Experimental Acoustic Life Writing: Gerhard Rühm's Radio Plays

CounterText ◽  
2019 ◽  
Vol 5 (3) ◽  
pp. 332-351
Author(s):  
Inge Arteel
Keyword(s):  
Life Writing ◽  
Spoken Language ◽  
Human Language ◽  
History Of ◽  
Reality Effect ◽  
Radio Play ◽  
The Relationship ◽  
Selection Of

In this article I focus on a selection of radio plays by the Austrian author Gerhard Rühm and analyse them from the perspective of life writing, starting with Irene Kacandes' findings on the increased referential effect of experimental life writing (2012). I want to extend the notion of experimental life writing to the medium of the experimental radio play and investigate whether and how the experiments with spoken language, voice, and musicalisation of language contribute to an effect of realness and create an aural world infused with lived experientiality. I'm particularly interested in the relationship between individualised, figurative voices and sounds, as they are to be expected in (auto)biographical art, and the defiguration and deindividualisation in the experimental, synthetic manipulation of human language and voice. Situating the corpus in the history of the German Neues Hörspiel, my analysis hopes to prove that the reality effect of the experimental (auto)biographical radio play does not, or at least not only, refer to an individual biographical self. Instead, the complex constellation of text and paratext, of scripted and spoken language, and of voice and music opens up the referential level for a broader, more general human experientiality. Most importantly, the technical possibilities of the radiophonic medium allow an intricate play with the semantics of referential language, with masking and unmasking voices, and with the exploration of the pathos of speaking together.

scholarly journals RNF213 c.14576G>A Is Associated with Intracranial Internal Carotid Artery Saccular Aneurysms

Genes ◽  
2021 ◽  
Vol 12 (10) ◽  
pp. 1468
Author(s):  
Yasuo Murai ◽  
Eitaro Ishisaka ◽  
Atsushi Watanabe ◽  
Tetsuro Sekine ◽  
Kazutaka Shirokane ◽  
...  
Keyword(s):  
Carotid Artery ◽  
Internal Carotid Artery ◽  
Moyamoya Disease ◽  
Internal Carotid ◽  
Cerebral Aneurysms ◽  
Vascular Diseases ◽  
History Of ◽  
Ica Stenosis ◽  
The Relationship ◽  
Selection Of

A mutation in RNF213 (c.14576G>A), a gene associated with moyamoya disease (>80%), plays a role in terminal internal carotid artery (ICA) stenosis (>15%) (ICS). Studies on RNF213 and cerebral aneurysms (AN), which did not focus on the site of origin or morphology, could not elucidate the relationship between the two. However, a report suggested a relationship between RNF213 and AN in French-Canadians. Here, we investigated the relationship between ICA saccular aneurysm (ICA-AN) and RNF213. We analyzed RNF213 expression in subjects with ICA-AN and atherosclerotic ICS. Cases with a family history of moyamoya disease were excluded. AN smaller than 4 mm were confirmed as AN only by surgical or angiographic findings. RNF213 was detected in 12.2% of patients with ICA-AN and 13.6% of patients with ICS; patients with ICA-AN and ICS had a similar risk of RNF213 mutation expression (odds ratio, 0.884; 95% confidence interval, 0.199–3.91; p = 0.871). The relationship between ICA-AN and RNF213 (c.14576G>A) was not correlated with the location of the ICA and bifurcation, presence of rupture, or multiplicity. When the etiology and location of AN were more restricted, the incidence of RNF213 mutations in ICA-AN was higher than that reported in previous studies. Our results suggest that strict maternal vessel selection and pathological selection of AN morphology may reveal an association between genetic mutations and ICA-AN development. The results of this study may form a basis for further research on systemic vascular diseases, in which the RNF213 (c.14576G>A) mutation has been implicated.

