scholarly journals Conflicts Between Women's Religiosity and Sense of Free Will in the Context of Elective Abortion: A Qualitative Study in the Worst Period of Italy's COVID-19 Crisis

2021 ◽  
Vol 12 ◽  
Author(s):  
Ines Testoni ◽  
Nicoletta Finco ◽  
Shoshi Keisari ◽  
Hod Orkibi ◽  
Bracha Azoulay
Keyword(s):  
Qualitative Research ◽  
Qualitative Study ◽  
Time Points ◽  
The Third ◽  
Psychological Suffering ◽  
Elective Abortion ◽  
Third Phase ◽  
Catholic Women ◽  
Perinatal Grief ◽  
The Relationship

This qualitative study considers the relationship between abortion, bereavement, and the effects of the COVID-19 lockdown nine women who had undergone an elective abortion, which is voluntarily termination of a pregnancy at the woman's request. These women were interviewed in three time points (1 month, 6 months, and 1 year after the event) to consider the possible evolution of their experience. The third phase was concurrent with the COVID-19 pandemic and particularly with Pope Francis's Easter declaration against abortion. All the interviews were conducted and analysed through qualitative research in psychology. Results showed that the abortion experience led to physical, relational, and psychological suffering, similar to perinatal grief. Participants were non-practising Catholics and religiosity did not help them to overcome their sorrow. Though religiosity is a possible resilience factor in other stressful conditions, in this case it is a factor that aggravated suffering. Finally, we discuss the difficulties experienced by Catholic women who choose to have an abortion and assert the necessity of psychological and spiritual interventions to support these women.

The Moral World

2020 ◽  
pp. 228-240
Author(s):  
Christopher J. Insole
Keyword(s):  
Highest Good ◽  
Concept Of God ◽  
The Third ◽  
Space And Time ◽  
Third Phase ◽  
Moral World ◽  
The Relationship ◽  
The Way

This chapter shows how central it is, for Kant, that the concept of God only comes downstream from, and after, the possibility of belief in the ‘moral world’. This moral world is the realm of freedom, wherein autonomy is possible. Only if (deterministic) space and time do not go ‘all the way down’, are freedom, and autonomy, possible. If space and time are ‘things-in-themselves’, Kant asserts, ‘then freedom cannot be saved’ (A536/B564). Only if there is a dimension of reality beyond mechanism, is end-setting, and so autonomy, and the highest good possible. Not even God could achieve the highest good in a universe without end-setting, and without freedom, because this universe would be a sort of ‘desert’ with no ‘inner value’. The sequence of thought we find, both in the second Critique, and in other texts is this: first of all, Kant identifies a need for happiness in proportion to virtue; then Kant identifies the obstacle to the realization of such happiness, which is the mechanistic and deterministic structure of nature; and then Kant moves to the solution, which involves leaning into the realm of freedom, which realm includes God. The significance of the third phase in the progression of thought (the realm of freedom) has not been sufficiently considered, it is argued, when considering the Kant’s ‘moral proof’, and the relationship, for Kant, between morality, the highest good, and God.

scholarly journals Epistemology in Mulla Sadra Shirazi’s thought

2014 ◽  
Vol 57 (2) ◽  
pp. 19-38
Author(s):  
Muamer Halilovic
Keyword(s):  
Second Phase ◽  
The Third ◽  
Mulla Sadra ◽  
Third Phase ◽  
The Subject ◽  
The Relationship

Mulla Sadra Shirazi (1571-1636) explains the process of knowledge in three different phases. Prior to this, he introduces the differences between the presential knowledge (al-?ilm al-huzuri) and acquired knowledge (al-?ilm al-husuli). The founder of the Islamic Transcendent Philosophy states that the first form of knowledge is direct, because no terms appear in it, whereas the second is realized by means of concepts. For this reason, epistemic error is not possible in the presential knowledge, because the subject of the knowledge is present in the knower. After this introduction, Mulla Sadra explains the process of certain knowledge. He claims that in the first phase man learns of his existence in a present and immediate way. In the second phase - which is also within the scope of the knowledge by presence - man considers the relationship between his existence and some aspects of his existence, and thus immediately draws conclusions and generalizes certain principles such as causality (al-?ilija) and causal relatedness (as-sinhija). Finally, in the third phase, he explains various divisions of acquired knowledge.

Social Support in Perinatal Grief and Mothers’ Continuing Bonds: A Qualitative Study With Italian Mourners

Affilia ◽  
2020 ◽  
Vol 35 (4) ◽  
pp. 485-502
Author(s):  
Ines Testoni ◽  
Jenni Bregoli ◽  
Sara Pompele ◽  
Andrea Maccarini
Keyword(s):  
Social Support ◽  
Qualitative Study ◽  
Interpretative Phenomenological Analysis ◽  
Support Systems ◽  
Perinatal Loss ◽  
Phenomenological Analysis ◽  
Continuing Bonds ◽  
Grieving Process ◽  
The Third ◽  
Perinatal Grief

The grieving process after perinatal loss has unique properties. This qualitative study examines one aspect of the grieving process: continuing bonds experienced by the mothers. We offer an interpretative phenomenological analysis of interviews with 15 Italian mothers. Three main relevant themes emerged: “continuing bonds between externalized and internalized presence,” “a difficult guilt to manage,” and “relationships are crucial support systems.” The first one illustrates the ongoing connections to the deceased on the part of mothers and siblings, the second one explores a fixation on finding the cause of the death and related feelings of guilt, while the third one describes the mothers’ process of elaboration of the event, especially with the support of the husband and the community. The findings highlight unique qualities of continuing bonds after perinatal loss and factors that might influence mother’s griefwork, while also suggesting that psychodrama and art therapy could be useful in the management of this kind of loss.

