Afterword

2017 ◽  
Author(s):  
Jonathan Wild
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Artistic Development ◽  
Starting Point ◽  
Lasting Influence

This concluding chapter first turns to Virginia Woolf's famous remark that ‘on or about December 1910 human character changed’. It examines the problems inherent in taking too seriously Virginia Woolf's tongue-in-cheek claim for December 1910 as a starting point for artistic development in Britain in the twentieth century. The lasting influence of these inflexible interpretations of Woolf's thesis has hampered our understanding of what lies on the other side of this putative watershed. The chapter then re-examines the designation of this period's literature as ‘Edwardian’, and lays out the potentially problematic and misleading nature of this label before conceding that, despite the label's shortcomings, the term ‘Edwardian’ still has its uses.

Cities against States? Hopes, Dreams and Shortcomings of the European Municipal Movement, 1900–1960

2002 ◽  
Vol 11 (4) ◽  
pp. 597-621 ◽  
Author(s):  
Oscar Gaspari
Keyword(s):  
Twentieth Century ◽  
National Government ◽  
The Other ◽  
Local Authorities ◽  
International Union ◽  
Starting Point ◽  
National Boundaries

At the beginning of the twentieth century the growth of towns was accompanied by the birth of a European and international municipal movement. In 1913 the Union Internationale des Villes/International Union of Local Authorities (UIV/IULA) was founded in Ghent. This combined two approaches, one political and utopian, the other technical and professional. The former focused on turning cities into promoters of a project for co-operation at European and worldwide level; the latter on solving the problems caused by urbanisation. They shared a determination to pursue their objectives regardless of the barriers of culture and national boundaries, and of the administrative hierarchy between local and national government. Between the two world wars the UIV/IULA gradually lost its original utopian inspiration, which was taken up by the Conseil des Communes d'Europe/Council of European Municipalities, founded in Geneva in 1951 with the aim of using the municipalities as a starting point to promote a federation of European states.

scholarly journals Introduction: Labour Institutions in a Global Perspective, from the Seventeenth to the Twentieth Century

2009 ◽  
Vol 54 (3) ◽  
pp. 351-358 ◽  
Author(s):  
Alessandro Stanziani
Keyword(s):  
Twentieth Century ◽  
Point Of View ◽  
Social Conditions ◽  
Global Perspective ◽  
The Other ◽  
The West ◽  
Freedom Of Contract ◽  
Starting Point ◽  
Forced Labour ◽  
The One

SummaryComparative analyses of labour often assume a dividing line between free and forced labour which is universally applicable. The contributions to this special theme argue that the tensions between “freedom” and “unfreedom” may be identified more precisely as those between multiple notions and practices of contract, status, and social conditions. Free and unfree labour on the one hand, status and contract on the other, are historically determined categories. This introduction argues that those histories do not run in parallel but are strictly intersected. From that point of view, social and economic inequalities are mutually linked to legal entitlements; a modification in legal entitlements strongly influences the economic and social equilibrium, and vice versa. Underlying this conclusion is a perspective that is resolutely non-Eurocentric and global. We do not endeavour to find the “missing” freedom of contract in the “periphery”, nor do we consider the “cultural” and economic domination of “the West” as a starting point. We stress instead the mutual connection between “peripheries” and “core” categories and practices. Such a bilateral circulation of ideas and practices contrasts with the argument according to which “the West” invented “freedom” and coercion as well.

scholarly journals “Uprooted:” Anton Chekhov’s Influence on Frank O’Connor

2020 ◽  
Vol 12 (1) ◽  
pp. 98-109
Author(s):  
Márta Pellérdi
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Short Fiction ◽  
The Other ◽  
Anton Chekhov ◽  
Russian Author ◽  
Narrative Techniques ◽  
The One ◽  
Lasting Influence ◽  
Crab Apple

Abstract Thus far perhaps the most acclaimed Irish practitioner of the short story, Frank O’Connor, attributes a lasting influence to Russian author Anton Chekhov when he considers the direction that the modern Irish short story was to take in the twentieth century. In The Lonely Voice: A Study of the Short Story (1963), O’Connor emphasized two particular themes in Chekhov’s short fiction that influenced his own stories: on the one hand, a preoccupation with loneliness; on the other, a belief that venial sin, or the adoption of a false personality, was “far more destructive” than mortal sin itself. In other writings, he expressed an interest in narrative technique and structure as he found them in Chekhov’s stories. The article explores O’Connor’s “Uprooted” from his collection Crab Apple Jelly (1944), a story about displaced intellectuals. My reading illustrates how the Irish writer was not only adopting Chekhov’s themes but was also experimenting with Chekhov’s character types and narrative techniques, particularly as found in the Russian author’s story “The Lady with the Dog.” At the same time, O’Connor developed a distinctly individual technique of his own within the Irish realist/naturalist short story tradition, making a lasting impact on the art of the modern Irish short story. Unlike his displaced Irish characters in “Uprooted,” he prefers to remain faithful to this tradition.

