scholarly journals DEVELOPMENT OF THE INTANGIBLE CULTURAL HERITAGE IN THE CITY OF PORTO-NOVO: THE PLACE OF DANCE WITHIN TOURISM

2020 ◽  
Vol 05 (01) ◽  
pp. 295-308
Author(s):  
Akogbeto Nadine B. ◽  
Houenoude Didier ◽  
Vissin Expedit W. ◽  
Houssou Christophe S.
2021 ◽  
Vol 33 (2) ◽  
pp. 191-200
Author(s):  
Justyna Łukaszewska‑Haberkowa

In the first part of this paper the definition of the protection of intangible cul­tural heritage is introduced, based on the 2003 UNESCO Convention as well as the Polish legislation concerning the protection of items on the national list of intangible culture. The second part shortly characterizes the Krakow bob­bin lace tradition along with its guardians, both present and past. In the third part it is systematically described what is being done to protect the tradition and craft in the Podgórze Culture Center thanks to the initiatives undertaken by certain guardians, and in the Historical Museum of the City of Krakow.


2018 ◽  
pp. 74
Author(s):  
Karina Orozco Salinas

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin  embargo, esta mención no ha sido otorgada por alguno de los  instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.


Jurnal Patra ◽  
2021 ◽  
Vol 3 (2) ◽  
pp. 127-137
Author(s):  
Maysitha Fitri Az Zahra ◽  
Ully Irma Maulina Hanafiah ◽  
Febri Toni Setiawan

Batik, which is rich in symbols and philosophies for the Indonesian people, has now been recognized by UNESCO as a Representative List of the Intangible Cultural Heritage of Humanity. The beginning of the emergence of batik in Indonesia is in the city of Solo, and comes from the Pajang kingdom 400 years ago. With the passage of time, batik continues to grow and produces various variations and innovations, from raw materials to the drawn motifs. However, it is very unfortunate that not all of the previous heritage batik can be maintained. Recently, there has been a batik museum created by individuals or institutions, but in the design, some interior elements are less than optimal in their arrangement. So they don't affect the batik stored or on display. In this research, focus of the discussion is on standardization which discusses spatial planning, facilities, collections, lighting, ventilation, acoustics and museum security, which are combined with local wisdom of Surakarta architecture, so that the data becomes a batik museum with character and can preserve the stored batik. This research uses a case study of the Surakarta batik museum, and the final results of this study can be used as a guide for designing a museum with fabric materials in it.


2022 ◽  
pp. 467-483
Author(s):  
Oya Yildirim ◽  
A. Celil Çakici

In today's competitive global environment, cities are striving to stand out and be attractive to investors, visitors, and residents. City branding is an important tool to differentiate the city from its competitors and to be preferred by visitors. Every city has its own characteristics resulting from its historical development, the influence of its geography, and its social, cultural, and economic past. Therefore, the tangible and intangible cultural heritage of cities is vital for their promotion and branding. This study aims to show the importance of their cultural heritage, which is the most fundamental feature to differentiate themselves from their competitors in city branding. It is emphasized that the cultural events organized in cities or the assets specific to cities, most of which are on the UNESCO World Heritage List, have a significant impact on city branding. In addition, the chapter explains the impact of digitalization, which is one of the most important developments of our time, on city branding and cultural heritage.


2016 ◽  
Vol 10 (3) ◽  
pp. 18-25 ◽  
Author(s):  
Светлана Хуснутдинова ◽  
Svetlana Khusnutdinova ◽  
Мария Сафонова ◽  
Mariya Safonova

The article is devoted to study the role of intangible cultural heritage in the development of modern urban areas. Modern cities are experiencing a transformational load associated with the transition from industry to the post-in- dustry – service industry comes on the place of the plants, and one of the leading sectors becomes tourism. Social and environmental factors on the one hand, reflect the general level of development of the city and, on the other hand, in a post-industrial economy are the main actors in the development of all areas, including city tourism. Intangible cultural heritage is seen as a social factor, the formation of which is related to the environment (natural- ecological spheres), and history of the city. Intangible cultural heritage serves as a catalyst for the creative economy and the events of the city, which in turn have a positive impact on city tourism. The city squares, streets, parks are becoming the immediate territorial areas, where the intangible cultural heritage are demonstrated to the citizens and tourists and their level of status, comfort and attractiveness depends largely on the implementation of the tourism potential of the intangible heritage. Cities skillfully combining the intangible heritage, creative industries, event and educational tourism receive an additional impulse for the development of city tourism and the whole economy of the city. The Republic of Tatarstan last decade is actively moving towards the formation of territorial attractive tourism product. Kazan has ranked among the leading cities of domestic tourism sector. Moreover, any tourism city is interested in attracting more tourists for longer periods, which is possible due to the diversity of the program in the city or region. Intangible cultural heritage can play an important role in solving this problem. In the article using the example of the three cities of the republic – Kazan, Chistopol and Elabuga – is shown as a combination of social factors, such as intangible cultural heritage, and natural factors can create an attractive tourism route. Publication of the article was supported by Russian Humanitarian Research Foundation and government of the Republic of Tatarstan as part of scientific project № 15–13–16004.


