scholarly journals Islamic Content On Malaysian TV: A Case study of TV Al Hijrah

2017 ◽  
Vol 33 (2) ◽  
pp. 445
Author(s):  
Juliana Abdul Wahab
Keyword(s):  
New Media ◽  
Subject Matter ◽  
Television Drama ◽  
Way Of Life ◽  
Popular Entertainment ◽  
Media Environment ◽  
News Content ◽  
Religion And Media ◽  
The Media

Religion and media are converging and frequently becoming a subject matter for news content and popular entertainment programmes in television and film, publishing, music as well as the new media. Religion, arguably has become part and parcel of the media environment today. In Malaysian context, during the millennium era, many locally produced ‘Islamic programmes’ started to gain popularity among Malaysian audience especially within the entertainment genre such as television drama. With the establishment of Malaysian first Islamic free-to-air television, TV Al Hijrah in 2010, this paper aims to understand the nature of Islamic content available on the station. The preliminary findings of this paper suggest that there are varieties of television programmes created and aired on TV Al Hijrah cutting across different genres meant for disseminating Islam as a way of life. Programmes available are mainly about showcasing the values of Islamic teaching and beliefs with the ultimate goal to highlight Islam as a beautiful and peaceful religion.  

New Media and Political Change in the Occupied Palestinian Territories: Assembling Media Worlds and Cultivating Networks of Care

2010 ◽  
Vol 3 (1) ◽  
pp. 63-81 ◽  
Author(s):  
Amahl Bishara
Keyword(s):  
New Media ◽  
News Media ◽  
Palestinian Authority ◽  
Media Environment ◽  
Broadcast Media ◽  
Palestinian Territories ◽  
Technological Advances ◽  
Second Intifada ◽  
The Media ◽  
First Intifada

AbstractIn terms of infrastructure and technology, the media environment of Palestinians in the Occupied Territories developed extensively between the first and second Intifadas. Yet the media environment of the second Intifada was not necessarily more conducive to democratic change than that of the first. This paper argues that technological advances must be evaluated in their political contexts, and that the Palestinian context offers insight into what news media can do when they are not necessarily forums for an effective public sphere. For decades, Palestinians have assembled their media world out of other states' media, and a diverse collection of small and large media. This active process of assembly has itself constituted a productive field of political contestation. During the first Intifada, having no broadcast media or uncensored newspapers, Palestinians relied on small media like graffiti to evade Israeli restrictions. During the Oslo period, the Palestinian Authority (PA) established official Palestinian broadcast media, while Palestinian entrepreneurs opened broadcasting stations and Internet news sites. During the second Intifada, with Palestinian news media hampered by continued PA restrictions and intensified Israeli violence, small and new media enabled networks of care and connection, but were not widely effective tools for political organizing.

Contemporary Social Movements in a Hybrid Media Environment

2020 ◽  
Vol 46 (1) ◽  
pp. 443-465
Author(s):  
Neal Caren ◽  
Kenneth T. Andrews ◽  
Todd Lu
Keyword(s):  
Social Movements ◽  
New Media ◽  
Organizational Forms ◽  
Media Environment ◽  
Media Technologies ◽  
Analytical Skills ◽  
The Media ◽  
Media And Communication ◽  
New Media Technologies

Media are central to the dynamics of protest and social movements. Contemporary social movements face a shifting environment composed of new media technologies and platforms that enable new identities, organizational forms, and practices. We review recent research focusing on the ways in which movements shape and are shaped by the media environment and the ways in which changes in the media environment have reshaped participation, mobilization, and impacts of activism. We conclude with the following recommendations for scholarship in this burgeoning area: move toward a broader conception of media in movements; expand engagement with scholarship in neighboring disciplines that study politics, media, and communication; develop new methodological and analytical skills for emerging forms of media; and investigate the ways in which media are enhancing, altering, or undermining the ability of movements to mobilize support, shape broader identities and attitudes, and secure new advantages from targets and authorities.

scholarly journals “Wonderful”, “Hot”, “Good” Priests: Clergy on Contemporary British TV and the New Visibility of Religion Thesis

