scholarly journals Discursive elements of Chinese culture in the literature of the Russian diaspora of China: perception and traditions

Author(s):  
Wu Yanqiu ◽  
Nurbanu A. Abuyeva

The article is devoted to the study of the general and different aspects of the presentation of Chinese culture discursive elements in the literature of the Russian diaspora in China. The perception of a large number of “Chinese elements” by the emigration literature determines not only the specificity of this layer of the literary creativity, but also the production of the whole series of traditions that are receptive by their nature. Tradition markers, various signs of the Chinese culture, as well as the problems of the traditional Chinese philosophy and a special process of plot making - these are the aspects that the literature of the Russian diaspora perceives creatively. Traditional Chinese symbols (lotus, fan, etc.) play a special role in the creation of special traditions of the Russian emigration literature, which convey inspiration and depth to the works, and to the literature of the Russian diaspora as a whole, that is an appeal to the world cultural values, that are all-embracing in nature. The purpose of the article is a multifaceted analysis of the discursive elements of Chinese culture in the literature of the Russian diaspora of China from the standpoint of the traditional foundations perception of the Chinese culture and the development of their own traditions within the literature of the Russian emigration, which makes it possible to reveal the artistic features of the works created by the Russian writers and poets outside the influence of the native culture. The relevance of the study is determined by the insufficient study of the role of the traditional Chinese culture in the formation of new imagery in the works of representatives of the Russian emigration literature in China. It is necessary to analyze the discursive elements of Chinese culture in the artistic world of the Russian emigration literature, using the capabilities of an interdisciplinary complex of research methods to identify the nationally-specific and individual-author’s perception of Chinese traditional culture and develop on this basis its own traditions of Russian emigre literature.

2020 ◽  
Vol 9 (6) ◽  
pp. 1
Author(s):  
Yixuan Jiang

English translation is not only a textual expression, but also an in-depth exchange of two cultures. To improve the level of English translation, a deeper comprehension of traditional Chinese culture must be understood. Therefore, there is a very active role in enhancing traditional Chinese culture for translation majors in college English education. This article has successively expounded the teaching status and significance of the translation major in promoting traditional culture, and analyzed the effective ways for it with aiming to provide relevant educators with some useful suggestions.


2013 ◽  
Vol 368-370 ◽  
pp. 649-652
Author(s):  
Tao Li ◽  
Jing Zhou

With the increasingly development and practice of interior design in China, designers are facing an important problem which requires them to have a good consideration,that is the culture reflected in their design is borderless.The urgent problem which comes to us now is try to reflect the inheritance and innovation of native culture in the interior design in a right way. Designers need to think better of returning to traditional Chinese culture and have it carried forward.The traditional culture and the taste of traditional aesthetic concept are well worth learning by designers, which is the foundation of the design. We should think deeply of current design behavior and face the reasonable direction of the development squarely, so as to make Chinese interior design more competitive in the world market.


Author(s):  
Vladimir Yurievich Yurinov ◽  
Artur Ravilevich Karimov

The paper discusses the role of the principle of the number six in the Vedic corps of ancient Indian phi-losophy and in the philosophy of ancient China. It is shown that number, counting, numerology in the culture of Ancient India and Ancient China played an important, metaphysical role. It justifies why in an-cient Indian philosophy there could be exactly six darshanas, since they exhausted the body of Vedic philosophy (astics). The rest of the schools of an-cient Indian philosophy, therefore, could not claim the status of darshan. The special significance of the number six for Chinese philosophy is also asso-ciated with the presence of six schools and with the Yin symbolism. Since the link «yin» – «yang» is im-portant for the ancient Chinese culture, the number «nine» (the symbol «yang») also acquires special significance for the ancient Chinese culture. It is assumed that together the numbers «nine» and «six» in Chinese culture mean «the number of the Sage».


2021 ◽  
Vol 8 (10) ◽  
pp. 177-182
Author(s):  
Jingkang Yu ◽  

China’s excellent traditional culture has its own intrinsic value, in the process of Marxism in China, the Chinese communists will Marxist theory and this value combined, not only makes the value of China’s excellent traditional culture to the extreme, but also to their own development added new elements and vitality; Marxism was introduced into China and became Sinicized Marxism. From the perspective of culture, it mainly benefited from the cultural soil and cultural context provided by the excellent traditional Chinese culture, which enabled the Chinese people to understand and disseminate the content of Marxist theory through various forms and channels. The excellent Chinese traditional culture has made its own contribution to the development of Sinicization of Marxism, which also provides a good opportunity for inheriting and developing the excellent Chinese traditional culture.


2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Nguyen Van Hanh

The integration process has brought certain advantages in all fields in general as well as in cultural field in particular. Besides, the influence of foreign culture tends to push back traditional cultural values. To overcome those challenges, it is essential to preserve and promote the traditional cultural values of Vietnam in the integration process. Thus, those issues that have been posed for upholding the traditional values of Vietnam can be solved by some solutions such as: Promoting the role of Vietnamese people in preserving the traditional cultural values in Vietnam today; Further enhancing the management role of authorities at all levels in perpetuating and stimulating the traditional cultural values in the integration process; Ensuring infrastructure for preserving traditional cultural values; Further strengthening the role of the law in administration of traditional culture to adapt to the new situation. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0770/a.php" alt="Hit counter" /></p>


2020 ◽  
Vol 3 (3) ◽  
Author(s):  
Zhou Liming

As a great nation, Chinese Ethnic Peoples has survived hardships time and still bedevil. Whether in dangerous or difficult situation, the classical Chinese culture with the full of the wisdom and ability has to deal with risks aggressively. Traditional Chinese Medicine (TCM) is from Chinese culture, has proactive responded the various epidemics. In the face of this new coronavirus, the classic Chinese culture theory and classic discourse have shown endless vitality, guiding the people of the whole country to overcome the difficulties, and have made a significant contribution to subside the epidemic around the world.


2013 ◽  
Vol 3 (1) ◽  
pp. 1 ◽  
Author(s):  
Xuanhui Liu

The democratic situation in China is deeply influenced by the traditional culture. This article attempt to answer the question why there is no democracy in Chinese traditional culture from historical institutionalism perspective. Path dependence plays the vital role in this process. The starting point is set in Qin Dynasty. After that, the authoritarian regime has been strengthened from four aspects: the bureaucratic system, the Confucian theory, the imperial examination system, and rewards and punishing measures. These measures work from the institutions to people’s inner world. The authoritarian culture became the orthodox value in Chinese traditional culture. The authoritarian regime and traditional culture have been intertwined and strengthened each other. That is a process of path dependence from historical institutionalism perspective. This article shows us a framework of how to observe this process.


2013 ◽  
Vol 790 ◽  
pp. 211-214
Author(s):  
Ya Dong ◽  
Ya Zhou

Chinese traditional culture has a great impact on the construction of the Chinese traditional garden. Chinese classical gardens of Dealing with Water is inextricably linked with the Chinese culture. This article from the point of view of Chinese culture Confucian ,the Taoist viewpoint and Buddhist perspectives on Chinese garden of Dealing with Water elaborately, modern design philosophy has certain referential significance.


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