scholarly journals The role of key IN CREATING AN INTERPRETATIONAL model in Baroque music (based on French Suite in D minor by J. S. Bach)

2021 ◽  
Vol 24 (24) ◽  
pp. 71-89
Author(s):  
Sagalova Hanna
Keyword(s):  
Reference Points ◽  
Musical Language ◽  
Important Place ◽  
Expected Time ◽  
Baroque Music ◽  
Performance Interpretation ◽  
Baroque Era ◽  
Time Signature ◽  
Natural Way

Background. For anyone creating his own interpretational version of a work which belongs to Baroque culture it is highly important to understand semantics of a given key, which in this day and age becomes a valuable asset to reveal the composer’s intention, including the works like French Suite in D minor by J. S.Bach. The approach, suggested in the article, elaborates existing studies, providing them with new meaning. The aim of the article is to reveal the significance of a key in the Baroque music, particularly in J. S. Bach’s works, as a premise for present-day musicians creating new versions of performance. Methodology of a research is founded on historically-theoretical and interpretational methods of analysis. Results. The genre of a keyboard suite holds an important place in J. S. Bach’s legacy. French Suite in D minor is the first one among others. Allemande is written in accordance with the customs of their time. At the same time, tonal development of each movement reflects general aesthetic principles of movement, realizing pivotal idea of the genre. The change in tonal reference points, which happens in the frameworks of Tonic – Dominant relations, shows diverse colours and tension of the development within one key. Allemande’s harmonic complexity exposes semantical sense of the key, which influences other dances. Sarabande is presented as a concentration of ‘funebre’ lyricism, the sense of Gigue is reconstructed due to the change of expected time signature 3/8 to 4/4 and usage of pulsating dotted notes. Courante and two Menuettos are marked by a certain simplicity and “transfiguration” of musical language, which causes not only a genre, but also imagery and semantical contrast. French Suite in D minor is a relatively difficult material for creation of performer’s interpretation. Contrasts of tempo and mood of the dances typical for this genre are not so obvious in this suite as compared to other J. S. Bach’s suites in minor keys. General atmosphere of reserve and inner tension is stressed by the key of D minor, which shapes the whole cycle’s character. Conclusions. The above mentioned peculiarities of J. S. Bach’s French Suite in D minor define the performance interpretation, designed to reveal dialectic unity of opposites in compositionally-dramaturgical structure of the Suite. The performer chooses means, aimed both at creation of macro-unity and at reveal of typological features of the suite genre which is based on contrast. One of the main factors contributing to unity is tempo of performance: apart from quite similar tempos of Allemande and Courante, Gigue is noteworthy, too, as its tempo due to peculiarity of melody and pathos, uncommon for the genre, is “decelerated” in a natural way. Suite contrast can be revealed through articulation and touche, as well as through tempo in view of singularity of Sarabande. Basing on the piece under analysis, we may state that in Baroque era D minor key was already interpreted as a bearer of complex and profound meaning, devoid of mundane, as a subjective key, retaining, however, possibility to be used to reveal objective generalising senses. Thus, we think it should be a “zone of special attention” for performers.

scholarly journals Oxidation of Terpenoids to Achieve High-Value Flavor and Fragrances—Questioning Microalgae Oxidative Capabilities in the Biotransformation of the Sesquiterpene Valencene and of Selected Natural Apocarotenoids

Chemistry ◽  
2021 ◽  
Vol 3 (3) ◽  
pp. 821-830
Author(s):  
Davide De Simeis ◽  
Stefano Serra ◽  
Alessandro Di Fonzo ◽  
Francesco Secundo
Keyword(s):  
Experimental Data ◽  
Natural Products ◽  
Aqueous Medium ◽  
Photochemical Reaction ◽  
Substrate Oxidation ◽  
Market Size ◽  
Chlorella Sp ◽  
General Opinion ◽  
Natural Way

Natural flavor and fragrance market size is expected to grow steadily due to the rising consumer demand of natural ingredients. This market request is guided by the general opinion that the production of natural compounds leads to a reduction of pollution, with inherent advantages for the environment and people’s health. The biotransformation reactions have gained high relevance in the production of natural products. In this context, few pieces of research have described the role of microalgae in the oxidation of terpenoids. In this present study, we questioned the role of microalgal based oxidation in the synthesis of high-value flavors and fragrances. This study investigated the role of three different microalgae strains, Chlorella sp. (211.8b and 211.8p) and Chlorococcum sp. (JB3), in the oxidation of different terpenoid substrates: α-ionone, β-ionone, theaspirane and valencene. Unfortunately, the experimental data showed that the microalgal strains used are not responsible for the substrate oxidation. In fact, our experiments demonstrate that the transformation of the four starting compounds is a photochemical reaction that involves the oxygen as oxidant. Even though these findings cast a shadow on the use of these microorganisms for an industrial purpose, they open a new possible strategy to easily obtain nootkatone in a natural way by just using an aqueous medium, oxygen and light.

