scholarly journals Kolaborasi Musik Rock dengan Alat Musik Tradisional Polopalo

2020 ◽  
Vol 6 (3) ◽  
pp. 281
Author(s):  
Febriyando Febriyando
Keyword(s):  
Rock Music ◽  
Musical Instrument ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Current Generation ◽  
Percussion Instrument ◽  
Collaboration Process

Abstrak Polopalo adalah alat musik khas Gorontalo, yang sudah mulai ditinggalkan oleh generasi masa kini. Akan sangat menarik jika alat musik ini dikolaborasikan dengan alat musik modern. Oleh karena itu, penelitian ini bertujuan untuk mengetahui cara yang efektif dalam mengolaborasikan musik rock dengan alat musik polopalo. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif. Hasil penelitian menunjukkan bahwa keterbatasan nada yang dihasilkan dari bunyi alat musik polopalo menjadi suatu hambatan dalam proses kolaborasi, sehingga cara yang paling efektif dalam kolaborasi yang penulis lakukan adalah dengan menjadikan alat musik polopalo tersebut sebagai alat musik perkusi. Abstract The polopalo is a typical Gorontalo musical instrument, which the current generation has begun to abandon. It would be very interesting if this musical instrument was collaborated with modern musical instruments. Therefore, this study aims to determine the effective way to collaborate rock music with the Polopalo musical instrument. The approach used in this study is a qualitative approach. The results showed that the limitation of the tone produced from the sound of the polopalo musical instrument became an obstacle in the collaboration process, so that the most effective way of collaboration that the author did was to make the polopalo instrument as a percussion instrument.  

THE IMPACT OF ACOUSTIC OF SELECTED SPACES ON PERCUSSION INSTRUMENTS

Akustika ◽  
2020 ◽  
pp. 37-85
Author(s):  
Vojtěch Ondrejka ◽  
Tomáš Gergeĺ ◽  
Anna Danihelová ◽  
Martin Čulík ◽  
Dagmara Bednárová ◽  
...  
Keyword(s):  
Sound Quality ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Acoustic Properties ◽  
Reverberation Time ◽  
Percussion Instruments ◽  
Percussion Instrument ◽  
The Impact ◽  
Physical Quantities

The results of the investigation of the room acoustic properties influence on the perception of the sound of percussion musical instruments are presented in the paper. At first, the acoustic properties of two rooms were determined without musical instrument. Subsequently, the acoustic properties of the rooms were determined during the presentation of cajon music. On the base of reverberation time (EDT, T30), Clarity C80, Definition D50 and bass index BI) we can conclude that the room of the Hron cinema is more suitable for musical presentation, but it cannot be considered as ideal one. The Royal Hall of Zvolen Castle has a smaller influence on the sound of a percussion instrument. The influence of room acoustic properties on the resulting sound of the instrument was evaluated only on the base of results obtained with using the objective methods by the physical quantities measurement. Finally, the design of these rooms modification is presented to achieve a better sound quality of percussion instruments.

scholarly journals ANTONI PENGRAJIN CETIK DARI KABUPATEN LAMPUNG BARAT; KAJIAN NILAI ETOS KERJA

2017 ◽  
Vol 9 (1) ◽  
pp. 95
Author(s):  
Yuzar Purnama
Keyword(s):  
Cultural Heritage ◽  
Work Ethic ◽  
Musical Instrument ◽  
Qualitative Approach ◽  
Musical Instruments ◽  
Next Generation ◽  
Descriptive Method ◽  
Clear Information

