scholarly journals VERBAL REPRESENTATION OF GREY COLOUR IN UKRAINIAN AND ENGLISH PROVERBS

2020 ◽  
Vol 2 (46) ◽  
pp. 4-7
Author(s):  
T. Luchechko
Keyword(s):  
Verbal Representation ◽  
Grey Colour

scholarly journals Mineralogy and chemistry of archaeological ceramic fragments from archaeological Dark Earth site in Colombian Amazon

2011 ◽  
Vol 64 (1) ◽  
pp. 17-23 ◽  
Author(s):  
Marcondes Lima da Costa ◽  
Gaspar Morcote Rios ◽  
Mônia Maria Carvalho da Silva ◽  
Glayce Jholy da Silva ◽  
Uliana Molano-Valdes
Keyword(s):  
Brazilian Amazon ◽  
Chemical Characteristics ◽  
Amazon Forest ◽  
X Ray Diffraction ◽  
Aluminium Phosphate ◽  
X Ray ◽  
Clay Matrix ◽  
Archaeological Ceramic ◽  
Colombian Amazon ◽  
Grey Colour

Several Archaeological Dark Earth (ADE) sites have been already found in the Colombian Amazon forest showing high content of archaeological ceramic fragments similarly to those in the Brazilian Amazon represented by Quebrada Tacana site. Their fragments are yellow to grey colour, display a burned clayey matrix which involves fragments of cariapé and coal and ash particles, besides grains of quartz and micas. The clay matrix is made of metakaolinite, quartz, and some mica flakes, chlorite and sepiolite. Cariapé and cauixi spicules are constituted of cristobalite, which is also the main mineral component of the coal and ashes. Although not detected by X-ray diffraction, the phosphate minerals should be present, since the contents of phosphor reach up to 2.90 Wt.% P2O5. Possibly it occurs as aluminium-phosphate, since Ca contents fall below 0.1 Wt.%. These mineralogical and chemical characteristics allow to correlate these ceramic fragments with those found in the ADE in Brazil and reinforce phosphor as an important chemical component, which indicates human activity by the daily use of pottery all over the Amazon region.

XIV.—On the Roof of the Church of St. Andrew, Mildenhall, Suffolk

Archaeologia ◽  
1895 ◽  
Vol 54 (2) ◽  
pp. 255-266
Author(s):  
J. G. Waller
Keyword(s):  
Fifteenth Century ◽  
The Many ◽  
Early English ◽  
The Church ◽  
Grey Colour

The interior of the beautiful church of Mildenhall in Suffolk is remarkable for its spacious and noble proportions. Its roof of oak must take a chief place amongst the many fine examples in the eastern counties. The chancel is of Early English architecture, but the nave and aisles belong to the fifteenth century. It is to the roof of the latter to which I shall direct your attention. It has never been painted, as was so commonly the practice in the county, and therefore has that grey colour which ensues when no extraneous matter has been applied. The roof of the nave is divided by seven principal beams, supported by spandrels with tracery, with additions sustaining the rafters.

scholarly journals LEXICO-SEMANTIC FEATURES OF REPRESENTATION OF ETHNIC TOLERANCE IN MODERN AMERICAN PRESIDENTIAL DISCOURSE

2020 ◽  
Vol 1 (10(78)) ◽  
pp. 75-79
Author(s):  
Viktoriia Kozlova ◽  
Hanna Tarasenko
Keyword(s):  
English Language ◽  
Semantic Features ◽  
Equal Rights ◽  
Interethnic Relations ◽  
Lexical Semantic ◽  
Verbal Representation ◽  
Universal Category ◽  
Presidential Discourse ◽  
The Right ◽  
Negative Connotation

The paper focuses on the investigation of lexical-semantic features of ethnic tolerance representation in modern American presidential discourse. Linguistic studios interpret tolerance as a universal category that forms communication, affects its mechanisms and results. In this paper ethnic tolerance in American presidential discourse is defined as a compliance of the addresser and addressee of the presidential discourse with the ethical model of interethnic relations and popularization of this model that aims at society consolidation. Ethnic tolerance is manifested through an unbiased assessment, acceptance of different worldviews, faiths and cultures, awareness of equal rights and respect for democratic freedoms. The set of semantic components of the concept of tolerance in the English language is distinguished and four lexico-semantic groups representing ethnic tolerance in American presidential discourse: “culture of the alien”, “cooperation”, “attitude to the alien”, “right to independence” are identified. These groups are singled out given the dominance of semantic components of tolerance which denote the object of tolerance, the form of relations with the object of tolerance, the attitude to the object of tolerance and the right of the object of tolerance. The verbal representation of ethnic tolerance in American presidential discourse is characterized by non-categoricity, the use of plural first person pronouns and vocabulary with positive and negative connotation to emphasize positive intentions towards other states and nations. Taking into account the functional and stylistic components, the language means of ethnic tolerance are represented by political, legal and diplomatic terminology. The analysis of the lexico-semantic means that represent ethnic tolerance in modern American presidential discourse makes it possible to identify the basic value of this type of discourse and clarify the main features of the implementation of the ethnic tolerant behaviour.