VISUAL COMMUNICATION OF THE TRADITIONAL HOUSE IN NEGERI SEMBILAN

2018 ◽  
Vol 5 (2) ◽  
pp. 112-123
Author(s):  
Mohd Haizra Hashim ◽  
Abdul Mu’ati Zamri Ahmad ◽  
Muhammad Pauzi Abdul Latif ◽  
Mohd Yazid Mohd Yunos
Keyword(s):  
Visual Communication ◽  
Islamic Law ◽  
Early History ◽  
Islamic Art ◽  
Structural Elements ◽  
History Of ◽  
Surrounding Space ◽  
The Relationship ◽  
Selection Of

Visual communication in architecture is a genuine aspiration in realizing the relationship between the Malays and other communities. The composition of the models in this communication is very well organized and will remain relevant to be developed from time to time. It is an observation on the symbols, types of motifs and design aspects of the carvings, also the structural elements in the Malay architecture of Negeri Sembilan. This also comprises the study of the chronology of the early history of the Malay architecture of Negeri Sembilan which has its linkages with the Islamic art. Emphasis is given to the diversity in the carving characteristics as a comparison regarding historical, cultural and environmental backgrounds. The delicacy of the craftsmanship among Malay carvers in Negeri Sembilan is reflected in their maturity and ability to fuse traditional elements and Islam. Symbols that have motifs in the carvings result from the carvers' observation and experience. The selection of these motifs is carefully made to ensure that they are the Islamic teachings and not deviating with the Islamic law. Carvings in the Malay architecture of Negeri Sembilan are also crafted with an aim to beautify a piece of architecture made of various motifs. Those carved parts are always assured to maintain the balance with the surrounding space. Floral motifs are often combined with cosmic or geometrical motifs. In many cases, plant-based motifs are also prevalence translated into carvings. This is a tribute from the Malay carvers to beauty, perfection, and harmony of nature.

Memoirs of Sight Loss from Post-Independence Ireland

2017 ◽  
Vol 47 (2) ◽  
pp. 266-280
Author(s):  
Elizabeth Grubgeld
Keyword(s):  
Economic History ◽  
Life Writing ◽  
Disabled People ◽  
Culturally Specific ◽  
Sight Loss ◽  
History Of ◽  
The Impact ◽  
The Relationship ◽  
Field Of Inquiry

Life writing by disabled people in Ireland during the post-independence period constitutes a culturally specific narrative emphasizing the relationship between disability and class and the shaping forces of social and geographical insularity. Because of the often contentious history of activist blind workers in Ireland, as well as the ongoing association between ocular impairments and Ireland's political and economic history, memoirs of sight loss provide a particularly rich field of inquiry into the relationship among disability, class, and the impact of colonialism. Key to this investigation are Sean O'Casey's I Knock at the Door (1939) and Joe Bollard's memoir of mid-century Ireland Out of Sight (1998).

VISUAL COMMUNICATION OF THE TRADITIONAL HOUSE IN NEGERI SEMBILAN

2017 ◽  
Vol 5 (2) ◽  
pp. 112
Author(s):  
Mohd Haizra Hashim ◽  
Abdul Mu’ati Zamri Ahmad ◽  
Muhammad Pauzi Abdul Latif ◽  
Mohd Yazid Mohd Yunos
Keyword(s):  
Visual Communication ◽  
Islamic Law ◽  
Early History ◽  
Islamic Art ◽  
Structural Elements ◽  
History Of ◽  
Surrounding Space ◽  
The Relationship ◽  
Selection Of

Visual communication in architecture is a genuine aspiration in realizing the relationship between the Malays and other communities. The composition of the models in this communication is very well organized and will remain relevant to be developed from time to time. It is an observation on the symbols, types of motifs and design aspects of the carvings, also the structural elements in the Malay architecture of Negeri Sembilan.This also comprises the study of the chronology of the early history of the Malay architecture of Negeri Sembilan which has its linkages with the Islamic art. Emphasis is given to the diversity in the carving characteristics as a comparison regarding historical, cultural and environmental backgrounds. The delicacy of the craftsmanship among Malay carvers in Negeri Sembilan is reflected in their maturity and ability to fuse traditional elements and Islam. Symbols that have motifs in the carvings result from the carvers' observation and experience.The selection of these motifs is carefully made to ensure that they are the Islamic teachings and not deviating with the Islamic law. Carvings in the Malay architecture of Negeri Sembilan are also crafted with an aim to beautify a piece of architecture made of various motifs. Those carved parts are always assured to maintain the balance with the surrounding space. Floral motifs are often combined with cosmic or geometrical motifs. In many cases, plant-based motifs are also prevalence translated into carvings. This is a tribute from the Malay carvers to beauty, perfection, and harmony of nature. 

