scholarly journals Retrospective of Competition and Festival Events and the Emergence of the Musical Olympic Movement in Ukraine in the 20s of the XX century

2021 ◽  
pp. 215-218
Author(s):  
Anna Rosenko
Keyword(s):  
Art History ◽  
Scientific Literature ◽  
Musical Culture ◽  
Development Trends ◽  
Scientific Analysis ◽  
Olympic Movement ◽  
History Of ◽  
Source Study ◽  
Organizational Activities

The purpose of the article is to carry out a scientific analysis of works aimed at studying the socio-cultural, organizational, methodological, and musical-creative aspects of the competition-festival movement, as well as individual groups of art history and historical and cultural works devoted to the creative biography and biographies of prominent figures of Ukrainian musical culture, whose initiative and organizational activities led to the emergence of the Olympic musical movement in Ukraine. The methodology consists of the use of source study and historiographic methods in the development of scientific literature, as well as historical-cultural, historical-musicological, comparative-historical, and biographical methods to determine the contribution of Ukrainian composers and outstanding musicians to the development of the competitive and musical Olympic movement in Ukraine. The scientific novelty of the work lies in the implementation of a comprehensive art study of the origin and development trends of the musical Olympic movement in Ukraine. Conclusions. The paper analyzes the research and publications of authors in the field of the competition and festival movement in modern Ukraine, summarizing works on the history of Ukrainian music, which cover the mid-1920s - early 1930s, i.e. the period of the emergence and active development of the musical Olympic movement in Ukraine, the continuity of times from the origins to the revival of the All-Ukrainian Musical Olympiad is shown.

scholarly journals EDUCATIONAL POTENTIAL OF MUSIC ART OF ESTATES OF POLISH COMMONWEALTH (XVI-XVIII CENTURIES)

2021 ◽  
pp. 20-32
Author(s):  
N. Bovsunivska
Keyword(s):  
The State ◽  
Cultural Relations ◽  
Musical Culture ◽  
Scientific Analysis ◽  
Long Time ◽  
History Of ◽  
Characteristic Features ◽  
Xix Century ◽  
Educational Potential ◽  
State 1

The changes taking place in the education system of Ukraine recently have a purpose to educate an intelligent, competent, creative person. To solve this task, it is urgently necessary to study the creative achievements of the past. Today, the artistic traditions of a powerful state – the Polish-Lithuanian Commonwealth are covered insufficiently and incompletely. This is a territory with rich educational traditions of numerous ethnic minorities, in whose cross-cultural relations there were often various artistic trends that were both mutually enriched and polarized. Insufficient study of their heritage, coupled with biased ideological assessments, requires revision and possibly rethinking. Therefore, it becomes clear that it is too early to "collect wisdom from all planets", as the UNESCO program calls for, when you do not know your own history. The development of estate musical art was already the subject of special scientific analysis, but it was in the Polish history of pedagogy and during the XVIII century. For various reasons, the Ukrainian musicological discourse completely lacks generalizing works devoted to the analysis of the bicentennial musical culture at the courts of magnates. This topic has repeatedly fallen into the focus of musicologists' attention, but it was limited to only a few topics. These are the chapels of Polish kings, the serf chapels of Lords (and this is already the XIX century) and the position of musicians at the courts of the Russian tsars. One of the characteristic features of the so-called Lithuanian-Polish era of Russian history (with the exception of the last 50-70 years) is its impersonality. One can search for a long time for the causes of this phenomenon, but the fact remains: from the middle of the XIV to the middle of the XV century. We have only a gallery of portraits (sometimes quite sketchy) of Lithuanian princes, and in the history of the next century, as M. Hrushevsky noted, the names of only a few Ukrainians were engraved, who "played a significant role in public life, road, service to the state" [1: 4]. The Lithuanian-Polish era is three centuries full of mysteries and paradoxes. They seemed to have fallen out of the memory of society. It seems that between the invasion of Khan Batu and the liquidation of the Zaporozhian Sich in the history of the state was a deaf cultural intermission (even despite the presence of the Golden Age of the Cossacks in history). However, the events that took place in a limited society of princely or count's estates lacked neither historical grandeur nor drama.

