scholarly journals The Idea of Russian Symbolism about the Synthesis of Cultural Forms in the Context of Postmodern Culture

ICONI ◽  
2021 ◽  
pp. 126-136
Author(s):  
Nadezhda A. Tsareva ◽  
Keyword(s):  
Twentieth Century ◽  
Cultural Change ◽  
Information Technologies ◽  
New Technologies ◽  
The Past ◽  
Russian Symbolism ◽  
Postmodern Art ◽  
Cultural Forms ◽  
Synthetic Media ◽  
Integrity Of Life

The relevance of the topic is due to the attention to trends in the development of culture. The synthesis of cultural forms is one of the important factors in the dynamics of culture. The teaching of Russian symbolism about the synthesis of cultures was analyzed in the scientifi c literature of the entire twentieth century. The novelty of the research is to compare the idea of art synthesis in the early twentieth and twenty-fi rst centuries. Two aspects of the idea of synthesis are considered: 1) the relevance of the idea of art synthesis in the postmodern era; 2) music and the visual series as organizing centers of art synthesis in the era of information technology. The purpose of this article is to examine the teaching of Russian symbolism about the integration of various forms of art and the features of synthesis in the postmodern era. The idea of integrating cultural forms was one of the key elements in Russian symbolism at the beginning of the twentieth century and was interpreted as a real prospect for the development of culture. In a broad sense, synthesis in symbolism meant the integrity of life, the integration of all spheres of human activity, the “organic connection” of cultures of the past and present. The synthesis can be realized on the basis of the art of symbolism, which can create a new culture. The synthesis of arts was understood as the beginning of the formation of a new culture. The core of the synthesis of arts, the symbolists saw music. Postmodern art is characterized by synthetism. Computer and information technologies create new forms of synthetic media art. The video series becomes the center of integration construction of postmodern audiovisual culture forms. The symbolist idea of the synthesis of arts as the beginning of cultural change in the postmodern era remains a utopian project. But the creation of new art forms in postmodern culture i s based on integration. New technologies are becoming a factor that determines the specifi cs of the synthesis of arts and infl uences the dynamics of culture. Both in Russian symbolism and in modern art, the goal of art synthesis is to present an integral image of the world, to form a system of worldview attitudes.

Theorizing Adaptation in the Twentieth Century

2020 ◽  
pp. 89-138
Author(s):  
Kamilla Elliott
Keyword(s):  
Twentieth Century ◽  
Mass Culture ◽  
Film Studies ◽  
Recording Device ◽  
Medium Specificity ◽  
The Past ◽  
Copyright Laws ◽  
Art Forms ◽  
Cultural Forms ◽  
Literature And Film

Chapter 3 discusses how, just as new copyright laws were legitimizing intermedial adaptations, modernist theories drastically diminished the theoretical fortunes of adaptation with their rejection of the past and celebration of the new. Modernism shattered adaptation into allusions: studying allusions as adaptations would indubitably help to restore the theoretical fortunes of adaptation under modernism. Modernism’s hostility to mass culture was often aimed at adaptation: even theorists valorizing other popular cultural forms opposed it. Requiring film to dissociate from other art forms in order to emerge as an art in its own right, rather than as a craft or a recording device for other arts, medium specificity theory undermined adaptation in literature-and-film studies. Affecting all kinds of adaptation, the formalist turn diminished the theoretical fortunes of adaptation by rejecting the cultural theories that had valorized adaptation in prior centuries. Joined to medium specificity theories and structuralist semiotics, intermedial adaptation became not only aesthetically undesirable but also theoretically impossible under theories that content cannot separate from form to appear in another medium. With the advent of the theoretical turn in the humanities, adaptation became a battleground upon which theoretical wars were fought, battles that, paradoxically, foregrounded it. By the 1990s, adaptation was becoming an established, if divided, diasporic field, engaging a panoply of theories.

Girls’ Six-Player Basketball

2017 ◽  
Author(s):  
Jaime Schultz ◽  
Shelley Lucas
Keyword(s):  
High School ◽  
Twentieth Century ◽  
New Technologies ◽  
Community Identity ◽  
Historical Background ◽  
The Past ◽  
High School Girls ◽  
History Of ◽  
Physical Limitations ◽  
School Girls

This chapter focuses on a defunct version of high school girls' basketball known as “six-on-six” and how it expressed community identity in Iowa. Throughout the twentieth century, more than a million Iowa high school girls played the half-court, two-dribble version of basketball known as “six-on-six.” Originally conceived to accommodate girls and women's perceived physical limitations, six-on-six basketball often lent itself to fast-paced, high-scoring, crowd-rallying competitions. This chapter first provides a historical background on six-player basketball in Iowa before discussing how girls' six-on-six basketball has been relegated to the past, yet lives on in many places and memories, thanks in part to new technologies and understandings of community. It argues that the history of Iowa's six-player basketball is alive and thriving in alternative forms, citing the emergence of new, transitory communities to sustain its remembrance. The chapter considers two sites: a 2003 reunion game that gathered former players and supporters, and a Facebook page which fosters a virtual kinship of more than 7,000 members.

