Метафора «Тополек» в повести Ч. Айтматова «Тополек мой в красной косынке» проявление языковой личности автора

2019 ◽  
pp. 40-43
Author(s):  
Ли Ли
Keyword(s):  
Key Words ◽  
20Th Century ◽  
Early Period ◽  
The Novel ◽  
Direct Speech ◽  
Narrative Strategy ◽  
Literary Character ◽  
Emotional Assessment ◽  
Poplar Tree

Аннотация: Чингиз Айтматов – один из наиболее влиятельных билингвистических писателей Киргизии второй половины XX в. Повесть «Тополек мой в красной косынке» (1961) характерное произведение его раннего периода творчества. Произведение организует образ молодого дерева тополя, «тополька». Эти языковые символы заключают в себе явный или скрытый смысл и обладают определенным значением. Вообще с помощью символов автор может выражать эмоциональную оценку. Это не только выступает символом повести, но и воплощением языковой личности автора. В то же время это стало и определенной стратегией повествования . Эта стратегия играет предельно важную роль для воплощения разностороннего, индивидуализированного неожиданного образа персонажа. Такая стратегия повествования нацелена на объединение сознания писателя и персонажа. Ключевые слова: «тополек», уменьшительно-ласкательная форма,сравнение,лексический повтор,несобственно-прямая речь,литературный символ, языковая личность, стратегия повествования. Аннотация: Чынгыз Айтматов – XX кылымдын экинчи жарымындагы Кыргызстандын орус тилинде жазган бирден-бир таасирдүү жазуучуларынын бири. «Кызыл жоолук жалжалым» (1961) повести анын чыгармачылыгынын алгачкы мезгилине таандык. Чыгармада жаш теректин образы берилип, бул тилдик символдор ачык жана туюк маанини камтып, негизги маанини туюткан. Негизинен символ- дор аркылуу автор эмоционалдык баа бере алат. Чыгармада бул символ катары гана эмес, автордун тилдик өзгөчөлүгү катары да чагылдырылат. Ошол эле учурда ал баяндоонун өзгөчө максаты болуу менен ар тараптуу, индивидуализацияланган персонаждын образын берүүдө өзгөчө ролду ойнойт. Баяндоонун мындай максаты жазуучу менен персонаждын аң-сезимин айкалыштырууга багытталган. Түйүндүү сөздөр: «терек», кичирейтүү, эркелеттүү маанисиндеги форма, салыштыруу, лексикалык кайталоолор, тике, бөтөн сөз, адабий символ, тилдик өзгөчөлүк, баяндоонун максаты. Abstract: Chingiz Aitmatov – one of the most influential bilingual writers of Kyrgyzstan, the second half of the 20th century The Novel "My little poplar in a red scarf" (1961) characterized the work of early period of creativity of his. The work organizes the image of a small poplar tree, "poplar". These language symbols contain an explicit or implicit meaning and have a certain meaning. In General, with the help of symbols, the author can Express an emotional assessment. This is not only a symbol of story, but also the embodiment of the linguistic personality of the author. At the same time, it became a certain narrative strategy . This strategy plays an extremely important role for the embodiment of a versatile, individualized unexpected image of the character. This narrative strategy is aimed at uniting the consciousness of the writer and the character. Key words: "poplar", a diminutive form, comparison, lexical repetition, non-na- tive-direct speech, literary character, language personality, the strategy of the narrative.

scholarly journals CHARACTERS IN BILDUNGSROMAN: FROM PARADIGM TO PARODY (Junaci Bildungsromana: od paradigme do parodije)

2019 ◽  
Vol X (28) ◽  
pp. 73-99
Author(s):  
Nina Sirković
Keyword(s):  
Key Words ◽  
20Th Century ◽  
Thomas Mann ◽  
The Novel ◽  
Main Character ◽  
Stream Of Consciousness ◽  
Theoretical Assumptions

The paper discusses the Bildungsroman as a subgenre of the novel regarding main characters of two German Bildungsromans, Goethe’s Wilhelm Meister from the novel Wilhelm Meister’ Apprenticeship and Thomas Mann’s Hans Castorp from the novel The Magic Mountain. First are considered theoretical assumptions of the Bildungsroman in general and then its position in 20th century when modern writers abandon notion of the hero as a fuly developed, stable and coherent character and give space to reflections, recollections and stream of consciousness. The central part of the paper deals with analyses of main characters of two Bildungsromans, Goethe’s Wilhelm Meister, the main character of the novel which is considered as a paradigm of the subgenre, and Mann’s Hans Castorp, as a parodied character from the Bildungsroman of 20th century. Key words: Bildungsroman, Goethe, Wilhelm Meister’s Aprenticeship, Thomas Mann, The Magic Mountain, parody.

