scholarly journals Shooting The Truth : How Photographs In The Media Betray Us

2021 ◽  
Author(s):  
Gordana S. Icevska

This thesis investigates the manipulations photojournalists make to images that are intended to deliver news and present the reality/truth. It explores how documentary photography, which claims to present reality, has been manipulated throughout the years and analyses approaches of photographers and reactions of audiences in relation to these changes. This thesis examines the work of four photographers (Kertesz, Cartier-Bresson, Smith and Salgado) and it includes a reveiw of photographers' codes of ethics, research on photojournalistic practice in various countries, audience surveys, interviews and surveys with photographers. The surveys include case studies of photos which were altered in various ways, with questions about the ethics of photo manipulation and the importance of disclosure of alterations. By shedding some light on past and current photo alteration practices and expectations of the public and employees in the journalism industry, this paper hopes to raise questions about and provide insight into the future of photojournalism.

2021 ◽  
Author(s):  
Gordana S. Icevska

This thesis investigates the manipulations photojournalists make to images that are intended to deliver news and present the reality/truth. It explores how documentary photography, which claims to present reality, has been manipulated throughout the years and analyses approaches of photographers and reactions of audiences in relation to these changes. This thesis examines the work of four photographers (Kertesz, Cartier-Bresson, Smith and Salgado) and it includes a reveiw of photographers' codes of ethics, research on photojournalistic practice in various countries, audience surveys, interviews and surveys with photographers. The surveys include case studies of photos which were altered in various ways, with questions about the ethics of photo manipulation and the importance of disclosure of alterations. By shedding some light on past and current photo alteration practices and expectations of the public and employees in the journalism industry, this paper hopes to raise questions about and provide insight into the future of photojournalism.


2021 ◽  
pp. 218-234
Author(s):  
Mary Angela Bock

This chapter reviews the project’s argument, that social actors struggle over the construction of visual messages in embodied and discursive ways. Digitization has vastly expanded the encoding capabilities of everyday citizens, allowing them to render their expression of democratic voice visible, even as the ethical rules for visual expression are inchoate. The project’s case studies demonstrate the way grounded practices produce representations that support the authority of the criminal justice system, and together they invite three theoretical discussions: (1) on the way visual journalism’s physicality increases its reliance on those in power, (2) on the importance of image indexicality as a discursive affordance in the public sphere, and (3) on the digital public sphere as visual, and participation in this visual public sphere must be considered as an essential human capability. As a whole, the project offers insight into the construction of the criminal justice system’s literal and metaphorical image.


2020 ◽  
Vol 18 (4) ◽  
pp. 511-528
Author(s):  
Marcel Mauri-Ríos ◽  
Silvia Marcos-García ◽  
Aitor Zuberogoitia-Espilla

Purpose Codes of ethics are important instruments in journalism, as they promote transparency and self-regulation of media, in addition to monitoring the quality of information. The purpose of this paper is to analyse the perceptions that Spanish journalists have of the effectiveness of codes of ethics and to evaluate the different personal and professional variables which condition this vision. Design/methodology/approach The methodology used in the present study is based on quantitative content analysis using the survey technique. This technique makes it possible to obtain empirical data on various key aspects of the profession that are determining factors in ascertaining Spanish journalists’ views of one of the instruments of accountability that is external to the media: general ethical codes. Findings The results show that Spanish journalists are largely confident in the effectiveness of ethical codes in their profession. Likewise, it was seen that variables such as age, professional experience or the media with which they work influence the perceptions that professionals have of such instruments. Originality/value If understanding journalism as a profession whose mission is to guarantee the citizens their right to information, then it is essential to be familiar with the tools provided by the profession itself to be accountable to the public regarding this professional mission. Hence the importance of instruments of accountability and the perceptions of the professionals themselves regarding their effectiveness.