The Roots and Varieties of Political Conservatism in India

2017 ◽  
Vol 5 (2) ◽  
pp. 205-217 ◽  
Author(s):  
Christophe Jaffrelot
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Cultural Change ◽  
Land Reform ◽  
Caste System ◽  
Reform Movements ◽  
The Past ◽  
Congress Party ◽  
Political Conservatism

A country that has not gone through a revolution, India has been the crucible of several reform movements as early as the nineteenth century. But none of them intended to break with the past. They even sometimes prepared the ground for revivalism. In parallel, Hindu traditionalism developed in reaction to social and cultural change. In the twentieth century, these schools of thought found political expressions in the Congress party where they inhibited the fights against the caste system and land reform. These trends continued after 1947, in reaction to Nehruvian views, till conservative Congressmen created the Swatantra party and then the Congress (O).

Fount of Deep Culture: Legacies of theJames Stuart Archivein South African Historiography

2003 ◽  
Vol 30 ◽  
pp. 87-106
Author(s):  
Benedict Carton
Keyword(s):  
Twentieth Century ◽  
South African ◽  
Cultural Change ◽  
Southern Africa ◽  
African History ◽  
Early Nineteenth Century ◽  
Historical Interpretation ◽  
The Past ◽  
Deep Culture ◽  
The University

The 2001 launch of the fifth volume of theJames Stuart Archivereinforces this publication's reputation as a mother lode of primary evidence. TheArchive'sexistence is largely due to the efforts of two editors, Colin De B. Webb and John Wright, who transformed a tangle of notes into lucid text. They deciphered the interviews that Natal colonist James Stuart conducted with a range of informants, many of them elderly isiZulu-speaking men. Transcribed by Stuart between the 1890s and 1920s, these discussions often explored in vivid detail the customs, lore, and lineages of southern Africa. Although references to theArchiveabound in revisionist histories of southern Africa, few scholars have assessed how testimonies recorded by Stuart have critically influenced such pioneering research. Fewer still have incorporated the compelling views of early twentieth-century cultural change that Stuart's informants bring to a post-apartheid understanding of South Africa's past.Well before the University of Natal Press published volume 5, the evidence presented in theArchivehad already led scholars of South African history into fertile, unmarked terrain. One example of groundbreaking data can be found in the statements of volume 4's master interpreter of Zulu power, Ndukwana kaMbengwana. His observations of the past anchor recent studies that debunk myths surrounding the early-nineteenth-century expansion of Shaka's kingdom. Ever timely, the endnotes in volume 5 discuss these reappraisals of historical interpretation and methodology. Editor John Wright elaborates in his preface: “By the time we picked up work on volume 5, we were starting to take note … that oral histories should be seen less as stories containing a more or less fixed ‘core’ of facts than as fluid narratives whose content could vary widely.”

Epilogue

2020 ◽  
pp. 188-192
Author(s):  
Kristian Kloeckl
Keyword(s):  
Twentieth Century ◽  
Information Technologies ◽  
Data Driven ◽  
Everyday Practice ◽  
Urban Living ◽  
The Past ◽  
Promising Strategy ◽  
And Control ◽  
Efficiency Data

This concluding chapter reviews the central arguments of the book and reflects critically on living with uncertainty and unpredictability as a form of critical mobility for urban living. It considers how the focus on efficiency, data-driven predictability, and control in the narrative about cities over the past two decades strikingly recalls the early days of the twentieth century. What then was the idealized new and modern has become the smart of today. The development of technology has long pursued the superlatives of faster, higher, bigger, cleaner, stronger, better, and safer. This was a promising strategy when the scope and reach of technologies were limited. Today, however, networked information technologies pervade not only cities but also large and intricate parts of our everyday practice.

Modernity, Postcolonialism, and Theatrical Form in Uzbekistan

Slavic Review ◽  
2005 ◽  
Vol 64 (2) ◽  
pp. 333-354 ◽  
Author(s):  
Laura L. Adams
Keyword(s):  
Twentieth Century ◽  
National Culture ◽  
Cultural Change ◽  
Local Level ◽  
Cultural Forms

In this article Laura Adams examines cultural change in Uzbekistan through the evolution of European-style theater during the twentieth century. The adoption of this theatrical form was part of a broader project of cultural modernization undertaken first by the Jadids and then by the Soviets. It was also an example of a colonial hierarchy of cultures, which deemed European forms to be more advanced than indigenous ones. In spite of a pervasive discourse about the renewal of national culture, however, European-style theater continues to be strongly supported in Uzbekistan today. Adams argues that both modernization and colonialism contributed to an internationalist orientation among Uzbekistan's cultural elites. This orientation makes an investment in indigenous cultural forms less desirable, since they are only intelligible on a local level. European-style theater, however, enhances the value of national culture both by marking its modernity and by communicating national content in an internationally understood and valued medium.

