scholarly journals INOVASI KESENIAN RAKYAT KUDA LUMPING DI DESA GANDU, KECAMATAN TEMBARAK, KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (1) ◽  
Author(s):  
Nur Rokhim
Keyword(s):  
Performing Arts ◽  
Folk Art ◽  
Next Generation ◽  
Regional Characteristic ◽  
Dance Training ◽  
The Arts ◽  
The People ◽  
The Village ◽  
Complicated Situation

Demam kesenian rakyat kolaborasi Leakan di Temanggung rupanya sudah tidak dapat dibendung lagi. Para seniman senior rata-rata menolak kehadiran kolaborasi tersebut, mereka merasa risih dengan pengembangan seni pertunjukan yang demikian. Akhirnya Dinas melarang pertunjukan kolaborasi Kuda Lumping dengan tari Leak, Pendet dan Barong Bali. Hal ini dimaksudkan untuk mengembalikan eksistensi pertunjukan Kuda Lumping seperti semula sebagai seni yang mempunyai ciri khas Temanggung. Kesenian Kuda Lumping Sri Budoyo berada pada situasi yang rumit, di tengah-tengah tuntutan selera masyarakat yang semakin beraneka ragam. Tekad masyarakat pendukung kesenian sudah bulat untuk menjaga dan melestarikan kesenian Kuda Lumping supaya tetap eksis dengan ciri khasnya. Berbagai permasalahan mitra sebagi akibat masuknya kesenian luar daerah yang mengusik eksistensi kesenian lokal sebagai ciri khas daerah, maka akan ditawarkan solusi untuk mengatasi permasalahan yang dihadapi. Inovasi adalah sebuah cara yang akan dilakukan sebagai solusinya. Inovasi yang dilakukan adalah pemberdayaan anak-anak sebagai generasi penerus kesenian Kuda Lumping di desa Gandu II, yang nantikan akan memegang kendali kesenian di desa tersebut. Anak-anak diberi pelatihan tari Geculan sebagai dasar kepenarian mereka, gerak-gerak yang disusun disesuaikan dengan usianya.Kata kunci: Inovasi, Kesenian rakyat, Kuda Lumping.Abstract The folk art fever of the Leakan collaboration in Temanggung apparently cannot be stopped anymore. The average senior artists reject the presence of the collaboration, they feel uncomfortable with the development of such performing arts. Finally the Office banned the performance of the Kuda Lumping collaboration with the Leak, Pendet and Barong Bali dances. This is intended to restore the existence of the Kuda Lumping performance as originally as an art that has a characteristic Temanggung. Sri Budoyo’s Kuda Lumping Art is in a complicated situation, amidst the increasingly diverse demands of the people’s tastes. The determination of the people supporting the arts has been unanimous to maintain and preserve the Kuda Lumping art in order to continue to exist with its trademark. Various partner problems as a result of the entry of arts outside the region that disturb the existence of local arts as a regional characteristic, will be offered a solution to overcome the problems faced. Innovation is a method that will be carried out as a solution. The innovation carried out was the empowerment of children as the next generation of Kuda Lumping art in the village of Gandu II, who were looking forward to taking control of the arts in the village. The children were given Geculan dance training as a basis for their dance, the movements arranged according to their age. Keywords: Innovation, Folk art, Kuda Lumping.

scholarly journals NILAI KERUKUNAN DAN KEKELUARGAAN ETNIS JAWA DALAM TRADISI AMONG-AMONG (Studi Pada Etnis Jawa Di Desa Magelang Kecamatan Kerkap Kabupaten Bengkulu Utara)

2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Yatiman Yatiman ◽  
Anis Endang SM ◽  
Sri Narti
Keyword(s):  
Traditional Medicine ◽  
Maternal Blood ◽  
Family Values ◽  
Semiotic Analysis ◽  
Human Needs ◽  
The People ◽  
Cooked Food ◽  
Banana Leaves ◽  
The Village