2010 ◽  
Vol 62 (12) ◽  
pp. 2854-2861 ◽  
Author(s):  
A. Chanan ◽  
S. Vigneswaran ◽  
J. Kandasamy

A Water Sensitive City is now commonly acknowledged best practice for designing the cities of the future. In Australia, the National Water Initiative has allocated high priority towards offering insight into successful water sensitive urban development projects, to facilitate capacity building within the industry. This paper shares innovative water sensitive projects implemented at Kogarah City Council, in Sydney. Four key projects are discussed, demonstrating how stormwater, rainwater and wastewater can be incorporated into decentralised water systems to offer sustainable water management of the future. The case studies included in the paper highlight Kogarah's journey towards the Soft Path for Water Management.


2017 ◽  
Vol 19 (3) ◽  
pp. 61
Author(s):  
Georgiana Udrea

In recent times, the European Union has been confronted with huge challenges and crises, which, in the absence of prompt and effective measures, call into question the future of the European project itself. The political incongruities, the disintegrating tendencies culminating with Brexit, the divisions between northern and southern states over economic crisis and austerity measures, the refugee waves and their poor integration into society, the rise of populist and extremist currents, etc. have caused anger, confusion and fear among Europeans, influencing the relations between member states and public perceptions. In this unstable context, studying people’s opinion on the EU and its subtle mechanisms becomes an important and pragmatic effort, as the public has the means to pursue action based on its feelings of support or opposition towards the community block. Oana Ștefăniță’s book, Uniunea Europeană – un trend în derivă? proposes such an insight into the world of young European citizens, investigating their interest in European issues, the EU’s place on the agenda of interpersonal conversations, the way they understand and experience the feeling of European belonging, and their perspectives on the future of the Union.


2021 ◽  
Vol 3 (1) ◽  
pp. 54
Author(s):  
Merlyn Novarindiawati

Perancangan ini dibuat untuk menyampaikan keindahan wisata budaya di kabupaten Sidoarjo, khususnya Candi Pari yang terletak di Porong, Kabupaten Sidoarjo, Jawa Timur. Media Fotografi dipilih sebagai sarana mengiklankan karena simpel, dan lebih nyata serta mudah dipahami hingga menarik pengelihatan bahkan menyentuh hati. Keunggulan dari media ini pun dirasa lebih menggugah emosi pembaca untuk berperan langsung serta melihat rinci isi yang ada di media tersebut. Metode yang digunakan adalah metode kualitatif. Berawal dari pengumpulan data dengan cara observasi, wawancara, dan dokumentas dengan menggunakan teknik analisis data view. Hasil dari pengumpulan data tersebut diperoleh informasi tentang kurangnya kepedulian pemerintah dan badan pengelola wisata yang mengakibatkan minimnya akses jalan dan petunjuk arah ke lokasi, banyak masyarakat yang kurang mengetahui lokasi wisata candi pari sebagai cagar budaya bangsa. Setelah itu, menentukan konsep desain dan ide perancangan, adapun konsep yang digunakan dalam perancangan ini adalah konsep “Delight” pada warna yang digunakan pada dalam buku. Hasil akhir dari perancangan ini adalah Buku Essay Fotografi yang didukung dengan media pendukung seperti kaos, mug, tempat pensil dan lain lain. Melalui perancangan ini diharap dapat menambah wawasan masyarakat akan adanya destinasi Wisata Cagar Budaya Candi Pari.This design was made to convey the beauty of cultural tourism in the Sidoarjo district, especially the Pari Temple located in Porong, Sidoarjo Regency, East Java. Media Photography was chosen as a means of advertising because it is simple, and more real and easy to understand to attract vision and even touch the heart. The advantages of this media are also felt to be more arousing to the reader’s emotions to play a direct role and see detailed contents in the media. The method used is a qualitative method. Starting with data collection by observation, interview, and documentation follow by using view analysis. The results of the data collection obtained information about the lack of compensation of the government and the tourism management agency that resulted in the lack of access to the nationalities, many people were not aware of the tourism locations. After that, to determine the design concept and design idea, while the concept used in this design is the concept of “Delight” on the colors used in the book. The final result of this design is a Photography Essay Book which is supported by supporting media such as t-shirts, mugs, pencil cases, others. Through this design it is hoped that can broaden the public insight into the existence of the Pari Temple Cultural Heritage Tourism destination.