Sincerity’s Champions

2019 ◽  
pp. 90-117
Author(s):  
Leonard Diepeveen
Keyword(s):  
Twentieth Century ◽  
Cultural Change ◽  
Cultural Context ◽  
Aesthetic Movement ◽  
The Past ◽  
Early Twentieth Century

This chapter looks at the different ways in which intent functions in aesthetic creation and experience, what counted as signs of sincere intent in the early twentieth century, and what aspects of modernism threatened the effortless functioning of such signs. It argues that in the early twentieth century the signs of sincere intent were under contention, as they always are at moments of cultural change and ideological contestation. In any new aesthetic movement or cultural context, one which appears to break with the past rather than just modulate it, the signs of sincere intent—because they are contextually and socially understood and negotiated—have to be renegotiated. Radically new works, works that are most in violation of the time’s default aesthetic, will present unclear signs of intent, clouding their sincerity.

scholarly journals Divergent theoretical trajectories in Game Studies: a bibliographical review

Artnodes ◽  
2021 ◽  
Author(s):  
Rosa Núñez-Pacheco ◽  
Phillip Penix-Tadsen
Keyword(s):  
Twentieth Century ◽  
Video Games ◽  
New Technologies ◽  
Game Studies ◽  
Academic Disciplines ◽  
Race And Gender ◽  
The Past ◽  
Unnatural Narratology ◽  
And Gender ◽  
Tools And Techniques

Video games have become important objects of study for different academic disciplines. From the birth of the medium in the mid-twentieth century to the present, video games have offered new and creative ways of approaching reality and fiction, and not only serve as entertainment, but also have significant cultural, social, and technological implications. The formal study of this medium is the purview of the field of game studies, which brings together the contributions of various disciplines. This paper presents a bibliographical review of several theoretical trajectories in game studies, reflecting on the relevance of early debates on narratology and ludology, and examining the ways these initial divisions of the field have branched beyond that debate. Over the past several years, the narratological line of critique has established links with other theories such as cognitivism, the theory of fictional worlds and the contributions of unnatural narratology to the analysis of new technologies; ludology, for its part, has grown through its adaptations to postcolonial and decolonial theories in cultural studies, as well as through its connections to critical race and gender studies. We conclude that as game studies has evolved as a discipline, its initial theoretical debates have undergone profound transformations that have brought depth to the analysis of games’ meaning and diversified to the tools and techniques we have for analysing games as digital and cultural artefacts.

scholarly journals AESTHETIC SPHERE IN PHILOSOPHICAL AND INTELLECTUAL REFLECTIONS OF THE XXth CENTURY

2018 ◽  
pp. 8-13
Author(s):  
N. I. Kovalova ◽  
V. L. Levchenko
Keyword(s):  
Twentieth Century ◽  
Xxth Century ◽  
Sociological Approach ◽  
The Past ◽  
Theoretical Position ◽  
Artistic Activity ◽  
Postmodern Art ◽  
The Subject

The article is devoted to the consideration of the aesthetical and the philosophical in intellectual reflections of the twentieth century. The material for the study were conceptions of such characteristic figures of modernism and postmodernism as W. Benjamin and J.-F. Lyotard. The task of the work was the analysis of modern and postmodern discourses and identification of their intertwining and intercollision. Benjamin articulated main modernist tendencies in his writings. For him the sociological approach and the consideration of the subject of art and artistic activity in all manifestations were basic everywhere in analysis of art. Instead of these postmodern art reflects itself as an antisocial practice in the context of it by the "decline of metanorations", the decline of ideology, the rejection of the general theoretical position, Modernism cuts off idea of any connection with the past. The principle condition on creativity for modernists was innovation and originality. Benjamin demonstrates such a level of decadence of the moderating guidelines in relation to the tradition. But for him Interest in historicity, games with citations in his books and writings are closed him to postmodernist positions and directions. Postmodernism, in relation to the past, is based on the paradigmic guideline that "everything was already there," everything has already happened both as an event and in an interpretive sense.

Nine Centuries of Man

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Diverse Range ◽  
Gender Expectations ◽  
Court Records ◽  
The Past ◽  
Wide Range ◽  
Police Reports ◽  
Late Twentieth ◽  
Scottish History ◽  
Late Twentieth Century

What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history

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