scholarly journals Od ideologije do subverzije: promišljanje jugoslavenstva u Hrvatskoj u 21. stoljeću

2021 ◽  
pp. 65-76
Author(s):  
Petr Stehlík
Keyword(s):  
19Th Century ◽  
21St Century ◽  
The State ◽  
The Other ◽  
Former Yugoslavia ◽  
Cultural Model ◽  
The Past ◽  
A Value ◽  
Privileged Status ◽  
The 19Th Century

After the breakup of Yugoslavia and the “abduction” of Yugoslav name by the regime of Slobodan Milošević, it seemed that Yugoslavism is a concept solely belonging to the past. Yugoslavism lost its national-integrational role it used to have in the 19th century, as well as its privileged status of the state ideology, which it used to enjoy in both incarnations of Yugoslavia. However, at the dawn of 21st century several Croatian intellectuals – with historian and publicist Dragan Markovina at the forefront – strive to reconceive Yugoslavism. The aim of the paper is to present and contextualize their deliberations on Yugoslavism as a subversive strategy and a value alternative to the dominant cultural model in Croatia and the other countries of the former Yugoslavia.

scholarly journals Medical students, beneficiaries of the state scholarships of the Republic of Serbia, and their education in the 21st century: The possibility of improvement

Sociologija ◽  
2017 ◽  
Vol 59 (2) ◽  
pp. 189-205 ◽  
Author(s):  
Nena Vasojevic ◽  
Mirko Filipovic
Keyword(s):  
Professional Development ◽  
Medical Students ◽  
19Th Century ◽  
Social Mobility ◽  
21St Century ◽  
The State ◽  
Reverse Migration ◽  
The Republic ◽  
Education Of Students ◽  
The 19Th Century

In the 19th century, at the time when Serbia was being established, the education of students scholars abroad was viewed as one of the main tools for professional development and a strong society. Medical students were one of the first who were sent to study abroad. This practice was associated with increasing vertical social mobility of society. The results achieved in the 19th century encouraged us to focus on the study of temporary migrations of students scholars from Serbia in the 21st century. This article was created as a result of this study.4 Our goal was to define the profile of medical students scholars who studied abroad in the 21st century thanks to the state funds, to determine the reasons why they opted for education outside their country, and to determine the level of openness of the Serbian society towards them. However, the main objective was to contribute to the research of reverse migration.

Epidemics as Leisure Killers: The Transformation of Japan’s Entertainment Industry in the Second Half of the 19th Century

2021 ◽  
Vol 31 (1) ◽  
pp. 195-217
Keyword(s):  
19Th Century ◽  
Social Disorganization ◽  
The Other ◽  
Entertainment Industry ◽  
Economic Changes ◽  
The Past ◽  
The Common ◽  
The Individual ◽  
The 19Th Century

Among the various human attitudes toward a pandemic, along with fear, despair and anger, there is also an urge to praise the catastrophe or imbue it with some sort of hope. In 2020 such hopes were voiced in the stream of all the other COVID-19 reactions and interpretations in the form of predictions of imminent social, political or economic changes that may or must be brought on by the pandemic, or as calls to “rise above” the common human sentiment and see the pandemic as some sort of cruel-but-necessary bitter pill to cure human depravity or social disorganization. Is it really possible for a plague of any kind to be considered a relief? Or perhaps a just punishment? In order to assess the validity of such interpretations, this paper considers the artistic reactions to the pandemics of the past, specifically the images of the plague from Alexander Pushkin’s play Feast During the Plague, Antonin Artaud’s essay “The Theatre and the Plague” and Albert Camus’s novel The Plague. These works in different ways explore an attitude in which a plague can be praised in some respect. The plague can be a means of self-overcoming and purification for both an individual and for society. At the same time, Pushkin and Camus, each in his own way and by different means, show the illusory nature of that attitude. A mass catastrophe can reveal the resources already present in humankind, but it does not help either the individual or the society to progress.

scholarly journals Die Verwaltungsgliederung Preußens zwischen historisch-ständischen, administrativ-staatlichen und liberal-politischen Interessen (1815–1867)