Religions ◽  
2020 ◽  
Vol 11 (1) ◽  
pp. 38
Author(s):  
Andrew Crome
Keyword(s):  
Inner City ◽  
Social Role ◽  
Welfare Policy ◽  
Television Drama ◽  
Award Winning ◽  
The Media ◽  
Central Characters ◽  
Religious Decline

This article examines the “new visibility of religion” thesis through a case study of recent depictions of priests and ministers in British television drama and comedy. It focuses on four award-winning shows produced between 2009 and 2019 with clergy as central characters: Broadchurch, Broken, Fleabag and Rev. Clergy on these shows are depicted positively, in ways that contrast with portrayals in the 1990s and earlier 2000s. The shows demonstrate an active sympathy for, and engagement with, theological themes, and awareness of the important social role that clergy play in inner-city parishes. While some elements of these depictions support the idea of a “new visibility”, at the same time, they reiterate narratives of continuing religious decline in Britain. Rather than unproblematically celebrating faith, the shows use religion to critique neoliberal welfare policy and sacralise notions of community. This “new visibility” is also shown to contribute to the continued invisibility of some religious viewpoints in the media. This article concludes that despite these limitations, recent portrayals of clergy offer new opportunities for religious debate and conversation, particularly within media and fan commentary.

Situating Public Intellectuals

2015 ◽  
Vol 156 (1) ◽  
pp. 69-78 ◽  
Author(s):  
P. David Marshall ◽  
Cassandra Atherton
Keyword(s):  
New Media ◽  
Public Intellectual ◽  
Entry Point ◽  
Public Intellectuals ◽  
Special Issue ◽  
Media Environment ◽  
The Public ◽  
Australian Context ◽  
Attention Economy

The concept of the public intellectual has always been a somewhat contested term. This article serves as both an introduction to the debates around what it constitutes and an entry point into how the new media environment is producing a different configuration of the public intellectual. Through key thinkers who have addressed the idea of the public intellectual internationally and those who have focused on the Australian context, this essay positions the arguments made by the authors in this special issue. Via a short case-study of TED, the conference and online idea-spreading phenomenon, it argues that the contemporary moment is producing and privileging a different constellation of experts as celebrities that match the exigencies of online attention economy. A shifted conception of the public intellectual is beginning to take shape that is differently constituted, used and situated, and this article helps to define the parameters for further discussion of these transformations.

scholarly journals The “Crisis” and “Opportunity” of the Hosts in the New Media Environment

2020 ◽  
Vol 2 (4) ◽  
pp. p77
Author(s):  
Wenjing Hu ◽  
Fansheng Cao
Keyword(s):  
New Media ◽  
Daily Life ◽  
Rapid Development ◽  
Media Industry ◽  
High Quality ◽  
Media Environment ◽  
Emerging Media ◽  
Continuous Progress ◽  
The Media ◽  
The Times

Along with the continuous progress of science and technology, in recent years, the improvement and optimization of the structure of the media and the rapid development of the network are promoting continuous changes in the media environment. New media has penetrated into people’s daily life and become an integral part of the whole social environment. As an indispensable component of the media industry, the host industry is facing challenges from many aspects in the new media environment, which requires the announcers and hosts to give full play to their subjective initiative, finding the “opportunity” in the “crisis”, keeping up with the pace of the times, embracing the emerging media, and grasping the needs of the audience, to produce high-quality content, so as to transform “crisis” into “opportunity”.

scholarly journals New Media as Power for Eradicating Communication Inequalities in Indonesia

2018 ◽  
Vol 73 ◽  
pp. 14004
Author(s):  
Subekti W.M.A. Priyadharma
Keyword(s):  
New Media ◽  
Good News ◽  
Media Environment ◽  
Media System ◽  
Political Networks ◽  
Media Platform ◽  
The Media ◽  
Communication Inequalities ◽  
Journalistic Practice ◽  
Good Food

“Bad news is good news,” they say. This is the mantra of journalistic practice, which still trapped in the logic of market-oriented media institution. Until today, Indonesian media system is still driven by capitalistic and political motives of many actors especially media owners and political figures. Their domination in Indonesian media environment results in the colonization of media networks by political networks and vice versa. Controversial statements from and conflicts among political elites are “good” food for the media, which would attract audiences to buy their newspapers, watch their television and click on their sensational headlines that functions as a bait. Mass media public spheres are filled with this type of communication. Good News from Indonesia (GNFI) comes onto the surface of Indonesian media landscape to counter the negativity that the current media system holds. This paper analyzes how GNFI delivers its messages and, as an alternative media, uses its various media platform, most of them are online-based, to balance the inequality of communication about Indonesia.

scholarly journals Soviet Films in the New Media Environment: Idealization or Discretization of the Past?