scholarly journals Painting education of Kazakh mythology

2021 ◽  
Vol 16 (4) ◽  
pp. 1956-1975
Author(s):  
Baigutov Karim ◽  
Myrzakanov Madvakas Seksembaevich ◽  
Aiman Suyuberdieva ◽  
Gulzhan Maulenberdieva ◽  
Marzhan Kudaibergenova ◽  
...  
Keyword(s):  
Art History ◽  
Important Place ◽  
Strong Link ◽  
Research Article ◽  
Scientific Analysis ◽  
History Of

Various scientific studies, interpretations, analyses, and comparisons have revealed a strong link in the origin of Kazakh mythology in contemporary Kazakh society. The main problem in this lies in the fact that existing research on mythology has always centered in fields of literature, philosophy, religion and culture, and history.  Previous scholars have always overlooked the study of mythology in the field of art. It’s for this reason, that this research article centered on the mythology in the art of painting education and especially pictorial analysis of Kazakh mythology. In the article, the definition and history of Kazakh mythology are given and the studies of the researchers on mythology are mentioned. The painting educations made within the scope of the research article are inspired by the myth of "Er Tostik". The research conducted within the scope of a creative and scientific analysis shows that the works related to the formation of Kazakh mythology have an important place in the history of Kazakh painting education. Besides, important subjects of Kazakh mythology in Kazakh art history were determined and how they affected the works of the painters were examined and interpreted comparatively.   Keywords: Kazakh mythology, Kazakh painters, Er Tostik, art, painting, woodcut technique

scholarly journals A.I. Ziloti’s Educational Activity in St. Petersburg (According to Unpublished Correspondence Materials)

2019 ◽  
Vol 16 (5) ◽  
pp. 518-525
Author(s):  
Svetlana V. Gorobets
Keyword(s):  
Historical Context ◽  
Educational Activity ◽  
Early 20Th Century ◽  
Musical Culture ◽  
Educational Activities ◽  
Russian Culture ◽  
Musical Education ◽  
Scientific Analysis ◽  
History Of ◽  
First Time

Collections of Russian libraries contain unique letters of pianist, teacher and conductor A.I. Ziloti (1863—1945). They demonstrate one of the facets of his talent as a musical public figure and educator. The correspondence of A.I. Ziloti with town governors is a unique phenomenon not only in his creative heritage, but also in the history of musical culture. The letters help to understand the musician’s worldview, artistic views, creative principles, giving as well a description of the cultural and historical context of the early 20th century period. The article aims to convey the importance of A.I. Ziloti’s correspondence for educational activities organization in St. Petersburg. The article identifies the letters’ specificity and studies A.I. Ziloti’s handwriting. For the first time, there are published his petitions addressed to the Director of the Imperial Thea­ters V.A. Telyakovsky and St. Petersburg town governors. The scientific analysis’ objectivity, connec­ted with comprehension of the value significance of A.I. Ziloti’s cultural ideas, requires to recognize the results of his musical and educational activities as his main achievements. Being an outstanding musician and teacher, A.I. Ziloti remains in the history of Russian culture, primarily, as a representative of musical education.

scholarly journals Chinese Historian Su Beihai’s Manuscript about the History of Kazakh People in Central Asia: Historical and Source Study Analysis

2020 ◽  
Vol 12 (4) ◽  
pp. 556-572
Author(s):  
Tursynkhan Z. Kaiyrken ◽  
◽  
Danagul A. Makhat ◽  
Aigul Kadyskyzy ◽  
◽  
...  
Keyword(s):  
Central Asia ◽  
Research Work ◽  
Chinese Scientist ◽  
Positive Research ◽  
The West ◽  
Scientific Analysis ◽  
History Of ◽  
Source Study ◽  
Points Of View ◽  
Independent Country

