scholarly journals The Fallacy of Analogy and the Risk of Moral Imperialism: Israeli Literature and the Palestinian Other

Humanities ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 119 ◽  
Author(s):  
Adia Mendelson-Maoz

This article discusses the role of analogy within the ethics of reading. It examines how Israeli literature uses analogies when reflecting on the Israeli–Palestinian conflict. Many literary texts that depict the Israeli–Palestinian conflict draw analogies between the Israeli Jewish people and the Palestinians, between specific individuals on both sides, or between historical traumas. These analogies are designed to bridge gaps and encourage empathetic reading. This article challenges this role of analogy by arguing that analogies may in fact paint an erroneous picture of symmetrical relations, strengthen victimhood that denies responsibility, and can often lead to “empty empathy.” Analogies may also create a willfully deceptive understanding of the other, while actually maintaining a narcissistic superior stance. Based on philosophical notions put forward by Emmanuel Levinas, this article suggests a different path to ethical understanding in which the literary text, while still enabling analogy, uses other rhetorical devices to create relationships that suspend it and reveal its imposture.

2015 ◽  
Vol 5 (4) ◽  
pp. 31-49
Author(s):  
Janja Batič ◽  
Dragica Haramija

In this paper, the two authors showcase the results of a research survey on the role of illustrations in the interpretation of literary texts. The survey sample included students of primary education and preschool education, who were given the poem Učenjak (Scholar) by Niko Grafenauer and asked to answer questions regarding the character’s personality and appearance, the literary space, and other factors. The first group of interviewees was given the poem illustrated by Lidija Osterc and the other the same poem illustrated by Marjan Manček. The results showed that the illustration had a significant impact on the message conveyed by the poem, particularly when the illustrator added the context by representing the character’s environment (which was not explicitly given in the text). Furthermore, the results showed the need for the comprehensive reading of an illustrated text, given that it is the interaction between the verbal and the visual that provides vital information necessary for the reader to understand the message of the dedicated literary work. 


2003 ◽  
Vol 9 ◽  
Author(s):  
Boldizsár Fejérvári

It is a common fashion in literary criticism, or 'Lit Crit,' to treat reality, human behaviour, communication, and everything else as though they were 'texts to be read.' This paper proposes to go the other way: it interprets literature (or, more precisely, one literary text, Tom Stoppard's Rosencrantz and Guildenstern Are Dead) as a part of reality in which several other layers of the real combine, such as linguistics, science, or other literary texts, most notably Hamlet. While Edward II is not generally considered a direct source for Stoppard's play, this paper shows how, in the wider perspective of 'interreality,' Marlowe's tragedy might interact with Rosencrantz and Guildenstern. At the same time it is proved that Rosencrantz and Guildenstern Are Dead, contrary to the critical conception of many, is not a parasitic work 'feeding off' Elizabethan playwrights, but a play that enters a symbiotic relationship with its host (as defined by Hillis Miller).


Neofilolog ◽  
1970 ◽  
pp. 157-166
Author(s):  
Dorota Szczęśniak Dorota Szczęśniak

This paper discusses the importance of working with a literary text (especially poetry) in the context of the foreign language (FL) classroom. In order to facilitate FL teaching, language teachers are encouraged to use poetry and rhetorical devices occurring in such texts (e.g. rhymes, alliteration, metaphor etc.). The paper offers some teaching procedures and techniques based on rhetorical devices, which may prove valuable in raising FL students’ motivation and language awareness while having fun analyzing quality literary texts.


