Петриківка – давній осередок витинанки в Україні

2021 ◽  
pp. 87-101
Author(s):  
Zinaida Kosytska
Keyword(s):  
Folk Art ◽  
Unique Style ◽  
The Village

While studying the Ukrainian folk art, it is important to explore artistic traditions of individual centres. The article considers traditional motifs and compositions of folk paper cutting art pieces, common in the village of Petrykivka (Dnipropetrovsk Region), an ancient core of paper cutting art. Such home paper decorations have become widespread in the centre since the late XIXth to early XXth centuries. Among the well-known masters – fellow villagers who created paper cutting art pieces were Vasyl Vovk, Pelaheya Hlushchenko, Hanna Hrechanova, Antonina Avdieyenko, Nataliya Avdieyenko and other masters. The auctorial paper cutting art pieces under study demonstrates the combination of deep traditions of folk art and personal aesthetic tastes of each of the artists, which determined each time a distinct unique style. It is important that they have been passing on their experience to next generations. It is important that modern masters continue to pass on their experience to next generations.

Research on the Spatial Construction Strategy of Traditional Settlements for the Tujia Nationality

2013 ◽  
Vol 357-360 ◽  
pp. 120-128
Author(s):  
Hai Chen Zheng ◽  
Cheng Qin Chen ◽  
Lei Tang ◽  
Yong Qiang He
Keyword(s):  
Landscape Architecture ◽  
Field Research ◽  
Basic Research ◽  
Chongqing Municipality ◽  
Public Resources ◽  
Construction Strategy ◽  
Unique Style ◽  
The Village ◽  
Spatial Construction ◽  
River Bend

The River Bend region of Hou’xi town in Chongqing Municipality is one of the Tujia neighborhoods; the spatial construction of the whole village has been made to face a crisis due to lack of basic research on the traditional settlement space and the interests driven in recent years. The reasons for the disorder and lack of the charm of the new settlement space were analyzed, and the construction policies of traditional settlements were combed based on field research from the perspective of Architecture and Landscape Architecture by the methods of combining quantitative and qualitative. The conclusion shows that the village building should respect and protect their traditional styles; the problems what the current village construction face are solved through the integration of the layout of public resources, the improvement of the traffic situation, the construction of the unique style and the transformation of the refinement.

scholarly journals INDIAN FOLK CULTURE AND COLOR

2014 ◽  
Vol 2 (3SE) ◽  
pp. 1-2
Author(s):  
Sangeeta Sharma
Keyword(s):  
Folk Art ◽  
Special Significance ◽  
Folk Culture ◽  
The Village

Dr. According to Hazari Prasad Dwivedi - "The meaning of the word Lok is not the district or the village, but the entire people spread in the cities and villages, whose base is not artisans, but people living simple and simple lives."Folk art is an important part of folk culture. It is an identity of culture as far as Indian folk culture is concerned, folk art has special significance in it. The purpose of art can be expression, fame, earning, service, attainment of pleasure, world welfare etc. डाॅ. हजारी प्रसाद द्विवेदी के अनुसार - “लोक शब्द का अर्थ जनपद या गाँव नहीं बल्कि नगरों व गाँवों मे फैली वह समूची जनता है जिसका आधार पोथियाँ नहीं, अकृत्रिम और सरल जीवन व्यतीत करने वाले जन है।“लोक संस्कृति का अहम भाग है लोक कला। यह संस्कृति का पहचान है जहाँ तक भारतीय लोक संस्कृति की बात है इसमें लोक कला का विषेष महत्व है। कला का प्रयोजन अभिव्यक्ति, यष प्राप्ति, धनोपार्जन, सेवा, आनंद की प्राप्ति, विष्व कल्याण आदि हो सकते है।

scholarly journals INOVASI KESENIAN RAKYAT KUDA LUMPING DI DESA GANDU, KECAMATAN TEMBARAK, KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (1) ◽  
Author(s):  
Nur Rokhim
Keyword(s):  
Performing Arts ◽  
Folk Art ◽  
Next Generation ◽  
Regional Characteristic ◽  
Dance Training ◽  
The Arts ◽  
The People ◽  
The Village ◽  
Complicated Situation