Die Spur des Stoffs. Ermittlungsrausch in Friedrich Glausers Die Fieberkurve

2019 ◽  
Vol 48 (1) ◽  
pp. 57-89
Author(s):  
Mareike Schildmann
Keyword(s):  
Material Culture ◽  
Natural Resources ◽  
20Th Century ◽  
North Africa ◽  
Oil And Gas ◽  
Logical Structure ◽  
The Novel ◽  
Conservative Approach ◽  
Crime Novel ◽  
The 19Th Century

Abstract This article traces some of the fundamental poetological changes that the traditional crime novel undergoes in the work of the Swiss author Friedrich Glauser at the beginning of the 20th century. The rational-analytical, conservative approach of the criminal novel in the 19th century implied – according to Luc Boltanski – the separation of an epistemologically structured, institutionalized order of “reality” and a chaotic, unruly, unformatted “world” – a separation that is questioned, but reestablished in the dramaturgy of crime and its resolution. By shifting the attention from the logical structure of ‘whodunnit’ to the sensual material culture and “atmosphere” that surrounds actions and people, Glauser’s novels blur these epistemological and ontological boundaries. The article shows how in Die Fieberkurve, the second novel of Glauser’s famous Wachtmeister Studer-series, material and sensual substances develop a specific, powerful dynamic that dissipates, complicates, crosslinks, and confuses the objects and acts of investigation as well as its narration. The material spoors, dust, fibers, fingerprints, intoxicants and natural resources like oil and gas – which lead the investigation from Switzerland to North Africa – trigger a new sensual mode of perception and reception that replaces the reassuring criminological ideal of solution by the logic of “dissolution”. The novel thereby demonstrates the poetic impact of the slogan of modernity: matter matters.

СТАЛИНДИК БИЙЛИК Ч.АЙТМАТОВДУН КӨРКӨМ ОЙ ЖҮГҮРТҮҮСҮНДӨ

2020 ◽  
pp. 85-87
Author(s):  
Б. Ниясалиева ◽  
Н. Алтыкеева
Keyword(s):  
Key Words ◽  
The Novel ◽  
Good Luck ◽  
The West ◽  
Innocent People ◽  
The Government