SOME COMMENTS ON THE USE OF THE UZBEK LANGUAGE IN SOCIETY

2020 ◽  
Vol 5 (3) ◽  
pp. 86-97
Author(s):  
Shazamanov Sh. I. ◽  
Keyword(s):  
Central Asia ◽  
Public Life ◽  
Spoken Language ◽  
Russian Language ◽  
Foreign Languages ◽  
The Status ◽  
History Of ◽  
The Impact ◽  
The Relationship ◽  
The Russian Language

The article analyzes the status and history of the Uzbek language in Central Asia, the relationship with foreign languages, the state policy in the development of the Uzbek language, the impact of Russian phrases on Uzbek speech. The article is the result of practical observations of the Uzbek language in public life. The article is important in terms of studying the phrases learned from the Russian language in the Uzbek spoken language. Issues related to it are among the most studied articles in Uzbek sociolinguistics. In this regard, some of the points raised in the article may be controversial

scholarly journals Identity, construction and memory in Joanne Leonard’s Being in pictures: An intimate photo memoir (2008)

Literator ◽  
2015 ◽  
Vol 36 (1) ◽  
Author(s):  
Heilna Du Plooy
Keyword(s):  
Identity Construction ◽  
Visual Images ◽  
Autobiographical Narratives ◽  
Written Text ◽  
Art Works ◽  
History Of Art ◽  
Public Debates ◽  
History Of ◽  
The Relationship ◽  
Selection Of

When Joanne Leonard’s photo collage Romanticism is ultimately fatal (1972) appeared in H.W. Janson’s History of art, the image brought her recognition as an artist. It gave her the confidence to further develop her technique of making photo collages, and the collages became a means of giving expression to her personal emotions as well as her reactions to historical events and public debates. In 2008, Leonard published an autobiographical text, ‘an intimate memoir’, in which she presents a selection of photographs and photo collages narrating her development as an artist and as a person. Written text is added to the visual images, providing information about the content and technical aspects of the photographs and collages as well as about the stages of her life as a person and an artist. This article discusses Joanne Leonard’s photo memoir by focussing on the relationship between identity and narrativity, on the constructed nature of all representions and especially represented autobiographical narratives and, finally, on the understanding and functioning of memory. The theoretical and philosophical aspects of identity, narrative identity, construction and memory are explored, and selected art works are analysed and discussed. The conclusion of the article suggests that autobiography, in all its variety, remains one of the most fascinating genres to study and that this photo memoir is an exceptional example.

Broadening perspectives on regional quarry-related studies

2021 ◽  
pp. 019769312098054
Author(s):  
R Michael Stewart
Keyword(s):  
Social Context ◽  
Settlement Patterns ◽  
Common Ground ◽  
Social Memory ◽  
Landscape Approach ◽  
Technological Activity ◽  
History Of ◽  
History Of Use ◽  
The Relationship ◽  
Selection Of

Any productive or technological activity takes place in a social context and is embedded in a history of native practices, perceptions, and use of multiple landscapes. This paper explores topics that supplement and build upon technological and cultural historical approaches to quarry research. Briefly considered are: quarries as common ground and loci of group interaction; a taskscape/landscape approach to quarry selection and history of use; color and the selection of toolstone; and the relationship between settlement patterns, landscape learning, lithic preferences, quarry selection, social memory, and changing lithic technologies.

scholarly journals Commerce, finance and statecraft

2018 ◽  
Author(s):  
Ben Dew
Keyword(s):  
Economic Policy ◽  
Early Modern ◽  
English Civil War ◽  
British History ◽  
Francis Bacon ◽  
Historical Writing ◽  
Political Conflicts ◽  
History Of ◽  
The Relationship ◽  
Selection Of