2018 ◽  
Vol 167 ◽  
pp. 375-383
Author(s):  
Valentyna Gerasymchuk

Existence and nonexistence of death in the semantic picture of reality and artistic text on the material of romans Leonid Leonov Road to the Ocean and Maxim Gorkogo The Life of Klim SamginIn this article the problem of death is unfolding in the semantic space of its ontological and existential conception in reality and a literary text. On the one hand, death as the concept of being is presented as its continuation, spiritual content, confirmation. On the other hand, death as a concept of non-being is considered as nothingness, rejection of being and its spiritual content.In reality the concept of death becomes an issue of the questionary and transcendental philosophy, that takes place in the physical time and metaphysical space of thought and expression. When the matter concerns the death of human being, his death acquires an ontological status of being, a status of spiritual significance. In the contrary case, it is possible to consider death and even life in terms of the concepts of being and nothingness. In literary texts the concept of death is also considered to be being or non-being, but taking into account constitutive characteristics of the text, its figurative and notional polysemant, the concept of death acquires not only aesthetic but also conceptual focus. In the article the main points of the topic of death, its being and non-being, are illustrated on the examples of specific literary texts. Буття і небуття смерті в смисловій картині реальності і художньому текстіПроблема смерті у статті розгортається в смисловому просторі онтологічного і екзистенціалістського її розуміння в реальності і в художньому тексті. З одного боку, смерть — поняття буття — постає як його продовження, його духовна наповненість, його стверждення. З другого — смерть — поняття небуття — розглядається як ніщо, як заперечення буття і його духовної наповненості.У реальності поняття смерті стає проблемою запитальної, трансцендентальної філософії, що розгортається у фізичному часі і метафізичному просторі думки і слова. І якщо йдеться про смерть буттюючої особистості, то і її смерть набуває онтологічного статусу, статусу духовної значущості, інакше можна говорити про смерть і навіть життя у поняттях небуття і ніщо. У художніх текстах поняття смерті також розглядається як буття і небуття, проте з урахуванням конститутивних особливостей тексту, його образної і смислової багатозначності, образ смерті набуває, крім онтологічної, ще й естетичну спрямованість.


Author(s):  
Ilit Ferber

Language and pain are usually thought of as opposites, the one being about expression and communication, the other destructive, “beyond words,” and isolating. Language Pangs challenges these familiar conceptions and offers a reconsideration of the relationship between pain and language in terms of an essential interconnectedness rather than an exclusive opposition. The book’s premise is that the experience of pain cannot be probed without consideration of its inherent relation to language, and vice versa: understanding the nature of language essentially depends on an account of its relationship with pain. Language Pangs brings together discussions of philosophical as well as literary texts, an intersection especially productive in considering the phenomenology of pain and its bearing on language. The book’s first chapter presents a phenomenology of pain and its relation to language. Chapters 2 and 3 provide a close reading of Herder’s Treatise on the Origin of Language (1772), which was the first modern philosophical text to bring together language and pain, establishing the cry of pain as the origin of language. Herder also raises important claims regarding the relationship between human and animal, sympathy, and the role of hearing in the experience of pain. Chapter 4 is devoted to Heidegger’s seminar (1939) on Herder’s text about language, a relatively unknown seminar that raises important claims regarding pain, expression, and hearing. Chapter 5 focuses on Sophocles’ story of Philoctetes, important to Herder’s treatise, in terms of pain, expression, sympathy, and hearing, also referring to more thinkers such as Cavell and Gide.


2014 ◽  
Vol 6 (7) ◽  
pp. 1259-1273
Author(s):  
Fedja Borčak

In this article I put forward the concept of subversive infantilisation to designate a phenomenon in contemporary Bosnian literature, which by using a certain kind of childish outlook on the world undermines paternalistic and balkanist Western discourse on Bosnia and Herzegovina. By analysing primarily the portrayal of the role of mass media in a few literary texts, principally books by Nenad Veličkovié and Miljenko Jergovié, I highlight the way in which these texts “re-rig” and by means of irony and exaggeration illuminate the problematic logic inherent in the subject position from which one represents the other. Textual characteristics of subversive infantilisation are contextualised further and seen as a discursive continuation of experiences of the 1990s war in Bosnia and Herzegovina.


2022 ◽  
Vol 7 (5) ◽  
pp. 24-35
Author(s):  
E. S. Goncharenko

This article offers the results of the investigation of repetitions in the modern Spanish language. To understand the role of the repetitions in a certain text, first of all, it’s necessary to determine whether they are immanent in the language or culture, and, therefore, unmarked, or, on the contrary, carry some charge: stylistic, rhythmic or pragmatic. Such differentiation is carried out by means of the analysis and synthesis of the theoretic material (А. Аlonso, E. А. Llorach, J. Nogeira, V. Iovenko, V. Vinogradov, etc.), contrastive and comparative analysis. The results show the redundancy of the Spanish language in comparison with Russian, which accounts for the numerous unmarked repetitions in Spanish. On the other hand, the frequent use of repetitions as stylistic, semantic or rhythmic device becomes evident too. For the analysis, we chose some official documents, characterized by the absence of stylistic devices, and some appellative and literary texts (poetry by A. Carvajal, a novel by S. Puertolas, etc.), which are apriori aimed at the form and pragmatic effect. This approach helps achieve the most objective conclusions concerning the nature of the repetitions in a text. We considered lexical and grammar repetitions, grammar, semantic and concept repetitions. Phonetic and lexical repetitions, as the basic stylistic devices, have not been subjected to analysis, as their markedness is evident. The results of the research, presented in the article, may be useful both for the people studying the Spanish language in order to speak it correctly and to understand the pragmatic function of repetition, and for translators to decide whether to follow the structure and rhythm of the text if repetitions are marked, or to omit them when they are in the original text, should they be immanent in the language and the culture.


