scholarly journals Elderly Women in the Netherlands

1970 ◽  
pp. 49-52
Author(s):  
Dr. Maria Poppe

In politics, the media and the public eye, the "older woman" is under regular discussion. That older women can be an active group could be seen in a recent edition of the magazine Rails (a consumer publication from the Dutch Railway) entitled "Old is in" with an eighty year old model on the cover. The eighty year old model illustrated with her sophisticated outfit the kind of classic tops, body stockings and singlets that will soon be available in the shops.

2014 ◽  
Vol 42 (1) ◽  
Author(s):  
Knut De Swert ◽  
Rens Vliegenthart ◽  
Stefanie de Ruiter

The end of press releases? An analysis of press releases and media coverage in the Dutch 2012 electoral campaign The end of press releases? An analysis of press releases and media coverage in the Dutch 2012 electoral campaign In recent years, social media like Facebook and Twitter have dramatically increased possibilities for politicians to communicate directly with the public. Does that mean they do not use the classical press release as a way of communicating? This study shows that press releases are still a well-used campaign tools in the Netherlands, although not all parties use them equally, and one (VVD) does not at all. Looking at factors determining the success of press releases (i.e. to get covered in a national newspaper in the Netherlands), we did not find evidence for elements of political logic (e.g. inclusion of policy texts) to decrease the success, and hardly any evidence for elements of the media logic (e.g. including personal or emotional information about the politician) to boost success of press releases. Only the use of horse race terms turns out to be positive factor. All in all, press releases are still alive, they do get covered in the media, and the factors determining their success remain largely unaccounted for.


2017 ◽  
Vol 3 (2) ◽  
pp. 141-165 ◽  
Author(s):  
Kristen Anderson Wagner

Conventional wisdom says that as women in our society age, they disappear from the public sphere and effectively become invisible. As comediennes age, however, they gain, as Kathleen Rowe Karlyn says, “not only the perspective to laugh but also the freedom to do so,” and in this laughter is the potential for transgressive cultural criticism. This paper examines this dynamic in the careers of Joan Rivers and Betty White. Both comediennes had exceptionally long careers, and both changed their comic personae as they aged. Rivers, whose early comedy was self-deprecating, turned her anger outward in later years, challenging societal expectations about women's comedy. White's later comedy has frequently parodied the innocent, domestic characters she played in her youth while asking audiences to accept older women as sexual beings. Both women use their outsider status to challenge what it means to be an older woman.


2015 ◽  
Vol 6 ◽  
pp. 121-140
Author(s):  
Drs. Johan Snel

There is “no such thing as free (non-ideologically constrained) speech; no such thing as a public forum purged of ideological pressures or exclusions”. Stanley Fish’s famous thesis (1994) is illustrated by this case study on the public debate on freedom of expression in the Netherlands during the first decade of the 21st century. Far from serving tolerance or minority rights, as originally intended, it produced a whole line of argumentation that have excluded many from the public debate and filled it with a more exclusive content, especially regarding religion in general and Muslims in particular. A renewed identification with the toleration discourse would help the media in regaining their public role and will be helpful for journalists covering the debate.


2014 ◽  
Vol 3 (2) ◽  
pp. 181-208 ◽  
Author(s):  
Annemarie van Sandwijk

In 2007, the Municipality of Rotterdam appointed Tariq Ramadan as an Integration Adviser. In addition to this position, Ramadan was appointed as a Visiting Professor at Erasmus University Rotterdam. This article provides a thorough analysis of Ramadan’s appointment, positions in, and premature dismissal from Rotterdam in the years 2007–2009. It will examine the interrelated roles of the main actors involved—i.e. the Municipality, the media, and the University. It also takes the Ramadan affair in the Netherlands as an empirical case study to analyse how policy makers deal with the idea of religion as a potential source of social cohesion in society. In addition, it analyses the Ramadan affair in the context of the emergence of Western-based Muslim intellectuals in the public sphere. Finally, it considers the outcome of Ramadan’s legal proceedings against both the Municipality and the University, which clearly exposes the tensions between political activism and scholarship.


2020 ◽  
Vol 74 (1) ◽  
pp. 39-65
Author(s):  
Jeroen Jans ◽  
Sophie C. van Bijsterveld ◽  
Carl Sterkens ◽  
Eric Venbrux

Abstract The central question in this article is: ‘Are committed young Catholics, Protestants, Muslims and humanists in the Netherlands and Flanders intolerant towards other groups?’ To answer this question, we analyse survey data and interviews collected in this research population. We first look at intergroup attitudes, which mainly show a pluralist approach towards the plurality of worldviews. Subsequently, we discuss the levels of religiocentrism and perceived intergroup threat among these young people. Finally, we search the interviews for practical examples concerning interviewees’ willingness to accept a plurality of worldviews in the public square. Although liberal values are dominant, much depends on the specific topic and how it is presented in the media. Generally, interviewees are tolerant towards other worldviews.