Cambridge Philosophers IX: Bertrand Russell

Philosophy ◽  
1999 ◽  
Vol 74 (1) ◽  
pp. 105-117
Author(s):  
Ray Monk
Keyword(s):  
Twentieth Century ◽  
Philosophy Of Mathematics ◽  
Bertrand Russell ◽  
Starting Point ◽  
Lasting Influence

This paper attempts to summarise the philosophical career of Bertrand Russell, concentrating in particular on his contributions to logic and the philosophy of mathematics. It takes as its starting point Russell's conception of philosophy as the search for foundations upon which certain knowledge might be built, a search which Russell, at the end of his career, declared to be fruitless. In pursuing this search, however, Russell was led to develop lines of thought and techniques of analysis that have had a profound and lasting influence on the philosophy of the twentieth century.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

Gewalt und Kommunikation

2011 ◽  
Vol 2011 (1) ◽  
pp. 5-28
Author(s):  
Jens Bonnemann
Keyword(s):  
Twentieth Century ◽  
Moral Philosophy ◽  
The Other ◽  
Practical Philosophy ◽  
Valuable Contribution ◽  
Human Species ◽  
Normal Case ◽  
Jean Paul ◽  
Philosophy Of Dialogue ◽  
The Individual

In ethics, when discussing problems of justice and a just social existence one question arises obviously: What is the normal case of the relation between I and you we start from? In moral philosophy, each position includes basic socio-anthropological convictions in that we understand the other, for example, primarily as competitor in the fight for essential resources or as a partner in communication. Thus, it is not the human being as isolated individual, or as specimen of the human species or socialised member of a historical society what needs to be understood. Instead, the individual in its relation to the other or others has been studied in phenomenology and the philosophy of dialogue of the twentieth century. In the following essay I focus on Martin Buber’s and Jean-Paul Sartre’s theories of intersubjectivity which I use in order to explore the meaning of recognition and disrespect for an individual. They offer a valuable contribution to questions of practical philosophy and the socio-philosophical diagnosis of our time.

State of Fashion: Searching for the New Luxury

APRIA Journal ◽  
2020 ◽  
Vol 1 (1) ◽  
pp. 11-16
Author(s):  
José Teunissen
Keyword(s):  
Twentieth Century ◽  
Daily Life ◽  
Life Cycles ◽  
The Other ◽  
Century Model ◽  
Cocktail Party ◽  
The Public ◽  
Other Hand ◽  
The One

In the last few years, it has often been said that the current fashion system is outdated, still operating by a twentieth-century model that celebrates the individualism of the 'star designer'. In I- D, Sarah Mower recently stated that for the last twenty years, fashion has been at a cocktail party and has completely lost any connection with the public and daily life. On the one hand, designers and big brands experience the enormous pressure to produce new collections at an ever higher pace, leaving less room for reflection, contemplation, and innovation. On the other hand, there is the continuous race to produce at even lower costs and implement more rapid life cycles, resulting in disastrous consequences for society and the environment.

Gender and Social Exclusion in European Migration Crisis

2018 ◽  
pp. 658-676
Author(s):  
Marlou Schrover
Keyword(s):  
Twentieth Century ◽  
Social Exclusion ◽  
Historical Perspective ◽  
The Other ◽  
Men And Women ◽  
Refugee Women ◽  
Other Hand ◽  
Migration Crisis ◽  
The One ◽  
European Migration

This chapter discusses social exclusion in European migration from a gendered and historical perspective. It discusses how from this perspective the idea of a crisis in migration was repeatedly constructed. Gender is used in this chapter in a dual way: attention is paid to differences between men and women in (refugee) migration, and to differences between men and women as advocates and claim makers for migrant rights. There is a dilemma—recognized mostly for recent decades—that on the one hand refugee women can be used to generate empathy, and thus support. On the other hand, emphasis on women as victims forces them into a victimhood role and leaves them without agency. This dilemma played itself out throughout the twentieth century. It led to saving the victims, but not to solving the problem. It fortified rather than weakened the idea of a crisis.

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