In the seventeenth and eighteenth centuries, historians of England pioneered a series of new approaches to the history of economic policy. Commerce, Finances and Statecraft charts the development of these forms of writing and explores the role they played in the period's economic, political and historiographical thought. Through doing so, the book makes a significant intervention in the study of historiography, and provides an original account of early-modern and Enlightenment history. A broad selection of historical writing is discussed, ranging from the work of Francis Bacon and William Camden in the Jacobean-era, through a series of accounts shaped by the English Civil War and the party-political conflicts that followed it, to the eighteenth-century's major account of British history: David Hume's History of England. Particular attention is paid to the historiographical context in which historians worked and the various ways they copied, adapted and contested one another's narratives. Such an approach enables the study to demonstrate that historical writing was the site of a wide-ranging, politically-charged debate concerning the relationship which existed – and should have existed – between government and commerce at various moments in England’s past.

scholarly journals Ancient Uzbek Tribes And Clans Inhabiting In Central Asia

2020 ◽  
Vol 2 (09) ◽  
pp. 384-394
Author(s):  
Aziza Khasanovna Aripova
Keyword(s):  
Spoken Language ◽  
Written Language ◽  
Native People ◽  
Grammatical Structure ◽  
The Past ◽  
History Of ◽  
Definition Of ◽  
Social Importance ◽  
Distinct Features ◽  
The Relationship

Soon afterward humankind became conscious of his social importance, heinitiated to comprehend the language’s great benefits, the aspiration to make certain that through the tribes lived in the past, it is attainable to determine the historical roots of the language and to find out what is beyond the reach. Despite of the fear of ignorance, doubt and mistakes, diverse human communities began to study their similarities and differences, because of many reasons, including ethnic, tribal, pedigree, climatic, physiological, linguistic and cultural properties, ending with communicative, competently dialectical skills. The antiquity of the Uzbek language is more outstanding when its appearance and development is considered in closely connection with the history of the formation and development of the native people. Without taking into account the historical laws of tribal and clan estates during the development of the Uzbek language, it is impossible to understand its distinct features, the totality of historically determined changes that have occurred not only in vocabulary, but also in the phonetic system, as well as partially in the grammatical structure of the Uzbek language. Therefore, the study of the Uzbek language at different phases of the historical development of the Uzbek people; the identification of its specific features in the grammatical and lexical structures; the establishment of the relationship between the written language and active spoken language, presented in the form of numerous subdialects and dialects; the definition of thedialect assist to a more correct comprehension of the history of the Uzbek language as a whole.

scholarly journals Show and/or tell: what is the role of historical dance in period cinema? And what memory of the history of dance are we left with?

2020 ◽  
Author(s):  
Alexandra Canaveira de Campos
Keyword(s):  
Historical Memory ◽  
Marie Antoinette ◽  
Original Analysis ◽  
The Social ◽  
Moving Body ◽  
History Of ◽  
James Ivory ◽  
The Relationship ◽  
Selection Of

To the often-studied relationship between dance and cinema, kindred arts of the moving body-moving image, I propose to add an original analysis of the relationship between the sub-genres of historical dance (in particular the social and theatrical dances of the seventeenth and eighteenth centuries) and period cinema. To that end, it is not only important to question the extent to which dance is merely illustrative, or serves as a narrative instrument in this type of films, but also how period cinema contributes to the construction of a historical memory of dance.There are several contexts that justify the introduction of a staged dance on film and they depend on a number of choices on the part of the artistic team. In period cinema these choices are particularly delicate, especially when the “world of the play” is relatively unconcerned with historical accuracy. Based on a selection of films including Valmont (1989), by Milos Forman, Jefferson in Paris (1995), by James Ivory, Le Roi danse (1999), by Gérard Corbiau, Marie Antoinette (2006), by Sofia Coppola, and Alan Rickman’s A Little Chaos (2014), I analyse the criteria for the introduction of dance scenes, and reflect not only on their aesthetic and metaphorical effects, but also on their power of transmission, as well as of (de)construction, of a stereotype of historical dance.

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