scholarly journals HIP HOP “BERASA” JAWA (PROSES PENCIPTAAN MUSIK HIP-HOP KM 7 YOGYAKARTA)

2019 ◽  
Vol 12 (1) ◽  
pp. 44-53
Author(s):  
Chandra Okta Abrianto
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Creative Process ◽  
Hip Hop ◽  
Traditional Music ◽  
Musical Structure ◽  
Musical Form ◽  
The West ◽  
Artistic Career ◽  
Textual Research

Boedi Pramono’s creativity as the creator of the Hip Hop KM 7 group is by combining Javanese traditional music with hip hop music. This paper reviews from the beginning of Boedi Pramono’s artistic career until the formation of Hip Hop KM 7. The problems that arise are (1) Revealing and explaining the formation and structure of Hip Hop KM 7’s music, (2) Explaining the creative process of Hip Hop KM 7’s music. To answer such problems, this research employs qualitative research methods by studying empiricism, trying to be able to express objectively which is more oriented towards the field of textual research, with the addition of Bambang Sunarto’s concept of the creative process in art. The creative process of art is the process of finding the constructive elements of art in regards with (1) the artist’s belief in creating the artwork, (2) the vocabulary and the artistic model, (3) the artistic concepts and (4) the artistic models, which are then used as means to create the artwork, thus answering the question. This article reveals that: firstly, the musical form presented by Hip Hop KM 7 is a digital-based music enriched with gamelan idioms and in general Javanese traditional music. Here, the musical structure is divided into two musical impressions, namely the West and the Traditional music. Secondly, Boedi Pramono with his musical creativity formed Hip Hop KM 7 from a thickly artistic environment and later included the traditional element and further the traditional dance to the hip hop music.Keywords: Hip-hop Jawa, Hip-hop Km 7, Hip hop Yogyakarta.

scholarly journals Inovasi alat musik konvensional berbahan dasar bambu oleh Indonesian Bamboo Community

2018 ◽  
Vol 13 (1) ◽  
pp. 1-10
Author(s):  
Mirna Nurmala
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Creative Process ◽  
Musical Instrument ◽  
Qualitative Research Methods ◽  
Raw Material ◽  
Selling Price ◽  
Important Thing ◽  
Material Cost

Adanya asumsi bahwa bambu merupakan material dasar yang murah dan tidak memiliki harga jual,memicu kegelisahan beberapa kalangan untuk berinovasi menggunakan bambu sebagai bahan dasar. Salah satunya adalah Indonesian Bamboo Community yang dipimpin oleh Adang Muhidin yang mencoba berinovasi dengan membuat alat musik konvensional berbahan dasar bambu. Tulisan ini akan membahas proseskreatif yang dilakukan oleh sebuah komunitas bambu dengan metode penelitian kualitatif, yaitu penelitian yang menekankan pada kualitas atau hal terpenting dari sifat suatu benda, yang didalamnya tidak hanyameliputi pertunjukan musik saja tapi bagaimana membuat alat musik yang berbahan dasar bambu. ABSTRACTThe assumption that bamboo is a material cost basis and does not have a selling price, triggers anxiety in some quarters to innovate using bamboo as raw material. One of them is the Indonesian Bamboo Community led by Adang Muhidin who tried to innovate by creating a conventional musical instrument made from bamboo. This paper will discuss the creative process undertaken by a community of bamboo with qualitative research methods, the research emphasizes on the quality or the most important thing of the nature of an object, in which not only includes music performances alone but how to make a musical instrument made from bamboo.

scholarly journals Bentuk Penyajian Tari Sining Pada Masyarakat Gayo Aceh Tengah

2020 ◽  
Vol 3 (2) ◽  
pp. 493-505
Author(s):  
Maghfirah Murni Bintang Permata ◽  
Rika Wirandi ◽  
Berliana Denada
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Open Field ◽  
Main Property ◽  
Traditional Music ◽  
Musical Instruments ◽  
Spontaneous Movements ◽  
Dance Movements ◽  
Revitalization Effort ◽  
Field Area

