scholarly journals WOMAN AND TECHNOLOGY: A STUDY ON GENDER PORTRAYAL OF A FEMALE CYBORG IN GHOST IN THE SHELL (2017) MOVIE

Lire Journal ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 26-39
Author(s):  
Pujo Sakti Nur Cahyo ◽  
Riyan Evrilia Suryaningtyas

This study aims to analyze gender portrayal in Ghost in the Shell (2017) movie by applying Donna Haraway’s concept of cyborgs as in her Cyborg Manifesto. Focusing on the analysis of narrative and non-narrative elements, this research seeks to reveal how the main character is portrayed as a female cyborg. As a result, the writers found that her shifting existence as a female cyborg in the movie is the representation of how women can be the subject by affiliating with technology. The assumption of women as the "object" of technology is no longer exist, and they are competent to have a career in technology. As a conclusion, this movie promotes the idea of women empowerment in technology by the affiliation of women and technology.

2021 ◽  
Vol 2 ◽  
pp. 69
Author(s):  
Nuri Fainuddin

Destruction Caused by Greed and Brutality as Reflected in Shakespeare’s Macbeth: A Psychological Approach becomes the title of the research. It is intended to describe the greed and brutality of the main character; the main character’s id, ego, and super ego; the catastrophe suffered by the main character, and the moral values of this drama. The subject of the research is Macbeth, a play written by William Shakespeare and the main character’s greed. The object is the psychological aspect of the main character. The research belongs to a library research since its sources are taken from books. Horney’s theory of greed is applied to analyze the data. The study found several interesting results. First, Macbeth becomes a king by murdering King Duncan (a form of Macbeth’s greed). Second, Macbeth’s brutality is shown by murdering Banquo’s and Macduff’s family. Third, Macbeth’s id is murdering the king and the followers; the ego supports the King; and the super ego cuts of the King head when Birnam wood comes. The play delivers several messages to the readers, such as those who plant will harvest and the good deed will destroy the bad deed.


2021 ◽  
Vol 66 (2) ◽  
pp. 297-308
Author(s):  
Adela Bihari

"The subject of this study deals with the presence of the “fatality” motif in the musical dramaturgy of Bizet’s opera Carmen. A musical portrait of the main character, it defines from the very beginning her tragic destiny. The present analytical approach identifies all the insertions of this musical motif along the development of the dramatic plot, in an intrinsic relationship with the text. Keywords: Bizet, Carmen, opera, fatality, musical dramaturgy "


2020 ◽  
Author(s):  
Madeleine Long ◽  
Hannah Rohde ◽  
Michelle Oraa Ali ◽  
Paula Rubio-Fernandez

Two story-continuation experiments replicate a well-known effect whereby speakers use fewer pronouns to refer to the main character of a story when an additional character is present in the scene/discourse. This effect arises even when characters are different sex/gender and a pronoun would be unambiguous, a finding originally attributed to competition for attentional resources in the speaker’s representation of the discourse (Arnold & Griffin, 2007). However earlier work did not explicitly test this account. Here we investigate the role of inhibition and attention switching on referential choice across one- and two-characters scenes in 200 participants aged 19-82. Attentional capacity did not predict pronominalization differences across scenes. Instead, our results lend support to an alternative account whereby lower pronominal use in two-character scenes reflects participants’ accurate assessment that the subject is more likely to be the topic when no additional character is present.