Administory ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 185-206
Author(s):  
Anna Gianna Manca
Keyword(s):  
19Th Century ◽  
The State ◽  
The Other ◽  
The Political ◽  
Unsuccessful Attempt ◽  
National Assembly ◽  
Political Role ◽  
The 19Th Century ◽  
Territorial Division ◽  
Prospect Of Success

Abstract The paper deals with the question of the administrative districts in an overall Prussian perspective and emphasizes, above all, the central political role played by the provincial districts and their main authorities within the spaces of the state and of administrative activity. On this basis, it will be possible to adequately appreciate the revolutionary but unsuccessful attempt to abolish them in 1848 by the liberaldemocratic wing of the Constitutional Commission of the Prussian National Assembly, as has not yet been accomplished within the existing historiography. First, the origins of the spatial-territorial division of Prussia existing around the middle of the 19th century are discussed. Within this framework special attention has been paid to the introduction of a provincial division, which led to that organization of internal administration into four instances under the minister (provinces, governmental districts, districts, municipalities) which was a peculiarity of the Prussian political and administrative spatial division compared with the other states of the German Confederation. Questions such as those of the basic division of the state’s space are so radical that they are usually raised with some prospect of success only at the foundation of states or during revolutions. Immediately afterwards, they tend to be included in the list of ›depoliticized technicalities‹, although they retain their fundamental importance for ensuring the political and administrative continuity of the state.

Religion and the Writing of the Colorado Constitution

1961 ◽  
Vol 30 (3) ◽  
pp. 349-360
Author(s):  
Donald W. Hensel
Keyword(s):  
19Th Century ◽  
American History ◽  
17Th Century ◽  
The State ◽  
The Other ◽  
Social Force ◽  
Catholic Reformation ◽  
Spanish Speaking ◽  
Southern Half ◽  
The 19Th Century

Religion has been a potent social force throughout American history. The reverberations of the Protestant Revolt and the Catholic Reformation have been experienced many times in many American communities since the 17th century, in varying degrees of intensity. Colorado, in the last quarter of the 19th century, was typical of this tradition. Colorado had been part of a vast Spanish domain and, therefore, many of its citizens, particularly in the southern half, were both Spanish-speaking and Catholic in faith. On the other hand, a preponderance of the adventurers and fortune-hunters who came after the gold discoveries of 1858 and 1859 and who tended to settle around and north of Denver, were Protestants. This, then, was the religious setting as convention delegates met in Denver in the winter of 1875-1876 to write a constitution for the state.

Forward-Looking Retrospection: Enharmonicism in the Classical Era

2002 ◽  
Vol 19 (2) ◽  
pp. 332-373 ◽  
Author(s):  
Paula Telesco
Keyword(s):  
19Th Century ◽  
Large Scale ◽  
18Th Century ◽  
Central Place ◽  
The Other ◽  
Compositional Techniques ◽  
The Past ◽  
The 19Th Century ◽  
Early 18Th Century ◽  
Tonal System

Enharmonicism steps to the fore only occasionally in 18th-century music. Indeed, over the past two centuries, it has been commonly assumed that it was invoked only when a special affect demanded it (as in the much-discussed "Dance of the Furies" from Rameau's Hippolyte et Aricie). But a survey of 18th-century music refutes this perception and reveals that the enharmonicism of the 18th century can be broadly defined as belonging to one of two categories: simultaneous or immediate enharmonicism, and retrospective enharmonicism. Most early 18th-century examples restrict their usage to the simultaneous/immediate type, which consists of reinterpretations of enharmonic pivot chords. Retrospective enharmonicism, on the other hand, is less common than immediate enharmonicism but is remarkable because it presages the expansion of the diatonic tonal system into the chromatic tonal system of the 19th century. Retrospective enharmonicism does not involve the reinterpretation of an enharmonic pivot chord, nor is a reinterpretation perceived at any one point; it becomes clear only in retrospect that one must have occurred. Rather than a negation of some resolution tendency, as happens in the reinterpretation of a dominant seventh as an augmented sixth, there is a (typically large-scale) trajectory away from some tonic which is eventually regained through the enharmonic door. Some note or chord is respelled as its enharmonic equivalent, but without any aural clue. Drastic key changes of the sort typically encountered in instances of retrospective enharmonicism are for the most part proscribed in the writings of such composers and theorists as Rameau, Kirnberger, Koch, Heinichen, and Vogler, all of whom wrote in detail about staying within an orbit of closely related keys and rarely going directly from one key to another too far away. Nevertheless, this type of enharmonicism was a recognized compositional resource which, though used relatively infrequently in the 18th century, came to occupy a more central place in the realm of available compositional techniques in the 19th century.