scholarly journals Bach, Bukowski, genesis

Litera ◽  
2021 ◽  
pp. 198-204
Author(s):  
Inga Viktorovna Pogorelova
Keyword(s):  
American Literature ◽  
Semantic Analysis ◽  
Johann Sebastian Bach ◽  
Father Figure ◽  
Special Contribution ◽  
Continuous Sampling ◽  
Xviii Century ◽  
Verbal Representation ◽  
Motivic Analysis ◽  
German Composer

The object of this research is the references to the German composer of the XVIII century – Johann Sebastian Bach in poetry of the classic of modern American literature Charles Bukowski. Special attention is given to the poetic-semiotic and ontological aspects of Bach’s motif in the poetic works of C. Bukowski. The author meticulously examines the nature of mentioned references, categorizing them as the three narrative-ontological types or hypostases, in which the German composer appears in the poetry of C. Bukowski, namely: Bach-ideal, Bach-background, and Bach-father figure. The article employs the method of continuous sampling, interpretation and semantic analysis, motivic analysis, as well as biographical and psychological approaches. The author's special contribution into the research of this topic lies in the conclusion on the Bach’s motif in the poetry of C. Bukowski as a variety of ekphrasis, which suggests a verbal representation not of a single artwork, but of the demiurge (in this case it is Bach) as the creator of entirety of his brilliant compositions.

scholarly journals Kolmas merkitys toiseen

2016 ◽  
pp. 6-22
Author(s):  
Jukka-Pekka Kilpiö
Keyword(s):  
Roland Barthes ◽  
Moving Image ◽  
Verbal Representation ◽  
The Third ◽  
Medial Complex

The Third Meaning Squared. Kinekphrasis in Contemporary Finnish Poetry In this article I develop the concept of kinekphrasis to designate a particular form of intermediality, speci cally, the verbal representation of cinema or other form of moving image. Kinekphrasis builds upon ekphrasis, the classical rhetorical term that today generally refers to texts about static artworks, such as paintings and statues. Representing the medial complex of cinema, however, sets a distinct sensorial and semiotic challenge to a text and brings about a form of intermediality di erent from the traditional ekphrasis. I exemplify kinekphrasis with a reading of contemporary Finnish poetry, namely, individual poems by Pauliina Haasjoki and V. S. Luoma-aho, and one book-length work, Karri Kokko’s Töllötin (“The Tube”, 2010), the most extensive kinekphrasis in Finnish literature. In addition, I analyze Marko Niemi’s digital, animated version of Töllötin, which uses Kokko’s text and so adds yet another layer to the medial process. In representing lms and television, the texts foreground what Roland Barthes termed “the third meaning” (le troisième sens): all those excessive elements, details, and digressions that cannot be reduced to any narrative or symbolic functions.

scholarly journals Symbolic and Verbal Representation Process of Student in Solving Mathematics Problem Based Polya’s Stages

2017 ◽  
Vol 10 (10) ◽  
pp. 20 ◽  
Author(s):  
Rahmad Bustanul Anwar ◽  
Dwi Rahmawati
Keyword(s):  
Problem Solving ◽  
Junior High School ◽  
Symbolic Representation ◽  
Construction Process ◽  
School Class ◽  
Verbal Representation ◽  
High School Class ◽  
Class Viii ◽  
Mathematics Problem ◽  
Looking Back

The purpose of this research was to reveal how the construction process of symbolic representation and verbal representation made by students in problem solving. The construction process in this study referred to the problem-solving stage by Polya covering; 1) understanding the problem, 2) devising a plan, 3) carrying outthe plan, and 4) looking back. This research was qualitative research by getting involved 4 students of Junior High School class VIII. This study obtained results that the construction process of symbolic representation made by students since in the process of understanding the problem. In understanding the problem, students were able to identify the problem well. Then students could make the symbol used as a variable that the value was not known. By using the symbol students could perform a series of calculation to obtain the value of the symbol. Symbols created by students were very helpful and facilitated students in solving problems. While in the construction process, verbal representation was done by students since the process of understanding the problem. The form of verbal representation was manifested by writing down all information known from a slightly changed problem because they used a language that they understood more. Based on the known information, students could plan and performed a series of calculations using written sentences so that the problems could be solved properly.

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