2021 ◽  
Vol 1 (02) ◽  
pp. 197
Author(s):  
Nanda Maulana Hasmi

Literary work tries to describe human life, not only in relation to other humans, but also in relation to itself through the relationship of inner events. One form of literary work is novel. The birth of the novel is the creative result of the author in processing a story about life complete with various conflicts in it. Because this research is intended as a study of literary psychology to achieve the psychological aspects of the main character in the novel Hati Suhita by Khilma Anis, what will be put forward is the structure of the story which is closely related to the psychological exposure of the main character. The story structure is the characters and characterizations. As well as the story setting. Qualitative method. Namely, research procedures that produce qualitative descriptive data in the form of written or spoken words from people and observed behavior. How as much data as possible will be able to become the subject of research depends on the use of research techniques. While the approach is a literary assessment perspective. The approach is the scope of literary research. The form, content, and nature of literature as the subject of study. Until now, it seems that in literary research there is often confusion between the use of the terms method, technique and approach. As a result, there are overlapping areas of literary research. The method should involve the operational means of research. The method requires research steps that are worth following. The research results found by the researcher were in the form of the character of the main character and psychological conflicts in Khilma Anis' novel Hati Suhita. Suhita's character is good, tawadhu, smart. Al Birruni is firm, easy to change. Rengganis beautiful, smart. Aruna is good, cheerful. Kang Dharma is calm, mature. And the psychological conflict of Suhita's character is sad. Al Birruni didn't have the heart, Rengganis knew himself, Aruna was sad, and Kang Dharma was calm. In connection with conducting the research, the writer suggests that: first, literary reviewers are advised to examine more deeply the implicit and explicit values in Khilma Anis' novel Hati Suhita, because then we as readers can understand the author's message and his work in totality.


2021 ◽  
Vol 13 (2) ◽  
pp. 213
Author(s):  
Jimmi Jimmi ◽  
Windi Mawadah

The objective of this research is to explain the types of discrimination shown by the main character in her society and to identify the effects that main character experienced after being discriminated. This research used descriptive qualitative method to analyze the movie. The subject of this paper was movie Crazy Rich Asians by Jon M Chu. The data analysis was conducted using U.S.  Equal Employment Opportunity Commission theory reference. By the process of the analysis, it was that harassment, national origin discrimination, race/color discrimination, and religious discrimination were experienced by the main character. Not only that, the researchers found four types of effects experienced by a person after being discriminated, which are marginalization, disempowerment, low self-esteem and self-identity, and aggression or criminality.


Author(s):  
Kseniya Sergeevna Oparina

The goal of this article consist in interpretation of the major metaphor in Günter Grass’ novel “The Tin Drum”,  and coverage of its interrelation with symbolism of the image of the protagonist Oskar Matzerath. The subject of this research is the metaphor of stopped time. The time stops for Oscar with regards to physical and emotional development. Special attention is given to the fact that the protagonist of the novel, who comes into the world with adult intelligence, deliberately stops his development at the age of three. Using the indicated metaphor, the author of the novel forms the key traits of the image of the protagonists: perpetual child, demiurge, trickster. The novelty of this research and special contribution of the author consists in revelation of direct correlations between the aforementioned traits of the main character of the fundamental problems of human existence. A child who refuses to grow up, symbolizes infantilism and denial of the generally accepted socio-ethical norms. At the same time, G. Grass describes dissolution of the surrounding world and blames specific nation in the crimes against humanity, endowing Oskar Matzerath with the traits of trickster and demiurge. The acquired results can be used in textbooks on the history of foreign literature and culturology; as well as in writing term and graduation theses by students majoring in the humanities.


Author(s):  
Onur Keşaplı

Pedophilia, which at the same time is considered as a sickness, was mostly handled in cinema history as an element of crime. Apart from the examples where the evil is punished, there also exists movies where the subject is handled but not named. And in recent past, movies that aim to empathize started to appear. These movies places pedophilia in the center, study the justifications behind actions and tries to establish sympathy. There are movies such as The Woodsman and Kind in which the main character is a pedophile, ones like Little Children where pedophilia is handled as a whole and ones like Nympnomaniac Vol 2 wherein pedophilia is elaborately scrutinized. Common trait of all these movies is the acceptance of pedophilia, which is coded as a state of absolute evil, as a reality and engaging in an effort to understand it. These four movies which, within the frame of autonomy of art and within the context of cinematographic ethics, empathize with a state that is opposite to moral norms are of importance regarding confrontation with parts of human nature that is considered evil.


