Images of Animals in Neolithic Chinese Ceramic
The images of animals or their (more or less) stylised motifs once depicted in the form of painting and sculpture, and nowadays through various media, have many stories to tell. Their ancient images point to the undeniably great role that animals played in human life. The rich material culture, as well as the written sources we have today, enables us to examine – both in physical and spiritual terms – the coexistence and co-creation of the worlds of people and animals in the region that we now call China. General animal research, especially within Europe, usually concerns spatial and physical differences; animals from ancient, medieval and early modern times are researched in the context of their utilitarian role, as well as their exoticism, discovering new species and deepening knowledge about those already known to man. Creating a picture of the animal images in Chinese Neolithic art, I hope to present various social and political practices that have influenced the acquisition of knowledge about animals, and thus to discover their role in human life. Chinese animal studies to date in pre-dynastic and dynastic eras regularly focus on animals as spiritual beings and sources of nutrition. It is worth looking at the significance of animals from a different angle – from the perspective of art, which can inform us about animals and people in the context of religion, magic, symbols, aesthetics and the spiritual life of both. My article focuses particularly on the decorative motifs appearing in ceramics of three Neolithic cultures: Yangshao 4000–3000 BC, Hemudu 5500-3300 BC and Longshan 2500-1900 BC.