scholarly journals Earthly births

2020 ◽  
Vol 10 (2) ◽  
Author(s):  
Lucy Benjamin

The aim of this article is straightforward: to present two clarifications of Hannah- Arendt’s seasoned political concept of natality and to conclude by positioning this new account of natality within the context of the climate crisis. In many ways, this concluding section, where natality is read as a form of historical emancipation, hinges on the degree to which I succeed in reframing existing conversations around natality. In the first instance I submit an ‘earthly reading’ of natality before turning to discuss the historical implications of this ‘re-earthed’ natality as enacting a form of weak messianism akin to that of Walter Benjamin. Rethinking natality in this way, I present an account of Arendt’s work as always already inclined towards the issues brought to light in the climate crisis. And so, while the forms of emancipation and redemption that I locate in natality may already be commonly read in natal actions, which break spontaneously into the world and recall the originality of appearance, I nevertheless contend that its political implications reach new grounds with the revisions that I offer in the body of my article. By way of conclusion, I join critical Anthropocene theorists in contending with the ‘slow violence’, ‘willed racial blindness’ and ‘crises of the imagination’ that the climate crisis elicits. This is the setting that sits behind my intervention into natality and, in turn, it is this setting that I suggest can be illuminated through the weak messianism of a ‘re-earthed’ natality. Arguing for Arendt’s latent consideration of the earth, I hope to expose the ruined fragments of the past that shape the present crisis and gesture towards their radical redemption. If I succeed in showing that natality can be used as a resource to rethink both the prehistory and the present of the climate crisis then I will have achieved a reorientation in thinking about Arendt’s politics. Which is merely to say that I will have revealed concerns for the earth as intrinsic to natal actions and, in turn, their appearance as messianic disruptions on the earth. Prompted by the need to think critically about the historical appearance of the climate crisis whilst retaining, at the same time, the injunction to think expansively about future action – that is, as not determined exclusively by the violence of the climate crisis – this article defends a reconsideration of natality as a form of critical historical intervention. Formulating this reconstruction is then ‘operationalised’ in the concluding section where I invoke its revolutionary force in remapping the history of the climate crisis.

The Geologist ◽  
1858 ◽  
Vol 1 (1) ◽  
pp. 18-29
Author(s):  
S. J. Mackie

In a magazine devoted especially to the propagation of Geological knowledge, it seems no infringement of its space, no deterioration of its value, tha t some pains should be taken to aid the student in his early efforts, and to disperse broadcast some useful elementary information, which may prove to the mass at once a source of instruction and of enjoyment, and so, by clearing the road to future and higher studies, may foster a dawning taste, and ultimately prove the means of adding many volunteers, and not unlikely even some brilliant master-minds to the ranks of Geologists, that otherwise, deterred at the outset, might perhaps have turned their attention and talents to some more accessible, if not more congenial study.Who does not feel some interest in the past history of this beautiful world—the scene of our labours and of our loves—of our successes and of our failures—the stage of our existence and the tomb of our dust ? If the animated creations of the past were dumb brute animals, still the earth was green and gay with trees, and plants and flowers—the hu m of insects vibrated on the summer's air, and the snows of winter covered the ancient lands with their hyemal mantle—the tides of ocean rose and fell, and the world went rolling on through time and space, through years and seasons. There were earthquakes the n and blazing volcanos—and winds and storms—great waves and merry dancing ripples on the sea.


The realization that the behaviour of the Earth has changed radically during geological time has come about largely in the last decade. This development, which constitutes one of the major advances in geological thinking, results from the study of Precambrian phenomena in many parts of the world and in particular from the work of a small number of geochronologists. In the last ten years as large numbers of unfossiliferous Precambrian rocks have been dated, it has become clear that the nature of geological processes has varied throughout geological time and that one of the cardinal doctrines of geology - the concept that the present is the key to the past — could not be applied to the study of the early history of the Earth.