2016 ◽  
Vol 20 (1) ◽  
pp. 293-310 ◽  
Author(s):  
Jean-Christophe Plantin ◽  
Carl Lagoze ◽  
Paul N Edwards ◽  
Christian Sandvig

Two theoretical approaches have recently emerged to characterize new digital objects of study in the media landscape: infrastructure studies and platform studies. Despite their separate origins and different features, we demonstrate in this article how the cross-articulation of these two perspectives improves our understanding of current digital media. We use case studies of the Open Web, Facebook, and Google to demonstrate that infrastructure studies provides a valuable approach to the evolution of shared, widely accessible systems and services of the type often provided or regulated by governments in the public interest. On the other hand, platform studies captures how communication and expression are both enabled and constrained by new digital systems and new media. In these environments, platform-based services acquire characteristics of infrastructure, while both new and existing infrastructures are built or reorganized on the logic of platforms. We conclude by underlining the potential of this combined framework for future case studies.


Komunikator ◽  
2021 ◽  
Vol 13 (2) ◽  
pp. 100-111
Author(s):  
Dhyah Ayu Retno Widyastuti

New media and social media have changed the frame of communication that appears quickly, is interactive, and has no geographical boundaries. The media plays an essential role in disseminating accurate and responsible information in a disaster situation. The strategy of using communication media will reduce the impacts arising from disasters in the mitigation, preparedness, response, and recovery phases. Through a literature review, the author presents disaster communication, strategies, and using media in disasters. The research use case studies are the natural disaster of Mount Merapi and the Covid-19 pandemic to represent non-natural disasters. The results of the analysis show that sensitivity to the situation is an adequate response in a disaster. Furthermore, new media and social media tend to be sufficient as the primary source of information for the public, coordination, and fundraising. The effectiveness of media use in the Merapi disaster is the beginning of new media and social media in disaster communication in Indonesia. This media is also used in disaster management during the COVID-19 pandemic. The use of media in both case studies is considered adequate to reduce the negative impacts arising from the disaster. It is hoped this idea will contribute to disaster communication studies. 


Author(s):  
Annabelle Nicolas-Kopec

ABSTRACT Over recent years, there have been numerous studies and papers on media coverage and subsequent politics of oil spills. However, there has been limited focus on how media can impact the effectiveness of a spill response. Using ITOPF's case study database, spanning 50 years of incidents, it has been consistently observed that, regardless of the quality of the cleanup strategy put in place, the media may affect the response both positively and negatively on the effectiveness of the clean-up response. This paper presents a framework, supported by case studies, for assessing the media impact on three aspects of a response: (1) the strategy; (2) the logistics; and (3) the claims/damage assessment. The media's influence on response strategy is visible throughout the preparedness, clean-up, and post spill phases of the incident. Impacts on logistics are focussed primarily on the involvement of the public in the clean-up itself, with some effects positively supporting the response, while others cause disruption; potentially impacting the safety of responders. As for claims and damage assessment aspects of a response, the impact of media can often be observed long after the initial reporting. This contrasts with the relatively immediate media effects on strategy and logistics. While it is sometimes too late to counteract perceptions of damage or claim inflation due to media coverage, numerous case studies have also demonstrated how pressure from the media increases the accountability of the stakeholders involved in the response and the level of awareness of compensation available to claimants. The objective of this paper is to provide a framework that is useful for responders to understand and prepare for the potential media influence on the effectiveness of a response.


Author(s):  
Zainol Hasan

The term Liberal Islam Network was not well known and was not noticed by people in Indonesia. Moreover, the number of proponents’ is very small, can be counted on the fingers. It presents a new face of Islam which is in the form of non-orthodox, Islam that has compatibility with alteration of era and Islam that has an insight into the future. That is not Islam that has ignorance into the future or that is not outdated. But the ideas promoted by them get a strong reaction from the public, either from the Indonesian religious leaders, or from the Indonesian Moslem intellectuals. Therefore, the term Liberal Islam Network was actually popularized by the opponents.


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