This paper aims to describe the form of presentation of the sining dance in the Gayo community of Central Aceh Regency. Sining dance is a dance whose form of movement is inspired by nature. The movements are pure and use a lot of mimitive movements. This dance is also one of the traditional dances that was extinct and was then made a revitalization effort by the Central Aceh Kuta Dance Studio. This study focuses the problem on the form of presentation of the Sining Dance. To analyze the problem, Soedarsono used the theory of presentation forms, which said that, the form of presentation in dance has an understanding of how to present a dance as a whole, including the main elements or elements that support dance. These elements consist of dance movements, floor design, make-up, costumes, performance venues, props, and accompaniment music. This research uses qualitative research methods. This study concludes that the movements contained in the sining dance are mimitive and spontaneous movements, and tend to describe balance. Using a gayo openwork costume, accompanied by traditional music and traditional Gayo musical instruments. With two adult male dancers. Using upuh ulen-ulen cloth. Using a props made of pile board measuring 1.6 meters high. The shape of the board which is used as the main property is adopted from the Bere Numah shape. Meanwhile, the sining dance performance venue is currently adjusting to the location of the show provided, both on stage and in the open field area.

scholarly journals PENINGKATAN KREATIVITAS PENGELOLAAN UNSUR-UNSUR GERAK TARI DI ACEH BESAR

2019 ◽  
Vol 2 (1) ◽  
pp. 53
Author(s):  
Sabri Gusmail ◽  
Prasika Dewi Nugra ◽  
Fitra Airiansyah
Keyword(s):  
High School ◽  
Qualitative Research ◽  
Action Research ◽  
Research Methods ◽  
Creative Process ◽  
Senior High School ◽  
Dance Movement ◽  
Basic Substance ◽  
The Arts ◽  
Arts Community

Artikel ini adalah bagian dari hasil penelitian terkait proses kreatif koreografi di Aceh Besar. Diperlukan pengetahuan secara teori dan praktik mendasar untuk pengelolaan gerak sebagai media ungkap tari. Penelitian yang dilakukan di Aceh Besar membahas permasalahan daya kreativitas mencipta motif gerak dalam kajian koreografi garap bentuk. Jenis penelitian adalah penelitian kualititif dengan menggunakan metode penelitian tindakan (action research). Mengidentifkasi masalah khusus dan menentukan tindakan sebagai solusi masalah tersebut. Tahapan penelitian antara lain : perencanaan (planning), pelaksanaan (acting), pemantauan (monitoring atau observing), pelatihan terpadu dan penilaian (reflecting atau evaluating). Tindakan dilaksanakan dalam bentuk pelatihan pengelolaan unsur-unsur gerak tari, kajian koreografi garap bentuk. Menjalin kegiatan kemitraan dengan Bidang Kebudayaan, Dinas Pendidikan dan kebudayaan Aceh Besar untuk melaksanakannya. Menggabungkan 2 (dua) teknik dalam pelaksanaan pelatihan, yaitu : penyampaian materi secara teori dan mendemonstrasikan secara praktik. Penelitian ini diharapkan dapat berkontribusi untuk meningkatan kreativitas dalam pengelolaan gerak sebagai substansi dasar tari bagi para pelaku seni tingkat SMP, SMA/SMK maupun komunitas seni di Aceh Besar. Kedepannya peserta pelatihan diharapkan mampu menghasilkan karya-karya seni inovatif dalam peningkatan perkembangan seni tari di Aceh.This article is part of the results of research related to the creative process of choreography in Aceh Besar. Knowledge is needed in theory and fundamental practice for the management of motion as a medium for expressing dance. Research conducted in Aceh Besar discusses the issue of the power of creativity to create motion motives in the study of choreography in terms of form. This type of research is qualitative research using action research methods. Identify specific problems and determine actions as a solution to the problem. Stages of research include: planning, implementation (acting), monitoring or observing, integrated training and assessment (reflecting or evaluating). The action was carried out in the form of training in the management of the elements of dance movement, the study of choreography in the form. Establish a partnership with the Culture field of Aceh Besar Education and Culture Office to implement it. Combining 2 (two) techniques in the implementation of the training, namely: delivering material theoretically and demonstrating in practice. This research is expected to contribute to increasing creativity in the management of motion as the basic substance of dance for junior and senior high school / vocational arts practitioners and the arts community in Aceh Besar. In the future the training participants are expected to be able to produce innovative works of art in improving the development of dance in Aceh.

scholarly journals PERJALANAN KREATIF KELOMPOK KANTOR TEATER JAKARTA “SEBUAH KELAHIRAN YANG SAKIT”

2020 ◽  
Vol 2 (2) ◽  
pp. 234
Author(s):  
Wanda Rahmad Putra
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Creative Process ◽  
Pierre Bourdieu ◽  
Qualitative Research Methods ◽  
Limited Space ◽  
Street Theatre ◽  
Preliminary Study

