
Layer Analysis ◽  
The World ◽  
Scientific Fact ◽  
State Of Research

In this paper, an interweaving of the concepts of metamorphosis, developed by Ulrich Beck, and the scientific thinking style of Ludwik Fleck is suggested. Due to our own relevant preliminary work, it seems obvious to bring these two concepts together for the purpose of a theoretical connection useful for linguistics, especially for discourse linguistics. After a short introduction (1) and a review of the state of research on Fleck’s theory of cognition (2), the core term “metamorphosis” is semantically determined (3), and comments are made on the relevance of the concept. This is followed by an analysis of Beck’s The Metamorphosis of the World, which focuses on the concept of metamorphosis as he sees it (4). Here, the linguistic relevance of the concept is emphasized, which Beck mentions explicitly. This is followed by a section on Ludwik Fleck’s Genesis and Development of a Scientific Fact (5.). Here, comments are made on Fleck’s thinking style and on the thinking collective. On this basis, the synthesis of Beck’s and Fleck’s ideas is sought (6.), a directed perception with a view to social metamorphoses. This can best be done linguistically using the discourse-linguistic multi-layer analysis (DIMEAN), as proposed by Spitzmüller/Warnke. DIMEAN is presented accordingly, and subsequently modified for the analysis of linguistic manifestations of metamorphosis (6.1). Using the example of various linguistic metamorphosis phenomena from the discourse around the German federal elections of 2017–2018, the applicability of the combination of Beck’s and Fleck’s ideas is then tested (6.2). The article concludes with a summary and perspectives for further research (7).

The Paradox of Christian Epicureanism in Dialogue

2015 ◽  
Vol 35 (2) ◽  
pp. 113-136
Author(s):  
Reinier Leushuis
Keyword(s):  
Moral Philosophy ◽  
Ancient Philosophy ◽  
Renaissance Humanism ◽  
The Core ◽  
Christian Humanism ◽  
The World ◽  
Northern Renaissance ◽  
Main Tenet ◽  
The Individual

In light of the troubled reputation of Epicureanism in Northern Renaissance humanism, Erasmus’ reception of this major school of ancient philosophy in works such as On Disdaining the World (De contemptu mundi), the Praise of Folly (Moriae encomium), and in particular his very last colloquy The Epicurean (Epicureus) is unique for exploring the potential compatibility of Epicurean ethics with Christian humanism and Erasmian Philosophia Christi. However, as one of the speakers in The Epicurean exclaims, given Epicureanism’s main tenet of pleasure as the greatest good, its association with a pious life free of sin is “a paradox topping all the paradoxes of the Stoics”. This article argues that in The Epicurean Erasmus associates the paradoxical nature of Christian Epicureanism with the Stoic strategy of expressing moral philosophy in perplexing paradoxes in order to exploit the capacity of the dialogue, in particular its ludic potential, to rearticulate the duality of paradox in opposing dialogical voices. Erasmus’ mimetic colloquy allows the individual reader to deconstruct and reprocess paradoxical wisdom at an inner level in order to persuasively integrate a mentality of pleasure (based on the tenets of Epicureanism) at the core of a pious life (based on the tenets of Philosophia Christi).

Personal Myth: A Preliminary Statement

1984 ◽  
Vol 58 (2) ◽  
pp. 363-378 ◽  
Author(s):  
Paul Swartz
Keyword(s):  
Personal View ◽  
The Core ◽  
Present Experience ◽  
Personal Myth ◽  
The World ◽  
Symbolic Value ◽  
The Individual ◽  
Self Instruction ◽  
The Way

Personal myth is the individual aesthetic resolution of our experience of being present in the world in both a particulate and transcendent way. Beginning early, personal myth develops as the core of our individual psychological nature and the foundation of our personal view of reality. The evolution of transcendent encounter into a continuous present experience fixes the pattern of the duality of our existence and initiates the personal mythmaking process. Myth bridges the particulate and transcendent realms by combining selected sets of transcendent properties into idealized particulate images. The act retains the archetypal values appropriate to the parent transcendent encounters. These values supply the story the myth tells. Personal myth operates in the particulate realm to condition the way we transact the world's business. In the transcendent realm it enhances the symbolic value of events to make them available as media of self-instruction.

scholarly journals VITAL-HISTORICAL AND ETERNAL THEMES IN KHALED HOSSEINI’S NOVELS

2020 ◽  
pp. 89-99
Keyword(s):  
Detailed Analysis ◽  
Literary Studies ◽  
Personal Perspective ◽  
American Writer ◽  
The Core ◽  
The World ◽  
Repeated Events ◽  
Long Time ◽  
Children And Childhood ◽  
Core Meaning