The tradition among all is a Javanese tradition carried out to commemorate the birthday of someone in the Javanese calendar. One of the Javanese who still carries out the traditions among the Javanese is in Magelang Village, Kerkap District, North Bengkulu Regency. This study aims to examine the value of harmony and family values ​​of ethnic Javanese in the tradition of among those in the village of Magelang. The method of this research is qualitative research using Roland Barthes's semiotic analysis. Determination of informants in this study was purposive sampling and data collection using observation, in-depth interviews and documentation. Based on the results of the study, it can be seen that Charcoal (symbolizing the furnace in the kitchen), money (all human needs purchased with money), rice (indicating cooked food), banana leaves (as a base for eating), red porridge (symbolizing maternal blood), porridge white (symbolizing father's sperm cells), fern leaves (as traditional medicine), dadap leaves (as traditional medicine when children are sick), eggs (as the center in ngepong emong), and urap (symbolizing ancient simplicity), while developing myths about the tradition of among the people is that this tradition is carried out to ask for the safety of the child to avoid being disturbed by supernatural beings. The value of harmony and family values ​​of Javanese ethnic in Magelang Village are maintained and intertwined with the implementation of these traditions. The community still adheres to the philosophy "manganese manganese is important to collect" to become their foundation in maintaining harmony and kinship between them.

scholarly journals KAJIAN POTENSI DAN PENGEMBANGAN PENGUSAHAAN ARANG KAYU DI DESA RANGGANG LUAR KECAMATAN TAKISUNG KABUPATEN TANAH LAUT PROVINSI KALIMANTAN SELATAN

2018 ◽  
Vol 6 (2) ◽  
pp. 108
Author(s):  
Zainal Abidin ◽  
Ahmad Jauhari ◽  
Muhammad Hafizh Afriza
Keyword(s):  
Raw Materials ◽  
Community Sample ◽  
Wood Charcoal ◽  
Purposive Sampling ◽  
The People ◽  
Charcoal Kilns ◽  
Factors Of Production ◽  
Policy Direction ◽  
The Village

The objectives of this study were to inventory the number of charcoal kiln and the people who work on it. Knowing the factors of production business of making charcoal contained in Ranggang Luar Village, which included: raw materials, technology, manufacturing and yield, and provide a policy direction to the sustainability of wood charcoal business. Determination of the sample interviews to obtain a detailed profile related to utilization of wood charcoal is purposive sampling which was chosen first on a charcoal maker community. Sample of the respondents for interviews taken from the relevant authorities, village’s chief and purposively of the number of households (families) in the village of charcoal maker in every RT.Ranggang Luar Community who has the business of wood charcoal is numbered 98 people. Charcoal kilns spread almost evenly on Ranggang Luar Village, the number of furnace reached 478 pieces. The size of kiln in Ranggang Luar Village is 4.5 m in circumferenceand 2.5 m in high. The capacity of kilnand production of charcoalwere 15 tonnesand 3.05 tonnes, respectivelywith the average of yield was20.3%.Penelitian ini bertujuan untuk menginventarisir jumlah dapur arang serta masyarakat yang mengusahakannya. Mengetahui faktor produksi usaha pembuatan arang kayu yang terdapat di Desa Ranggang Luar, yang meliputi: bahan baku, teknologi, pembuatan dan rendemen dan memberikan suatu arah kebijakan untuk keberlanjutan usaha arang kayu.Penentuan sampel wawancara untuk mendapatkan profil detail terkait pengusahaan arang kayu dilakukan secara purposive sampling dimana dipilih terlebih dahulu pada masyarakat pembuat arang kayu. Sampel responden untuk wawancara diambil dari instansi terkait, kepala desa dan secara purposive dari jumlah kepala keluarga (KK) pembuat arang di desa pada setiap RT. Masyarakat Desa Ranggang Luar yang menjadi pengusaha arang kayu adalah berjumlah 98 orang. Terlihat tungku arang menyebar hampir merata pada Desa Ranggang Luar, banyaknya tungku mencapai 478 buah. Ukuran keliling tobong yang digunakan pada Desa Ranggang Luar 4,5 m dengan tinggi 2,5 m. Kapasitas muat kayu (bahan baku) untuk tobong yang digunakan dan rata – rata akan menghasilkan arang secara berurutansebanyak 15 ton dan 3,05 ton arang, dengan rata – rata rendemen dari satu dapur arang sebanyak 20,3 %.