Demam kesenian rakyat kolaborasi Leakan di Temanggung rupanya sudah tidak dapat dibendung lagi. Para seniman senior rata-rata menolak kehadiran kolaborasi tersebut, mereka merasa risih dengan pengembangan seni pertunjukan yang demikian. Akhirnya Dinas melarang pertunjukan kolaborasi Kuda Lumping dengan tari Leak, Pendet dan Barong Bali. Hal ini dimaksudkan untuk mengembalikan eksistensi pertunjukan Kuda Lumping seperti semula sebagai seni yang mempunyai ciri khas Temanggung. Kesenian Kuda Lumping Sri Budoyo berada pada situasi yang rumit, di tengah-tengah tuntutan selera masyarakat yang semakin beraneka ragam. Tekad masyarakat pendukung kesenian sudah bulat untuk menjaga dan melestarikan kesenian Kuda Lumping supaya tetap eksis dengan ciri khasnya. Berbagai permasalahan mitra sebagi akibat masuknya kesenian luar daerah yang mengusik eksistensi kesenian lokal sebagai ciri khas daerah, maka akan ditawarkan solusi untuk mengatasi permasalahan yang dihadapi. Inovasi adalah sebuah cara yang akan dilakukan sebagai solusinya. Inovasi yang dilakukan adalah pemberdayaan anak-anak sebagai generasi penerus kesenian Kuda Lumping di desa Gandu II, yang nantikan akan memegang kendali kesenian di desa tersebut. Anak-anak diberi pelatihan tari Geculan sebagai dasar kepenarian mereka, gerak-gerak yang disusun disesuaikan dengan usianya.Kata kunci: Inovasi, Kesenian rakyat, Kuda Lumping.Abstract The folk art fever of the Leakan collaboration in Temanggung apparently cannot be stopped anymore. The average senior artists reject the presence of the collaboration, they feel uncomfortable with the development of such performing arts. Finally the Office banned the performance of the Kuda Lumping collaboration with the Leak, Pendet and Barong Bali dances. This is intended to restore the existence of the Kuda Lumping performance as originally as an art that has a characteristic Temanggung. Sri Budoyo’s Kuda Lumping Art is in a complicated situation, amidst the increasingly diverse demands of the people’s tastes. The determination of the people supporting the arts has been unanimous to maintain and preserve the Kuda Lumping art in order to continue to exist with its trademark. Various partner problems as a result of the entry of arts outside the region that disturb the existence of local arts as a regional characteristic, will be offered a solution to overcome the problems faced. Innovation is a method that will be carried out as a solution. The innovation carried out was the empowerment of children as the next generation of Kuda Lumping art in the village of Gandu II, who were looking forward to taking control of the arts in the village. The children were given Geculan dance training as a basis for their dance, the movements arranged according to their age. Keywords: Innovation, Folk art, Kuda Lumping.

scholarly journals Iptek bagi Masyarakat untuk Melestarikan Kebudayaan Ketoprak dan Sholawat Pitutur Melalui Website Berbasis SEO Sebagai Media Informasi dan Promosi

2017 ◽  
Vol 1 (1) ◽  
pp. 13
Author(s):  
Mardhiya Hayaty ◽  
Arif Dwi Laksito
Keyword(s):  
Information Technology ◽  
Local Community ◽  
Folk Art ◽  
The Public ◽  
Village Community ◽  
Web Structure ◽  
The Arts ◽  
The Village ◽  
Modern Era ◽  
Structure Layout

<p><em>Ketoprak and sholawat pitutur began to dim with the development of the modern era. Folk art that became the cultural root of the village community Seyegan must continue to be preserved. To preserve the efforts made through the promotion through information technology media in this case the manufacture of SEO-based art sites (Search Engine Optimazation) for the existence of this art continues to grow with the local community and can be known by the public. The process of website creation begins with several designs such as web structure, layout, features available as well as the application of SEO on some articles. Promotion of folk art through the medium of information technology is expected to revive the arts ketoprak and sholawat as well as affect the welfare of members of the arts group.</em><strong><em></em></strong></p>

Evolution of the representation of folk artistic culture in cinema

2020 ◽  
Vol 4 (4) ◽  
pp. 21-28
Author(s):  
T.A. Dmitrieva ◽  
Keyword(s):  
Twentieth Century ◽  
American Indians ◽  
21St Century ◽  
Historical Development ◽  
Folk Art ◽  
Folk Songs ◽  
Cultural Appropriation ◽  
Global Trends ◽  
China And Japan ◽  
The Village

In the presented article, the features of the reflection of folk art culture in the cinema are considered. The author examines films that reflect the folk art culture of the American Indians, Udege, meadow mari, residents of the village of Palekh, as well as the folk art culture of the colonial countries, China and Japan. This article examines the films of both foreign and Russian directors, as the author refers to global trends in cinema. The author identifies several stages, considering the evolution of folk art culture, starting from films of the early twentieth century and ending with modern cinematography: “Folk art culture in early films. Ethnographic cinematography”, “Criticism of the urban industrial space in the cinema of the 20s. XX century»,»Colonial cinema», «Postcolonial cinema», «Cultural appropriation», «Orientalism», «Transnational culture in the postmodern era», «Cinematography of the metamodern». Based on the material of Russian and foreign films, the author notes that folk art culture is manifested in both documentary and fiction cinematography. The author concludes that folk art culture was reflected in the cinema at every stage of its historical development. The author notes that in modern cinema the topic of folk art culture has not simply lost its relevance, but has become one of the most relevant trends in connection with the processes of glocalization in the culture of the 21st century. Each stage considered by the author has its own specific features and reasons for the display of folk art culture. The article describes the main ways of representing folk art culture in cinema – folklore, traditional textiles, embroidery, folk songs.