2014 ◽  
pp. 61-67
Author(s):  
Anna A. Novikova ◽  
Varvara P. Chumakova
Keyword(s):  
Social Construction ◽  
New Media ◽  
Media Ecology ◽  
Media Environment ◽  
The Past ◽  
The Media ◽  
Rural Dwellers

Analyses how Russian viewers of the multichannel TV perceive narrative and aesthetic clichés of the Soviet movies. The influence of Soviet clichés on social construction of today’s reality, especially on attitudes of the rural dwellers towards the Past is in the focus of the paper, the authors of which follow the media ecology approach

scholarly journals Weinergate, Twitter, and marginalized voices : political sex scandals in a new media environment

2017 ◽  
Author(s):  
◽  
Sarah Turner McGowen
Keyword(s):  
New Media ◽  
Methodological Approach ◽  
Gender And Sexuality ◽  
Future Research ◽  
Media Environment ◽  
Cultural Discourses ◽  
The Social ◽  
Sex Scandals ◽  
And Gender

Discourse strongly influences the ways in which ideologies are formed, maintained, and contested, thus the dialogue surrounding political sex scandals may shape the ways in which individuals negotiate their own beliefs and behaviors. Research into political sex scandals is further complicated by the changing nature of interactions within a new media environment, involving numerous voices and perspectives. This research project attempts to look closely at this phenomenon, discovering the cultural discourses surrounding political sex scandals and critiquing the assumptions made therein. The first chapter will explain the importance and significance of the study of political sex scandals. The second chapter will then review the extant literature surrounding the study of political sex scandals, as well as covering gender and sexuality and new media theories. The third chapter describes the multi-methodological approach for the study, detailing a case study for this project. The fourth chapter reviews the rhetorical strategies employed in the political sex scandal, Weinergate. The fifth chapter describes the content analysis of messages about Weinergate sent through the social media website Twitter. The sixth chapter critiques the ideological messages surrounding the Weinergate scandal, specifically as they relate to sex, sexualities, and gender roles. The seventh and final chapter discusses limitations of this project and suggestions for future research.

scholarly journals Cosplaying the media mix: Examining Japan's media environment, its static forms, and its influence on cosplay

2014 ◽  
Vol 16 ◽  
Author(s):  
Matthew Ogonoski
Keyword(s):  
New Media ◽  
Science Fiction ◽  
Role Play ◽  
Comic Book ◽  
Media Environment ◽  
The Past ◽  
Consumption Practices ◽  
Static Images ◽  
The Media ◽  
Media Mix

Cosplay—costume role-play—has dramatically increased in popularity over the past 20 years in conjunction with the cultural institution of anime, comic book, manga, science fiction, and other related fandom conventions. Cosplay was prominently established in Japan before gaining attention in North America. In this article I analyze the significance of those Japanese origins in relation to the experience of a unique media environment. The aesthetics and practices of cosplay in Japan are fundamentally informed by a specific ontological characteristic of Japanese anime, manga, and ancillary forms: the static image. Of essential importance to these consumption practices—both materially and conceptually—is the phenomenon of the anime database: an archive of static images that is continually accessed for the purposes of understanding, consuming, and creating new media. Through a detailed discussion of Hiroki Azuma's conception of the moe database, Thomas Lamarre's discussion of the cel bank as a material requisite of the database, and Marc Steinberg's assessment of the media mix, I extend the phenomenological affects of this media environment and its static images to the act of cosplay posing—an act that aspires to create a mimetic and collective connection between cosplayers and particular media images. This exploratory platform will permit me to develop specific conceptions of Japan's complex media environment and its transformations of material forms into ephemeral consumption practices.

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