scholarly journals Korrida i karliści. Wspomnienia Piotra Falkenhagena-Zaleskiego z podroży do Hiszpanii (1843)

2021 ◽  
Vol 21 ◽  
pp. 112-130
Author(s):  
Adam Kucharski
Keyword(s):  
International Trade ◽  
19Th Century ◽  
Department Store ◽  
The Other ◽  
European Countries ◽  
The Past ◽  
Other Hand ◽  
Cultural Reality ◽  
The 19Th Century ◽  
Stay Behind

Among the accounts of travels in Spain in the 1st half of the 19th century, there is a rather unknown memoir of Piotr Falkenhagen-Zaleski, written on the basis of his 1843 experiences. This exceptionally capable and flexible emigrant began his career in international trade, having successfully tried his hand at journalism and politics in the past. He became an employee at the Henry Hall department store in London, and then opened his own company of the same sort, establishing contacts in many European countries. The travel to Spain aimed at securing another contract. It appears that he did not achieve this goal. On the other hand, the stay behind the Pyrenees, mainly in Barcelona and Madrid, and the very travel from France to Spain allowed the Polish traveller to become familiar with two elements of the Spanish (political and cultural) reality through an incident with the Carlists and the corrida spectacle. He put those experiences in an interesting, although brief report from Spain.

scholarly journals TELLING HISTORIES OR ACCOUNTING FOR ASPECTS OF THE PAST: A HISTORIOGRAPHICAL CHOICE IN A EUROPEAN HISTORICAL PERSPECTIVE

2021 ◽  
Vol 163 (3) ◽  
pp. 9-20
Author(s):  
R. Torstendahl ◽  
Keyword(s):  
19Th Century ◽  
Historical Perspective ◽  
Historical Research ◽  
The Other ◽  
Historical Knowledge ◽  
The Past ◽  
Theory Of History ◽  
The Difference ◽  
Historical Writings ◽  
The 19Th Century

The article departs from the difference between two types of historical writings, one narrating stories about actors and the other trying to bring about evidence that justify claims to know certain things about specific aspects of the past. From the Iliad and the Odyssey, telling stories have been a common way of presenting past events. Inscriptions and annals, as well as graves and monuments, urged to present posterity with evidence for acts and occurrences. Storytelling was always more popular than searching for evidence. In the 19th century, historians began to systematise their doubts about the truth of many stories. This source criticism has been refuted by many “historical theorists” in the late 20th and the early 21st centuries with the argument that claims that it is impossible to bring truth about the past and that all history is to be regarded as a kind of literature with, at best, symbolic “truth”. I want to reject this standpoint as based only on an internal “theory of history”-discourse and ask for analyses of actual historical research, which claims to produce new historical knowledge.

scholarly journals Is Religion Coming Back as a Source for Antisemitic Views?

Religions ◽  
2020 ◽  
Vol 11 (5) ◽  
pp. 255
Author(s):  
Gunther Jikeli
Keyword(s):  
19Th Century ◽  
21St Century ◽  
Political Order ◽  
Jewish State ◽  
The Past ◽  
The Social ◽  
Religious Reasons ◽  
The 19Th Century ◽  
Role Of Religion