The article analyses the research work of Chinese scientist Su Beihai on Kazakh history, one of the oldest nationalities in Eurasia. This work has been preserved as a manuscript and its main merit is the study of Kazakh history from early times to the present. Moreover, it shows Chinese scientists’ attitude to Kazakh history. Su Beihai’s scientific analysis was written in the late 1980s in China. At that time, Kazakhstan was not yet an independent country. Su Beihai drew on various works, on his distant expedition materials and demonstrated with facts that Kazakh people living in their modern settlements have a 2,500-year history. Although the book was written in accordance with the principles of Chinese communist historiography, Chinese censorship prevented its publication. Today, Kazakh scientists are approaching the end of their study and translation of Su Beihai’s manuscript. Therefore, the article first analyses the most important and innovative aspects of this work for Kazakh history. It focuses on the stages of Kazakh history, traditions of statehood, economy, and culture. The Chinese scientist`s research on Kazakh history goes back to the ancient Saka period, to modern southern Kazakhstan, the emergence of the states of Dayuezhi and Wusuns in Zhetisu, Kangli state, the West Turkic Kaganate, the Turkic steppe, unification of Kara khan and Kara kidan (Western Liao), Genghis Khan’s invasion into Central Asia and the Kazakh steppes, Russian colonization, resettlement of Kazakhs in Russia and the Man Qin Empire, and others. In addition to Su Beihai’s positive research on the entire Kazakh history, the article provides critical reviews in the historiographical and source-study of several Chinese-centrist points of view.

A 200-Year History of the Study of Childhood Language Disorders of Unknown Origin: Changes in Terminology

2020 ◽  
Vol 5 (1) ◽  
pp. 6-11 ◽  
Author(s):  
Laurence B. Leonard
Keyword(s):  
Language Impairment ◽  
Specific Language Impairment ◽  
Scientific Literature ◽  
Language Disorder ◽  
Language Disorders ◽  
Unknown Origin ◽  
Developmental Language Disorder ◽  
The Past ◽  
History Of ◽  
The Many

Purpose The current “specific language impairment” and “developmental language disorder” discussion might lead to important changes in how we refer to children with language disorders of unknown origin. The field has seen other changes in terminology. This article reviews many of these changes. Method A literature review of previous clinical labels was conducted, and possible reasons for the changes in labels were identified. Results References to children with significant yet unexplained deficits in language ability have been part of the scientific literature since, at least, the early 1800s. Terms have changed from those with a neurological emphasis to those that do not imply a cause for the language disorder. Diagnostic criteria have become more explicit but have become, at certain points, too narrow to represent the wider range of children with language disorders of unknown origin. Conclusions The field was not well served by the many changes in terminology that have transpired in the past. A new label at this point must be accompanied by strong efforts to recruit its adoption by clinical speech-language pathologists and the general public.

‘I Fight Anyone Who Doesn’t Act as a Communist Should...’ Letter of F. A. Zemit to N.N. Krestinsky on Financial Work in Siberia. January 5, 1920.

2018 ◽  
pp. 1137-1148
Author(s):  
Dmitrii I. Petin ◽  
Keyword(s):  
Civil War ◽  
Soviet Society ◽  
Difficult Situation ◽  
Professional Activities ◽  
Regional Finance ◽  
Difficult Time ◽  
History Of ◽  
Source Study ◽  
The One ◽  
Major Impediment