Social Rules in Libertarian Thought

2020 ◽  
Vol 26 (1) ◽  
Author(s):  
Chad Van Schoelandt
Keyword(s):  
Social Order ◽  
Individual Liberty ◽  
Social Rules ◽  
Important Place ◽  
Limited Government

AbstractLibertarianism upholds individual liberty as of primary political importance. The concern for liberty leads to support for highly limited government, and sometimes even anarchism. Sometimes people come under the mistaken impression that libertarians have such a myopic concern for individual liberty that they must oppose social rules and social order. While that is too extreme, libertarianism does seem to have significant tensions with social rules, and the role of social rules within libertarianism is complex and contentious. This work aims to bring out some of this complexity and to clarify the important place of social rules in libertarian thought.

How Useful is Bourdieu’s Notion of Cultural Capital for Describing Literary Markets?

2021 ◽  
Vol 69 (1) ◽  
pp. 43-55
Author(s):  
Nicola Glaubitz
Keyword(s):  
Cultural Capital ◽  
Reference Points ◽  
Conceptual Clarity ◽  
Literary Cultures ◽  
The Status ◽  
Multi Method Approach ◽  
Organisation Structure ◽  
Literary Canons ◽  
Literary Markets

Abstract Bourdieu’s concepts of cultural capital and field, developed in the 1970s and 1980s, still provide systematic reference points for studies interested in literary cultures under market conditions. These concepts have found resonance in studies observing the changing organisation, structure, and social positions involved in the writing, reading, and circulation of literature. While both the conceptual clarity and the historical results Bourdieu achieved (in particular in his study The Rules of Art, originally published in 1992) have come under attack, both his key concepts and his multi-method approach function as a theoretical toolbox for present studies. The article discusses three studies (Childress 2017; English 2005; Guillory 1993) which make use of Bourdieu’s concept of capital in order to describe contemporary US publishing, the role of literary canons in higher education, and the status of literary awards. I argue that Bourdieu’s framework is productive in these cases when it is used in a heuristic way, when the idea of cultural and social capital is considered as processes and practices of valuation, and when it points to the political aspects of economies.

THE ROLE OF EDUCATIONAL WORK WITH PRISONERS IN THE PREVENTION OF CRIMES IN PENAL SETTLEMENTS

2020 ◽  
pp. 143-148
Author(s):  
Василий Алексеевич Рудаев
Keyword(s):  
National Security ◽  
Common Knowledge ◽  
Penal System ◽  
Correctional Institutions ◽  
Educational Impact ◽  
Educational Work ◽  
Important Place ◽  
Wide Range ◽  
Legal Nature

Проблема борьбы с преступностью в современной России является одним из приоритетных направлений государственной политики страны, условием обеспечения ее национальной безопасности. Пенитенциарная преступность выступает составной частью общей преступности и по многим показателям зависит от нее. Общеизвестно, что в местах лишения свободы совершаются преступления. Данные факты свидетельствуют о серьезных недостатках в деятельности уголовно-исполнительной системы, особенно это показательно, если преступления совершаются в колониях-поселениях, контингент которых представлен осужденными за преступления по неосторожности или положительно характеризующимися осужденными, переведенными из исправительных учреждений других видов. В профилактике преступлений важное место занимает организация применения основных средств исправления осужденных, одним из которых является воспитательная работа. В ходе анализа нормативной базы, регламентирующей проведение воспитательной работы, мы пришли к выводу, что многие особенности деятельности колоний-поселений не нашли отражения на законодательном уровне. Считаем, что правовая природа колоний-поселений наделяет администрацию учреждения широким спектром возможностей при организации воспитательного воздействия. С учетом наблюдений практических работников, полученных в процессе интервьюирования, мы предложили ряд изменений в нормативные акты, которые регулируют воспитательную работу. Их внесение в законодательство, по нашему мнению, будет способствовать совершенствованию организации воспитательной работы с осужденными, что в свою очередь позволит снизить уровень преступности в колониях-поселениях. The problem of combating crime in modern Russia is one of the priority areas of the country's state policy, a condition for ensuring its national security. Penitentiary crime is an integral part of overall crime and depends on it for many indicators. It is common knowledge that in places of deprivation of liberty crimes are committed. These facts reveal serious shortcomings in the functioning of the penal system, especially when crimes are committed in penal settlements, where the population is represented by those convicted of crimes by negligence or those transferred there from correctional institutions with different regime due to their conscious conduct. In crime prevention the organization of the use of basic means of prisoners’ correction, one of which is educational work, takes an important place. In the process of the analysis of the regulatory framework governing educational work, we came to the conclusion that many features of the activities of penal settlements were not reflected at the legislative level. We believe that the legal nature of penal settlement gives the administration of the institution a wide range of opportunities in organizing educational impact. Taking into account the observations of practitioners obtained during the interview process, we proposed a number of changes to the normative base that regulate educational work. Their introduction into legislation, in our opinion, will contribute the improvement of the organization of educational work with prisonerss, which in turn will reduce the level of crime in penal settlements.