What is the Personal Ordinariate? Canonical and Liturgical Observations

2010 ◽  
Vol 12 (2) ◽  
pp. 202-208 ◽  
Author(s):  
Christopher Hill
Keyword(s):  
Catholic Church ◽  
Roman Catholic ◽  
Roman Catholic Church ◽  
Pope Benedict Xvi ◽  
Benedict Xvi ◽  
The Third ◽  
Third Phase ◽  
New Form ◽  
The Relationship

Questions have arisen as to the manner of the publication on 9 November 2009 of Anglicanorum coetibus, the Apostolic Constitution Providing for Personal Ordinariates for Anglicans Entering into Full Communion with the Catholic Church. What is clear is that the views of the Pontifical Council for Promoting Christian Unity, under Cardinal Walter Kasper, were given less weight than ought to be expected and that both the Archbishop of Canterbury and the Archbishop of Westminster were informed at only a late stage. More assuring for the long term, Cardinal Kasper has stated that this provision is not a new form of ecumenism. Significantly, the Vatican statement following the meeting between the Archbishop of Canterbury and Pope Benedict XVI in Rome on 21 November reiterated ‘the shared will to continue and consolidate’ the relationship between the Roman Catholic Church and the Churches of the Anglican Communion and noted approvingly that the details of the third phase of ARCIC would be discussed at informal talks with Anglican representatives in the days following the Archbishop's visit to the Pope. Whatever else the Ordinariate may be, it is not a substitute for that ‘serious dialogue’ established by Archbishop Michael Ramsey and Pope Paul VI which has as its continued goal, despite obstacles ancient and modern, the restoration of ‘complete communion of faith and sacramental life’ between us.

scholarly journals The Association of Opioid Use Disorder and COVID-19 in Shahroud, Iran

2021 ◽  
Author(s):  
Zhaleh Jamali ◽  
Mohammad Hassan Emamian ◽  
Hassan Hashemi ◽  
Akbar Fotouh
Keyword(s):  
Cohort Study ◽  
Relative Risk ◽  
Opioid Use Disorder ◽  
Opioid Use ◽  
Rt Pcr ◽  
The Third ◽  
Third Phase ◽  
Binomial Regression ◽  
The Relationship

AbstractBackgroundCOVID-19 quickly spread to the world, causing a pandemic. While some studies have found no link between Opioid Use Disorder (OUD) and COVID-19, the role of the opioid on COVID-19 is challenging. The present study aimed to determine the relationship between OUD and COVID-19.MethodsThis was a prospective cohort study. We used data from the third phase of the Shahroud eye cohort study on 4394 participants which started in September 2019 and ended before the COVID-19 epidemic in Shahroud in February 2020. The participants were followed for 10.5 months till November 2020. COVID-19 was detected by RT-PCR on swap samples from the oropharynx and nasopharynx. The incidence of COVID-19 compared in OUD and Non-OUD participants, and relative risk was calculated in Log Binomial Regression model.ResultsAmong the 4394 participants with a mean age of 61.1 years, 120 people had OUD. The incidence of COVID-19 in participants with OUD and Non-OUD were 3.3% and 4.5%, respectively. The relative risk of OUD for COVID-19 was 0.75 (95% Confidence intervals: 0.28 – 1.98; P= 0.555).ConclusionsOpioid use disorder was not associated with COVID-19. The claim that people with OUD are less likely to develop COVID-19 is not supported by this data.

scholarly journals KONFLIK SOSIAL DALAM NOVEL KOBARAN CINTAKU KARYA RATNA SARUMPAET

sarasvati ◽  
2019 ◽  
Vol 1 (2) ◽  
pp. 81
Author(s):  
Alfarissy Vega Husaini Putera
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Research Study ◽  
Qualitative Research Methods ◽  
The Novel ◽  
Study Analysis ◽  
Social Unrest ◽  
The Third ◽  
The Relationship

This research study analysis in the form of better about social unrest in a novel Kobaran Cintaku. In assessing novel Kobaran Cintaku researchers used qualitative research methods of analyzing the form of descriptive, description not be the number or coefficient about the relationship between variables. The conflict contained in the novel Kobaran Cintaku: the first conflict between fellow individuals. Conflict strife of different opinions. The second conflict between individuals and group of torture and kidnapping. The third the conflict between fellow group in conflict oppression and war.

scholarly journals Exploring Perceptions of Key Events in a Qualitative Research Class: Applying Some Principles of Collaborative Analytic Inquiry in Practice

