scholarly journals Interior Design Alternatives of U janevalla Hotel Bedrooms With The Analogy of Jaipong Dance

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Setiamurti Rahardjo ◽  
Dimas Agung Sugiarto

Buildings which put forward the physical exploration of the exterior architectural forms tend to give such a challenge to the interior treatments, such as U Janevalla hotel in Bandung. Designed by Budi Pradono Architects, the architecture of the hotel is inspired by the analogy of Jaipong Dance and is translated into tilted facades and forms that create an expression of movement of each story of the building. However, the building is lacking in detailed execution in the interior space where the dancing effect is hardly perceived from the inner space. Therefore, this paper proposes interior design alternatives which focus on the bedrooms as the main facility offered to the guests, mainly in the furniture design and interior details. Through examining the analogy of Jaipong Dance, it is found that the tilted shapes and forms of the architecture can be brought into the interior through modification of the forms, additional interior details, and filling the spatial leftovers.

Author(s):  
Chul Woo Kim ◽  
Jungchul Park ◽  
Myung Hwan Yun ◽  
Sung H. Han ◽  
Hee-Dong Ko

The objective of this study was to develop a product evaluation method applicable to virtual prototypes and to apply the method to automobile interior design. Considering that virtual reality-based product prototypes could represent design alternatives comparable to physical prototypes, prototypes developed in virtual reality environments were employed as design alternatives. After a procedure to evaluate virtual prototypes was developed specifically for a virtual reality environment, the procedure was applied to the problem of automobile interior design. 34 subjects evaluated 32 different virtual prototypes generated from the combination of design element variations. Four categories of subjective impression were used to evaluate the 32 virtual prototypes: luxuriousness, comfort, harmoniousness, and controllability. ANOVA and multiple linear regression analysis were performed to specify design elements critical to customer preference and to interpret the relationship between design elements and subjective impressions. As the result, the shapes of frontal area including crash pad and center fascia, door trim and steering wheel were selected as important variables related to subjective impressions. The proposed evaluation method for virtual prototypes could be utilized as an alternative way of identifying the relationship between subjective impressions and design elements.


BUILDER ◽  
2021 ◽  
Vol 284 (3) ◽  
pp. 60-63
Author(s):  
Salih Ceylan

Indoor environmental quality is a requirement for good architectural and interior design. The definition of indoor environmental quality refers to the conditions of the interior space that provide health and wellbeing for its occupants. Elements of indoor environmental quality are thermal comfort, indoor air quality, ventilation, ergonomics, natural and artificial lighting, odor, and acoustic quality. Indoor environmental quality is required in every type of interior space including ones with residential, educational, and cultural functions and workspaces. It is also included as one of the factors of energy efficient and sustainable design in building energy certification and accreditation systems. This study focuses on call center interiors as a type of workspaces, where the employees spend a long time in the interior space communicating with customers on the phone. The aim is to provide theoretical information and practical application suggestions for higher quality design in call center interiors. The methodology of this paper consists firstly of a literature review to study and analyze the definition and elements of indoor environmental quality, and its implementation into call center interiors as workspaces. Analytical studies lead to strategy proposals for better designed call center interior spaces. The results of the study indicate that better designed interior spaces in call centers lead to better health and wellbeing of the employees, resulting with higher performance and service quality.


2021 ◽  
Author(s):  
◽  
Deborah Stace

<p>The discipline of interior architecture suffers from a lack of discipline specific theory, a definitive title and definition, and an understanding by the general public of the role and scope of this area of design. Many definitions view interior architecture (otherwise known as interior design or simply interiors) as existing only within the context of architecture. However a recent growth in interest and discussion around interiors has highlighted the fact that those within the discipline no longer view a fixed physical enclosure or architectural envelope as defining conditions of interior space. Architecture as a prerequisite to interiors has come into question, which also questions our understanding of the conditions that define interiority.  The concepts of shelter, place and atmosphere have been identified as contributing to an understanding of interior space. This research uses these three concepts as ‘lenses’ which contribute to an understanding of alternative ways of experiencing and designing interior space. The program of a bus shelter has been selected in order to test how these concepts can create an experience of interiority in a form that is not conventionally understood as interior space.</p>


Author(s):  
Nilufer Saglar Onay

Well-being is an ephemeral condition in relation to the complex system of interconnected components changing from culture to culture and person to person together with time and space. Therefore, it is very important to investigate the intersections of architecture and humanities in order to understand how design can contribute to the way we build up well-being. The specific contribution of this chapter is the introduction of the well-being framework for interiors and its application to design process. The framework proposal, consisting of contextual, functional, psychological, social, ergonomic, aesthetic, and sensory requirements as basic design criteria, aims to support both theoretical and practical activities regarding well-being in all living environments. Since interior space is one of the most important determinants of our everyday experiences, its role in well-being as a conscious construct needs to be an important concern of spatial design.


2020 ◽  
Vol 165 ◽  
pp. 04011
Author(s):  
Junyan Dong ◽  
Bomin Zheng ◽  
Yupi Fu ◽  
Kechao Li

With the construction of a large number of affordable housing and the development of green buildings, the design of green affordable housing has become a new concern and research topic in China’s residential architectural design, and the interior design of affordable housing has become a top priority. This article takes Changchun city as an example, through the research of affordable housing in Changchun, visit, found the main problems existing in the status quo, in view of the problems put forward housing interior space design optimization principle, and according to the design principles of indoor space scale, provides a good green indoor living environment for green residential tenants in cold areas.


