Laughter in the Ghetto

2020 ◽  
Vol 53 (2) ◽  
pp. 49-61
Author(s):  
Lisa Peschel

The World War II Jewish ghetto at Theresienstadt, forty miles northwest of Prague, was the site of an uncommonly active cultural life. Survivor testimony about the prisoners’ theatrical performances inspired a question: why were almost all of the scripts written in the ghetto comedies? The recent rediscovery of several scripts has made possible a detailed analysis that draws from recent research on the psychological effects of different types of humour. This analysis reveals that, regardless of age, language or nationality, the Theresienstadt authors universally drew upon two potentially adaptive types of humour (self-enhancing and affiliative humour) rather than two potentially maladaptive types (aggressive and self-defeating humour). Perhaps instinctively, they chose the very types of humour that have a demonstrated association with psychological health and that may have helped them preserve their psychological equilibrium in the potentially traumatising environment of the ghetto.

1982 ◽  
Vol 24 (4) ◽  
pp. 395-420 ◽  
Author(s):  
Ronald C. Newton

Between 1933 and the end of World War II, Argentina became the home of some 43,000 Jewish refugees from Nazism, almost all of them of German, Austrian, or West European origin. Measured against the country's total population, 13 million in 1931, 16 million according to the 1947 census, Argentina received more Jewish refugees per capita than any other country in the world except Palestine (Wasserstein, 1979: 7,45). This did not occur by design of the Argentine government; on the contrary, its immigration policies became interestingly restrictive as the years of the world crisis wore on.In practice, however, Argentina was unable to patrol effectively its long borders with the neighboring republics of Chile, Bolivia, Paraguay, Brazil, and Uruguay. The overseas consuls of these nations, especially the first three, did a brisk and lucrative trade in visas and entry permits for persons desperate to escape the Nazi terror.


2015 ◽  
Vol 14 (3) ◽  
pp. 057-072
Author(s):  
Wojciech Pardała

Paper sums up different types of wooden leisure architecture of surroundings of Lodz, pointing at the most notable, emerging at the time of modernism, „glass house” made of wood. They emerged, in the mid-30s, as a fulfillment of a few garden-cities (conceived mostly as a leisure towns). Wooden houses, built in at least three different styles (local village-like, national and modern), became part of densely set-up complexes. Leisure houses were used as intended, only for a few years, before the World War II. Their use has changed form leisure to all-year housing, lasting till now, causing many conservational, technical and social problems. Now, among the growing knowledge of their value to history of architecture and urbanism, some ideas how to renew them, appear. A few of them are proposed by the local society of Kolumna „forest-city”.


2011 ◽  
Vol 1 (2) ◽  
pp. 217-231 ◽  
Author(s):  
Christian TOMUSCHAT

From a conceptual viewpoint, the legal universe has found its almost perfect configuration in our time. Almost all of the peoples of the world are members of the United Nations and as such are entitled to co-operate in shaping the direction and content of policies at the global level. Before World War II, and even a considerable time after the horrendous events unleashed by that war, many nations had no say in international matters. They were placed under colonial rule, which meant that their voices were not heard—or heard only through the mediation of the powers that acted as their wards and guardians. That situation of structural discrimination has changed dramatically. All the peoples of the world have reached sovereign statehood and have been admitted to the world forum.


Author(s):  
E. N. Polyakov ◽  
T. V. Donchuk

The article concerns the final architectural and design activity of Hector Guimar (1867–1942), when he was forced to withdraw from his unique Guimar style. During this period, the sociopolitical and cultural life of Europe underwent fundamental changes. Bourgeois modernism was replaced by more laconic democratic styles (functionalism, constructivism, etc.). Not wanting to lose the professional orders, the French architect created projects with-out the former plastics and warmth. It is noted that before the World War II, he was mainly engaged in the design of multistorey residential buildings, occasionally, in decorative design of their facades and interiors, elements of technical equipment. His architectural projects of that period are residential complexes on Rue Jean de la Fontaine and Rue Agar (1910–1912), House Tremois on Rue François Millet (1909–1910), synagogue building Agoudas Hakehilos on Rue Pavee (1913–1914). Briefly considered the vicissitudes of his life after his departure to the United States (1938).


2015 ◽  
Vol 7 (2) ◽  
pp. 106-114
Author(s):  
Irina Anatolyevna Zvegintseva

Despite its remote location from the major theatre of operations, Australia participated in the war siding with the Anti-German Coalition from the outbreak of World War II up to its end. Naturally, this impacted upon economic, social and cultural life of the country. The war was broadly covered by the Australian filmmakers and took a significant place in Australian cinema. For Australia World War II began on September 3rd, 1939. A million of Australian men and women fought against Germany in 19391945. Talking of the war theme in the Australian cinema, one should firstly pay tribute to the memory of dozens of Australian cameramen sent to the World War front alongside with soldiers, who covered the events in the newsreels. As for feature filmmakers, they were not able to cover the war due to poor production funding. Only after resuscitation of the national filmmaking in 1970s Australian filmmakers got an opportunity of shooting a number of interesting films dedicated to the events that had taken place seventy years ago. The theme of World War II was covered in many films. A lot of the best national filmmakers paid tribute to it, ranging from Brendan Mahers Sisters of War (2010) with its unprecedented harsh and truthful depiction of the role of Australian women in the war, to Jonathan Teplitzkys The Railway Man (2013), based on the bestselling autobiography of Eric Lomax (co-produced with Great Britain). The relevance of this article and its innovative contribution comes down to proof, that, although the number of films dedicated to World War II is relatively limited, their quality is extremely high and noteworthy. Its also noteworthy, that Australian filmmakers have brought back in the viewers minds the heroism of their fathers and forefathers, thus paying tribute to the memory of those who saved the world from Nazism seventy years ago.


1992 ◽  
Vol 48 (1-2) ◽  
pp. 1-22
Author(s):  
Noor Ahmad Baba

Post World War-II era has witnessed great upheavals of far-reaching social, political and economic consequences, overtaking almost all regions of the World. This changed the very context of international relations in these areas. West Asian region dominated by conservative monarchies under varying degrees of western colonial influences, could not escape this all pervading currents of change especially since the late 40s and early 50s. A series of developments in a quick succession changed the very patterns of relationships in the region and shook the very foundations of the conservative regimes there.1 One of the prominent regime that felt threatned and survived by successfully responding to the situation, is the Kingdom of Saudi Arabia and the most potent threat that it had to confront with was the post 1952 revolution in Egypt


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
Pavel Gotovetsky

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.


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