Author(s):  
Lora Hristozova ◽  
◽  
Bilyana Popova ◽  
Sofiya Kovacheva ◽  
◽  
...  

The purpose of this article is to study and analyze the results of the project "Digital Cultural аnd Historical Heritage оf Plovdiv Municipality". A main part is the formulation of the problems during and after the project and the possible solutions. An important element of the study is the realization of a field expedition in the Roma neighbourhoods in Plovdiv and summarizing the results from it. All of this is a contribution to and experience in the field of digitization of cultural and historical heritage in the museums and galleries (following the example of Plovdiv Municipality). The basis of the study is the website www.digital.plovdiv.bg, the participants in the project and the specific field expedition. More than 50,000 movable cultural properties have been digitized. Part of the immovable properties of the city, as well as the intangible cultural heritage of the Roma are added to them. Keywords: Digitization, Cultural and Historical Heritage, Plovdiv, Museums, Roma, Field Expedition


2021 ◽  
Vol 13 (16) ◽  
pp. 9170
Author(s):  
Franklin Cordova-Buiza ◽  
Edwin Gabriel-Campos ◽  
Lucía Castaño-Prieto ◽  
Lucía García-García

Gastronomy is a fundamental aspect of culture in daily life, through which tourists can discover the cultural heritage of the places they visit. Therefore, culinary pleasure is a decisive factor in choosing a travel destination; at the same time, it is essential for shaping tourists’ satisfaction regarding their travel experience. This research seeks to study the gastronomic experiences of foreign tourists visiting the city of Puno (Peru) during the celebration of the festival of the Virgen de la Calendaria, recognized as an Intangible Cultural Heritage event by UNESCO. The results of this research highlighted the existence of three groups of tourists (referred to as survivors, enjoyers and experiencers) based on their perceptions of gastronomic experiences in the city. We also concluded that there are significant differences in each of the groups in terms of their motivation for visiting the city, based on gastronomy. Finally, the results allow us to conclude that the levels of tourist satisfaction are different, depending on their attitude toward gastronomy, as classified by the groupings obtained.


Author(s):  
Ailson J. De Moraes ◽  
Carlos Antonio Teixeira

This study investigates migrant self-selection on values, beliefs, and attitudes who have become entrepreneurs and are engaged in entrepreneurial activities in the city of São Paulo, Brazil. The authors investigate, during the second semester of 2019, migrants who became entrepreneurs in the food industry, in the manufacture and trade of food typical of the migrant countries of origin. Findings provide new insights into the determinants of research and practice of migrant entrepreneurship. They seek to link the discussion of migrant and refugee entrepreneurship with the issue of UNESCO's recognition that cuisine integrates the concept of the intangible cultural heritage of humanity and to relate the entrepreneurial performance of migrants and refugees to issues related to cultural identity with associations to the memory of the homeland. The results provide economic, political, and cultural contexts for theories; identify contexts that promote community development; and help reconcile debates in the areas of migrants and entrepreneurship.


2017 ◽  
Vol 15 (1) ◽  
Author(s):  
Katerín María Meza Thorne ◽  
Lorena María Meza Thorne ◽  
Gustavo Rodríguez Albor

The production of goods and services oriented to creativity and culture, are among the main sources of innovation and exchange that affect economic development in the global context. Cultural industries are precisely considered one of the most prominent forms of production, consumption and innovation currently. This article analyzes the textile and clothing sector and the cultural potential of the city of Barranquilla, for the promotion of a fashion system based on a proposal of value of products with territorial identity. The findings indicate that it is necessary to strengthen the business, productivity, formalization and innovation of the sector, to take advantage of cultural richness, creative and artistic wealth that the city owns, recognized as an Intangible Cultural Heritage of Humanity by UNESCO.La producción de bienes y servicios orientados a creatividad y la cultura, se sitúan entre las principales fuentes de innovación e intercambio que inciden en el desarrollo económico en el contexto global. Las industrias culturales son consideradas, precisamente, una de las formas de producción, consumo e innovación más destacadas en la actualidad. Este artículo analiza el sector textil y confecciones y el potencial cultural de la ciudad de Barranquilla, para el impulso de un sistema moda a partir de una propuesta de valor de productos con identidad territorial. Los hallazgos indican que es necesario fortalecer el tejido empresarial, la productividad, la formalización e innovación del sector, para aprovechar como industria la riqueza cultural, creativa y artística que alberga la ciudad, reconocida como Patrimonio Cultural Inmaterial de la Humanidad por la UNESCO.A produção de bens e serviços orientados a serviços criatividade ea cultura estão entre as principais fontes de inovação e de câmbio que afetam o desenvolvimento econômico no contexto global. As indústrias culturais são consideradas precisamente uma das formas de produção, consumo e hoje mais importante inovação. Este artigo analisa os têxteis e vestuário e potencial cultural da cidade de Barranquilla, para a promoção de um sistema de moda a partir de uma proposta de valor de produtos com identidade territorial. Os resultados indicam a necessidade de reforçar o negócio, a produtividade, a formalização e inovação no setor como um setor para tirar proveito da riqueza cultural, criativo e artístico que abriga a cidade reconhecida como património cultural imaterial da Humanidade pela UNESCO.


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