CICES ◽  
2017 ◽  
Vol 3 (1) ◽  
pp. 35-47
Author(s):  
Faisal Rudiansyah Hamzah ◽  
Panji Wira Soma ◽  
Indri Rahmawati

With the development of information technology in particular in the field of multimedia in such rapid and the longer forms of media information more diverse so that more education institutions boast. Media information and promotion is currently used by SMK PGRI 11 Ciledug Tangerang. The purpose of this research audio visual media into the media information and proper promotion, by controlling hearing and vision in the form of audio visual in order to convey messages can be understood by the public at large. Existing problems, namely the medium used by the SMK PGRI 11 Ciledug Tangerang still use print media such as banners, posters and pamplet are considered less effective and efficient to use while simultaneously promoting the institutions with the best possible audio visual media so that it is selected into a medium of information and promotion of the right, by controlling hearing and vision in the form of audio visual. Because therein lies the message delivery process or how to visualize. At the same time listening and showing the contents of the message to the recipient with information through media menunjangnya, so the design of video media profile that displays the entire scope, advantages and facilities belonging to SMK PGRI 11 Ciledug Tangerang, can be a solution in solving problems in media promotion and information. With this study the author makes with the title "promotion and INFORMATION AUDIO VISUAL MEDIA SHAPED VIDEO PROFILE on SMK PGRI 11 APPLICATIONS TANGERANG CITY ".


Author(s):  
Aji Sulistyo

Television advertisement is an effective medium that aims to market a product or service, because it combines audio and visuals. therefore television advertisement can effectively influence the audience to buy the product or service. Advertisement nowadays does not only convey promotional messages, but can also be a medium for delivering social messages. That is one form of the function of the media, which is to educate the public. The research entitled Representation of Morality in the Teh Botol Sosro Advertisement "Semeja Bersaudara" version analyzed the morality value in a television advertisement from ready-to-drink tea producers, Teh Botol Sosro entitled "Semeja Bersaudara" which began airing in early 2019. In this study researchers used Charles Sanders Peirce's Semiotics theory with triangular meaning analysis tools in the form of Signs, Objects and Interpretations. In addition, researchers also use representation theory from Stuart Hall in interpreting messages in advertisements. The results of this study found that the "Semeja Bersaudara" version of Teh Botol Sosro advertisement represented a message in the form of morality. There are nine values of morality that can be taken in this advertisement including, friendly attitude, sharing, empathy, help, not prejudice, no discrimination, harmony, tolerance between religious communities and cross-cultural tolerance. The message conveyed in this advertisement is how the general public can understand how every human action in social life has moral values, so that the public can understand and apply moral values in order to live a better life.


2013 ◽  
Vol 10 (4) ◽  
pp. 769-784 ◽  
Author(s):  
Estella Tincknell

The extensive commercial success of two well-made popular television drama serials screened in the UK at prime time on Sunday evenings during the winter of 2011–12, Downton Abbey (ITV, 2010–) and Call the Midwife (BBC, 2012–), has appeared to consolidate the recent resurgence of the period drama during the 1990s and 2000s, as well as reassembling something like a mass audience for woman-centred realist narratives at a time when the fracturing and disassembling of such audiences seemed axiomatic. While ostensibly different in content, style and focus, the two programmes share a number of distinctive features, including a range of mature female characters who are sufficiently well drawn and socially diverse as to offer a profoundly pleasurable experience for the female viewer seeking representations of aging femininity that go beyond the sexualised body of the ‘successful ager’. Equally importantly, these two programmes present compelling examples of the ‘conjunctural text’, which appears at a moment of intense political polarisation, marking struggles over consent to a contemporary political position by re-presenting the past. Because both programmes foreground older women as crucial figures in their respective communities, but offer very different versions of the social role and ideological positioning that this entails, the underlying politics of such nostalgia becomes apparent. A critical analysis of these two versions of Britain's past thus highlights the ideological investments involved in period drama and the extent to which this ‘cosy’ genre may legitimate or challenge contemporary political claims.


MedienJournal ◽  
2017 ◽  
Vol 30 (2-3) ◽  
pp. 37
Author(s):  
Li Xiguang

The commercialization of meclia in China has cultivated a new journalism business model characterized with scandalization, sensationalization, exaggeration, oversimplification, highly opinionated news stories, one-sidedly reporting, fabrication and hate reporting, which have clone more harm than good to the public affairs. Today the Chinese journalists are more prey to the manipu/ation of the emotions of the audiences than being a faithful messenger for the public. Une/er such a media environment, in case of news events, particularly, during crisis, it is not the media being scared by the government. but the media itself is scaring the government into silence. The Chinese news media have grown so negative and so cynica/ that it has produced growing popular clistrust of the government and the government officials. Entering a freer but fearful commercially mediated society, the Chinese government is totally tmprepared in engaging the Chinese press effectively and has lost its ability for setting public agenda and shaping public opinions. 


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