Author(s):  
Munira Makhamadievna Atamuratova ◽  

This article aims to indicate the importance of syntactic stylistic devices mainly repetition in textual formulation that is based on the characteristics of the oral form of speech and syntactic stylistic devices which is expressed the structural meanings of the syntactic stylistic devices. In the aspects of this problem, it is important to analyze the role of syntactic stylistic devices in the formation of functional styles of the language, to justify the importance of syntactic stylistic devices in the presenting the main logic and contextual meanings in the literary texts. As analyzing any kind of literary text syntactic stylistic devices, that is repetition, chiasmus, stylistic inversion, gradation, ellipsis, antithesis, parallel construction, detached construction and enumeration have the greatest impact. However, according to results of analyzing, repetition is one of the widely used within these syntactic stylistic devices by contrast other models of speech.


GeoTextos ◽  
2019 ◽  
Vol 15 (2) ◽  
Author(s):  
Jamille Da Silva Lima

A relação lugar-identidade apresenta uma ambivalência que vai da celebração à condenação, ganhando novo fôlego após os anos 1990 tanto com a relevância que os movimentos identitários de resistência (étnicos, raciais e de gênero) alcançaram, na luta pelo lugar, enquanto território, quanto na força que o clamor pelo respeito à diferença e pelo reconhecimento do sentido opressor e colonial da identidade receberam, questionando o papel dos processos de territorialização nos conflitos e na negação da diferença que promovem a captura do Outro pelo Mesmo. Deslocamos a questão da relação identidade-diferença para o nexo consciência-lugar, desfazendo esta associação que dá relevo ao sentido frente ao sem-sentido. A prevalência da consciência é compreendida como um dos instrumentos da razão imperialista-colonizadora, eurocêntrica, e por isso é necessário fissurá-la para um outro sentido geográfico de identidade. Mas como significar nossa relação geográfica e sua implicação para a identidade libertando-se das amarras da consciência e dos modelos coloniais de intelecção do ser? Este é o principal questionamento mobilizador do artigo, o qual será enfrentado a partir da experiência com os indígenas Payayá e da interlocução com a filosofia de Emmanuel Lévinas, como metafenomenologia, no sentido de um pensamento descolonial latino-americano. Abstract IDENTITY AND PLACE IN THE METAPHENOMENOLOGY OF THE PAYAYÁ’S ALTERITY The identity-place relationship presents an ambivalence that goes from celebration to condemnation, gaining a new impetus after the 1990s, both with the relevance that identity resistance movements (ethnic, racial and gender) have achieved, fighting for the place – as territory –, as with the strength that crying for respect differences and the oppressive and colonial sense of identity received, questioning the role of the territorialization processes in the conflicts and in the denial of the distinctions that promote the capture of the Other by the Same. We move the question of the identity-difference relationship to the nexus between consciousness-place, undoing this association that gives relevance to sense in the face of the non-sense. The prevalence of consciousness is understood as one of the instruments of the imperialist colonizing reason, Eurocentric, and therefore it is necessary to break it into another geographical sense of identity. But how do we give meaning to our geographical relationship and its implication to identity, freeing ourselves from the bonds of consciousness and the colonial models of the intellection of being? This is the main question that mobilized the paper, which will be faced from the experience with the Payayá natives and the interlocution with the philosophy of Emmanuel Lévinas, as methaphenomenology, toward a Latin American descolonial thinking.


2021 ◽  
Vol 7 (3) ◽  
pp. 369-374
Author(s):  
G. Eltuzerova

The article highlights the role of one of the current problems of Kyrgyz linguistics, about non-verbal means, including the function of colors in a literary text. Stylistic coloring, added to the artistic text by shades, is the main object of study. Due to the fact that the functions of color as an element of sensory perception in Kyrgyz linguistics are practically not studied, they can make a significant contribution to linguistics. On the example of literary texts, the semantics of colors and their functions were analyzed. The study analyzes the expression of colors in the text, and also determines the results of analytical research on the example of questions related to such sciences as psycholinguistics, sociolinguistics, and ethnolinguistics.


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