THE INFLUENCE OF TANEYEV’S STYLISTIC PRINCIPLES ON RUSSIAN CHORAL MUSIC OF THE XXTH CENTURY

2020 ◽  
Vol 1 (2) ◽  
pp. 75-80
Author(s):  
V. P. Tereshchenko ◽  
Keyword(s):  
Choral Music ◽  
Compositional Style ◽  
Rational Approach ◽  
A Cappella ◽  
Unique Combination ◽  
Xxth Century ◽  
Leading Role ◽  
Baroque Music ◽  
Special Area

The article touches upon the unique combination of Taneyev’s stylistic principles, which consists in an organic synthesis of protective and innovative features. Taneyev consciously turns to the polyphony of strictly writing, Baroque music and Viennese classicism in forming his own individual compositional style. The paradox is that Taneyev acted as an innovator who foresaw a vision for the future of music through the prism of the distant past. Stylistic principles such as historicism of thinking, rational approach to creativity and leading role of counterpoint forms became the basis of new trends in music art of the XXth century. A special area of the composer's innovative achievements is choral music. Taneyev founded of a number of genre trends that developed in the XXth century, among them a lyrical-philosophical cantata, "spiritual concert" vocal-instrumental and symphonic music, a choral a cappella cycle to secular text.

Organization of school excursions in biology

2020 ◽  
Vol 04 (05) ◽  
pp. 39-32
Author(s):  
Gunay Isfandiyar Sadigov ◽  
Keyword(s):  
Teaching Methods ◽  
Scientific Information ◽  
Learning Technologies ◽  
Quality Of Education ◽  
Educational Work ◽  
Important Place ◽  
Methods Development ◽  
New Learning

The purpose of this article is to highlight the role of excursions in the lives of students and schoolchildren. The excursion is one of the main forms of educational work. The excursion is one of the main forms of educational work. The tour is conducted according to the school program. The tour is conducted in a group to make it more interesting. Excursions also contribute to the development of polytechnic education, as they give students the opportunity to get acquainted with production, use scientific information in industry and agriculture. From this it can be concluded that excursions occupy a very important place in the life of both schoolchildren and students. Key words: the process of teaching the method of excursion, the principle of vitality, teaching process, introduction of new learning technologies, quality of education, form of training, teaching methods, development and dissemination of the method

scholarly journals The Role of Children's Musical Instruments in Communication with Musical Language

2015 ◽  
Vol 197 ◽  
pp. 1326-1334
Author(s):  
Konstanca Zalar ◽  
Urban Kordes ◽  
Barbara Sicherl Kafol
Keyword(s):  
Musical Instruments ◽  
Musical Language

Structured Perceptual Input Imposes an Egocentric Frame of Reference—Pointing, Imagery, and Spatial Self-Consciousness

Perception ◽  
10.1068/p5183 ◽  
2005 ◽  
Vol 34 (4) ◽  
pp. 429-451 ◽  
Author(s):  
Anthony Marcel ◽  
Christian Dobel
Keyword(s):  
Sensory Deprivation ◽  
Frame Of Reference ◽  
Reference Points ◽  
Logical Necessity ◽  
Structural Description ◽  
Relative Location ◽  
Egocentric Frame ◽  
The World ◽  
Axes Of Symmetry

Perceptual input imposes and maintains an egocentric frame of reference, which enables orientation. When blindfolded, people tended to mistake the assumed intrinsic axes of symmetry of their immediate environment (a room) for their own egocentric relation to features of the room. When asked to point to the door and window, known to be at mid-points of facing (or adjacent) walls, they pointed with their arms at 180° (or 90°) angles, irrespective of where they thought they were in the room. People did the same when requested to imagine the situation. They justified their responses (inappropriately) by logical necessity or a structural description of the room rather than (appropriately) by relative location of themselves and the reference points. In eight experiments, we explored the effect on this in perception and imagery of: perceptual input (without perceptibility of the target reference points); imaging oneself versus another person; aids to explicit spatial self-consciousness; order of questions about self-location; and the relation of targets to the axes of symmetry of the room. The results indicate that, if one is deprived of structured perceptual input, as well as losing one's bearings, (a) one is likely to lose one's egocentric frame of reference itself, and (b) instead of pointing to reference points, one demonstrates their structural relation by adopting the intrinsic axes of the environment as one's own. This is prevented by providing noninformative perceptual input or by inducing subjects to imagine themselves from the outside, which makes explicit the fact of their being located relative to the world. The role of perceptual contact with a structured world is discussed in relation to sensory deprivation and imagery, appeal is made to Gibson's theory of joint egoreception and exteroception, and the data are related to recent theories of spatial memory and navigation.

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