scholarly journals Tradisi Jolenan Di Desa Somongari Kecamatan Kaligesing Kabupaten Purworejo

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Anggun Rafiqah Aushaf
Keyword(s):  
Human Resources ◽  
Performing Arts ◽  
Qualitative Method ◽  
Cultural Traditions ◽  
Central Java ◽  
The Earth ◽  
The People ◽  
Communication Approach ◽  
Communicative Actions ◽  
The Village

AbstractPurworejo is one of the districts in Central Java which is rich in natural and human resources. One of the various regional cultural traditions that is still preserved in Purworejo Regency, precisely in Somongari Village, Kaligesing District is merti-deso or village-cleansing and commonly called Jolenan. This study was dissected using a qualitative method with an ethnographic communication approach. For the deepening of the analysis observations and interviews were conducted with respondents who were involved in the Jolenan Customary Ceremony. The results showed that the communicative situation in the Jolenan Customary Ceremony was walking in a sacred manner. The traditional Jolenan ceremony is a tradition that is carried out every two years on the Javanese calendar, Seloso Wage Day in Sapar Month. Communicative events in Jolenan Traditional Ceremony are traditions that contain myths in them. Broadly speaking, the purpose of the Jolenan Traditional Ceremony is as an expression of gratitude and thanks to Allah SWT for the abundant produce of the earth and also as a tribute to the ancestors of the Sumongari Village, Eyang Kedono-Kedini. In the Jolenan Customary Rite there are ten stages in it namely: environmental cleanliness and tombs, making and decorating Jolen, tirakatan night, festivity of the Rukun Tetangga, installation of offerings, performing arts, welcoming events, Jolen carnival, large festivals, and tayuban. Communicative actions in the Jolenan Customary Ceremony namely regarding the statement of the people of Sumongari Village on the crops given by Allah SWT and the request of the people of Sumongari Village so that the village occupied is always given an abundance of crops continuously.Keywords: Traditional Communication, Jolenan Traditional Ceremony, values, social, religious, symbolic AbstrakPurworejo merupakan salah satu kabupaten di Jawa Tengah yang kaya akan sumber daya alam dan manusianya. Satu dari berbagai tradisi kebudayaan daerah yang sampai saat ini masih dilestarikan di Kabupaten Purworejo, tepatnya di Desa Somongari, Kecamatan Kaligesing adalah merti-deso atau bersih-desa dan biasa disebut Jolenan. Penelitian ini dibedah menggunakan metode kualitatif dengan pendekatan etnografi komunikasi. Untuk pendalaman analisis dilakukan observasi dan wawancara dengan para responden yang berperan dalam Upacara Adat Jolenan. Hasil penelitian menunjukkan bahwa situasi komunikatif dalam Upacara Adat Jolenan yaitu berjalan dengan sakral. Upacara adat Jolenan merupakan tradisi yang dilakukan setiap dua tahun sekali pada penanggalan Jawa yaitu hari Seloso Wage pada Bulan Sapar. Peristiwa komunikatif dalam Upacara Adat Jolenan merupakan tradisi yang mengandung mitos di dalamnya. Secara garis besar tujuan dilakukannya Upacara Adat Jolenan yaitu sebagai ungkapan rasa syukur dan terima kasih kepada Allah SWT atas hasil bumi yang melimpah dan juga sebagai penghormatan kepada leluhur Desa Sumongari yaitu Eyang Kedono-Kedini. Dalam ritual Upacara Adat Jolenan terdapat sepuluh tahapan di dalamnya yaitu: kebersihan lingkungan dan makam, membuat dan menghias Jolen, malam tirakatan, kenduri Rukun Tetangga, pemasangan sesaji, pentas kesenian, acara sambutan, kirab Jolen, kenduri besar, dan tayuban. Tindak komunikatif dalam Upacara Adat Jolenan yaitu mengenai pernyataan masyarakat Desa Sumongari atas hasil bumi yang diberikan Allah SWT dan permohonan masyarakat Desa Sumongari agar desa yang ditempati selalu diberikan kelimpahan hasil bumi secara terus menerus.Kata kunci: Komunikasi Tradisional, Upacara Adat Jolenan, nilai, sosial, religious, simbiolik

scholarly journals Inovasi Kuda Lumping di Desa Tegalrejo Kabupaten Temanggung

Abdi Seni ◽  
2020 ◽  
Vol 10 (2) ◽  
pp. 65-73
Author(s):  
Dewi Nurnani
Keyword(s):  
Service Program ◽  
Central Java ◽  
The Arts ◽  
The People ◽  
Target Program ◽  
Village People ◽  
Group Members ◽  
Traditional Arts ◽  
The Village ◽  
Musical Accompaniment