The article offers a source study of the letter of the head of the Financial Department at the Siberian Revolutionary Committee F. A. Zemit to the People's Commissar of Finance of the RSFSR N. N. Krestinsky. Its text analysis clears up the issue of creation of Soviet regional governing bodies in the financial–economical sphere in Siberia at the final stage of the Civil War. The published source allows to outline major impediment to restoration of the Soviet finance system in Siberia after the Civil War: shortage of financial workers, their low professional qualifications, lack of regulatory documentation for organizing activities, etc. Key methods used in the study are biographical and problematic/chronological. Biographical method allows to interpret the document and to link it with professional activities of F. A. Zemit in Omsk. The problematic/chronological method allows to trace the developments in regional finance and to understand their causes by placing them into historical framework. The letter was written by F. A. Zemit in early January 1920 – at a most difficult time in his career in Siberia. The author considers this ego-document unique and revealing in its way. On the one hand, it is an official appeal of an inferior financial manager to the head of the People's Commissariat of Finance; its content is practical and no-nonsense. On the other hand, its style indicates a warm friendly and trusting relationship between the sender and the addressee; F. A. Zemit was, apparently, able to report personally to the People's Commissar of Finance of the RSFSR on the difficult situation in the region and to do so with great frankness. This publication may be of interest to scholars in history of Russian finance, Russia Civil War, Soviet society, and Siberia of the period.

ABOUT THE PERIODIZATION AND CHRONOLOGY OF THE HISTORY OF TAURIC CHERSONESUS IN THE PRE-ROMAN AND THE LATE ANTIQUE PERIODS

2020 ◽  
Vol 6 (72) (3) ◽  
pp. 127-148
Author(s):  
S. V. Ushakov
Keyword(s):  
Scientific Literature ◽  
Early Stage ◽  
Late Antique ◽  
Ancient History ◽  
History Of ◽  
Transitional Time ◽  
Early Byzantine

Hundreds of scientific works are devoted to the study of the Tauric Chersonesus, but the problem of chronology and periodization of its ancient history is not sufficiently developed in historiography. Analysis of scientific literature and a number of sources concerning this subject allows to define the chronological framework and to reveal 10 stages of the history of ancient Chersonesos (as a preliminary definition). The early stage, the Foundation and formation of the Polis, is defined from the middle/last third of the VI century (or the first half of the V century BC) to the end of the V century BC. The end of the late-Antique − early-Byzantine (transitional) time in Chersonesos can be attributed to the second half of the VI – first third of the VII centuries ad).

Monastery, Monument, Museum

2017 ◽  
Author(s):  
Maurizio Peleggi
Keyword(s):  
Cultural History ◽  
Art History ◽  
Social Life ◽  
Eleventh Century ◽  
Devotional Art ◽  
Cultural Legacy ◽  
Political Ideologies ◽  
Cultural Sites ◽  
History Of ◽  
Intellectual Knowledge

Monastery, Monument, Museum examines cultural sites, artifacts, and institutions of Thailand as both products and vehicles of cultural memory. From rock caves to reliquaries, from cultic images to temple murals, from museums and modern monuments to contemporary artworks, cultural sites and artifacts are considered in relation to the transmission of religious beliefs and political ideologies, as well as manual and intellectual knowledge, throughout thelongue durée of Thailand’s cultural history. Sequenced by and large chronologically along a period of time spanning the eleventh century through to the start of the twenty-first, the eight chapters in this book are grouped into three sections that surface distinct themes and analytical concerns: devotional art in Part I, museology and art history in Part II, and political art in Part III. The chapters can even be read as self-contained essays, each supplied with extensive bibliographic references.By examining the interplay between cultural sites and artifacts, their popular and scholarly appreciation, and the institutional configuration of a cultural legacy, Monastery, Monument, Museum makes a contribution to the literature on memory studies. A second area of scholarship this book engages is the art history of Thailand by shifting focus from the chronological and stylistic analysis of artifacts to their social life—and afterlife. Monastery, Monument, Museum brings together in one volume a millennium of art and cultural history of Thailand. Its novel analysis and thought-provoking re-interpretation of a variety of artifacts and source materials will be of interest to both the specialist and the general reader.

Conditions of Visibility

2019 ◽  
Keyword(s):  
Art History ◽  
Visual Art ◽  
Fundamental Question ◽  
Ancient World ◽  
Work Of Art ◽  
History Of Art ◽  
Shared Objects ◽  
History Of ◽  
Modern Prejudice ◽  
Historical Past

We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.

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