Cetik/gamolan pekhing merupakan alat musik yang berasal dari Provinsi Lampung khususnya Kabupaten Lampung Barat. Cetik terbuat dari bambu, alat musik ini hanya digunakan untuk keperluan upacara adat dan pengiring dalam penyambutan tamu, karena cetik sulit untuk dipelajari. Pengrajin cetik di Provinsi Lampung jumlahnya relatif tidak banyak, mereka tetap menggeluti pekerjaan tersebut walaupun hasilnya tidak mencukupi. Hal inilah yang menarik bagi penulis untuk meneliti tentang pengrajin cetik dan alat  musik cetik. Penulisan ini bertujuan untuk mendapatkan informasi yang jelas tentang alat musik cetik dan pengrajinnya. Penulisan ini dibatasi dalam bentuk pertanyaan, apa cetik itu? Bagaimana membuatnya? Bagaimana perkembangannya? Bagaimana sosok Antoni sebagai pengrajin cetik? Apakah memiliki etos kerja? Penelitian ini menggunakan metode deskriptif dengan pendekatan kualitatif. Kesimpulan penelitian, cetik mengalami kesulitan untuk dipelajari dan dimasyarakatkan,  setelah dimodifikasi dari pentagonis menjadi diatonis, cetik lebih mudah dipelajari. Namun, cetik asli  tetap dipertahankan dan dilestarikan. Pengrajin cetik harus begulat antara kebutuhan hidup dengan tanggung jawab sebagai penerus leluhur untuk melestarikan warisan budaya. Perjuangan hidup pengrajin cetik yang dilematis menciptakan etos kerja yang dapat diadopsi oleh generasi penerus bangsa.    Cetik / gamolan pekhing is a musical instrument that originated from province of Lampung, especially in West Lampung District. Cetik is made from bamboo; this instrument is used only for ceremonial purposes and accompanist in welcoming guests, because cetik is difficult to learn. Cetik Craftsmen in Lampung Province relatively few in number, they still wrestle the job although the results are not sufficient. This is interesting for the writer to investigate about cetik craftsmen and cetik musical instruments. This research aims to obtain clear information about cetik musical instruments and craftsmen. The writing is restricted in the following questions: What is cetik? How to make it? What about its progress? How to figure Antoni as a cetik craftsman? Does he have work ethic? This research uses descriptive method with qualitative approach. The conclusion of this research is cetik faces a problem to be studied and promoted. After it is modified from pentatonic be diatonic, cetik is easier to be learnt. However, the original cetik is still maintained and preserved. Cetik craftsmen must struggle between the necessities of life with the responsibility as a successor to the ancestors for preserving cultural heritage. Life struggle of cetik craftsmen dilemma created a work ethic that can be adopted by the next generation.

scholarly journals Nilai Organologi Akustik Polopalo

SELONDING ◽  
2019 ◽  
Vol 15 (1) ◽  
Author(s):  
Rahmawati Ohi
Keyword(s):  
Research Method ◽  
Value Function ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Material Objects ◽  
Interesting Aspect ◽  
Acoustic Response ◽  
Community Activities ◽  
The World ◽  
Percussion Instrument

Values are meanings, messages either implicitly-exemplified in the form of ideas or theories that work in community activities, one of the material objects that describe the phenomenon is a traditional musical instrument. Speaking of traditional musical instruments, there is one that is valuable, namely Polopalo. Polopalo is a percussion instrument, a Gorontalo icon with a unique organology that is similar to a crocodile's mouth and produces a distinctive acoustic sound character. The unique and interesting aspect of Polopalo's acoustic organology makes its value function continue to experience development and transformation in the activities of society and the world of science.Nattiez about the meaning process at three levels: decomposition of acoustic components, historical or cultural background and physio-acoustic response and supported by the Alperson-Bordieu theory so that the research method uses quantitative-qualitative.The results showed that the value of Polopalo's acoustic organology is the embodiment of the character and philosophy of the Gorontalo people in everyday life where the existence of the sign is represented by the unique sound frequency and interval

scholarly journals Characterizing prototypical musical instrument timbres with Timbre Trait Profiles

2021 ◽  
pp. 102986492110015
Author(s):  
Lindsey Reymore
Keyword(s):  
Musical Instrument ◽  
Musical Instruments ◽  
Latent Structure ◽  
Dimensional Model ◽  
Wind Ensembles ◽  
Rating Data ◽  
Corpus Studies ◽  
Cognitive Research ◽  
Euclidean Distances ◽  
Semantic Distances

This paper offers a series of characterizations of prototypical musical timbres, called Timbre Trait Profiles, for 34 musical instruments common in Western orchestras and wind ensembles. These profiles represent the results of a study in which 243 musician participants imagined the sounds of various instruments and used the 20-dimensional model of musical instrument timbre qualia proposed by Reymore and Huron (2020) to rate their auditory image of each instrument. The rating means are visualized through radar plots, which provide timbral-linguistic thumbprints, and are summarized through snapshot profiles, which catalog the six highest- and three lowest-rated descriptors. The Euclidean distances among instruments offer a quantitative operationalization of semantic distances; these distances are illustrated through hierarchical clustering and multidimensional scaling. Exploratory Factor Analysis is used to analyze the latent structure of the rating data. Finally, results are used to assess Reymore and Huron’s 20-dimensional timbre qualia model, suggesting that the model is highly reliable. It is anticipated that the Timbre Trait Profiles can be applied in future perceptual/cognitive research on timbre and orchestration, in music theoretical analysis for both close readings and corpus studies, and in orchestration pedagogy.