AbstrakTulisan tentang Program Pengabdian Pada Masyarakat ini membahas tentang Inovasi Kuda Lumping Di Desa Tegalrejo Kabupaten Temanggung. Program ini bertujuan untuk mendorong dan memotivasi masyarakat pedesaan untuk menjaga dan melestarikan seni tradisional yang mereka miliki dengan cara inovasi kesenian Kuda Lumping yang sudah ada sehingga kedepan dapat memperbaiki ekonomi mereka. Target program pengabdian ini adalah kelompok Kuda Lumping Turonggo Setyo Budi yang dimiliki oleh masyarakat Desa Tegalrejo, Kecamatan Bulu, Kabupaten Temanggung, Jawa Tengah.kelompok kesenian tersebut masih eksis meskipun perkembangannya kurang baik. Program ini diharapkan dapat membangkitkan aktifitas anggota kelompok dengan harapan mereka akan lebih mencintai dan mau mengembangkan kesenian tersebut dengan cara mengadakan inovasi sehingga tetap berkelanjutan. Pendekatan yang digunakan dalam program ini adalah pelatihan dan pembimbingan masyarakat serta sosialisasi program inovasi yang meliputi iringan musik, gaya tabuhan, tari, dokumentasi dan identitas kelompok kesenian. Hasil penelitian menunjukkan bahwa anggota kelompok tersebut menjadi terdorong dan termotivasi untuk mengikuti setiap pelatihan dan pembimbingan. Inovasi yang mereka hasilkan dapat dilihat dalam pertunjukan di akhir program pengabdian tersebut.Kata kunci: Kuda Lumping, inovasi, tari, iringan musik. AbstractThe  Community  Service  Program  is  about  Innovation  of  Kuda  Lumping  in  Tegalrejo  Village, Temanggung Regency. This program aims to encourage and motivate the village people to maintain the traditional arts they have by innovation of kuda lumping that can later improve their economy. The target of this service program is a group of kuda lumping Turonggo Setyo Budi owned by the people of Tegalrejo village, Bulu district, Temanggung district, Central Java. The art group still exists even though its development is not so good. This program is expected to be able to arouse the activities of the group members to be more loving and to develop the arts they have by innovating so that the arts are sustainable. This program uses an approach through training and mentoring the community and socialization of innovation programs which include musical accompaniment, gaya tabuhan,  dance,  documentation  and  identity  of  the  arts  group.  The  result  shows  that  the  group members  become  encouraged  and  motivated  in  following  the  training  and  mentoring.  The innovations can be seen in their performance at the end of the program.Keywords: kuda lumping, innovation, dance, accompaniment music.

scholarly journals Permas oral traditions function in Mundeh traditional village

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Gek Diah Desi Sentana ◽  
I Wayan Cika ◽  
I Nyoman Suarka ◽  
I Nyoman Weda Kusuma
Keyword(s):  
Qualitative Research ◽  
Natural Resources ◽  
Performing Arts ◽  
Oral Tradition ◽  
Oral Traditions ◽  
Early Age ◽  
Cultural Institutions ◽  
Village Community ◽  
The People ◽  
The Village

The permas oral tradition is the ancestral heritage of the Mundeh Traditional Village community, which has a lot of local wisdom, policies, and life philosophies that are expressed in the form of performing arts and traditional ceremonies. It is found is a characteristic of the socio-religious which keeps the local wisdom. In this regard, this paper raises the permas oral tradition which shows how the community through the function of the permas oral tradition can preserve its culture, carry out rituals, educate ethics, and teach children to meet the daily needs of natural resources in the village. the. The method used in this research is qualitative research methods. Alan Dunde’s theory of function is used as the basis for analyzing the function because the analysis is not only limited to the language that is the medium of expression but also explores the cultural phenomena that are stored in a tradition through understanding the context. The findings of this study are that the people through the oral tradition of permas can educate people from an early age to manage nature without destroying nature, economically they can support themselves from nature in that environment with socio-cultural institutions that run harmoniously.

