Style of Writing Prescribed by System and Intellectual Writing

2021 ◽  
Vol 43 (11) ◽  
pp. 145-171
Author(s):  
Youngsoon Park
Keyword(s):  
Style Of Writing

English Language and The African Literary Experience: An Examination of Selected Works of Akachi Adimora-Ezeigbo

IJOHMN ◽  
2017 ◽  
Vol 3 (6) ◽  
pp. 17
Author(s):  
Dr. Onyeka Awa
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
English Language ◽  
Systemic Functional Linguistics ◽  
Secondary Data ◽  
High Profile ◽  
Unique Style ◽  
Style Of Writing ◽  
Literary Experience ◽  
Collection Methods

The aim of this study is to investigate how the African novelists have domesticated the English language to suit their environments, experience and purpose. Specifically, the literary pieces – The Last of the Strong Ones (Strong Ones), House of Symbols (symbols), Children of the Eagle (Children) and the Trafficked of Akachi Adimora-Ezeigbo were x-rayed. This exploration adopted the Hallidian Systemic Functional Linguistics, which highlights how language is used. The textual method of data analysis, the primary and secondary data collection methods were employed and the results showed that the African literary artists in general and the Igbo Nigerian novelists in particular have taken on a unique style of writing in the African vernacular style. For that reason, the speeches of the characters are laced with dignified local appositives, high profile Igbo songs and tales, studded local proverbs, lexical transfers, ritzy transliterations and so on; and these have given African rhythm to the English language. This notwithstanding, the aura, glamour and credibility of the English language as the medium of communication are retained.

Gorgias en el Banquete de Platón. Ecos del Encomio de Helena en el discurso de Agatón

Elenchos ◽  
2010 ◽  
Vol 31 (2) ◽  
pp. 213-242
Author(s):  
Esteban Bieda
Keyword(s):  
Frequent Use ◽  
Style Of Writing

Abstract After Agathon's speech in Plato's Symposium, Socrates takes a little time to make some comments about it. One of these comments is that the speech brought Gorgias to his memory (198 c 2-5). In this article we intend to track down in three complementary levels the diverse reasons why this recollection took place: (A) regarding the form of the speech, we will try to show that there is an equivalence in how both Gorgias in his Encomium to Helen and the character of Agathon in the Symposium construct their respective logoi; (B) regarding the style of writing, we will see the frequent use in the poet's speech of the rhetoric resource of "saying things alike'' (isa legein) usually ascribed to Gorgias; (C) finally, regarding the contents of both speeches we will try to show that many of the elements used by the sophist to praise the logos in his Encomium to Helen may be found, more or less, in Agathon's praise of Eros. The article will try to show, thus, which are the precise elements that may have made Socrates remember Gorgias after listening to the tragic poet.

An Unknown Prayer of Akindynos in the 12th Century Russian Manuscript and an Attempt to Create the Russian “Minuscule”

Istoriya ◽  
2021 ◽  
Vol 12 (5 (103)) ◽  
pp. 0
Author(s):  
Elena Ukhanova
Keyword(s):  
Historical Data ◽  
Digital Processing ◽  
Unique Type ◽  
Original Solution ◽  
12Th Century ◽  
Liturgical Texts ◽  
Speed Up ◽  
Letter Form ◽  
Style Of Writing ◽  
Multispectral Method

The article is devoted to the unknown prayer to St. John Damascene preserved on the margins of the oldest Russian 12th century copy of the “Theology” by this Orthodox thinker. Its text is badly damaged and almost not readable. It has been visualized by the multispectral method with subsequent digital processing and published in this work. The text of the prayer was written in a unique type of ligature writing, which has only survived in one more codex. On the basis of codicological, paleographic and historical data, both texts have been dated to the last third of the 14th century and localized in Moscow. The article puts forward a hypothesis about the connection of the unusual ligature writing with the metropolitan scriptorium at the Moscow Chudov Monastery where there were Greek manuscripts at that time and new translations of liturgical texts were underway. Its appearance was probably due to the need of creating a new book letter design instead of the “ustav” (majuscule) in order to speed up the scribe’s work and save parchment. The original solution was inspired by the Greek ligature script and minuscule. However, this artificial style of writing did not spread out; the “ustav” was soon replaced by the “poluustav” letter form.

The Political Economy of John Taylor of Caroline

1980 ◽  
Vol 14 (3) ◽  
pp. 387-405 ◽  
Author(s):  
Duncan Macleod
Keyword(s):  
United States ◽  
The United States ◽  
Thomas Jefferson ◽  
The Political ◽  
Thought Processes ◽  
John Adams ◽  
John Taylor ◽  
The Government ◽  
Style Of Writing ◽  
To Receive

After years of comparative neglect John Taylor of Caroline has recently begun to receive again a degree of attention more in keeping with his true importance. That his impact upon both his own generation and upon subsequent generations of historians has always been less than it might have been is due largely to his tortured style of writing and the tortuous thought processes it reflected. John Randolph of Roanoke once commented that Taylor needed only a translator to make an impact, and Thomas Jefferson, replying to a communication from John Adams in 1814, wrote that a book received by Adams must have been Taylor's An Inquiry into the Principles and Policy of the Government of the United States: “neither the style nor the stuff of the author of Arator can ever be mistaken. [I]n the latter work, as you observe, there are some good things, but so involved in quaint, in far-fetched, affected, mystical conceipts [sic], and flimsy theories, that who can take the trouble of getting at them?” Taylor himself appeared to hold a fluent style in contempt, commenting that “A talent for fine writing is often a great misfortune to politicians.”Although Taylor's style renders study of his writings far from congenial, the consistency of his purpose and thought make it relatively easy to extract the main thrusts of his arguments. Far from a rigorous theorist he provides a running commentary upon the politics of his times. In that capacity, however, he never felt compelled to define clearly, even to himself perhaps, some of the central premises from which his arguments derived.