An Analytical Study of the Folk Musical Instruments of Meghalaya

2021 ◽  
Vol 66 (1) ◽  
pp. 23-38
Author(s):  
Joyanta Sarkar ◽  
Anil Rai
Keyword(s):  
20Th Century ◽  
Folk Music ◽  
Analytical Study ◽  
Musical Instrument ◽  
Folk Songs ◽  
Musical Instruments ◽  
Indian State ◽  
Material Benefits ◽  
Local Materials ◽  
Over Time

"Meghalaya is a richly inhabited Indian state. Drums, flutes of bamboo and hand-held small cymbals are a common ensemble. The advent of Christianity in the middle of the 20th century marked the start of a decline in tribal popular music. Over time, Meghalaya’s music scene has evolved, attracting many talented artists and bands from both traditional and not-so traditional genres. Any of the most recent Meghalaya musicians and bands is: The Plague Throat, Kerios Wahlang, Cryptographik Street Poets, etc., Soulmate, Lou Majaw, and Snow White. Meghalaya’s music is characterised by traditional instruments and folk songs. The Musical Instruments of Meghalaya are made from local materials. Meghalayan people honour powerful natural forces and aim to pacify animistic spirits and local gods. The instruments are made of bamboo, flesh, wood, and animal horn. Any one of these musical instruments is considered to have the ability to offer material benefits. The Meghalaya musical instrument is an essential part of traditional folk music in the region. In this article, we offer an overview of the folk musical instruments of Meghalaya. Keywords: Idiophone, Aerophone, Chordophone, Membranophone, Trumpet. "

3D printing technology in musical instrument research: reviewing the potential

2018 ◽  
Vol 24 (9) ◽  
pp. 1511-1523 ◽  
Author(s):  
Antreas Kantaros ◽  
Olaf Diegel
Keyword(s):  
Additive Manufacturing ◽  
Design Methodology ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Wind Instruments ◽  
Content Type ◽  
New Class ◽  
History Of ◽  
New Applications ◽  
Practical Implications

Purpose This paper aims to discuss additive manufacturing (AM) in the context of applications for musical instruments. It examines the main AM technologies used in musical instruments, goes through a history of musical applications of AM and raises the questions about the application of AM to create completely new wind instruments that would be impossible to produce with conventional manufacturing. Design/methodology/approach A literature research is presented which covers a historical application of AM to musical instruments and hypothesizes on some potential new applications. Findings AM has found extensive application to create conventional musical instruments with unique aesthetics designs. It’s true potential to create entirely new sounds, however, remains largely untapped. Research limitations/implications More research is needed to truly assess the potential of additive manufacturing to create entirely new sounds for musical instrument. Practical implications The application of AM in music could herald an entirely new class of musical instruments with unique sounds. Originality/value This study highlights musical instruments as an unusual application of AM. It highlights the potential of AM to create entirely new sounds, which could create a whole new class of musical instruments.

scholarly journals A survey to investigate advanced musicians’ flow disposition in individual music practice

2018 ◽  
Vol 37 (1) ◽  
pp. 107-117 ◽  
Author(s):  
Marcos V. Araújo ◽  
Christopher F. Hein
Keyword(s):  
Teaching And Learning ◽  
Task Complexity ◽  
Daily Practice ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Musical Practice ◽  
Music Practice ◽  
Loss Of Self ◽  
Practice Experience ◽  
Practice Time

This study explored advanced musicians’ dispositions to flow in musical practice. A total of 168 classically trained musicians answered a questionnaire assessing their proneness for flow experience during musical practice and associations between flow and demographic factors, practice routines and musical instruments. Dispositions to flow in musical practice did not vary across musical instrument groups, age or gender. Positive associations were found between daily practice time and flow, suggesting that flow may contribute to engagement with daily practice. Negative associations between music practice experience and loss of self-consciousness and challenge–skill balance were found, suggesting that even among experts the level of task complexity during practice may affect perceptions of competence. While six individual flow indicators were frequently experienced, three indicators were much less experienced, pointing to the existence of another similar relevant experience in the practice of expert performers, named as optimal practice experience. The article finishes with implications regarding the benefits of flow for teaching and learning practices.

scholarly journals ANALISIS KECERDASAN MUSIKAL ANAK USIA DINI DENGAN BERMAIN ALAT MUSIK ANGKLUNG DI KELOMPOK B

2021 ◽  
Vol 1 (2) ◽  
pp. 225-233
Author(s):  
Ari Patma Sari ◽  
Dwi Prasetiyawati Diyah Hariyanti ◽  
Purwadi Purwadi
Keyword(s):  
Qualitative Research ◽  
Early Childhood ◽  
Data Collection ◽  
Active Role ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Musical Intelligence ◽  
Group B ◽  
The Right ◽  
Collection Methods