scholarly journals SPIRITUAL HAPPINESS IN MALWA MINIATURE PAINTINGS STYLE

2021 ◽  
Vol 2 (2) ◽  
pp. 34-47
Author(s):  
Kanchan Kumari
Keyword(s):  
Human Nature ◽  
Folk Art ◽  
The Other ◽  
Religious Traditions ◽  
Folk Traditions ◽  
Line Form ◽  
The Arts ◽  
The People ◽  
Expression Of Emotion ◽  
Miniature Painting

 English - All the arts are result of human nature & Beauty. one of the ancient primitive art and the cultured art and on the other hand, the development of folk art takes place. Folk art often consists of religious narratives, religious traditions, religious symbols and a part from fictional mythological events, social festivals and social beliefs are based on the background.  Art is incomplete without each other in terms of folk art and classical art. These two forces are complementary to each other. This most of the paintings of our Indian miniature painting style are based on poems and literature. The miniature paintings of Malwa are for spiritual enjoyment, it is a reflection of its civilization and culture, in which The people there are not able to see the spirit of life.  important various elements of Malwa miniature painting style of folk art For many subjects (literature) such as Kalpasutra, Ramayana, Mahabharata, Devi Mahatmaya, Bustan of Saadi are based on. that are spiritual and historical respectively. Pictures based on poems are made on enchantment/affairs (Radha Krishna) and Nayika  Bhed  respectively. In The subjects of the pictures are like- Rasik Priya, Barhamasa, Ragamala, Rasaveli. In which we get the elements of art, human figures, nature Illustrations are visible through colour, line, form, tone, texture, space  in architectural marking. Bhakti and yoga in Indian Art  along with this, special emphasis was placed on the expression of emotion, due to which the art of Malwa remained intact. Folk art traditions contained in Malwa Miniatures are still prevalent in villages and cities and in many museums. It is safe and people have unwavering faith in these folk traditions.          Hindi - सम्पूर्ण कलाऐं मनुष्य की सौन्दर्यवृत्ति का परिणाम है। प्राचीन आदिम कला में से एक ओर सुसंस्कृत कला का और दूसरी ओर लोककला का विकास होता है। लोककला प्रायः धार्मिक आख्यानों, धार्मिक परम्पराओं, धार्मिक प्रतीकों एवं काल्पनिक पौराणिक प्रसंगों के अतिरिक्त सामाजिक त्यौहारों तथा सामाजिक मान्यताओं की पृष्ठभूमि पर आधारित होती है। लोककला और शास्त्रीय कला दोनों ही कला एक दूसरे के बिना अधूरी है। ये दोनों ही एक दूसरे के पूरक है। इसी सन्दर्भ में हमारी भारतीय लघु चित्रशैली के अधिकांश चित्रों के विषय काव्यों तथा साहित्य (ग्रन्थों) पर आधारित है। मालवा की लघु  चित्रकला आध्यात्मिक आनन्द को लिए हुए है, उसकी सभ्यता और संस्कृति का वह प्रतिबिम्ब है, जिसमें वहाँ के जन जीवन की आत्मा के दर्शन होते हैं। मालवा लघुचित्र शैली के चित्र लोककला के विभिन्न महत्वपूर्ण तत्व लिए कई विषय (साहित्य) जैसे- कल्पसूत्र, रामायण, महाभारत, देवी महात्मय, बुस्तान आफ सादी पर आधारित है। जो क्रमशः आध्यात्मिक और ऐतिहासिक है। काव्यों पर आधारित चित्र क्रमशः प्रेमकथाओं तथा नायिका भेद पर बने है। इन चित्रों के विषय जैसे- रसिक प्रिया, बारहमासा, रागमाला, रसवेली है। जिसमें हमें लोककला के तत्व मनुष्याकृतियों, प्रकृति चित्रण, स्थापत्य अंकन में रंग, रेखा, रूप, तान, पोत, अन्तराल के द्वारा दृष्टिगोचर होते है। भारतीय कला में भक्ति एवं योग के साथ-साथ भाव की अभिव्यक्ति की ओर विशेष जोर दिया गया, जिसके कारण मालवा की कला भी अक्षुण बनी रही। मालवा लघुचित्रों में समाहित लोककला परम्परायें आज भी गाँव व शहरों में प्रचलित हैं और कई संग्रहालयों में सुरक्षित है तथा इन लोक परम्पराओं पर लोक मानस की अटूट श्रृद्धा है।