Аннотация. Ч.Айтматов “Кылым карытар бир күн” романында ачыктап бере албаган бийлик маселеси кийинки демократиянын учурунда романдын уландысы катары берилген “Чынгызхандын ак булуту “ аттуу чыгармасында таама көрсөтүлдү. Аталган чыгарма сталиндик бийликти сынга алуу менен бийликтин курмандыктары болгон күнөөсүз адамдардын оор тагдырын чагылдырат. Сталиндин образын ачуу максатында элдик легендага кайрылып, Чынгызхандын образы аркылуу Сталиндин образын чагылдырган. Чыгармадагы Тансыкбаевдин образы мансапка манчыркап, адам тагдыры менен ойногон наадан адамдардын образын ачууда колдонулган. Абуталип, Эрдене, Догуланг – булар бийликтин курмандыктары. Алар алдыда өлүм күтүп турса да, өз көз караштарынан тайышпады, өлүмгө тике кароо менен жеңиш дайыма алар тарапта экендигин аныктай алышты. Ырас, Тансыкбаев да өз максатына жете алган жок, Чынгызхан болсо батышты багынтам деген тилегине жетпеди, ал эбегейсиз күчүн жоготту, мындан ары анын жолу болбоду. Түйүндүү сөздөр: образ, демократия, каарман, легенда, идея, көркөм ой жүгүртүү. Аннотация. Проблема правительства, которую Ч.Айтматов не смог раскрыть в романе “И дольше века длится день, ярко показаны в произведении “Белое облако Чингизхана” созданное во время демократии как продолжение названного произведения. В данном произведений критикуется и отражается тяжелая судьба безвинного народа, которые стали жертвами сталинского режима. Писатель обратился к народной легенде для раскрытия образа Сталина, через образ Чингизхана. В произведений образ Тансыкбаева применятся для раскрытия образов людей, которые ради собственного нажива использовали судьбы народа. Абуталип, Эрдене, Догуланг – они жертвы правительства. Несмотря ни на что, они не отреклись от своих убеждений, стояли на смерть ради справедливости. В статье говорится о не достижении своей цели Тансыкбаева, о не покорении Чингизханом Запада, о том, что Чингизхан потерял всю свою силу и удача его покидает. Ключевые слова: власть, образ, демократия, герой, легенда, идея, художественное размышление.. Annotation. The problem of the government, which Ch. Aitmatov could not reveal in the novel “And the day lasts more than a century”is clearly shown in the works “White cloud of Genghis Khan” created during the democracy as a continuation of the title work. In this work criticized and reflected the heavy fate of innocent people who were the victims of the Stalinist regime. The writer appealed to the folk legend to reveal the image of Genghis Khan the writer conveys the image of Stalin. In the work (composition) the image of Tansykbaev will be used to reveal the images of people who used the people’s destinies for their own profit . Abutalip, Erdene, Doulan-they are the victims of government. No matter what, they didn’t renounce their beliefs, stood to death for justice . The article says about not achieving the goal of Tansykbaeva, about not conguering the West by Genghis Khan and that Genghis Khan lost all his strength and good luck leaves him. Key words: power, image, democracy, hero, legend, idea, artistic reflection.

,,Er hätte am liebsten ununterbrochen gespielt“. : Schach in Elias Canettis Roman ,,Die Blendung“

2020 ◽  
Vol 30 (3) ◽  
pp. 649-661
Author(s):  
Carl Philipp Roth
Keyword(s):  
Social Context ◽  
20Th Century ◽  
Chess Player ◽  
Early 20Th Century ◽  
The Novel ◽  
Strategic Skills

Abstract Der Beitrag untersucht die Bedeutung des Schachspiels in Elias Canettis Roman Die Blendung zum einen auf der Ebene der historischen und sozialen Kontexte, in denen der Schachspieler Siegfried Fischer im Wien des frühen 20. Jahrhunderts steht. Er fokussiert zum anderen die Bedeutung des Schachspiels auf Handlungsebene. Denn Siegfried Fischer – genannt Fischerle – überträgt seine strategischen Fähigkeiten im Schach auf die ihn umgebende Welt und bringt so Peter Kien ,Zug um Zug‘ um dessen Reichtum.The article examines the significance of chess in Elias Canetti’s novel Die Blendung in the historical and social context of early 20th century Vienna. It further focuses on the function of chess within the novel: The actor and chess player Siegfried Fischer – called Fischerle – transfers his strategic skills from chess to his surroundings, thus depriving Peter Kien of his wealth ‘move by move’.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

scholarly journals Place matters: geographical context, place belonging and the production of locality in Mediterranean Noirs

GeoJournal ◽  
2021 ◽  
Author(s):  
Nicola Gabellieri
Keyword(s):  
20Th Century ◽  
Crime Fiction ◽  
The Novel ◽  
Late 20Th Century ◽  
Literary Works ◽  
Geographical Discourse ◽  
Detective Stories ◽  
Narrative Medium ◽  
Geographical Context

AbstractScholars have been investigating detective stories and crime fiction mostly as literary works reflecting the societies that produced them and the movement from modernism to postmodernism. However, these genres have generally been neglected by literary geographers. In the attempt to fill such an epistemological vacuum, this paper examines and compare the function and importance of geography in both classic and late 20th century detective stories. Arthur Conan Doyle’s and Agatha Christie’s detective stories are compared to Mediterranean noir books by Manuel Montalbán, Andrea Camilleri and Jean Claude Izzo. While space is shown to be at the center of the investigations in the former two authors, the latter rather focus on place, that is space invested by the authors with meaning and feelings of identity and belonging. From this perspective, the article argues that detective investigations have become a narrative medium allowing the readership to explore the writer’s representation/construction of his own territorial context, or place-setting, which functions as a co-protagonist of the novel. In conclusion, the paper suggests that the emerging role of place in some of the later popular crime fiction can be interpreted as the result of writer’s sentiment of belonging and, according to Appadurai’s theory, as a literary and geographical discourse aimed at the production of locality.