In the study of literature the themes of fiction are divided into vital-historical and eternal themes. Vital-historical themes refer to the conditions resulted in character upbringing in the socio-historical situation and they can’t exist outside of this certain time and place. The eternal themes indicate the repeated events in all the periods of all the nations. The combination of several themes in one work is expressed in literary studies with the concept of “thematic”. When faced with such a situation, one or two major themes may be separated, and the rest should be explored as secondary. The objective of this paper is to seek to remedy these problems by analyzing the novels “The Kite Runner” and “A Thousand Splendid Suns” by Afghan-American writer Khaled Hosseini in terms of vital-historical and eternal themes. The data collected from the detailed analysis of the texts of Hosseini’s novels mentioned above by applying biographic method. The research results in proving the fact that the writer’s talent lies on fastening the theme of Afghanistan equally in his all three books pre-in- post Taliban periods and in addition to this he can indicate his own personal perspective towards the issues stated in the events. Hosseini could fulfill his task in describing his desire and Afghan people in each part of the world for the blessed peace that the nation couldn’t witness for a long time. Moreover, the themes of children and childhood, women and womanhood or family traditions can be found regularly in all the novels indicated above to strengthen the core meaning of what is being Afghan and what is living in Afghanistan. This study is an effort to unfold the significance of literary characteristics of the novels those mentioned above. The study concludes that Khaled Hosseini applied the vital-historical and eternal themes in his three novels to illustrate the objective picture of Afghanistan pre-in-post Taliban period.

scholarly journals Freedom and the principles of morality

2003 ◽  
pp. 97-106
Author(s):  
Zagorka Golubovic
Keyword(s):  
Essential Difference ◽  
Vital Activity ◽  
The Core ◽  
The World ◽  
The Subject ◽  
The Individual ◽  
The Given ◽  
Good And Evil ◽  
Process Characteristic ◽  
Free Activity

Freedom as an authentic and willed process, characteristic of man as a human rational being, enables the individual to act in accordance with the principles of morality, since the individual can choose between good and evil (between two possibilities), and in this way to get out of the sphere of the given to which the rest of the living world is limited. We should recall the forgotten Marx and his famous text on the essential difference between the animal world and humanity as a genus: "The animal is immediately united with its vital activity. It does not differ from it. It is vital activity. Man makes his own vital activity the subject of his will and consciousness. He has conscious vital activity. This is not a determination with which he merges immediately. Conscious vital activity distinguishes man directly from animal vital activity. It is exactly in this way alone that he is a generic being. Or a conscious being, i.e. his own life is a subject for him precisely because he is a generic being. It is only for this reason that his activity is free activity..." (K. Marx, "Alienation", Early Works). In other words, while animals live just the life of their species and cannot choose anything else, since the choice has been made by the fact of their belonging to a species, man can choose the world in which to live, overcoming in this way the natural givens. Here lies the core of the anthropological explanation of the principle of morality, inconceivable without man's ability to be an authentic free being.

scholarly journals Conceptual Metaphor «Human Being – Nature» In Literary Text: Pragmatics and Functions

2020 ◽  
pp. 64-71
Author(s):  
Anna I. Trubkina
Keyword(s):  
Conceptual Metaphor ◽  
Literary Text ◽  
Literary Texts ◽  
Inductive Method ◽  
Human Being ◽  
Continuous Sampling ◽  
The World ◽  
Human Thinking ◽  
The Individual ◽  
Fathers And Sons

The relevance of the study is determined by the anthropocentrism of the modern scientific paradigm of linguistics and the need to establish correlations of the constituents of linguistic consciousness and objects of the external world in the structuring and functioning of the conceptual metaphor in the literary text. Conceptual metaphor is a mental topological projection of interacting areas of linguistic consciousness and the surrounding world. The purpose of the article is to study the functional and pragmatic potential of metaphorical models built on the basis of the conceptual metaphor «Human Being – Nature» in a literary text. The material for the study was the literary texts of the novels of I.S. Turgenev’s “Rudin”, “Fathers and Sons”, “Smoke”, “Virgin Soil”, containing representative metaphorical micro and macro contexts. The complex of research methods includes the method of continuous sampling, deductive-inductive method, conceptual analysis, and the method of linguistic interpretation. The functions of metaphorical contexts, which are based on the conceptual metaphor Human - Nature, consist in the possibility of representing the inner world of characters, their general cultural potential, social status and origin; the use of metaphors in the speech of characters (external and internal) allows us to talk about the figurative perception of the world by these heroes, about the level of their emotionality and linguistic creativity, since metaphors are a kind of human thinking patterns. Analysis of the implementation of the conceptual metaphor «Human Being- Nature» in a literary text allows one to discover and describe the priority cognitive structures of the author’s linguistic consciousness and values inherent in the individual author’s picture of the world. Research prospects are in the possibility of identifying priority conceptual metaphors in the individual author’s picture of the world on the basis of literary texts in order to identify and describe the dominants of linguistic consciousness and the value picture of the world of a particular author

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