scholarly journals Iptek bagi Masyarakat untuk Melestarikan Kebudayaan Ketoprak dan Sholawat Pitutur Melalui Website Berbasis SEO Sebagai Media Informasi dan Promosi

2017 ◽  
Vol 1 (1) ◽  
pp. 13
Author(s):  
Mardhiya Hayaty ◽  
Arif Dwi Laksito
Keyword(s):  
Information Technology ◽  
Local Community ◽  
Folk Art ◽  
The Public ◽  
Village Community ◽  
Web Structure ◽  
The Arts ◽  
The Village ◽  
Modern Era ◽  
Structure Layout

<p><em>Ketoprak and sholawat pitutur began to dim with the development of the modern era. Folk art that became the cultural root of the village community Seyegan must continue to be preserved. To preserve the efforts made through the promotion through information technology media in this case the manufacture of SEO-based art sites (Search Engine Optimazation) for the existence of this art continues to grow with the local community and can be known by the public. The process of website creation begins with several designs such as web structure, layout, features available as well as the application of SEO on some articles. Promotion of folk art through the medium of information technology is expected to revive the arts ketoprak and sholawat as well as affect the welfare of members of the arts group.</em><strong><em></em></strong></p>

scholarly journals Mobile Note Application for Bendesa Adat at Bali

2019 ◽  
Vol 6 (2) ◽  
pp. 160-169
Author(s):  
Oka Sudana ◽  
Oka Mahardika ◽  
I Putu Arya Dharmaadi
Keyword(s):  
The Public ◽  
The People ◽  
The Village

Bendesa Adat is the head of village whose job is to coordinate customary matters in the village he leads, for example, the piodalan ceremony and also the dewasa ayu, especially the dewasa ayu pengabenan of the village. Dewasa ayu is a great day in doing an activity that is believed by the people in Bali. Determination of dewasa ayu and also piodalan has the calculations in accordance with the Balinese Calendar such as calculation of wuku, sasih and also pengalantaka that is in the Balinese Calendar. Not everyone understands how to look for dewasa ayu and piodalan that will occur in the village. Bendesa Adat Notes Based on Android are made to make people know about piodalan and dewasa ayu and holidays in Bali. This application consists of three main informations, there are ceremony day information, dewasa ayu information and also piodalan information that has been tried out to the public and from the results of the trial 32% of the community said they were very satisfied, 54% said they were satisfied and 14% said enough satisfied.

scholarly journals IMPLEMENTASI KEBIJAKAN BANTUAN LANGSUNG TUNAI DANA DESA BAGI MASYARAKAT MISKIN YANG TERDAMPAK COVID-19 DI DESA SIDOREJO KECAMATAN SAWAHAN KABUPATEN NGANJUK

2021 ◽  
Vol 5 (2) ◽  
pp. 158
Author(s):  
Daimul Abror
Keyword(s):  
Data Collection ◽  
Distribution System ◽  
Central Government ◽  
The Other ◽  
Study Approach ◽  
Other Hand ◽  
The People ◽  
Village Government ◽  
The Village