2017 ◽  
Author(s):  
Janet Richards ◽  
Steve Haberlin
Keyword(s):  
Qualitative Research ◽  
Research Method ◽  
Methods Course ◽  
The Third ◽  
Teaching Context ◽  
Third Phase ◽  
Self Study ◽  
Emotional Vulnerability ◽  
Key Events ◽  
E Mail

Little research portrays collaborative analytic inquiry in practice. Drawing on our dual lenses, we, a professor and a doctoral student in an advanced qualitative methods course, applied principles of collaborative analytic inquiry to construct new understandings about key events that occurred during an advanced qualitative research class. Using asynchronous e-mail communication, we shared, affirmed, and questioned each other’s and our own storied recollections of moments of joy and learning intertwined with some challenging issues. To begin our inquiry, we planned and negotiated our responsibilities, voiced our concerns and questions pertinent to the project, and avowed our willingness to risk emotional vulnerability and discomfort as we confronted our truths. We also studied the extant literature to learn about analytic inquiry since our work, followed some tenets of this research method. We conducted our work in three phases. In the third phase of our study we documented what we believed were significant, problematic issues in the course and responded to each other’s and our own assumptions. Our reflections helped us establish the value of collaborative analytic inquiry to create space for self-study. In the process of our work we came to recognize that the broad themes in our research, although not generalizable, might occur in any teaching context.

Into the Conspiracy

2018 ◽  
Author(s):  
Michael P. DeJonge
Keyword(s):  
Church And State ◽  
Third Reich ◽  
The Novel ◽  
The Third ◽  
Third Phase ◽  
The Third Reich ◽  
Two Phases ◽  
Two Kingdoms ◽  
Relationship Of ◽  
The Relationship

This chapter begins examination of the third phase of Bonhoeffer’s resistance, beginning in 1939 and characterized by his participation in a conspiracy to kill Adolf Hitler and overthrow the Third Reich. Notwithstanding the novel character of this kind of resistance in Bonhoeffer’s resistance activity and thinking, much of his thinking about resistance remains stable in this third phase. As this chapter shows with reference especially to Ethics, the main text from this phase, Bonhoeffer remains committed to the two kingdoms, the orders (although these are now named mandates), and the relationship of church and state articulated early in the resistance. Similarly, Bonhoeffer continues to affirm the types of ecclesial resistance developed in the first two phases of resistance (types 2 through 5).

scholarly journals REPRESENTASI SUREALISME PADA VIDEO KLIP LAGU MAN UPON THE HILL KARYA STARS AND RABBIT

2021 ◽  
Vol 20 (1) ◽  
Author(s):  
Nur Dwimas Setiawan ◽  
Sri Wahyuningsih
Keyword(s):  
Qualitative Research ◽  
Video Clip ◽  
Sampling Technique ◽  
Research Data ◽  
Music Video ◽  
The Third ◽  
Black Skin ◽  
The Hill ◽  
The Relationship ◽  
Depth Interviews

The music video for Man Upon The Hill by Stars and Rabbit can steal attention because it is able to present unique and interesting visuals. The purpose of this study was to determine the representation of the meaning of surrealism in the video clip Man Upon The Hill by Stars and rabbit. This research uses descriptive qualitative research methods. Data collection using the method of observation, in-depth interviews, and documentation. Informants were selected using purposive sampling technique. The technique of checking the validity of the research data used the source triangulation technique. The result of this research is the relationship between humans and nature, representations of several scenes: First, symbols such as the pentagram have the meaning of a dimension of life. Second, the Third Eye Chakra is the highest consciousness. Third, the arrangement of roots to form a gate represents a gate to a different dimension. Fourth, the tree root guitar represents how nature communicates, the melody that sounds from nature. Fifth, the arrangement of floating stones in a circle is the cycle of life. Sixth, black skin is a representation of the balance of the life cycle. Seventh, women with horses represent warriors, children represent purity.

Somatics Bodies on the Concert Stage

2020 ◽  
pp. 100-137
Author(s):  
Doran George
Keyword(s):  
New York ◽  
New York City ◽  
Real Time ◽  
York City ◽  
Second Phase ◽  
The Third ◽  
Third Phase ◽  
Relationship Of ◽  
The Relationship

This chapter looks at the relationship between Somatics training and the concert stage where its influence on dancers was increasingly evident. Focusing on New York City specifically, the chapter identifies three phases where Somatics impacted performance differently: first, as signaling the dancer’s real-time efforts to construct the dance in performance; second, as providing novel sources of movement; and third, as displaying a new standard of virtuosity. The chapter shows how in each of these phases the relationship of the choreographer to the performer shifted. In the first phase the choreographer and dancer were one and the same, processing the dance in real time, and this was seen as a radical alternative to midcentury modernist approaches in which the dancers showcased the choreographer’s vision. In the second phase, dancers deployed Somatics to demonstrate new vocabularies of movement and new ways of moving, not so much as a way to focus on dance making as to establish their unique artistic voices. In the third phase, the role of the choreographer was restored as the author of the dance, separate from the dancers, who then displayed the choreographer’s vision.

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