The most violent American and European antisemites in the 21st century, including not only Jihadists but also white (and black) supremacist terrorist, made some reference to religion in their hatred of Jews. This is surprising. Religious antisemitism is often seen as a relic of the past. It is more associated with pre-modern societies where the role of religion was central to the social and political order. However, at the end of the 19th century, animosity against Judaism gave way to nationalistic and racist motives. People such as Wilhelm Marr called themselves antisemites to distinguish themselves from those who despised Jews for religious reasons. Since then, antisemitism has gone through many mutations. However, today, it is not only the actions of extremely violent antisemites who might be an indication that religious antisemitism has come back in new forms. Some churches have been accused of disseminating antisemitic arguments related to ideas of replacement theology in modernized forms and applied to the Jewish State. Others, from the populist nationalist right, seem to use Christianity as an identity marker and thus exclude Jews (and Muslims) from the nation. Do religious motifs play a significant role in the resurgence of antisemitism in the 21st century?

scholarly journals Literacka historia ołowiu. Rekonesans

2021 ◽  
pp. 109-146
Author(s):  
Marta Tomczok
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
21St Century ◽  
Harmful Effect ◽  
Literary Texts ◽  
War And Peace ◽  
The Public ◽  
The Past ◽  
The Press ◽  
The 19Th Century

This article offers an overview and preliminary arrangements of literary texts, chosen paintings and films (most of them from the past three centuries) which feature the motif of lead. The presence of lead as a symbol has been detected in poetry which treated the problem of war and peace; occasionally this use of lead has occurred in relation to printing, typesetting, and – less frequently – children’s toys. Much more often the motif of lead has been used in literary works to introduce the topic of melancholia and to express artists’ interest in alchemy. An analysis of literary prose at the turn of the 20th century related to zinc and lead metallurgy shows that lead did not occur in the context of mining, chemistry, and medicine until the 19th century. On the basis of studies of the press, historical literature, and contemporary reportage, the article shows the toxic nature of lead and its harmful effect on people and the environment, about which artists and authors try to warn the public at the turn of the 21st century. The article shows that the parallel between melancholia and saturnism is a well-documented phenomenon.

scholarly journals Michel Houellebecq’s Submission – a novel of decadence

Literatūra ◽  
2019 ◽  
Vol 61 (4) ◽  
pp. 94-100
Author(s):  
Vytautas Bikulčius
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
21St Century ◽  
The Novel ◽  
The Past ◽  
Black Madonna ◽  
Conversion To Islam ◽  
The World ◽  
The 19Th Century ◽  
Aesthetic Values

Michel Houellebecq’s Submission has been analysed as a novel of decadence in this paper. Referring to the works of Michel Winock, François Livi and Michel Onfray, it has been found that a decadent novel can be associated not only with the works of Joris-Karl Huysmans, Pierre Loűys, Jean Lorrain and others produced at the end of the 19th century but also at subsequent periods. Such characteristics of decadent writing as the threat of catastrophe, fundamental changes in society, nostalgia can be found in the analysed novel.François, the main character of the novel, an expert on Huysmans and a professor at Sorbonne University, supports Huysmans’ ideas to some extent trying to find the link between the end of the 19th century and the beginning of the 21st century by comparing processes in society. Huysmans sought an ideal in the Middle Ages, while François travels to Rocamadour, famous for the statue of the Black Madonna, with a hope to find a spiritual revelation but becomes aware that the world of the past has gone forever. Changes in society made Huysmans leave the monastery, similarly, François gets frustrated as he loses his job when the Muslim Fraternity comes into power.Using the dystopian genre, Houellebecq depicts unbelievable changes in society – the new government proclaims Islam an official religion of France. Society is governed by new rules, the authority is concerned about two things – demography and education. Those, who refuse to convert to Islam, lose their jobs. Changes in society are even linked with geopolitical changes. Meanwhile Houellebecq reveals significant differences between the decadence of the end of the 19th and of the 21st century. Huysmans’ decadence results in neuroses, a desire to seal himself off from the world in alcohol, drugs, etc., to surround himself with works of art, while François in Submission enjoys erotic pleasures, gradually becomes an alcoholic, he does not suffer like Huysmans’ protagonist Des Esseintes. It can be stated that Submission is a decadent novel only at thematic level since aesthetic values, characteristic of the decadence of the 19th century, are left in the background. The only justification of François is that he speaks about his conversion to Islam hypothetically, it shows that he has not made up his mind to take this step.

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