Narrative Battle

2017 ◽  
Author(s):  
Ka-ming Wu
Keyword(s):  
Folk Art ◽  
Religious Studies ◽  
Intangible Cultural Heritage ◽  
Cultural Authenticity ◽  
Domestic Relations ◽  
New Public ◽  
A Site ◽  
Agrarian Crisis ◽  
The Village ◽  
Party State

This chapter examines how Xiaocheng Folk Art Village in Yan'an was transformed into a container of tradition and the practice of paper-cutting into an intangible cultural heritage. It first considers the origin narrative of Xiaocheng Folk Art Village before discussing how China's urban intellectuals in the fields of folklore, religious studies, and anthropology have sought to re-understand the meanings of their work in the broader national and international framework. It then explains how Xiaocheng Folk Art Village emerged as a site of local, national, and international interests, with particular emphasis on the birth of creative rural subjects, reconfigured domestic relations, and a new public life in the village. It also describes the village's democratic struggles over folk art and concludes with an analysis of the politics of cultural authenticity and the invention of tradition in the broader context of intense urbanization and agrarian crisis in China. The chapter argues that heritage making in China is a process of “narrative battle” in which various actors construct differentiated meanings of history and tradition against the official party-state narrative.

Analisis Daya Dukung Tanah Dan Bahan Pondasi Tiang Pancang Pada Pembangunan Jembatan Kab. Jombang

2020 ◽  
Vol 9 (1) ◽  
pp. 32-37
Author(s):  
Ruslan Hidayat ◽  
Saiful Arfaah
Keyword(s):  
Carrying Capacity ◽  
Pile Foundation ◽  
Heavy Traffic ◽  
Traffic Volume ◽  
Material Strength ◽  
Cone Penetrometer ◽  
The Village

One of the most important factors in the structure of the pile foundation in the construction of the bridge is the carrying capacity of the soil so as not to collapse. Construction of a bridge in the village of Klitik in Jombang Regency to be built due to heavy traffic volume. The foundation plan to be used is a pile foundation with a diameter of 50 cm, the problem is what is the value of carrying capacity of soil and material. The equipment used is the Dutch Cone Penetrometer with a capacity of 2.50 tons with an Adhesion Jacket Cone. The detailed specifications of this sondir are as follows: Area conus 10 cm², piston area 10 cm², coat area 100 cm², as for the results obtained The carrying capacity of the soil is 60.00 tons for a diameter of 30 cm, 81,667 tons for a diameter of 35 cm, 106,667 tons for a diameter of 40 cm, 150,000 tons for a diameter of 50 cm for material strength of 54,00 tons for a diameter of 30 cm, 73,500 tons for a diameter of 35 cm, 96,00 tons for a diameter of 40 cm, 166,666 tons for a diameter of 50 cm

Kebijakan Penggunaan Tanah Desa (Bengkok) untuk Pendirian Warung Remang – remang

2020 ◽  
Vol 1 (1) ◽  
pp. 1-11
Author(s):  
Dony Tanagar ◽  
Dian Suluh KD ◽  
Robby Darwis Nasution
Keyword(s):  
Qualitative Study ◽  
Land Policy ◽  
The Road ◽  
The Village

Tanah bengkok, as assets in the village, is usually used as one source of village income, but problem interesting when Tanah bengkok,  rented out but it is wrong the management of where there is the transfer of a lease from a tenant long new to tenants. But the new tenant takes advantage of the land for prostitution activity masquerading as a "remang-remang", so that shattered the society. This study use of qualitative study descriptive, with the methods turnaround consisting of interviews and interview, the research were obtained some data, as follows: 1). Bent out of Tanah bengkok, the village has changed ownership rents and used as a "Remang – remang". 2). People feel uneasy over the existence of the stall, several times to disagreements are not responded by, village officials, 3). The development of a later time the village administration took the next step after the time of land lease finished, to rent the land was back, since land is in the shoulder of the road, so the village administration will deliver it out to PT. KAI. Cultivation of the land policy reaping many protests from the crooked, and finally "Remang – remang" is closed.

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