2014 ◽  
Vol 587-589 ◽  
pp. 419-422
Author(s):  
Tian De Wei ◽  
Chao Zhang ◽  
Xiao Jun Zhu

This paper analyzes the features of traditional decorative elements in color, pattern and technology, and shows the decorative, nationality and cultural characteristics of them. The ways of architecture interior design are proposed. Put forward the feasibility to Mawei patterns used in interior design, and summarizes the applied regional interior space in a way and method, shows the significance and value of traditional decorative elements in the development and practical application.


Author(s):  
İnanç Işıl Yildirim

Intelligent spaces are rooms or areas that are embedded with sensors and actuators which enable the spaces to perceive and understand what is happening in them. Through an increasing number of computers and wireless communication technologies networked them, these spaces have the ability of receiving the parameters of physical world which users exist in their relevant context, analysing and processing the data with the interfaces between the physical and digital world, and react or change their mode and augment the human functionality, on time. Integration of computer and physical space results a space which have the computer's thinking ability. Due to the space having intelligence, sensors and the capability to communicate, definitions are not the same as in usual space. Pervasive computing is transforming interior spaces by allowing utilities, goods and information to appear dynamically where and when they are needed. Also, we are face with the space that can understand what is happening inside and outside it and which is not passive to the changing environmental situations. Intelligent interiors can become immersive sensory environments that combine the advantages of automation and modern technology with sensory feedback and materiality. The advances in hardware, system design, and software made enable to achieve this vision. In this world, physical objects and spaces are linked to the digital world and information about the physical world can be used to support human functionality and experience. In this paper, the vision of intelligent space will be explained and the innovations that helped to realize these spaces will be introduced. The social and psychological impacts of the future technologies while designing interior space will be discussed. The changing way we work and live and interfering boundaries of the space titles were asked by the way of a short questionnaire to the Interior Design Students who have the seminar about Intelligent and Interactive Spaces this semester, so their knowledge about these spaces and computer technologies are enough to comment the questions. This will give us the idea of future’s interior designers’ new role in these environments. These finding will give us a supporting knowledge about intelligent or thinking spaces and their impacts on the roles of interior designers.Keywords: Intelligent spaces, pervasive environments, interior design education, future vision.


2020 ◽  
Vol 1 (154) ◽  
pp. 192-198
Author(s):  
О. Pekarchuk ◽  
М. Meteliuk

Changes in the engineering technologies of concert halls and the choice of finishing materials are discussed in this article. The latest developments and technologies help to enhance the acoustic properties and create a creative, contemporary interior. The acoustics of the hall need to be regulated by the degree of diffuse reflection. Finishing materials are one of the main aspects of the formation of the interior space of a concert hall. In order to ensure optimal sound conditions, special attention should be paid to the decoration of the ceiling space and sidewalls of the room. Various types of mid-to-high frequency, low frequency and wide frequency absorbers are used for this purpose. This paper deals with the physical, mechanical and aesthetic characteristics of sound-absorbing materials and trademark designs that are presented in the Ukrainian market. The quality of sound and light equipment and its correct placement will ensure the maximum service life of the concert hall. Depending on the three-dimensional planning solution, as well as the technical and economic characteristics of the room, you can choose the scheme of air distribution: "bottom-up", "top-down" or multi-zone scheme. It is determined that it is advisable to use infrared heaters to heat the auditoriums. When choosing the furniture of concert halls, it is necessary to take into account the general style of the building and the color scheme of the selected finishing materials. For concert halls, it is advisable to select seats made using modern technologies: triplexing, fire barrier, options, mobility systems, sound absorption and more. The main artistic and aesthetic means of shaping the environment of the concert halls are soft and hard decorations, as well as small stuff. The use of innovative technologies and the use of modern finishing materials increases the attendance rate of these objects and provides comfort to the viewers. Keywords: concert hall, decoration materials, interior design, acoustics.


2019 ◽  
Vol 2 (6) ◽  
pp. 01-07
Author(s):  
Oday Qusay Abdulqader

The interior design of the Islamic style in traditional cites included tangible and intangible influences, which organized the interior space according to the needs of the users and following the rules of Islam as a religion and cultural values. The quality of the interior space referred to the three points, the Rules, Elements, and Factors. However, the designers face difficulties in designing an interior space within the Islamic style. The studies in the Islamic interior design show the elements and components of the style, but few of these studies analyze in depth the quality of this style, especially, heritage houses. The research question of the current study is “What are the original components, rules, and factors that reflect the quality of the interior design of the Islamic style”. The aim of the study is to identify these components, rules, and factors as a guideline. The study used a mixed methodology; the qualitative mode used the in-depth interview with experts selected by purposeful sampling technique. While the quantitative mode used a checklist to observe the visual analysis of the interior space of the selected buildings. The selected building was chosen under special criteria depending on the heritage value and availability of information. The results showed that the quality of interior design reflected by the level of the details of the interior elements. However, 72% of the samples reflected the originality of the design. The quality of interior space in traditional and heritage houses in old Mosul City related to the details of the interior elements, such as materials.


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