Defoe and Scott

PMLA ◽  
1941 ◽  
Vol 56 (3) ◽  
pp. 710-735
Author(s):  
John Robert Moore
Keyword(s):  
Literary Reputation ◽  
Style Of Writing ◽  
Literary Methods

In 1817 one of Scott's closest friends and most penetrating critics wrote of his latest romance: “I must mention a remark Mrs Weddell has repeatedly made: ‘This has the nature of Daniel Defoe's novels, tho with a higher style of writing. I can hardly forbear fancying every word of it true.‘” This underlying resemblance is due in part to Scott's course of reading, in part to his literary methods or his traits of mind. But, paradoxically, the influence of Defoe on Scott is hardly more remarkable than the influence of Scott on Defoe's literary reputation.

Poetic Vividness and Aesthetic Preference: Individual Differences in Poetry Writing Styles

1998 ◽  
Vol 86 (2) ◽  
pp. 428-430
Author(s):  
Mary Gende ◽  
Roy King
Keyword(s):  
Individual Differences ◽  
Therapy Group ◽  
Visual Complexity ◽  
Poetry Therapy ◽  
Aesthetic Preference ◽  
Poetry Writing ◽  
Style Of Writing

Preference for visual complexity is shown to be correlated with an imagistic and metaphoric style of writing poetry for individuals participating in a poetry therapy group.

scholarly journals Condemnation of Religious Concepts: An Examination of Chubak's "An Afternoon in Late Autumn" through Bakhtin's Theory of Grotesque Realism

2018 ◽  
Vol 21 (1) ◽  
pp. 53-67
Author(s):  
Sayed Mohammad Anoosheh ◽  
Muhammad Hussein Oroskhan
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Short Story ◽  
Lower Section ◽  
Persian Literature ◽  
Social Hierarchies ◽  
Late Autumn ◽  
New Perspective ◽  
Style Of Writing ◽  
A Site

The first traces of modernism in Iranian society can be found in the second decade of twentieth century which was deeply embedded with religious concepts. With regard to Persian literature, short story was developed as a new genre and a sign of modernism of that period by prominent Iranian writers such as Sadeq Hedayat (1903-1951), Mohammad Ali Jamalzadeh (1892-1997) and Sadegh Chubak (1916-1998). In this way a cultural clash was broken out between the traditional religious concepts and the new modern ideas. Among these writers, Chubak was more influenced by the doctrine of modernism. He expressed his message colloquially through his short stories to instigate the lower part of society. His naturalistic style of writing delved into the most gruesome details of people's life with the aim of shocking his reader in experiencing a new perspective previously ignored. To highlight Chubak's style of writing attempt is made to explore one of the highly praised short stories entitled "An Afternoon in Late Autumn" on the ground of the Bakhtin's theory of grotesque realism cited in Rabelais and His World. Grotesque realism is a site upon which religious and social hierarchies can be subverted and renewed. This study tries to reveal that Chubak followed the Bakhtin's grotesque realism to evoke a new outlook particularly in the lower section of society.

Rhetorical Analysis and Classification of Poem Text

2021 ◽  
Vol 5 (1) ◽  
pp. 57-71
Author(s):  
Jhanvi Arora ◽  
Santosh Kumar Bharti
Keyword(s):  
Recommendation System ◽  
Rhetorical Analysis ◽  
Writing Style ◽  
Rhetorical Devices ◽  
Style Of Writing

Poetry is one of the richest forms of literature, which in itself includes all components of language a human learns; by components here, the context is towards the rhetorical devices. The rhetorical devices constitute the witty use of words used in the reference to things. The work intends to identify the forms of creative references used by the poets to contrast their style of writing and categorize the text on the basis of the same. On the basis of each such prominent device such as rhymes or alliteration, one can derive the boundary or similarity percentage amongst the poems, which can be further extended to compare the writing style of the poets. The method of analysis holds a good value to study different poets of the modern and renaissance era and could be helpful in contrasting their way of putting things into words. Keywords NLP Analysis of Poem, Poem Analysis, Poem Classification, Poem Comparison, Poem Qualifiers, Poet Classification, Poetry Analysis, Poetry Recommendation System

Chrysippus on Determinism and Human Responsibility: A Unitary Interpretation

Méthexis ◽  
2021 ◽  
Vol 33 (1) ◽  
pp. 117-136
Author(s):  
Manuel Mazzetti
Keyword(s):  
General Theory ◽  
Human Responsibility ◽  
Style Of Writing ◽  
Different Parts

Abstract In this paper I aim to ascribe to Chrysippus two ‘compatibilist’ theories and to explain their differences through the fact that our sources depend on different parts of the philosopher’s corpus. This can be confirmed by a passage in Eusebius and by Chrysippus’ wordy style of writing. In my opinion, Alexander and Nemesius report the more general theory, stating that fate rules everything but employs the nature of each being as a means to accomplish its plans. Cicero and Gellius report a theory more connected with human responsibility. Their accounts are similar, but the fact that they are not drawing upon the same source becomes clear once we analyse in detail the objections to which the philosopher was responding: Cicero seems to report a criticism levelled by Arcesilaus against Zeno, Gellius one levelled against Chrysippus by his contemporaries.

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