Author(s):  
Naomi Oreskes

Scientists are interested in truth. They want to know how the world really is, and they want to use that knowledge to do things in the world. In the earth sciences, this has meant developing methods of observation to determine the shape, structure, and history of the earth and designing instruments to measure, record, predict, and interpret the earth’s physical and chemical processes and properties. The resulting knowledge may be used to find mineral deposits, energy resources, or underground water; to delineate areas of earthquake and volcanic hazard; to isolate radioactive and toxic wastes; or to make inferences and predictions about the earth’s past and future climate. The past century has produced a prodigious amount of factual knowledge about the earth, and prodigious demands are now being placed on that knowledge. The history of science demonstrates, however, that the scientific truths of yesterday are often viewed as misconceptions, and, conversely, that ideas rejected in the past may now be considered true. History is littered with the discarded beliefs of yesteryear, and the present is populated by epistemic resurrections. This realization leads to the central problem of the history and philosophy of science: How are we to evaluate contemporary science’s claims to truth given the perishability of past scientific knowledge? This question is of considerable philosophic interest and of practical import as well. If the truths of today are the falsehoods of tomorrow, what does this say about the nature of scientific truth? And if our knowledge is perishable and incomplete, how can we warrant its use in sensitive social and political decision-making? For many, the success of science is its own best defense. From jet flight to the smallpox vaccine, from CD players to desktop scanners, contemporary life is permeated by technology enabled by scientific insight. We benefit daily from the liberating effects of petroleum found with the aid of geological knowledge, microchips manufactured with the aid of physical knowledge, materials synthesized with the aid of chemical knowledge. Our view of life — and death — is conditioned by the results of scientific research and the capabilities of technological control.


2009 ◽  
Vol 17 (1) ◽  
pp. 121-132 ◽  
Author(s):  
Pascale Casanova

One of the most difficult and uncertain areas of research offered the historian of literature today is the attempt to define ‘European literature’ as a corpus and an object of literary and/or historical analysis. The various efforts of the past few years – in the form of anthologies as well as histories of literature – usually remain torn between a unitary presupposition that seems to be the only acceptable political-historical way of justifying the body of European literature and an irreducibly composite – not to say heterogeneous – reality that is not amenable to the representations of Europe as reduced to this superficial unity. If we are to reflect on the modalities and specificities of such a historical undertaking – which has so few equivalents in the world that it is all the harder to model – and shake off political models and representations, it seems to me that we need to work from another hypothesis. One of the few trans-historical features that constitutes Europe, in effect, one of the only forms of both political and cultural unity – one that is paradoxical but genuine – that makes of Europe a coherent whole, is none other than the conflicts3 and competitions that pitted Europe’s national literary spaces against one another in relentless and ongoing rivalry. Starting from this hypothesis, we would then have to postulate that, contrary to commonly accepted political representations, the only possible literary history of Europe would be the story of the rivalries, struggles and power relations between these national literatures. As a consequence, rather than a unity that remains if not problematic at least far from being achieved, it would no doubt be better to speak of an ongoing literary unification of Europe, in other words a process that occurs, occurred and is still occurring – paradoxically – through these struggles. This upside-down history would trace the models and counter-models, the powers and dependences, the impositions and the resistances, the linguistic rivalries, the literary devices and genres regarded as weapons in these specific, perpetual and merciless struggles. It would be the history of literary antagonisms, battles and revolts.


2021 ◽  
Vol 118 (1) ◽  
pp. 42-53
Author(s):  
Graham B. Walker

Graham B. Walker introduces the slow violence of the environmental crisis as a flashpoint in the question for the doctrine of providence in general and the history of the Cross specifically. Where is God in all this? Two immediate positions are identified: the first position assumes that God is located high above the world of chaos in the valley below. God intervenes as God deems appropriate. Questions of inordinate suffering challenge this starting point. A second notion begins in the chaotic valley below and asks, where is God in all of this? E. Frank Tupper begins in this valley and describes “the God of love (who) always does the most God can do.” Tupper identifies the ecological crisis as a significant factor in the chaos of human history. Walker amplifies this concern by introducing ecologist Rob Nixon’s critique of the Western addiction to global consumption and Edward O. Wilson’s appeal for the religious community and the scientific community to work together for the love of the earth. Looking for theological responses that unite both science and faith with a love for God’s world, Walker dialogues with Ian McFarland and Sallie McFague. Although McFarland and McFague start from divergent theological positions, they arrive at a similar conclusion: the self-limitation of human acquisitive desire for the love of God’s world and God’s identification with the suffering creation of the world in the death of Christ.


Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.


2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.


2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.


GIS Business ◽  
2019 ◽  
Vol 14 (3) ◽  
pp. 202-206
Author(s):  
SAJITHA M

Food is one of the main requirements of human being. It is flattering for the preservation of wellbeing and nourishment of the body.  The food of a society exposes its custom, prosperity, status, habits as well as it help to develop a culture. Food is one of the most important social indicators of a society. History of food carries a dynamic character in the socio- economic, political, and cultural realm of a society. The food is one of the obligatory components in our daily life. It occupied an obvious atmosphere for the augmentation of healthy life and anticipation against the diseases.  The food also shows a significant character in establishing cultural distinctiveness, and it reflects who we are. Food also reflected as the symbol of individuality, generosity, social status and religious believes etc in a civilized society. Food is not a discriminating aspect. It is the part of a culture, habits, addiction, and identity of a civilization.Food plays a symbolic role in the social activities the world over. It’s a universal sign of hospitality.[1]


2014 ◽  
Vol 59 (1) ◽  
pp. 49-60
Author(s):  
Davide Sparti

Obwohl jede menschliche Handlung mit einem gewissen Grad an Improvisation erfolgt, gibt es kulturelle Praktiken, bei denen Improvisation eine überwiegende Rolle spielt. Um das Risiko zu vermeiden, einen zu breiten Begriff von Improvisation zu übernehmen, konzentriere ich mich im vorliegenden Beitrag auf den Jazz. Meine zentrale Frage lautet, wie Improvisation verstanden werden muss. Mein Vorgehen ist folgendes: Ich beginne mit einem Vergleich von Improvisation und Komposition, damit die Spezifizität der Improvisation erklärt werden kann. Danach wende ich mich dem Thema der Originalität als Merkmal der Improvisation zu. Zum Schluss führe ich den Begriff affordance ein, um die kollektive und zirkuläre Logik eines Solos zu analysieren. Paradigmatisch wird der Jazzmusiker mit dem Engel der Geschichte verglichen, der nur auf das Vergangene blickt, während er der Zukunft den Rücken zugekehrt hat, und lediglich ihr zugetrieben wird. Weder kann der Improvisierende das Material der Vergangenheit vernachlässigen noch seine genuine Tätigkeit, das Improvisieren in der Gegenwart und für die Zukunft, aufgeben: Er visiert die Zukunft trotz ihrer Unvorhersehbarkeit über die Vermittlung der Vergangenheit an.<br><br>While improvised behavior is so much a part of human existence as to be one of its fundamental realities, in order to avoid the risk of defining the act of improvising too broadly, my focus here will be upon one of the activities most explicitly centered around improvisation – that is, upon jazz. My contribution, as Wittgenstein would say, has a »grammatical« design to it: it proposes to clarify the significance of the term »improvisation.« The task of clarifying the cases in which one may legitimately speak of improvisation consists first of all in reflecting upon the conditions that make the practice possible. This does not consist of calling forth mysterious, esoteric processes that take place in the unconscious, or in the minds of musicians, but rather in paying attention to the criteria that are satisfied when one ascribes to an act the concept of improvisation. In the second part of my contribution, I reflect upon the logic that governs the construction of an improvised performance. As I argue, in playing upon that which has already emerged in the music, in discovering the future as they go on (as a consequence of what they do), jazz players call to mind the angel in the famous painting by Klee that Walter Benjamin analyzed in his Theses on the History of Philosophy: while pulled towards the future, its eyes are turned back towards the past.


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