ABSTRAK Tulisan ini adalah studi pendahuluan atas fenomena Kantor Teater Jakarta (KTJ), sebuah kelompok teater yang menolak keberadaan sutradara dalam setiap proses kreatifnya. Penelitian ini menggunakan metode penelitian kualitatif untuk merekam perjalanan kreatif KTJ dalam perspektif teori habitus Pierre Bourdieu. Studi ini menggambarkan awal perjalanan kreatif KTJ yang penuh dengan 'pengalaman rasa sakit', sering mengalami keterbatasan ruang dan penolakan dari masyarakat, dan juga sering menghadapi para petugas keamanan yang kerap mengebiri kreativitas mereka. Keterbatasan ruang, keglamoran dan eksklusivitas gedung dan pertunjukan teater di Indonesia membuat mereka merumuskan konsep 'teater portabel'. KTJ menghadapi eksklusivitas keglamoran itu dengan 'melemparkan tubuh aktor keluar dari panggung' dan membuat panggung teater mereka sendiri di jalanan. Melalui cara ini KTJ dapat pentas di mana pun mereka ingin.Kata Kunci : Kantor Teater Jakarta, menolak sutradara, glamoritas, eksklusifisme, teater jalanan, habitus This paper is a preliminary study of the phenomenon of the Kantor Teater Jakarta (KTJ), a theatre group that rejects the existence of a director in every creative process. This study uses qualitative research methods to record KTJ's creative journey in the perspective of Pierre Bourdieu's habitus theory. This study describes the beginning of KTJ's creative journey that is full of 'painexperiences', often experiences limited space and opposition from the community, and also often confronts ecurity officers who often castrate their creativity. Space limitations, glamorous, and exclusivity of theatre and performances in Indonesia made them formulate the concept of 'portabletheatre'. KTJ faces this glamorous exclusivity by 'throwing the actors bodies out of the stage' and making their own theatre on the streets. In this way KTJ can perform wherever they want. Keywords: Kantor Teater Jakarta, theatre group, rejecting directors, street theatre, habitus.

scholarly journals CIVIL SOCIETY DAN STABILITAS SOSIAL

2020 ◽  
Vol 12 (2) ◽  
pp. 62-79
Author(s):  
Ana Sabhana
Keyword(s):  
Qualitative Research ◽  
Civil Society ◽  
Research Methods ◽  
Qualitative Research Methods ◽  
Religious Communities ◽  
The West ◽  
Community Forum ◽  
The Government

This paper discusses the problem of intolerance that still occurs in Indonesia, one of which is the rejection of the establishment of places of worship. The Karo Protestant Batak Church (GBKP) does not have a permit to build a house of worship, so the surrounding community rejects the building. This paper focus on the strategy undertaken by the Inter-Community Forum (FLO) in resolving the GBKP establishment case, as well as the obstacles that occurred in resolving the GBKP case in 2016 in Tanjung Barat, South Jakarta. This study uses qualitative research methods with analysis and in-depth understanding. Based on the results of the study, the Strategy of the Inter-Organization Forum (FLO) in resolving the Protestant Christian Batak Church (GBKP) case related to the establishment of houses of worship was successfully carried out, through a legal, public and also South Jakarta government approach. Conflicts between religious communities in the West Tanjung area can be avoided, although the Protestant Batak Church (GBKP) cannot establish a church in the region. However, the government has relocated the worship activities of the Protestant Christian Batak Church (GBKP) in the Balai Minggu Sports Hall (GOR) Pasar Rakyat.

scholarly journals Analisis Bentuk Musikal dan Struktur Lagu Tanah Airku Karya Ibu Soed Aransemen Joko Suprayitno untuk Duet Vokal dan Orkestra

PROMUSIKA ◽  
2019 ◽  
Vol 6 (1) ◽  
pp. 31-40
Author(s):  
Puput Meinis Narselina
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Research Method ◽  
Historical Review ◽  
Qualitative Research Methods ◽  
Musical Form ◽  
Review Analysis

Analisis dalam musik adalah pembelajaran untuk menemukan beberapa elemen – elemen musik yang pada prinsipnya meliputi semua aspek dari musik antara lain; melodi, harmoni, ritme, dinamika, dan bentuk musik. Karya tulis ini merupakan analisis bentuk musikal dan struktur lagu Tanah Airku karya Ibu Soed aransemen Joko Suprayitno untuk format duet vokal dan orkestra. Metode penelitian ini merupakan jenis metode penelitian kualitatif dengan pendekatan musikologis kepada arranger. Metode tersebut meliputi tinjauan historis, analisis bentuk musikal dan struktur aransemen. Penelitian ini bertujuan untuk mengetahui bentuk musikal dan struktur lagu Tanah Airku karya Ibu Soed aransemen Joko Suprayitno untuk duet vokal dan orkestraAnalysis of the music is learning to find some of the elements of music which in principle covers all aspects of music, among others; melody, harmony, rhythm, dynamics, and forms of music. This paper is an analysis of musical form and structure of Tanah Airku song from Ibu Soed arrangement works by Joko Suprayitno for vocal duet and orchestra format . This research method is a type of qualitative research methods with musicological approach to the arranger. The method includes a historical review, analysis of musical form and structure of the arrangement. This study aims to determine the musical form and structure of Tanah Airku song arrangement by Joko Suprayitno for vocal duet and orchestra.Keywords: Joko Suprayitno, Analysis of Arrangement of My Tanah Air Song by Ibu Soed