This research describes, analyzes and interprets the implementation of the Village Fund Cash Direct Assistance Policy for the community in Sidorejo village, especially the poor community during the Covid-19 outbreak. The research method used is a qualitative method with a case study approach. The results of the research are that (1) the implementation of policies in the decision mentality approach from the village government is related to the determination of residents who are entitled to receive BLT Village Funds based on the results of village deliberations involving the Village Head and BPD. In addition, it is also based on provisions from the central government that BLT DD recipients are not PKH participants, but the reality on the ground is that there are still many PKH recipients who receive BLT DD. This attitude shows that there is a mentality that shows that the village government is less careful in data collection and on the other hand the mentality of the people who like to take advantage of this momentum to increase personal benefits. (2) the implementation of the policy in the system approach approach shows that the flow and mechanism of data collection have been carried out in accordance with applicable regulations, where the phase I distribution system of village funds has been running well. (3) the implementation of the policy in the collaborative network approach shows that there is still a lack of understanding between the Village Government as the implementer of the BLT DD policy and the community as the recipient of the BLT DD, where there are still people who are participating in the PKH program who in fact still receive BLT DD. This shows a lack of awareness from the community and on the other hand the lack of a validation process from the village government.

scholarly journals PERTUNJUKAN SENI DI LOKASARI

2020 ◽  
Vol 2 (2) ◽  
pp. 2091
Author(s):  
Kaleb Yordan Santoso ◽  
Mieke Choandi
Keyword(s):  
Performing Arts ◽  
High Mobility ◽  
Modern Society ◽  
Third Place ◽  
Family Time ◽  
City Community ◽  
The People ◽  
Project Objectives ◽  
The Village

Modern society with many routines and activities with high mobility. This everyday demands them with a fast and practical lifestyle. This lifestyle requires the city community to move to work and activities that are so time-consuming that they forget about other needs (entertainment, family time), including rest. This study aims to answer the needs of the community, most of the people in the Village office Tanki which are one of the centers of Jakarta through the role of architecture in creating space for relaxation and relaxation amid various activities undertaken (Third Place). In this research, the method used is conducting studies, observations and distributing questionnaires as initial data collection. Second, discussing, discussing and discussing the needs of the surrounding community to complete boredom and restore amidst a lot of and dense activities. Third, compile a program in accordance with the results of the survey, observe and answer the needs of the community that are tailored to the problem so that the creation of a Third Place that successfully makes the project objectives will be obtained. The third place of the Performing Arts project provides and provides the space needed for the community in the Tank Village by developing and requiring an old program from a Lokasari, into a program of making a mixture of cultural lamas using the present age to attract all ages and genders. Keywords:  needs; routine; tangki; third place Abstrak Masyarakat kota merupakan masyarakat modern dengan banyak rutinitas dan aktivitas serta mobilitas yang tinggi. Keseharian ini menuntut mereka dengan gaya hidup serba cepat dan praktis. Gaya hidup seperti ini menuntut masyarakat kota untuk menghadapi suatu pekerjaan dan kegiatan yang begitu menyita waktu sehingga membuat mereka lupa akan kebutuhan lainnya (hiburan, waktu bersama keluarga) termasuk istirahat. Penelitian ini memiliki tujuan menjawab kebutuhan masyarakat, terutama masyarakat Kelurahan Tangki yang merupakan salah satu daerah pusat kota Jakarta melalui peran arsitektur dalam menciptakan ruang untuk beristirahat dan relaksasi di tengah kepadatan aktivitas yang dijalani (Third Place). Dalam penelitian ini, metode yang digunakan adalah melakukan studi, observasi dan penyebaran kuesioner sebagai pengumpulan data awal. Kedua, meneliti, mempelajari dan meninjau kebutuhan dari masyarakat sekitar serta kebutuhan untuk melepas kejenuhan dan beristirahat ditengah aktivitas yang banyak dan padat. Ketiga, menyusun program yang sesuai dengan hasil survei, observasi serta untuk menjawab kebutuhan masyarakat yang disesuaikan dengan soal agar terciptanya suatu Third Place yang berhasil sehingga tujuan proyek akan tercapai. Proyek third place Pertunjukan Seni ini menunjukkan dan memberikan sebuah wadah yang dibutuhkan bagi masyarakat khususnya di Kelurahan Tangki dengan mengembangkan dan membangkitkan program lama dari sebuah Lokasari, menjadi program campuran dari kebudayaan lama dengan kebudayaan zaman sekarang guna menarik semua umur dan gender.

Sign in / Sign up

Export Citation Format

Share Document