Musical intelligence is musical intelligence which is characterized by a person's ability in the field of music, both sensitivity and mastery of tones, rhythms, rhythm patterns, instruments, and musical expressions, so that a person can play musical instruments or sing songs. This study aims to analyze the musical intelligence of early childhood with angklung musical instruments in Hidayatullah Islamic Kindergarten Semarang. The benefit of this research is knowing how to apply the angklung musical instrument correctly so that it can develop children's musical intelligence. The method used is descriptive qualitative research with data collection methods, namely observation, interviews, and documentation. Based on the results of research that has been done that the activity of playing angklung musical instruments can play an active role in stimulating children's musical intelligence. This can be seen when playing angklung musical instruments, children have skills in playing angklung musical instruments, the ability to adjust the tempo, adjust the tone, adjust the rhythm/rhythm, and the ability to sing short songs with the right rhythm. The results of the study showed that the musical intelligence of children in group B of Hidayatullah Islamic Kindergarten Semarang through playing the angklung musical instrument developed as expected.

scholarly journals Klasifikasi Alat Musik Tradisional Minangkabau

2019 ◽  
Vol 8 (1) ◽  
pp. 88
Author(s):  
Dian Novita Sari ◽  
Desriyeni Desriyeni
Keyword(s):  
Data Collection ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Close Attention ◽  
Descriptive Research ◽  
Lack Of Information ◽  
Data Compilation ◽  
Main Class ◽  
Decimal Classification

Abstract The writing of this paper aims to (1) find out the classification of Minangkabau traditional musical instruments; (2) knowing the process of classifying Minangkabau traditional musical instruments; (3) knowing the obstacles and efforts to overcome obstacles in the process of classifying Minangkabau traditional musical instruments. Writing this paper using descriptive research methods. Data was collected based on observations and interviews from various sources. Based on the results of the study it can be concluded as follows, first classifying the traditional Minangkabau musical instrument the first step taken is data collection and data compilation. Then classify musical instruments based on the types of musical instruments which are divided into five, namely striking, blowing, striking, picking and pressing musical instruments, but there are only four types of musical instruments in Minangkabau, namely striking, blowing, striking and picking instruments. The types of musical instruments are classified according to the guidelines on DDC (dewey decimal classification). The two processes of classifying traditional musical instruments have several parts, as follows: (1) Dewey's classification; (2) Determine the Main Class; (3) Determine Divisions; (4) Determine the Section. The three obstacles in the process of classifying traditional Minangkabau musical instruments are as follows: (1) lack of information regarding musical instruments in the Minangkabau Region including the area of origin of the musical instruments; (2) the difficulty of grouping musical instruments based on the type of musical instrument, because many names of musical instruments are almost the same. Efforts to overcome obstacles in the process of classifying Minangkabau traditional musical instruments are as follows: (1) conducting the process of collecting all data derived from several literatures and institutions that store traditional Minangkabau musical instruments; (2) pay close attention to musical instruments to be grouped according to the type of music.Keywords: classification; traditional musical instruments; minangkabau

scholarly journals MUSICALISATION OF J. BUNYAN’S AND H. SKOVORODA’S LITERARY DISCOURSE

2019 ◽  
pp. 372-384
Author(s):  
O. Shykyrynska
Keyword(s):  
Significant Influence ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Common Features ◽  
Musical Space ◽  
The Bible ◽  
Musical Theme ◽  
The World ◽  
Musical Sounds ◽  
Artistic Heritage

The article deals with the musical space of the artistic heritage of J. Bunyan and H. Skovoroda that has many common features. The general place in the heritage of both writers is reference to solemn church or angelic singing, accompanying the scenes of triumph of the heroes. There are numerous quotations from the Bible psalms, that both writers mastered perfectly. Outplaying of the mythologemes “a man as a musical instrument” and “a world as a musical instrument” became common for both authors. Musical code is expressed in comparison with man’s features and musical sounds; assimilation of the world with a musical instrument, desire to hear “the music of spheres”. The comparison of a man’s emotional impulse with the sounds of musical instruments reveals willingness of the man of the Baroque age for the search of correspondence and for the synthesis of arts in a broad sense. Music as an art differs in the ability to reveal symbols by means of a sound, having a significant influence on the recipient. The analysis of musical component of H. Skovoroda and J. Bunyan’s work demonstrates its precise orientation on musicalisation of writers’ discourse. In the meantime musical theme is represented much wider in Skovoroda’s work than in the work of the English writer. The article introduces J. Bunyan and H. Skovoroda as bright representatives of national variants of baroque aesthetics.

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