STUDI DESKRIPTIF MUSIK TRADISIONAL LAGIA PADA KEBUDAYAAN NIAS DI SANGGAR MUSEUM PUSAKA NIAS KOTAMADYA GUNUNGSITOLI

2020 ◽  
Vol 18 (2) ◽  
pp. 10-18
Author(s):  
Priska Eunike Putri Zebua
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Field Research ◽  
Original Data ◽  
Traditional Music ◽  
Descriptive Study ◽  
Musical Instrument ◽  
Work Process ◽  
Palm Sugar ◽  
Research Show

ABSTRACT            This study aims to determine the descriptive study of Lagia traditional music in Nias culture at the Museum Pusaka Nias. The approach tha the authors take is to use qualitative research methods. The work process carried out namely, observation, interviews, documentation, recording of activities, song transcript. This research was conducted by gathering information through field research to obtain results that are processed into original data.            The results of the research show that Lagia is a single-stringed musical instrument made from salak roots, with a resonator made from sugar palm sticks, strings handles made of palm sugar pieces, strings made of tutura (rattan) and bow made of wood that has supple properties liek bamboo which are classified into the Chordophone classification. The author determines the location in the Museum Pusaka Nias and interview figures who ubderstand and understand it in that field. Lagia musical instrumen is played by using a bow which firts strings and both bow strins must be smeared with water (in the old days using saliva).Keywords : Descriptive study, Traditional Music, Lagia

scholarly journals Pelayanan izin usaha secara one single submission di Aceh Barat

2021 ◽  
Vol 6 (2) ◽  
pp. 180-196
Author(s):  
Dista Setyaningsih ◽  
Fadhil Ilhamsyah ◽  
Ikhsan Ikhsan ◽  
Vellayati Hajad
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Public Service ◽  
Integrated Services ◽  
Ease Of Use ◽  
Electronic Business ◽  
The West ◽  
Security Service ◽  
One Stop ◽  
The One

T The article talks about the electronic business license service provided by the One Single Submission (OSS) application, which has been implemented at the West Aceh Regency's Office of Investment and One Stop Integrated Services (DPMPTSP). One Single Submission (OSS) One form of public service implementation that implements E-Government. This paper applied qualitative research methods to investigate the phenomena that occur in electronic services. The study's findings show that licensing services try to use the One Single Submission (OSS) application, as evidenced by several research indicators, including OSS's ease of use, trust in business actors' privacy security, service officers' assistance, the OSS website, and the service's content and appearance. OSS that is comprehensive and simple to comprehend. It may be stated that electronic services implementing OSS have been running properly at the West Aceh Regency Investment and One-Stop Service Office.

scholarly journals “Sexing African Time and Space”: The Fetish of the Colonial Gender

2020 ◽  
Vol 4 (2) ◽  
pp. 29-39
Author(s):  
Ibrahim Wachira ◽  
◽  
Mugo Muhia ◽  
Kimani Kaiga ◽  
◽  
...  
Keyword(s):  
Research Methods ◽  
Global Economy ◽  
Postcolonial Studies ◽  
Critical Discussion ◽  
Time And Space ◽  
The West ◽  
Textual Research ◽  
Political Realities

This article examines how Alain Mabanckou uses sexual allegories in his novel Broken glass (2010) to express (neo)-colonial realities in which Africa is charmed by the West into assuming the role of the sexual subaltern. Mabanckou appears to reinvigorate the sexual allegories of rape and prostitution for expressing the penetrative tendencies of colonialism by affixing their connotations of exploitation to the harsh socio-economic and political realities of (neo)-colonialism, thus creating a motif which is termed in the article as the fetish of colonial gender. Its coalescent value might be of great interest in postcolonial studies since it reveals how neocolonialists ascribe the subaltern’s time and space with exploitable sex through the charm of the global economy. The critical discussion is built on textual research methods and it highlights on the fabric that holds the neo-colonial relationship between the West and Africa.

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