“Tlatelolco me bautizó”: Literary Renewal and the Neoliberal Transition

2012 ◽  
Vol 28 (2) ◽  
pp. 265-286
Author(s):  
Samuel Steinberg
Keyword(s):  
20Th Century ◽  
The Novel ◽  
Relative Lack ◽  
Starting Point ◽  
Conservative Restoration ◽  
Social Privilege

This essay takes as its starting point the relative lack of a contender to the “novel of ′68” in Mexico. I argue that Jorge Volpi's 2003 El fin de la locura constitutes the final writing of such a novel, to appear some 35 years after the original events of that year. The double “renewal” pursued by this work is explored both as an intended restoration of the literary to a place of social privilege after a period of decline, and also as a conservative restoration of order following the revolutionary sequences of the 20th century. However, I argue, the novel cannot finally commit to artistic renewal without also confirming the “madness” of the century; the literary renewal pursued in Volpi's text thus becomes the very political renewal that the author seeks to avoid.

ВКЛАД ШТЕФАНА И ГЕОРГИЯ НЯГИ В РАЗВИТИЕ ЖАНРА ФОРТЕПИАННОЙ МИНИАТЮРЫ В РЕСПУБЛИКЕ МОЛДОВА

2020 ◽  
Vol 59 (10) ◽  
pp. 61-67
Author(s):  
Inna Alimovna Khatipova ◽  
Keyword(s):  
Key Words ◽  
Present Article ◽  
20Th Century ◽  
Musical Language ◽  
National Music

The present article examines pieces for piano written by Moldavian composers Ștefan and Gheorghe Neaga. Created in the 1930s and 1950s, they are representative examples of the genre of miniature in the national music of the 20th century. The pieces share a number of common traits: they have a solid national basis, are rooted in the genres of Moldavian folklore and are characterized by simplicity of the musical language and convincing compositional and dramaturgic developments. Figurative-emotional and intonational brightness of these miniatures, which were written at a high professional level, determined their viability and their ample potential for being included in the pedagogical repertoire. Key words: Ștefan Neaga, Gheorghe Neaga, piece for piano, pedagogic repertoire, Moldavian folklore, piano texture.

Orientalists and Missionaries

2021 ◽  
Keyword(s):  
20Th Century ◽  
Religious Beliefs ◽  
18Th Century ◽  
Early Period ◽  
Indian Literature ◽  
Indian Languages ◽  
Beliefs And Practices ◽  
Hindu Religion ◽  
Colonial Frontier

The best accounts of Hindu religious beliefs and practices to reach Europe before 1800 came overwhelmingly from the pens of missionaries. There are several reasons why this was so. Their missionary task obviously motivated them to attempt to understand Hindu religion even if they ultimately rejected it as a false religion. Beyond this, missionaries were more likely than other Europeans, such as travelers or colonial officials, to spend the bulk of their lives, often several decades, in India. They were more likely to be well-educated, to learn Indian languages, and, especially, to read Indian literature. Although many remained in European coastal enclaves, in the early period they were also much more likely than other Europeans to spend extended periods beyond the colonial frontier, living and working in the hinterland. They were also usually required to give an account of their activities to their superiors in Europe. Their letters and reports are also more likely than those produced by independent travelers (although not colonial officials) to have survived by being preserved in European archives. Although missionary scholarship has continued into the 20th century and even beyond, it was gradually eclipsed by colonial and later professional scholarship from the end of the 18th century. The emphasis here will be on works emerging from the earlier period. Scholarship on missionaries has, until quite recently, been very largely the domain of historians of mission, many of whom were missionaries themselves. This has begun to change as the value of missionary accounts have been more widely recognized, and there has been a welcome shift from the often frankly hagiographic character of earlier secondary scholarship.

Music and the Novel: A Study in 20th Century Fiction

1981 ◽  
Vol 55 (3) ◽  
pp. 536
Author(s):  
Arra S. Avakian ◽  
Alex Aronson
Keyword(s):  
20Th Century ◽  
The Novel
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