2009 ◽  
Vol 15 (6) ◽  
pp. 459-461
Author(s):  
Allan Beveridge

SummaryThis article examines the short story Metamorphosis by the enigmatic Czech writer Franz Kafka, whose work has been the subject of extensive critical discussion. His writings have been seen in the context of existentialism, Jewish mysticism and as a warning of the advent of totalitarianism. Kafka has attracted the attention of psychoanalysts and psychiatrists, who have maintained that his life and work manifest evidence of unresolved Oedipal issues and of schizoid personality. Metamorphosis is open to a multitude of interpretations, but a potentially fruitful approach is to see parallels between the predicament of the story's main character, Gregor Samsa, and that of people with severe mental illness. The story highlights the fate of those who are judged to be different by society and how issues of alienation, impaired communication and rejection arise.


2001 ◽  
Vol 9 (3) ◽  
pp. 369-383 ◽  
Author(s):  
PATRICE PAVIS

This paper critically reviews seven productions at Avignon 2000. The first was ‘Le chant perdu des petit riens’. This corresponds to visual and tactile perception bound to the hand and skin. ‘Le Petit Köchel’ is a story of Mozart devoured by the Heifetz sisters, two virtuoso violinists. The non-lyrical dry writing is made up of very dry statements that distance the observer; the result seems to resolve into an attractive ‘skin effect’ and a repulsive ‘bone effect’. In the ‘Ruines romaines’ relations between people are a field of ruins; individuals are obsessed by bad feelings and disgust. Bones stick out to signify the excessive fixity of ideals. In ‘Terres promises’ the enigma of textual and scenic images overwhelms the spectator; the subject wants to be guided by an organizing principle, the resemblances are explored at multiple levels. In ‘La Peau d'Elisa’ the relationship of flesh and clothing is emphasized; the main character can only communicate after eye contact. ‘Andromaque’ is a modern interpretation of a great classic. Finally ‘La Mouette’ shows the heroine immersed in feathers from a disembowelled pillow; the ambiguity of meaning is emphasized and the production is maintained between intellectuality and sensuality.


ALAYASASTRA ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 157-173
Author(s):  
Destyanisa Tazkiyah ◽  
Mudjahirin Thohir ◽  
Monika Herliana

AbstrakTujuan penelitian ini untuk membandingkan mitos Jaka Tarub yang berasal dari Indonesia dan mitos Niúlángzhinü yang berasal dari Tiongkok. Terdapat tigamasalah utama yang akan dibahas, yaitu (1) skema aktan dan fungsional  mitos Jaka Tarub dan Niúláng Zhinü, (2) perbandingan struktur cerita kedua mitos, dan (3) makna mitos terhadap tradisi budaya masyarakat setempat. Pendekatan yang digunakan adalah pendekatan objektif, dengan menggunakan teori struktural A.J. Greimas untuk menganalisis struktur cerita kedua mitos yang diteliti. Hasil penelitian menemukan bahwa terdapat persamaan pada tema cerita, ide awal permunculan konflik, dan persamaan aktansial pada subjek   tokoh utama laki-laki dan objek  tokoh utama perempuan, sedangkan perbedaan terdapat pada fungsi aktan sender (pengirim), helper (penolong), opposant (penentang), dan akhir cerita. Tradisi budaya yang ada pada masyarakat menjadi ciri khas dan warisan budaya yang terbentuk akibat pengaruh dari makna mitos yang diceritakan secara turun-temurun.Kata kunci: Jaka Tarub, Niulang Zhinu, Strukturalisme, Greimas, Tradisi Budaya AbstractThis research purpose is to compare Jaka Tarub myth that originating from Indonesia with Niúláng Zhinü myth originating from China. There are 3 main problems that will be discussed, (1) the schematic of the actan and functional myths of Jaka Tarub and Niúláng Zhinü, (2) comparison of the story structure of the two myths, and (3) The meaning of myth to the cultural traditions of the local community. The research used a objective literature approach, and using the structural theory of A.J Gerimas to analyze the structure of both myths. The results found that there are similarities in the theme of the story, the initial idea of conflict appearance, also the similarity on the subject, which is the main male character and the female main character as the object, while the differences are in the function of the sender, helper, opposant and the ending of story. Cultural traditions that exist in society become cultural heritage that was formed as an influence and significance meaning of the myth that was passed down for generations.Keywords: Jaka Tarub, Niulang Zhinu, Structuralism, Greimas, Cultural Traditions


Sign in / Sign up

Export Citation Format

Share Document